MCASB was founded
as alternative arts space Santa Barbara Contemporary Arts Forum (CAF) in 1976 by artists and art supporters seeking a venue dedicated solely to contemporary art.
If anything, in recent years it has tried to position
itself as an alternative art space promoting lesser known artists and post-YBA factions.
Not exact matches
I mentioned this in a previous post, but,
as reminder, Garden Center growARTS artisan training program provides a
space for individuals of all abilities to create stunning pieces of
art as a means of self - expression and
as an
alternative path to self - employment.
As this issue of ARTnews went to press, the Pioneer Works
space in Red Hook, Brooklyn, was preparing an «
Alternative Art School Fair,» a kind of job fair for these types of schools.
Since the nineties, however, the city's
art scene has progressively flourished due to a growing number of artists who have either relocated or returned to Guadalajara to set up studios, galleries,
alternative project
spaces or residencies that have positioned the city
as a cultural center rivaling Mexico City.
As an advocate for and an active participant in the Washington, D.C., metropolitan area
arts scene, she has served on the directorial boards of
alternative art spaces, various local and national boards and national peer - review panels.
Founded in 1970
as» 112 Greene Street», White Columns was established
as an independent platform for artists and was a pioneering force in the
alternative art space movement of the 1970s and 1980s.
Through a series of talks, conversations, and presentations with professional curators, artists, and thinkers, and site visits to museums, galleries, studios, and
alternative spaces, participants will be able to engage with the local
art community and advance their careers
as curators.
Through audio interviews with founders and key staff, a reading room of magazines and publications, documentation, ephemera and narrative descriptions, the exhibition will tell the story of pioneering
spaces — like P.S. 1, Artists
Space, Fashion Moda, Taller Boricua, ABC No Rio, The Kitchen, Franklin Furnace, Exit
Art, 112 Greene Street, White Columns, Creative Time, Electronic
Arts Intermix, Anthology Film Archives, Storefront for
Art and Architecture, Just Above Midtown, and many more —
as well
as document a new generation of
alternative projects such
as Cinders, Live With Animals, Fake Estate, Apartment Show, Pocket Utopia, Cleopatra's, English Kills
Art Gallery, Triple Candie, Esopus
Space, and others.
Art cries out for a great
alternative space, but
as alternative to what?
Michelle Grabner (Professor in the Painting and Drawing Department at the School of the
Art Institute of Chicago, who also teaches at Yale, is an artist herself, and oversees two alternative art spaces in the Midwest) noted that her section of the 2014 Whitney Biennial «features artists who have come to the fore as figures of influence, both inside and outside the geographic and commercial centers of the art wor
Art Institute of Chicago, who also teaches at Yale, is an artist herself, and oversees two
alternative art spaces in the Midwest) noted that her section of the 2014 Whitney Biennial «features artists who have come to the fore as figures of influence, both inside and outside the geographic and commercial centers of the art wor
art spaces in the Midwest) noted that her section of the 2014 Whitney Biennial «features artists who have come to the fore
as figures of influence, both inside and outside the geographic and commercial centers of the
art wor
art world.
One of the historic
alternative contemporary
art centers in the United States, 18th Street is a leader in international residencies and cultural exchange,
as well
as the home base for seminal not for profit artist organizations Highways Performance
Space, EZTV, and Electronic Café International.
AS - AP makes available online several oral history interviews with the founders, current and former directors, and curators of significant
alternative art spaces in the United States.
As awareness of the cultural, economic, and artistic contributions
art spaces make within local and regional areas rises, coupled with drastic reductions in public funding over the past several years; a second wave of «
alternative art spaces» has emerged.
As part of its mission to document the history of alternative art spaces, AS - AP has been commissioning the production of oral history interviews with the founders, former and current directors, and curators of significant alternative art spaces throughout the United States: http://as-ap.org/oral-histories Oral and video history interviews have been used as key research and documentation tools within art history and its related disciplines as a means of capturing first - person accounts of specific events, individuals, institutions and organization
As part of its mission to document the history of alternative art spaces, AS - AP has been commissioning the production of oral history interviews with the founders, former and current directors, and curators of significant alternative art spaces throughout the United States: http://as-ap.org/oral-histories Oral and video history interviews have been used as key research and documentation tools within art history and its related disciplines as a means of capturing first - person accounts of specific events, individuals, institutions and organization
As part of its mission to document the history of
alternative art spaces,
AS - AP has been commissioning the production of oral history interviews with the founders, former and current directors, and curators of significant alternative art spaces throughout the United States: http://as-ap.org/oral-histories Oral and video history interviews have been used as key research and documentation tools within art history and its related disciplines as a means of capturing first - person accounts of specific events, individuals, institutions and organization
AS - AP has been commissioning the production of oral history interviews with the founders, former and current directors, and curators of significant alternative art spaces throughout the United States: http://as-ap.org/oral-histories Oral and video history interviews have been used as key research and documentation tools within art history and its related disciplines as a means of capturing first - person accounts of specific events, individuals, institutions and organization
AS - AP has been commissioning the production of oral history interviews with the founders, former and current directors, and curators of significant
alternative art spaces throughout the United States: http://
as-ap.org/oral-histories Oral and video history interviews have been used as key research and documentation tools within art history and its related disciplines as a means of capturing first - person accounts of specific events, individuals, institutions and organization
as-ap.org/oral-histories Oral and video history interviews have been used as key research and documentation tools within art history and its related disciplines as a means of capturing first - person accounts of specific events, individuals, institutions and organization
as-ap.org/oral-histories Oral and video history interviews have been used
as key research and documentation tools within art history and its related disciplines as a means of capturing first - person accounts of specific events, individuals, institutions and organization
as key research and documentation tools within art history and its related disciplines as a means of capturing first - person accounts of specific events, individuals, institutions and organization
as key research and documentation tools within
art history and its related disciplines
as a means of capturing first - person accounts of specific events, individuals, institutions and organization
as a means of capturing first - person accounts of specific events, individuals, institutions and organization
as a means of capturing first - person accounts of specific events, individuals, institutions and organizations.
With funding provided by NYSCA, The National Endowment for the
Arts, and the Andy Warhol Foundation for the Visual
Arts,
AS - AP has a mandate to help preserve, present, and protect the archival heritage of living and defunct for - and not - for - profit
spaces of the «
alternative» or «avant - garde» movements of the 1950s to the present.
As part of AS - AP's mission to preserve, present, and protect the archival heritage of living and defunct for - and not - for - profit art spaces, AS - AP has partnered with Exit Art to make available online dozens of significant interviews conducted by Herb Tam, Associate Curator — Exit Art, and Lauren Rosati, Assistant Curator — Exit Art, as part of the curatorial research conducted for the 2010 exhibition, Alternative Historie
As part of AS - AP's mission to preserve, present, and protect the archival heritage of living and defunct for - and not - for - profit art spaces, AS - AP has partnered with Exit Art to make available online dozens of significant interviews conducted by Herb Tam, Associate Curator — Exit Art, and Lauren Rosati, Assistant Curator — Exit Art, as part of the curatorial research conducted for the 2010 exhibition, Alternative Historie
As part of
AS - AP's mission to preserve, present, and protect the archival heritage of living and defunct for - and not - for - profit art spaces, AS - AP has partnered with Exit Art to make available online dozens of significant interviews conducted by Herb Tam, Associate Curator — Exit Art, and Lauren Rosati, Assistant Curator — Exit Art, as part of the curatorial research conducted for the 2010 exhibition, Alternative Historie
AS - AP's mission to preserve, present, and protect the archival heritage of living and defunct for - and not - for - profit art spaces, AS - AP has partnered with Exit Art to make available online dozens of significant interviews conducted by Herb Tam, Associate Curator — Exit Art, and Lauren Rosati, Assistant Curator — Exit Art, as part of the curatorial research conducted for the 2010 exhibition, Alternative Historie
AS - AP's mission to preserve, present, and protect the archival heritage of living and defunct for - and not - for - profit
art spaces, AS - AP has partnered with Exit Art to make available online dozens of significant interviews conducted by Herb Tam, Associate Curator — Exit Art, and Lauren Rosati, Assistant Curator — Exit Art, as part of the curatorial research conducted for the 2010 exhibition, Alternative Histori
art spaces,
AS - AP has partnered with Exit Art to make available online dozens of significant interviews conducted by Herb Tam, Associate Curator — Exit Art, and Lauren Rosati, Assistant Curator — Exit Art, as part of the curatorial research conducted for the 2010 exhibition, Alternative Historie
AS - AP has partnered with Exit Art to make available online dozens of significant interviews conducted by Herb Tam, Associate Curator — Exit Art, and Lauren Rosati, Assistant Curator — Exit Art, as part of the curatorial research conducted for the 2010 exhibition, Alternative Historie
AS - AP has partnered with Exit
Art to make available online dozens of significant interviews conducted by Herb Tam, Associate Curator — Exit Art, and Lauren Rosati, Assistant Curator — Exit Art, as part of the curatorial research conducted for the 2010 exhibition, Alternative Histori
Art to make available online dozens of significant interviews conducted by Herb Tam, Associate Curator — Exit
Art, and Lauren Rosati, Assistant Curator — Exit Art, as part of the curatorial research conducted for the 2010 exhibition, Alternative Histori
Art, and Lauren Rosati, Assistant Curator — Exit
Art, as part of the curatorial research conducted for the 2010 exhibition, Alternative Histori
Art,
as part of the curatorial research conducted for the 2010 exhibition, Alternative Historie
as part of the curatorial research conducted for the 2010 exhibition, Alternative Historie
as part of the curatorial research conducted for the 2010 exhibition,
Alternative Histories.
Recently, Karline has become a freelance curator for galleries
as well
as finding
alternative exhibition
spaces to showcase
art in different formats.
Following each biennial, we self - publish a 350 - page book that provides an overview of current performance practices in contemporary
art using the structure of the biennial,
as well
as the history and geography of the participating artists and collaborating organizations,
alternative spaces, and performance sites
as a framework.
These are disasters not just for their status
as alternative spaces, but for contemporary
art.
In Texas, she has exhibited at the Museum of Fine
Arts in Houston, Houston Center for Photography, Laguna Gloria Museum in Austin, Abilene Fine
Arts Museum, and The
Art Museum of South Texas as well as dozens of universities, art galleries and alternative art exhibition spac
Art Museum of South Texas
as well
as dozens of universities,
art galleries and alternative art exhibition spac
art galleries and
alternative art exhibition spac
art exhibition
spaces.
Riley's photographs and paintings have been included in exhibitions at the National Museum of Women in the
Arts, Santa Barbara Museum of
Art, Laguna Art Museum, Museum of Fine Arts in Houston, Center for Photography, Abilene Fine Arts Museum, and the Art Museum of South Texas, as well as dozens of universities, art galleries and alternative art exhibition spac
Art, Laguna
Art Museum, Museum of Fine Arts in Houston, Center for Photography, Abilene Fine Arts Museum, and the Art Museum of South Texas, as well as dozens of universities, art galleries and alternative art exhibition spac
Art Museum, Museum of Fine
Arts in Houston, Center for Photography, Abilene Fine
Arts Museum, and the
Art Museum of South Texas, as well as dozens of universities, art galleries and alternative art exhibition spac
Art Museum of South Texas,
as well
as dozens of universities,
art galleries and alternative art exhibition spac
art galleries and
alternative art exhibition spac
art exhibition
spaces.
AS - AP is a multifaceted initiative devoted to identifying, documenting, preserving, and providing access to the archival history of
alternative art spaces throughout the United States.
The Canada Council for the
Arts and the provincial
art councils have played crucial roles in this development,
as has the expansion of museums,
art galleries, and
alternative and artist - run
spaces,
as well
as the growth of
art departments in colleges and universities.
Whether you're collaborating with one of the many Bay Area
arts organizations, exhibiting at a local
alternative space, or working
as a mentored teaching assistant, you'll be acquiring the relevant experience and building strong networks to prepare for life beyond graduate school.
The campus is in proximity to prestigious
art institutions such as the High Museum of Art, Atlanta Contemporary, MOCA GA, and a solid network of commercial galleries, alternative spaces, and grassroots artist organizatio
art institutions such
as the High Museum of
Art, Atlanta Contemporary, MOCA GA, and a solid network of commercial galleries, alternative spaces, and grassroots artist organizatio
Art, Atlanta Contemporary, MOCA GA, and a solid network of commercial galleries,
alternative spaces, and grassroots artist organizations.
Artists
Space, which started in 1972, has long been viewed
as a pioneer of the downtown
alternative art scene.
As an alternative space, River contributes to the current arts dialogue in Los Angeles as it rapidly evolve
As an
alternative space, River contributes to the current
arts dialogue in Los Angeles
as it rapidly evolve
as it rapidly evolves.
For Calderón, it is important that
art be accessible; he came of age
as an artist in Mexico during the 1990s, when he was a key figure in the development of a young
alternative art scene in Mexico, associated with the non-commercial
art space he co-founded called La Panadería.
Recognized
as a defining force of the
alternative space movement, MoMA PS1 stands out from other major
arts institutions through its cutting - edge approach to exhibitions and direct involvement of artists within a scholarly framework.
With topics such
as luxury objects in the pre-Columbian Americas, 20th - century Afro - Brazilian
art,
alternative spaces in Mexico City, and boundary - crossing practices of Latino artists, exhibitions will range from monographic studies of individual artists to broad surveys that cut across numerous countries.
The changes mostly highlight the fair's strengths, with such
alternative spaces as Artists
Space and White Columns alongside such urban pioneers
as Paula Cooper — and often provocative
art.
It was then an
alternative space in Soho,
as was Exit
Art — and their founders were both alive.
Artists themselves keep asking,
as in a recent history of
alternative spaces at Exit
Art.
Your first show at the Power Station was in 2011 and you founded the
space as a way to build up the cultural landscape in Dallas, where
alternative art spaces were thin on the ground.
He has extensive experience in exhibitions and events in public
art organisations
as well
as alternative spaces.
Linwood's work has been exhibited in venues such
as the
Alternative Museum and Artists
Space in New York City; the Center for Photography in Woodstock, New York; Randolph Street Gallery in Chicago, Illinois; the Institute of Contemporary
Art in Boston, Massachusetts; Diverse Works in Houston, Texas; Intersection for the
Arts, SF Cameraworks, the de Young Museum, and Yerba Buena Center for the
Arts in San Francisco, the John Thomas Gallery and Highways Exhibition
Space in Santa Monica, and the Palm Springs
Art Museum, in California.
Light Industry draws equal inspiration from the history of
alternative art spaces in New York
as well its storied tradition of cinematheques.
It puts together Warsaw - based
spaces as hosts with international guests, and thus aims to establish an
alternative platform for commercial galleries to present contemporary
art.
Betty Brown;
Art Week LA — Betty Brown reviews two exhibitions in
alternative spaces, one a private home, the other a storefront that serves primarily
as a center for photographic education.
The Holocaust and Contemporary
Arts Museums, and the Center for Contemporary Craft,
as well
as many
alternative art spaces and galleries focus on traveling exhibitions.
As explained on the website of the present - day Studio One, «Steen's Studio One was one of the earliest
alternative arts spaces in the city, presenting exhibitions, lectures, film screenings, musicians, and performances [and] inspired Charles Gallagher to open DiverseWorks in 1982.»
An excerpt from Time Out Bejing:
ALTERNATIVE ART: TELESCOPE As a non-profit gallery, Telescope offers an alternative to commercial ones «As an artist, Telescope is my project, an art work in itself,» says James Elaine, the founder and curator of the Caochangdi - b
ALTERNATIVE ART: TELESCOPE As a non-profit gallery, Telescope offers an alternative to commercial ones «As an artist, Telescope is my project, an art work in itself,» says James Elaine, the founder and curator of the Caochangdi - based spa
ART: TELESCOPE
As a non-profit gallery, Telescope offers an
alternative to commercial ones «As an artist, Telescope is my project, an art work in itself,» says James Elaine, the founder and curator of the Caochangdi - b
alternative to commercial ones «
As an artist, Telescope is my project, an
art work in itself,» says James Elaine, the founder and curator of the Caochangdi - based spa
art work in itself,» says James Elaine, the founder and curator of the Caochangdi - based
space.
Colab was dependent on grants, too, starting with an encouraging sum of $ 6,000 received by the National Endowment for the
Arts but,
as David E. Little put it in an article on its early activities, the group also «developed a concept of an anti-hierarchical, artists - only organization that would serve
as a hothouse for cultivating collaborative projects and would seek out flexible and multiple distribution outlets to reach audiences, from bars and movie houses to cable television and even
alternative spaces.»
His work has been exhibited throughout the United States at the Pittsburgh Center for the
Arts, the New Museum of Contemporary
Art (NY), and Sound
Alternative Space for Contemporary
Art (TX),
as well
as around Chicago at Western Exhibitions and 65 Grand.
Celebrated
as «Beat Nite,» this
art crawl has grown into a popular bi-annual event for galleries and
alternative art spaces to stay open late for artists and collectors, and invites great minds from the New York
art scene to curate the list of
spaces to visit.
These artists came together at a particular time and place in the early»90s in the Mission neighborhood, at the San Francisco
Art Institute, and in alternative art spaces such as Four Walls, The Luggage Store, Victoria Room, The LAB, New Langton Arts, and Adobe Boo
Art Institute, and in
alternative art spaces such as Four Walls, The Luggage Store, Victoria Room, The LAB, New Langton Arts, and Adobe Boo
art spaces such
as Four Walls, The Luggage Store, Victoria Room, The LAB, New Langton
Arts, and Adobe Books.
Max Presneill is currently the Executive Director and Head Curator for the Torrance
Art Museum as well as Curatorial Director of ARTRA Curatorial, an independent curatorial projects management team who organize the CO / LAB — an art fair for alternative spaces which is free to participants - as well as the MAS ATTACK series of large - scale pop - up exhibitio
Art Museum
as well
as Curatorial Director of ARTRA Curatorial, an independent curatorial projects management team who organize the CO / LAB — an
art fair for alternative spaces which is free to participants - as well as the MAS ATTACK series of large - scale pop - up exhibitio
art fair for
alternative spaces which is free to participants -
as well
as the MAS ATTACK series of large - scale pop - up exhibitions.
She started her career
as a Graphic Designer, and shifted to the field of
Art and Cultural Management by working as an Assistant Curator at Project 304 alternative art space in 20
Art and Cultural Management by working
as an Assistant Curator at Project 304
alternative art space in 20
art space in 2001.
In Texas, she has exhibited at the Museum of Fine
Arts in Houston, the Houston Center for Photography, the Laguna Gloria Museum in Austin, the Abilene Fine
Arts Museum and The
Art Museum of South Texas, as well as dozens of universities, art galleries and alternative art exhibition spac
Art Museum of South Texas,
as well
as dozens of universities,
art galleries and alternative art exhibition spac
art galleries and
alternative art exhibition spac
art exhibition
spaces.