One could argue that this exhibition, one that pairs luminous, warm abstractions and coldly machined industrial fixtures, provides a liminal art historical space between Abstract Expressionism and Minimalism, recalling Flavin's beginnings
as an abstract painter identified within the locus of Brooks's generation.
Not exact matches
Jackson Pollock, Adolph Gottlieb, Hans Hofmann, Barnett Newman, Clyfford Still, Mark Rothko, Robert Motherwell, Ad Reinhardt and Arshile Gorky (in his last works) were among the prominent
abstract expressionist
painters that Greenberg
identified as being connected to Color Field painting in the 1950s and 1960s.
Identified as part of the California hard - edge
painters, after she left surrealism - influenced work behind, Windblown has an unmistakable lightness and seems to foreshadow later works that more closely incorporate references to the landscape into her geometric
abstract paintings.
In the 1960s, art critics
identified Davis
as a leader of the Washington Color School, a loosely connected group of Washington
painters who created
abstract compositions in acrylic colors on unprimed canvas.