It should be noted that while the overall effect of Murray's work is one of abstraction, and the artist described
herself as an abstract painter in an interview included in the 1987 catalogue, there are many representational elements and references in her paintings, in a stylized style emerging from cartoons, comics, and graffiti as well as from pop artists like Claes Oldenburg: works are shaped like shoes or cups and contains stylized abstracted but identifiable figuration and still - life imagery.
Laurent went on to study art at the Académie de la Grande Chaumière and work
as an abstract painter in Montparnasse.
Not exact matches
The show pits «
abstract»
painters vs. «realist»
painters in a tongue -
in - cheek mock battle; a clash
as obviously senseless
as any taking place around the world today.
«
In the future, I hope when people talk about me, it's not
as an
abstract painter, but that I came to abstraction through the study of very concrete objects,» Zhang said.
In the early 1990s, as a young artist out of graduate school at Bennington College in Vermont, where he studied the work of mainstream abstract painters such as Helen Frankenthaler and Kenneth Noland, Odita got a job at Kenkeleba House in New York, owned by the painter Joe Overstreet, who collected and showed work by African American artist
In the early 1990s,
as a young artist out of graduate school at Bennington College
in Vermont, where he studied the work of mainstream abstract painters such as Helen Frankenthaler and Kenneth Noland, Odita got a job at Kenkeleba House in New York, owned by the painter Joe Overstreet, who collected and showed work by African American artist
in Vermont, where he studied the work of mainstream
abstract painters such
as Helen Frankenthaler and Kenneth Noland, Odita got a job at Kenkeleba House
in New York, owned by the painter Joe Overstreet, who collected and showed work by African American artist
in New York, owned by the
painter Joe Overstreet, who collected and showed work by African American artists.
As early as 2013, the Rubell Family Collection in Miami introduced a host of Chinese abstract painters to American audiences in an exhibition called «28 Chinese.&raqu
As early
as 2013, the Rubell Family Collection in Miami introduced a host of Chinese abstract painters to American audiences in an exhibition called «28 Chinese.&raqu
as 2013, the Rubell Family Collection
in Miami introduced a host of Chinese
abstract painters to American audiences
in an exhibition called «28 Chinese.»
Kurchanova writes: «Apart from large canvases covered by Pollock's signature all - over web of patterned, dripped or sculpted paint, a range of his smaller
abstract paintings adds complexity to our understanding of his work
as that of an «action»
painter... Pollock's active engagement with printing presents his achievement
as a
painter to us from a completely different angle and complicates the understanding of his work
as based
in physical action and unmediated involvement of the artist's hand.
As a cerebral painter, this body of work continues his interest in systems, minimalism, and Op Art from the 1960s and 70s; with the computer as a drawing tool, his images also explore contemporary graphic design, digital technology and the history of hard - edged abstract, geometric paintin
As a cerebral
painter, this body of work continues his interest
in systems, minimalism, and Op Art from the 1960s and 70s; with the computer
as a drawing tool, his images also explore contemporary graphic design, digital technology and the history of hard - edged abstract, geometric paintin
as a drawing tool, his images also explore contemporary graphic design, digital technology and the history of hard - edged
abstract, geometric painting.
«
In the course of his long life as a painter, Jack Tworkov became an important figure in the maturation of abstract art in America.&raqu
In the course of his long life
as a
painter, Jack Tworkov became an important figure
in the maturation of abstract art in America.&raqu
in the maturation of
abstract art
in America.&raqu
in America.»
Brooklyn - born
painter Walter Price stands out
as particularly impressive
in this context, with a selection of small skewed and
abstracted figure -
in - landscape paintings.
Behind the black gate was a world of color, hundreds of
abstract works created and hidden away by Mr. Bates, who had a promising start
as a
painter in the 1970s before renouncing the art world and retreating to his storefront to paint.
But
in her work, and that of other
abstract painters I've mentioned, the issue of whether there is anything already
in such paintings,
as opposed to what we might «read» into them, is often raised.
Though Flack has become an artist with an impressive career
as a representational
painter, and later a sculptor of public monuments, her early experiments
in abstract painting — like those of Pat Passlof, shown at Elizabeth Harris last year — mirror and impersonate the classic AbEx look.
Gene Davis also was a
painter known especially for paintings of vertical stripes of color, like Black Grey Beat, 1964, and he also was a member of the group of
abstract painters in Washington DC during the 1960s known
as the Washington Color School.
Jackson Pollock, Adolph Gottlieb, Hans Hofmann, Barnett Newman, Clyfford Still, Mark Rothko, Robert Motherwell, Ad Reinhardt and Arshile Gorky (
in his last works) were among the prominent
abstract expressionist
painters that Greenberg identified
as being connected to Color Field painting
in the 1950s and 1960s.
It took her from being a
painter and leading figure
in the Brazilian neo-concretist movement, an offshoot of European constructivism, to becoming a maker of
abstract sculptures that were
as much propositions
as fixed objects.
These successes launched Hoptman back to MoMA
in 2010
as curator of contemporary art
in its painting and sculpture department, and since then her landmark show has been «The Forever Now: Contemporary Painting
in an Atemporal World,» the 2014 conversation - starter billed
as the first contemporary painting survey at the institution
in some 30 years, featuring 17 contemporary
abstract painters — including Mark Grotjahn, Kerstin Brätsch, and Mary Weatherford — who notably remix the techniques of
painters from previous eras.
Guston achieved fame
in the 1950s
as a part of the first generation of
abstract expressionists, although the
painter himself preferred the term New York School.
Looking at
painters who came to prominence
in the 1960s,»70s and»80s, this book shows how
abstract painting has developed
in the wake of postwar movements such
as Art Informel.
The other version came
in March at the Whitney Biennial,
as a likeness of Emmett Till
in his coffin was included
in a series of
abstract paintings by the white
painter Dana Schutz.
While his work bears similarities to that of American
abstract expressionist
painters such
as Mark Rothko, Jules Olitski and Barnett Newman, Hoyland was keen to avoid what he called the «cul - de-sac» of Rothko's formalism and the erasure of all self and subject matter
in painting
as championed by the American critic Clement Greenberg.1 The paintings on show here exhibit Hoyland's equal emphasis on emotion, human scale, the visibility of the art - making process and the conception of a painting
as the product of an individual and a time.
Whatever else they may or may not have
in common with the work of
abstract painters and sculptors from elsewhere, the artworks shown here were made to be exhibited
as such.
Harold Cohen (1928 — 2016) Harold Cohen, an
abstract painter best known
as a pioneer of computer - generated art, has died at home
in California aged 87.
Richter's technical aptitude has led to his reputation
as one of the outstanding
painters of our era and Abstraktes Bild, which lays testament to his relentless technical explorations
in the field of
abstract art and to the painterly and intellectual elasticity unique
in his work, is estimated at # 500,000 - 700,000.
Painter Arshile Gorky, who committed suicide
in 1947, is described
as the last of the surrealists and first of the
abstract expressionists.
Jack Bush started off
as an illustrator but fostered his love of
abstract art
in his spare time, playing a role
in the Toronto - based
abstract expressionist group
Painters Eleven (1953 — 60) and winning the attention of Clement Greenberg
in 1957.
Stella continues to influence contemporary artists, such
as the American Mark Grotjahn and the German
abstract painter Tomma Abts, who won the Turner Prize
in 2006.
Visiting
abstract painter Mike Elsass
in his Front Street studio By Bill Franz Photo: Mike Elsass» signature rusted steel paintings hold
as many
as 40 layers of paint; photos: Bill Franz Mike Elsass may be Dayton's most colorful artist, and he works
in what is definitely Dayton's most colorful studio.
The original common use refers to the tendency attributed to paintings
in Europe during the post-1945 period and
as a way of describing several artists (mostly
in France) with
painters like Wols, Gérard Schneider and Hans Hartung from Germany or Georges Mathieu, etc., whose works related to characteristics of contemporary American
abstract expressionism.
As an emerging
Abstract Expressionist
painter, Melinda happily acknowledges that
abstract painting was
in her blood long before she studied at the School of Visual Arts
in New York City under Frank Roth.
I was reminded of one of my favorite
abstract painters, the Californian John McLaughlin, who was born
in 1898 and whose career
as an artist also began when he was 50.
The Chicago
painter Miyoko Ito (1918 - 1983), who was born
in Berkeley and interned during World War II, is one of the latter: her strange
abstract paintings, informed
as much by Giorgio Morandi's sallow still lifes
as by the legacy of Surrealism, come
as a revelation.
As the MCA Chicago preps for its 50th birthday in 2017, Beckwith is in the beginning stages of planning a project with abstract painter Howardena Pindell, who — like the MCA, as Beckwith points out — has been working with art for 50 year
As the MCA Chicago preps for its 50th birthday
in 2017, Beckwith is
in the beginning stages of planning a project with
abstract painter Howardena Pindell, who — like the MCA,
as Beckwith points out — has been working with art for 50 year
as Beckwith points out — has been working with art for 50 years.
Although all of the artists have donated works to help to support the magazine and the development of the art school, this exhibition has been carefully considered to reflect that which is current, significant and critical
in contemporary painting, including
abstract works by Thomas Nozkowski, Mali Morris and Phil Allen, and
painters who have championed a figurative approach such
as Chantal Joffe, Neal Tait and Dinos Chapman.
While the movement is closely associated with painting, and
painters such
as Arshile Gorky, Franz Kline, Clyfford Still, Hans Hofmann, Willem de Kooning, Jackson Pollock, and others, collagist Anne Ryan and certain sculptors
in particular were also integral to
abstract expressionism.
The term «
abstract classicists» was coined
in 1959 by curator and critic Jules Langsner to define these four southern California
painters whose work he grouped
in a seminal exhibition that year at the Los Angeles County Museum
in Exposition Park (prior to LACMA's existence
as an independent art museum).
Though Mitchell
abstracted nature, gleaning only its essence, her advocacy for the natural world
as a subject finds precedence
in the plein air and Impressionist
painters a century before.
While Blinky Palermo's reputation
as one of the foremost post-war
abstract painters is well established
in Europe, his work is rarely seen
in North America.
Although Ms. Buchanan came to art
as a second career, after a decade
as a public health educator
in East Orange, N.J., she sought out professional instruction and made many insider connections, taking classes with the
abstract painter and activist Norman Lewis at the Art Students League of New York and finding another mentor
in Lewis's friend Romare Bearden.
Chris Moon is an outsider artist making serious waves
as a
painter with
abstract work that recalls the intensity of Francis Bacon
in its stretching of anonymous human forms into the endless void of the canvas
She studied art
in Tours, France under the direction of a former assistant to and student of Hans Hoffmann and evolved
as an
abstract painter.
He had just left the Chelsea School of Art after an unsatisfactory period
as a figurative
painter in an institution that overvalued
abstract expressionism, and was «thrashing about
as an artist» attempting to express his perplexity and anger at the dismal political situation facing the left at the time.
David Reed is a grandmaster — no
painter has contributed
as much
in terms of expanding the vocabulary of
abstract painting and maintaining its relevance during this era of marginalization, although there are many
in New York who currently enjoy greater status.
Jasper Johns (born 1930) made his major breakthrough
as a
painter in the mid-1950s when he started using iconic, popular images
in his paintings — an explosive move at a moment when advanced painting was understood to be exclusively
abstract.
A possible correction: I don't know
abstract painters or surrealists but I do know photographers: Ernst's other woman «Dorothea» is likely not Dorothea Lange
as stated
in the first part of the article but the Dorothea Tanning mentioned
in the second.
When British artists saw the first London exhibitions of American
abstract painters such
as Jackson Pollock and Mark Rothko
in the late Fifties, they were astonished by the improvisatory freedom of their works,
in which paint appeared to have been hurled on to the canvas without any preconceived ideas, and by the sheer size of the paintings.
Odili Odita, an
abstract painter who grew up
in Columbus, Ohio, used to regard Cleveland
as «the big city,» but said that now he reflects on both its grandeur and its decline.
The monograph, designed by Takaaki Matsumoto and authored by philosopher and art critic David Carrier, is the first to trace Rohrer's trajectory over 40 years, describing the highly unorthodox arc of his life — from Mennonite stock
in rural Pennsylvania to prominence
as an exceptional
abstract painter of the late 20th century.
As with many
abstract painters of the 1940's and 1950's, think Rothko and his Subway Series, the path to abstraction for Richard Diebenkorn lay
in taking familiar objects and views and finding new ways of interpreting them.
Under new curator Clara M. Kim, a few trends have emerged among the 15 participating galleries: firstly, reappraisals of African - American artists later
in life, among them
abstract painter Jack Whitten (Alexander Gray Associates); secondly, «Global Pop», a nod to Tate Modern's autumn show «The World Goes Pop» (17 September — 24 January 2016), with Brazilian and Japanese Pop artists, such
as Keiichi Tanaami at the stand of Tokyo - based Nanzuka.