Sentences with phrase «as action cameras»

It can be easily mounted for use as an action camera (e.g. on helmets, kayaks, bikes, or your chest) and also works great as a regular camera.

Not exact matches

In sports such as skiing, skateboarding, and cycling, the wind noise rushing into a camera's mike tends to overpower the sounds of the action.

As GoPro celebrates its IPO today, its founder explains how he got the idea to make mountable, action video cameras.

GoPro just announced its new action cameras, called the Hero 5 Black, Hero 5 Session, and Hero Session, as well as a new drone, called Karma.

That helped, but the camera remained missing in action, as the delivery date kept slipping.

«My message to lawmakers in Congress is please, take action,» David Hogg, a student at the school, said as he looked directly into CNN's camera on Thursday.

(Reuters)- Action - camera maker GoPro Inc reported a smaller - than - expected first - quarter loss on Thursday as the company cut costs and sold more of its new entry - level cameras...

Mr Rushbrooke said Sir Cliff had been left with «no option» but to take legal action and told the judge: «What we are talking about is using TV cameras to spy into someone's home at the time when their target is in the most vulnerable position imaginable and then serve it up to the British public as the most sensational story imaginable.»

You'd think I would have more babywearing action shots, but as we all know, Mama is almost always the one behind the camera.

«What is particularly missing at this time is her coming out in public, meeting her constituents, talking to TV cameras, explaining what happened, perhaps being a little humble about all of this and giving a satisfactory explanation to her constituents and the wider Conservative family to be quite frank, because speaking to people from the West Midlands region where she is an MP, these things do have a knock - on effect and there are other marginal seats far closer to her constituency where people have got Labour majorities to overturn which may be more difficult if the local Conservative politician is seen as tainted and not having justified their actions and also I gather that Conservative Party HQ has had party donors from the region expressing concern that she hasn't satisfactorily justified what she has done.»

Go Pro cameras allow you to catch the action as it happens, from your own point of view.

Photo quality is at a similarly high 8MP, excellent to catch the action on the fly or for use as an all - purpose camera.

While other camera systems can generate gigapixel - and - larger images, those composite views are stitched together from individual images taken sequentially with one camera as it is panned across the scene; the new system takes all 98 images simultaneously, providing a «stop action» view of a scene.

Now scientists have rigged this stopwatch to trip a kind of camera, taking stop - action pictures of the molecules as they change shape during the reaction.

But just as shutter speed determines a camera's ability to capture action of very short duration, so X-ray lasers must deliver extremely brief pulses of light to capture fine structure and dynamic processes at the atomic level.

Instead of pressing a button to start recording and then pressing it again to stop, they could press the button as soon as they saw some action, and the camera would save the seconds that happened before the button was pressed.

Webcamsites adult chat site keeps things as simple as possible, allowing you to instantly get in on the action with hot girls on camera.

ITV4 also shows classic UK dramas such as The Sweeney and Minder and factual series such as Police Camera Action.

Gillespie fills out the story with on - camera interviews, taken 1980s style in 1.33:1 video format, and the characters frequently break the fourth wall and comment as the action is going on.

The cameras are taken into the heart of the action, getting up close and personal with the band as they perform genre - defining hits, from «Iron Man'to «Paranoid» to «War Pigs», among others.

Leigh's camera searches this world through slow and ponderous movements, every gesture by an actor as carefully calculated as the forceful actions Turner throws onto his canvases.

I think the marketing department really got it wrong with this poster, and a lot of people were looking for more action as a result, but what the complainers missed was a strong performance by George Clooney (complemented by actors unknown in North America) and a minimalist approach to music and dialogue that allowed the camera to do the talking.

Zemeckis talks about how he approached the film as a regular live - action movie, with a particular emphasis on a non-stationary camera, thereby complicating the efforts of the animators.

The bigger cameras have forced Bay to step back and steady his shots more and that was basically the only complaints I ever had with the other two films as far as the action went.

Shlam and Medalia put their cameras right in the center of the action as these conflicts play out, and it becomes tragically apparent that Internet addiction is merely a symptom of a larger disconnect from family and society, rather than the cause.

Stallone's reputation as a muscle - bound 1980s action hero belies his work behind the camera, with a filmography that's far more complex and thoughtful than he is often credited with.

Here's some of what Besson cuts into the action as Professor Norman lectures to the Sorbonne and Lucy gets a grip on what's happening: rapid - fire montages of wildlife rutting (the credits include a thanks to Howard Hall Productions for «Indian rhino mating»); a caveman inventing fire and sparking man's industrial creativity; and Lucy's namesake, the possible «missing link» between mankind and the ape world, kneeling by a stream and staring into the camera, as if to ask «Who are you people?»

They're also the kinds of places that Kormákur's camera loves, as embracing as he is of the modern - day action - film aesthetic of deliberate imperfection.

He finds and exploits these moments as the camera follows every action in the house, quietly embracing and exhibiting the grim environment.

It may sound like just another completely no - brain action vehicle, and to some extent it is, but it's construction is lean, mean, and aggressive enough to provide the perfect showcase for the talents of its burgeoning stars, in front of the camera, and behind it as well.

The director, Francis Lawrence seems to have a much steadier hand behind the camera, and the action in Catching Fire is much easier to follow, and as a result, more exciting to watch.

Hong's camera approximates Sung - nam's sexually blinkered and socially bewildered point of view, often zooming in to get a tighter view of the action, as if trying to maintain focus.

I know, not something I saw coming, but the wonders of modern action cinematography come to the fore here, as a virtual camera roams the ice alongside «Margot Robbie».

The film also proposes a dual gaze through the visual juxtaposition of action versus immobility, as when a long take films the protagonists stationary whilst indistinguishable bodies hurriedly move past the camera, creating flashes of movement.

Still, for the sake of saying it, the turn - based combat seen in previous FE games is swapped out for some real - time hack - and - slash action and things like dodging, base capturing, camera lock - on targeting, button mashing combos, Special Attacks (aka Warrior Specials) are present as is a Magic - like mode known as Awakening.

Chazelle is disciplined enough to know when the camera should serve as a part of the action and when it should simply serve as a witness to the destructive relationship at the story's core.

The scene is pretty basic, but the way the camera moves past the action really marks this as Dominik's work — he's not a guy to engage a scene in the obvious manner.

Civil War was also partly filmed with IMAX cameras and the movie in general tends to feel big, visually - speaking, in - between its action sequences and many establishing shots of locations around the globe (as well as the massive title font that's used to identify each individual change in location)- making IMAX the preferable viewing format for Civil War.

In the meantime, many eyes will be focused on the box office numbers of Wonder Woman as validation that big tentpole movies and really just live - action movies in general do not have to be the sole domain of men on either side of the camera.

Granted, people had been waiting for a new live - action Star Wars film for over a decade before The Force Awakens hit theaters and may have been a bit easier to please, but a great team has been assembled both in front of and behind the camera, and the new footage looks great, so, as of now, there's no reason to believe that Disney and Lucasfilm won't be going two for two with their recent Star Wars releases.

Director Matthew Vaughn still has the chops for some seriously fancy action scenes, as the camera spins around the combatants like an untethered raven, the action speeding up or slowing down as aesthetics needs be.

At the film's recent press day in Los Angeles, Waugh and stunt coordinator Lance Gilbert talked about their longtime friendship and professional relationship, what it was like growing up together on the sets of «Smokey and the Bandit,» «Vanishing Point,» «The Blues Brothers» and «Bullitt,» why Waugh considers Gilbert one of the best stunt coordinators in the world, the challenges they faced pulling off practical stunts and capturing amazing action sequences realistically in - camera without CGI enhancement, and the entertaining Easter eggs they included as a homage to the classic car - culture movies of another era.

Meanwhile, the Turtles simultaneously became something of a merchandising bonanza, as the brand was extended into profitable product lines for action figures, video games, board games, skateboards, school supplies, clothes, toothpaste, cameras, cereal, pudding, gelatin, Pizza Hut Pizza, etcetera.

There's a really good start to an action set piece that has the camera smoothly follow what's going on between T'Challa, Nakia (Lupita Nyong» o), and Okoye (Danai Gurira) as they battle Ulysses Klaue (Andy Serkis) and his men.

Evans puts every action director working today on notice as he swings cameras inside cars in the mist of Rama's lightning blows and a rain of bullets.

Soderbergh shot the major dance sequences in long takes, using only a few camera setups, just as he did the fight scenes of his recent action movie Haywire.

The camera leaps into the perspective of Danny, weaned on action movies, but it also depicts the dull reality of police work, revving up into a hyper - cut frenzy for barely two seconds before cooling back down as the «perp» instantly complies.

As is always the case with an Edgar Wright film, the editing is super tight and top notch, the camera always framing the action perfectly and cleanly.

Cameras get right into the action as the cast, including Key & Peele's Keegan - Michael Key and Community's Gillian Jacobs, supports one another onstage and struggles with professional jealousies when the lights go off.

Devil isn't quite the claustrophobic, one - set film you'd expect, as the inside - the - elevator action is broken up by side stories involving a police detective investigating the apparent suicide of a jumper in the building, as well as the building's security personnel who are actively trying to get the elevator moving again, while watching the horrific events take place through their security camera in one of the upper corners of the elevator's interior.