Sentences with phrase «as aesthetic strategies»

This brief essay from Phaidon's Art in Time shows us some of the key artists of this significant movement, whose conceptual as well as aesthetic strategies remain important to this day.

The discovery led Jackson to use the properties of color perception as an aesthetic strategy for investigating the history of American school desegregation and the contemporary resegregation of public space.

It does so not necessarily in order to render it a-political, but so as to recuperate it as an aesthetic strategy, comprised of such Victorian features as the coded, ambiguous, artificial (as in artifice), and supposedly sublimated.

Not exact matches

Methods such as packaging or marketing, once thought relevant only for aesthetic functions, are now widely recognized as vital to strategy, structure, and culture.

Cameron knows the viewer will recognize Avatar's story from elsewhere, whether as the love affair between John Smith and Pocahontas or almost all of Ferngully: The Last Rainforest (don't judge me) and so tries to dazzle the viewer with «shock and awe,» as one scientist - cum - soldier puts it, laying bare both the film's political context and aesthetic strategy.

Less a straightforward horror film than a heartbreaking psycho - thriller, Rumley has frequently cited the films of Nicolas Roeg as an inspiration and that influence is felt both in its shrewdly executed aesthetic strategies and the near stifling intensity of its central, unfolding drama.

To discuss the work, aesthetic preferences, and strategies of production of a man who could be addressed as one of the «father figures» of game design is the right decision.

The second kind — the Overwatch kind — is pretty easy to implement into a strategy game without damaging it too much, as long as you make sure to only let the player unlock aesthetic stuff or sometimes side - grades.

Together, the works in the exhibition employ a heterogeneous range of aesthetic strategies, often emphatically representing the city's inhabitants through forms of bold figuration, and foregrounding New York itself as a location of conflict and possibility.

Drawing on the spectacular resources of the Norton Simon collections, the exhibition explores the wealth of aesthetic and conceptual artistic strategies that challenge the shortsighted view of still life as simply an art of imitation.

By making use of strategies such as exaggeration, abstraction, abject form, and humor, these works subvert ideals of strength and aesthetic purity, thereby illustrating their permeability.

The radical shift in art making is that for years, the conceptual strategy was to fancy - up ideas with tools from the aesthetic toolbox, but Riedel's system takes tools from the conceptual toolbox as strategies to create an aesthetic body of work.

This common aesthetic tends to be highly narrative, and draws on postmodern devices such as the use of the readymade and strategies of appropriation.

The artist creates aesthetic mythologies, which adopt and play with themes and techniques used for the fabrication of realities in advertising strategies, political spin and entertainment, as well as in the economic and legal languages, and their social applications.

Trained predominantly as a musician and a photographer, Alekhuogie marries conceptual strategies with aesthetic ones.

As with much of her work, Fishman uses the medium as an avenue for social critique, probing the pharmaceutical industry's aesthetic decisions and branding strategieAs with much of her work, Fishman uses the medium as an avenue for social critique, probing the pharmaceutical industry's aesthetic decisions and branding strategieas an avenue for social critique, probing the pharmaceutical industry's aesthetic decisions and branding strategies.

Dr. M. T. Geoffrey Yeh Art Gallery / Sun Yat Sen Hall Through May 3 St. John's Univerity, Queens NY These artists» alternative perspectives address issues of innovation, displacement, and identity as tension and conflict, as well as the impact and challenges of mobility and migration on aesthetic experimentation and creative strategies.

Sterling Ruby (born 1972) is an American artist who works in a wide range of aesthetic and material strategies, from sculptures made of saturated, glossy, poured polyurethane, bronze and steel, to drawings, collages, richly glazed ceramics, spray - paint paintings, photography and video, as well as textile works that include quilts, tapestries, garments and soft sculptures.

Rejecting the compositional strategies championed by Bauhaus artists (and still promulgated in 2D - Design foundation classes), these artists have opened a path to a new aesthetic, often mistakenly dismissed as bad painting.

Aiming to reassess abstract art's critical role as aesthetic idiom, perceptual process, and research form, this project considers how abstraction's constant re-makings keep it crucial, a strategy to think contemporary culture and to incite ongoing critical dialogues with everyday reality.

Later series used destructive strategies to mine new aesthetic effects such as violently smashing objects during public happenings or performance art events, and burning them.

Straddling the line between sculpture and post-painterly abstraction, Fishman's optically intense work functions as an avenue for social critique, probing the pharmaceutical industry's aesthetic decisions and branding strategies.

Hempel uses strategies of collection to represent languages as aesthetic experiences and exercises in free thinking.

Further presentations of Disarm (Mechanized) will take place as part of the group exhibition Transformers at MAXXI in Rome (11 November 2015 - 6 March 2016) and as part of Resistance Performed — Aesthetic Strategies under Repressive Systems in Latin America at MIGROS Museum for Contemporary Art in Zurich (21 November 2015 - 7 February 2016).

Ai often uses aesthetic strategies related to Conceptual Art as well...

Since 2004, Fontaine has approached the readymade, abstraction, and collectivity not as aesthetic ideals but as coping strategies in the symbolic economy of contemporary art.