Sentences with phrase «as aesthetic responses»

In it, I reflect on the concept of ambivalence, exploring the antinomies of feeling vs. judgment as aesthetic responses, and how that plays out within art criticism and art practice.

Not exact matches

So when we look at the religious aspect of human existence and see what contributions process thought may have to make to this inescapable and indestructible manifestation of the human spirit, we shall need to emphasize that it is to be understood not in the wooden fashion that so often has prevailed in institutional churches and in conventional religious communities but as a matter of imaginative and aesthetic response to the human situation and to whatever is supremely worshipful in the cosmos — that is, to what religion calls «God.»

The three films in his Batman trilogy have aroused a wide range of responses, spanning such topics as the director's aesthetic approach, the self - consciously realistic tone of the films, and even their political underpinnings.

Even though many of the practices of the most accomplished teachers in this study, such as coaching in word recognition during actual reading and asking higher level, aesthetic response questions, were mirrored in our analyses of teachers in the most effective schools, this does not mean that all of the most accomplished teachers worked in the most effective schools.

Overall, the system has the same basic layout as before, but touchscreen response is now much crisper with a more modern aesthetic.

Numbness is never an enlightening aesthetic response, and, as the exhibition's title insinuates, Golub insisted on its opposite.

Simultaneously, West Coast artists such as Larry Bell, John McCracken, Joe Goode and John McLaughlin, were forming their own response to these issues and developing a Minimalist aesthetic and set of principals that transcended the formal aspects of the movement and relied on a more spiritual and ethereal practice.

Like Life thus provides a point of departure for examining historical and contemporary preconceptions of what constitutes a work of art, as well as emotional, physical, and aesthetic responses to the human body across time.»

He also suggested that the reason we experience aesthetic emotion in response to the significant form of a work of art was that we perceive that form as an expression of an experience the artist has.

This approach dovetails with what Kobena Mercer (2016) named «cut - and - mix aesthetics,» or call and response in visual art by African American and Black British artists, as paradigmatic of post-1980s black diaspora aesthetic practice.

Known as In the Land of the Dead, Stepping on the Tail of a Rainbow, the new body of work revives scroll paintings, totemic sculptures, religious iconography, and art produced in response to natural disasters in Murakami's signature sharp, colorful aesthetic.

Mills's squares this time, however, rely less on their identification as revivals of modernist aesthetic than as accessible, sensitive meditations on the affecting presence of marks, dabs, lines, scribbles, doodles, smudges, shapes and other basic visual responses.

Designed as a form of «escapism from everyday life» the collection fuses eclectic, cultural influences to create exciting designer lighting collections which encourage both an emotional and aesthetic interior response.