Sentences with phrase «as amateur artists»

Such exchanges were not limited to the well - known artists that were his peers; he consistently traded works with admirers whom he did not know at all, with admirers who had sent their work to him, as well as amateur artists with whom he interacted in his daily life.

Such exchanges were not limited to well - known artists — LeWitt consistently traded works with admirers whom he did not know but who had nevertheless sent their work to him, as well as amateur artists with whom he interacted in his daily life.

As an amateur artist on my free time I see stretch marks as nature's drawings on human body, I love observing nature's patterns which includes mine and my husband's stretch marks created by rapid growth when we were young.

It covers O'Malley's early years as an amateur artist painting the landscape of his native Co Kilkenny, through his years in St Ives and the Bahamas and his return to Ireland in 1990, to some of his last works, created shortly before his death in 2003.

Not exact matches

A game is played, a picture is painted, or a garden is cultivated, and each activity is regarded by the amateur as a complete experience, rounded out within minutes, hours, or months, as the case may be, while for the worker — in the parallel cases of professional player, artist, or farmer — these achievements are but incidents within a continuous career.

The longest - running exhibition of African - American art in the U.S. features more than 100 dynamic works of art from amateur and professional African - American artists from around the nation, as well as a youth category which features work by a dozen area high school artists.

As I was telling my friend who is an artist why I stopped blogging, she simply held up her hand and said, «Amateurs sit and wait for inspiration, the rest of us just get up and go to work.»

When Andrew decides to contribute a film to the Humpday fest (a real - life amateur porno festival sponsored by Seattle alternative weekly The Stranger), a piece of art that will «push boundaries,» Ben proposes (in front of a crowd of artist - types) that the two of them — two straight men — have sex on camera as a radical performance piece.

We are toolmakers to passionate artists — professional as well as amateur — and we would never attempt to usurp the role of the artist.

Their annual Rising Stars of Manga competition gives aspiring amateur artists and writers an opportunity to put their stories in front of readers worldwide, as well as the chance to pitch a graphic novel to TokyoPop's editors.

In addition to amateur dramatics, I enjoy cartwheeling, vegetables, and the Spice Girls (only as solo artists).

A self - taught artist, Eleanor's tools are amateur — off the shelf Play - Doh, a chopping board, a scalpel and an empty wine bottle as a rolling pin.

Developing the business skills of how to sell and market yourself as an artist doesn't make you an amateur, it gives you the tools to thrive as an artist - entrepreneur.

The stiffness of the amateur acting gave the proceedings an odd clarity, and the random casting unsettled stereotypes, as did giving the leading female roles to men: The Swedish artist Karl Holmqvist played Emmi; Florian Troebinger, the film's only professional actor, portrayed Barbara, the blond Germanic bar owner and Ali's sometime lover.

Artists kept playing catch - up as color increasingly swamped popular culture and amateur photography; many came to take their cues from both, and in 1976 Museum of Modern Art photography curator John Szarkowski gave William Eggleston a major solo exhibition for his now - iconic photos combining a snapshot aesthetic with a mastery of the dye imbibition process that «allowed Eggleston to draw attention to color without making it the subject of the photograph,» Rohrbach writes.

Three newer videos of hers each take a single screen, and production values have skyrocketed, just when artists such as Jon Routson and Christian Jankowski delight in turning even Hollywood values into amateur hour.

Six artists of color use performance, photography, textiles, and more to take on stories such as modern - day gentrification in Bed - Stuy, traced through an amateur kung fu film found at the former home of a theater frequented by Reverend Al Sharpton; the Syrian refugee crisis and conflict, mixing media coverage and first - person accounts; and the actual Revolutionary War's 1776 Battle of Brooklyn, conducted by a woman of color.

(Plus, overuse of art - speak often comes across as an amateur who's showing off terminology s / he just discovered) * An artist statement should ideally describe the work well enough that a person could guess with reasonable accuracy which work in a group show goes with the statement * The statement should be interesting enough to make someone want to seek out the work and learn more I'm definitely going to point people to this post as well, as there are some great ideas here.

While Mike Kelley took this up in the 1980s, and artists such as Sheila Pepe, Sheila Hicks, and Josh Faught have plotted other trajectories of textile in the expanded field, Susan Cianciolo's work reopens these questions surrounding the matriarch, the amateur, artisanship, and collectivity in the context of the accelerated speed of contemporary cultural production.

Exhibitions Highlight Seminal Artists of the 20th and 21st Centuries Including Robert Frank, Adi Nes, Shirin Neshat, Dorothea Lange, and Richard Misrach, as well as Work by Amateur Portrait Photographers

As an artist, she engages in genre - bending performance, installation, writing creative non-fiction, and working as an amateur private eyAs an artist, she engages in genre - bending performance, installation, writing creative non-fiction, and working as an amateur private eyas an amateur private eye.

Since 2005, the artist has collected the homemade submarines and cobbled - together flying machines of these amateur engineers, and, as the collector, curator, and ranking artist of «Peasant da Vincis,» he deployed their inventions throughout the newly renovated spaces of the museum in his customarily expansive and spectacular manner.

This figure, often fragmented, sometimes even completely abstracted, takes on various forms, from the human face, at once raw material and object of symbolic representation, as with Benglis's objectifying caresses, to the full body as place and tool of the trial and pleasure of repetition, as with Nauman's amateur choreography, bordering on the absurd, to the traces and physical prints left by the artist - creator (or the «art worker» in his service), as with the irregular random geometry of LeWitt, to the peers (Donald Judd) and tutelary figures in the history of art who inspire Flavin's evanescent structures... Now a disenchanted statement «Double Eye Poke» offers a challenge to the being of perception and thought.

He operates as an artist, writer, amateur scientist, semi-philosopher, and sometime curator.

Caleb Lyons: Well I do have balls, or a pair of testiclesâ $ «they were on exhibit in my nude video: The Artist Is The Model: Do It Yourself, Still Life, Amateur Hour, Idiot Box, which was riffing on the ego and vulnerability of the artist, as well as the idea that through our immediate technologies everyone has become a producer, the «artist» has become the «model citizen» for exploitArtist Is The Model: Do It Yourself, Still Life, Amateur Hour, Idiot Box, which was riffing on the ego and vulnerability of the artist, as well as the idea that through our immediate technologies everyone has become a producer, the «artist» has become the «model citizen» for exploitartist, as well as the idea that through our immediate technologies everyone has become a producer, the «artist» has become the «model citizen» for exploitartist» has become the «model citizen» for exploitation.

The Unphotographable clothbound catalog published to accompany the exhibition is comprised of approximately 50 photographs by anonymous amateurs and artists as diverse as Diane Arbus, Robert Adams, Sophie Calle, Liz Deschenes, Kota Ezawa, Adam Fuss, Man Ray, Christian Marclay, Ralph Eugene Meatyard, Richard Misrach, Alfred Stieglitz, and Hiroshi Sugimoto.

The Royal Academy's 242nd Summer Exhibition features, as ever, a wide range of work in all media including painting, printmaking, photography and sculpture by established international and amateur artists, as well as displays dedicated to architecture.One of the founding principles of the Royal Academy of Arts was to «mount an annual exhibition open to all -LSB-...]

«They continued for a long time to look on us women artists as charming and gifted amateurs, denying us any real professional status.

The Royal Academy's 242nd Summer Exhibition features, as ever, a wide range of work in all media including painting, printmaking, photography and sculpture by established international and amateur artists, as well as displays dedicated to architecture.One of the founding principles of the Royal Academy of Arts was to «mount an annual exhibition open to all artists of distinguished merit» to finance the training of young artists in the RA Schools.

Drawing inspiration from such sources as local architecture, amateur photographs, and state fair banners, their work runs the aesthetic spectrum from sleek to handcrafted, underscoring the diverse manifestations of the vernacular within our lived environment and its impact on artists working today.

, curated by Esox Lucius & Patrice Ferrari, Ligny en Brionnais, FR Shimmering Substance, touring show, Cornerhouse, Manchester, UK Ursula Schultz - Dornburg, Across The Territories 1998 - 2001, IVAM, Valencia, ES The Red Night, 9th Annual Watermill Benefit Representing Nature, Museum of Contemporary Art, Chicago, US Waschsalon - Der Stof aus dem die Bilder sind, Aargauer Kunsthaus / Halle Schönenwerd, DE Drawings of Choice from a New York Collection Krannert Art Museum, Illinois, UK Extension, Works from the collection No. 2 Magasin 3, Stockholm Konstall, Stockholm, SW Something We Talked About: Badessari, McBride, Salle, Weiner, Brooke Alexander & Leo Castelli Gallery, New York, US Sans Commune Mesure, Image et texte dans l'art actuel, Museé d'Art Moderne Lille Métropole, FR Stars and Brights, Brigitte March Galerie, Stuttgart, DE L'Art Mol et Raide... Nouvelle Présentation de la Collection, Musée d'Art Contemporain de Lyon, Lyon, FR Extension, Magasin 3, Stockholm, SW MuHKA de Collectie een Keuze, Museum van Hedendaagse Kunst, Antwerpen, BE Group Show, Musée d'Art Contemporain de Bordeaux, Bordeaux, FR Les Enfants Du Paradis, Yvon Lambert, Paris, FR Museum in Progress, Galeria Continua, San Gimigano, IT Married by Powers, 11 choices from the Frac Collection by Bik Van der Pol plus 10, TENT, Rotterdam, NL 1968 - 1977, l'art en Cause (s), CAPC - Museé d'Art Contemporain de Bordeaux, Bordeaux, FR Kunstprojekte für den Neubau der Universität Klagenfurt, Universitat Klagenfurt, Klagenfurt, DE Les Années 70: l'art en Cause 1968 - 1977, CAPC, Musée d'Art Contemporain Entrepôt, Bordeaux, FR Building Structures, P.S. 1 MOMA, Long Island City, New York, US Extra Art: A Survey of Artists» Ephemera, 1960 - 1999, Institute of Contemporary Arts, London, UK Comer o no Comer To Eat or not to Eat, Centro de Arte de Salamanca, Salamanca, ES 2002 Taipei Biennial: Great Theatre of the World, Tai Pei Fine Arts Museum, Taipei, CN Markers a Banner Project of Artists & Poets for Venice Biennale 2001 - a Choice of 55 Works, The International Artists» Museum & Orensanz Foundation, Center for the Arts, New York, US Postcards From The Edge, Visual AIDS, benefit show and sale, New York, US RxART Ball, Barney's New York Co-op, New York, US To Hear Yourself As Others Hear You; William Furlong, South London Gallery, London, UK Bloody Amateurs, Unknown Public, London, UK

Artists including Mark Dion, Jochen Lempert and Helen Mirra use the Hildesheim Museum's geological collection to employ scientific methodology for their own fictional documentations as amateur scientists.

WAR / PHOTOGRAPHY comprises iconic images as well as previously unknown pictures, taken by military photographers, commercial photographers (portrait and photojournalist), amateurs and artists.

He received further recognition as an artist when the Royal Academy elected him an Honorary Academician Extraordinary in 1948, and held a solo exhibition of his works that toured internationally in 1958 - 59 — the institution's first and only exhibition of an amateur artist.

The One Show Summer Art Competition 2014 is now open and amateur artists living in the UK have the chance to exhibit their works in the same hallowed institution which has played host to past great British artists such as Constable, Gainsborough and Turner.

Exhibition proposals are open to all students, as well as amateur and professional artists.

Inspired by the flat East Anglian landscape with its big skies, Norfolk Broads and rivers, and by 17th century Dutch Realist painters such as Meindert Hobbema (1638 - 1709) and Jacob van Ruisdael (1628 - 82), Norwich School artists included amateurs as well as professionals, many of whom practised the avant - garde method of plein air painting.

[29] He continued to paint scenes set in Italy, as well as England and Wales, and his death in 1782 came just as large numbers of artists began to travel to Wales, and later the Lake District and Scotland in search of mountainous views, both for oil paintings and watercolours which were now starting their long period of popularity in Britain, both with professionals and amateurs.

In 2015, the artist located amateur audio footage of the event on YouTube and as he listened to the sound, he wondered if he could somehow find his 15 - year - old self.

Inspired by historical sources as varied as the Italian futurists (for their interdisciplinary and offbeat interpretations of industrial development) and folk or outsider artists native to the American South (for their exaltation of the amateur aesthetic and embrace of the everyday), Blackwell's artworks address such contemporary themes as environmentalism, excess, utility, and (re) use with a fresh and playful sense of experimentation.

Thus, the actual professionals in the field are slimed with the same public disdain / crud as the here - today - gone - tomorrow amateur - hour try - out artists, who, by their never - ending, same - incompetence - different - faces presence, keep this industry in a perpetual state of discord... thanks to the inwardly - looking philosophy and self - sustaining politics of ORE lever - pullers, aka self - satisfied puppeteers.