Colour, or its absence, is a theoretical as well
as aesthetic consideration in all the works on display.
Not exact matches
The MOUs will invite input on project design, including
aesthetic design of certain project elements such
as sound walls,
consideration for traffic and parking, utilities, drainage, pest and dust control, transit - oriented development, construction schedule and duration and community safety and quality of life.
The DVDs also come with behind - the - scenes footage,
as well
as a 75 - minute making - of documentary, «Shooting Days,» that not only shows the intricacy of Emir Kusturica's technical achievement, but also the careful
consideration beneath the filmmaker's seemingly freewheeling
aesthetic, such
as the way that recurring images act
as anchors for the film and help to mark the passage of time.
Reflecting on the exhibition's
consideration of «the blues»
as a political and
aesthetic idiom within the visual arts, the performances will showcase contemporary musical forms that extend aspects of the blues legacy.
I approach these two exhibitions with the ironic realization that I was schooled in the same male universal
aesthetic value system that Schapiro struggled with — both internally and due the external art world —
as she sought a feminist practice; it is one of my critical
considerations.
Lichtenstein is a case in point of Leo Steinberg's observation (made at the Museum of Modern Art's pop art symposium) that: «we have here one characteristic of pop art
as a movement or a style: to have pushed subject matter to such prominence that formal or
aesthetic considerations are temporarily masked out».
As for whether formal or
aesthetic considerations are being temporarily «masked out», we must decide whether the subject matter of pop art is in fact strong enough to momentarily arrest the apprehension of formal relationships.
The act of choosing a readymade allowed Duchamp to,
as he said in a 1953 interview, «reduce the idea of
aesthetic consideration to the choice of the mind, not to the ability or cleverness of the hand.»
There are basically two types of collectors: those who buy art simply out of
aesthetic considerations and those who entirely (or at least partially) treat it
as an alternative (or principal) mode of investment.
In the show, they're grouped thematically ranging from the artist's
aesthetic considerations, like the moody «Moonlight and Shadow» section, to subjects» personalities, such
as the «Intellectuals.»
In this way, modernist, often
aesthetic criteria were transferred and assessed
as graphic design, while the social, cultural, and historical importance of the posters was often left out of
consideration.
Accompanying works take rectilinear shapes
as form and subject, utilizing drawing, painting, collage, printmaking, and sculpture in explorations of geometry and its influence on the formation and
consideration of
aesthetic values.
As it had been for Fry, «aesthetic unity» was what mattered most to Greenberg, and aesthetic unity at its most subtle and refined collapsed the material terms into as concentrated and self - sufficient a form as possible, making the work seem autonomous and hermetic — at the least, totally independent of literary and anecdotal considerations, to recall Bell, and as such a purely aesthetic experienc
As it had been for Fry, «
aesthetic unity» was what mattered most to Greenberg, and
aesthetic unity at its most subtle and refined collapsed the material terms into
as concentrated and self - sufficient a form as possible, making the work seem autonomous and hermetic — at the least, totally independent of literary and anecdotal considerations, to recall Bell, and as such a purely aesthetic experienc
as concentrated and self - sufficient a form
as possible, making the work seem autonomous and hermetic — at the least, totally independent of literary and anecdotal considerations, to recall Bell, and as such a purely aesthetic experienc
as possible, making the work seem autonomous and hermetic — at the least, totally independent of literary and anecdotal
considerations, to recall Bell, and
as such a purely aesthetic experienc
as such a purely
aesthetic experience.
For others, the imperative to «be critical» (falsely read
as: «be noncommercial») seemed to actually hamper them from
aesthetic consideration, which they otherwise excel at.
As with margins, the length of a resume is a critical formatting factor that has a large impact in the overall
aesthetic of the document and thus is consequential enough to give considerable
consideration.