The language I developed
as an abstract painter became stuck.
Not exact matches
«In the course of his long life
as a
painter, Jack Tworkov
became an important figure in the maturation of
abstract art in America.»
Though Flack has
become an artist with an impressive career
as a representational
painter, and later a sculptor of public monuments, her early experiments in
abstract painting — like those of Pat Passlof, shown at Elizabeth Harris last year — mirror and impersonate the classic AbEx look.
Things
become further complicated when that autonomy is itself called into question
as it has, for example by
abstract painters such Jonathan Lasker, Francis Baudevin, Ingrid Calame or Fiona Rae, to name only a few.
It took her from being a
painter and leading figure in the Brazilian neo-concretist movement, an offshoot of European constructivism, to
becoming a maker of
abstract sculptures that were
as much propositions
as fixed objects.
And yet, this American
painter managed to forge his own path and
become one of the most famous
abstract artists, who stood toe - to - toe with titans such
as Jackson Pollock, Willem de Kooning, Mark Rothko, Clyfford Still, and Barnett Newman.
Just
as Ms. Blaine was
becoming known
as a promising
abstract painter, and gaining the admiration of such critics
as Clement Greenberg, she started to shift back to representation.
He began his career
as a
painter, drawing on the work of the
abstract Expressionists, but
as time went on he
became increasingly dissatisfied with painting, a medium that he came to believe was a thing of the past.
He
became known
as an early, articulate champion of American
abstract painters Jackson Pollock and Adolph Gottlieb and sculptor David Smith.
Trained
as a realist
painter, he
became a pioneering
abstract artist after seeing works by Van Gogh, Gauguin, Matisse, Picasso, and other European modernists at the Armory Show in New York in 1913.
His early landscapes, portraits and still lifes were characteristic for their dark palette, but soon his style
became distinguished from pictorial elements and by 1950 he considered himself
as an
abstract painter.
His Low Tide, from 1976, hanging in the RA, shows heel - like shapes resting on a red ground, like body parts of
abstract expressionist
painters, revealed
as deep waters
become shallow.
For a new generation of
abstract painters, the process of making an artwork often
becomes an indispensable part of showing the work
as well.
Albert Irvin, the
painter, who has died aged 92, started out in the 1950s
as a figurative artist of the kitchen sink school, but after discovering Willem de Kooning, Jackson Pollock and Mark Rothko at a famous Tate exhibition in 1956 he reinvented himself
as an exponent of a dazzlingly vigorous
abstract expressionism,
becoming one of Britain's most respected
abstract artists.
After a few moments amongst the paintings in his recent exhibition at the Marian Goodman Gallery it
becomes clear that Gabriel Orozco doesn't intend to take up a dialogue with the history and medium of painting; he is painting not
as a
painter, but rather employs the format of
abstract painting
as a possibility for depicting his geometrical thought.
Jonathan Jones: Tate Britain delves into the great
painter's late
abstract phase,
as we take a tour a bizarre amusement park in China and revel in the Soviet pooches that
became design heroes
It
became a serial motif for her and linked her practice in New Mexico with that that of younger New York
abstract painters, such
as Mark Rothko and Ellsworth Kelly, who created multiple works around a repeated form.
Marden, who
became famous overnight in the mid -»60s and is now regarded
as one of the world's leading
abstract painters, was in town recently
as a guest of SFMOMA's Director's Circle.
Before
becoming one of the most eminent
abstract painters of her generation, Mary Heilmann arrived in New York
as a sculptor in 1968.
McNeil speaks of why he
became interested in art; his early influences;
becoming interested in modern art after attending lectures by Vaclav Vytlacil; meeting Arshile Gorky; the leading figures in modern art during the 1930s; his interest in Cézanne; studying with Jan Matulka and Hans Hofmann; his experiences with the WPA; the modern artists within the WPA; the American
Abstract Artists (A.A.A.); a group of
painters oriented to Paris called The Ten; how there was an anti-surrealism attitude, and a surrealist would not have been permitted in A.A.A; what the A.A.A. constituted
as abstract art; a grouping within the A.A.A. called the Concretionists; his memories of Léger; how he assesses the period of the 1930s; the importance of Cubism; what he thinks caused the decline of A.A.A.; how he assesses the period of the 1940s; his stance on form and the plastic values in art; his thoughts on various artists; the importance of The Club; the antipathy to the School of Paris after the war; how Impressionism was considered in the 40s and 50s; slides of his paintings from 1937 to 1962, and shows how he developed
as an artist; the problems of
abstract expressionism; organic and geometric form; the schisms in different art groups due to politics; his teaching techniques; why he feels modern painting declined after 1912; the quality of A.A.A. works; stretching his canvases, and the sizes he uses; his recent works, and his approaches to painting.
Sandra Blow, who has died aged 80, found her direction
as a
painter in 1947, when the Italian
abstract artist Alberto Burri
became her lover.
Meanwhile, he
became known
as one of the most promising young
abstract painters in his home country, Germany.
While his monochrome grounds align his work with those for whom monochromatic painting
became the next logical step in the advancement of
abstract art toward a reductive purity, Motherwell was sharply, yet graciously, critical of those
painters who had studied his work of the 1940s, specifically The Little Spanish Prison (1941 - 1944) and Pancho Villa, Dead and Alive (1943) and employed stripes
as a modular unit in their paintings.
I really
became an
abstract painter because of Blinky Palermo's work, but it could just
as easily have been because I quit smoking.
These contours are sensually coloured with pastel chalk powders, make - up, soap and bath - bombs, Black here acting in the capacity of an
abstract painter: but,
as a three - dimensional work, this work is traversable, the viewer invited into the folds of the canvass to
become immersed.
Irwin began
as an
abstract painter before
becoming deeply engaged in pushing the boundaries of art
as the experience of perception itself.
«I see myself
as a still - life
painter trying to
become an
abstract painter,» he has said.
Pryor, an
abstract painter, has been curating the unique shows at the gallery for two years, creating shows such
as «Fashioned: One
Becomes Another,» in 2011, which saw him collaborate with Project Runway designer Christopher Straub to turn his
abstract images into fashion pieces that were like mobile three - dimensional sculptures.
The term new spirit painting
became used particularly in Britain and is useful in that it also embraces aspects of new painting at that time that do not fit quite comfortably into the category of neo-expressionism, such
as the American
painters David Salle and Eric Fischl and in Britain Paula Rego, Stephen McKenna, Steven Campbell and the
abstract painter Sean Scully.
I see myself
as a still - life
painter trying to
become an
abstract painter.
Known
as the «pope of modern art», Read
became Britain's leading interpreter of
abstract paintings and
abstract sculpture during the three decades 1930 - 1960, championing a number of modern artists like the
painter Paul Nash (1889 - 1946) and the leaders of modern British sculpture like Jacob Epstein (1880 — 1959), Henry Moore (1898 - 1986), Ben Nicholson (1894 - 1982), Barbara Hepworth (1903 - 1975) and Anthony Caro (1924 - 2013).