Sentences with phrase «as an art dealer at»

2004 marked her last participation in an art exhibition in New York at Greene Naftali and her entry into the gallery world as an art dealer at Reena Spaulings Fine Art.

He was brought up in Cornwall, England, and began his career as an apprentice painting restorer with Martin Henry Colnaghi in London, then worked as an art dealer at the Colnaghi's Marlborough Gallery for some years, before becoming a dealer in his own right and opening a gallery in Dublin in 1908.

Not exact matches

Lambert Wilson adds a droll note to the proceedings as Liam's co-conspirator and art dealer, and the script provides a few good laughs along the way, but the humor is broad at best, often settling for goofy when biting would have been far more satisfying.

A member of both the Art Dealers Association of America and Art Table, Haines regularly speaks on the role of art in public places and has critiqued graduate level classes at the California College of the Arts as part of FOR - SITE's education progrArt Dealers Association of America and Art Table, Haines regularly speaks on the role of art in public places and has critiqued graduate level classes at the California College of the Arts as part of FOR - SITE's education progrArt Table, Haines regularly speaks on the role of art in public places and has critiqued graduate level classes at the California College of the Arts as part of FOR - SITE's education progrart in public places and has critiqued graduate level classes at the California College of the Arts as part of FOR - SITE's education program.

As I dug deeper I was struck by the sense of outrage and loss this painting aroused in so many people: The family of Lea Bondi, determined to reclaim the stolen portrait she had failed to recover in her lifetime; the Manhattan District Attorney who sent shock waves through the international art world and enraged many of New York's most prominent cultural organizations when he issued a subpoena and launched a criminal investigation following the surprise resurfacing of Portrait of Wally; the New York art dealer who tipped off a reporter about the painting during the opening of the Schiele exhibition at MoMA; the Senior Special Agent at the Department of Homeland Security who vowed not to retire until the fight was over; the art theft investigator who unearthed the post-war subterfuge and confusion that ultimately landed the painting in the hands of a young, obsessed Schiele collector; the museum official who testified before Congress that the seizure of Portrait of Wally could have a crippling effect on the ability of American museums to borrow works of art; the Assistant United States Attorney who took the case to the eve of trial; and the legendary Schiele collector who bartered for Portrait of Wally in the early 1950s and fought to the end of his life to bring it home to Vienna.

«Some illustrators make a living creating personal work that's exhibited at major museums and sold through dealers [and college illustration programs that offer gallery / fine art as a concentration],» she says.

«It's a bankrupt model,» said art dealer Peter Hopkins, sitting in his salon / gallery at 56 Bogart, a converted industrial building that serves as a hub for many Bushwick galleries.

Used as models for marble panels in the Paris apartment of Braque's art dealer Paul Rosenberg, the four canvases reveal aspects of Braque's process; all were in his studio at the same time at various stages of completion, as he reworked them over several years.

Salon will also feature a discussion focused on «Instagram as an Artistic Medium» with Klaus Biesenbach, Director of MoMA PS1 and Chief Curator - at - Large at Museum of Modern Art, New York; Simon de Pury, Auctioneer, Art Dealer, New York / London; Hans Ulrich Obrist, Co-Director, Serpentine Gallery, London; Kevin Systrom, CEO and co-founder of Instagram and artist Amalia Ulman.

- The Art Newspaper Everything Is Illuminated: Your Guide to the Venice Biennale — Art in America Polly Morgan, Sarah Lucas and the rise of the female sculptor — The Guardian «Cronocaos,» by Rem Koolhaas, at the New Museum — NYTimes Recent Art News - Texas Week of 04/24/11 Arthouse: The Dilemma of Authenticity and Visibility — Glasstire Blanton Director resigns — Austin 360 Biennial survives — and keeps thriving — as new exhibits show — Austin 360 Mayoral Candidates Debate Arts, Arts Funding, Arts Re-Districting — Art & Seek Recent Art News - National - International Week of 04/24/11 Andres Serrano's Piss Christ destroyed by Christian protesters — Guardian Confucius Statue Vanishes Near Tiananmen Square — NYTimes Guy Wildenstein, Venerable Art Dealer Is Enmeshed in Lawsuits — NYTimes Soldiers Protecting Art, Art Protecting Soldiers — Studio 360 Slow Down, You Look Too Fast — ARTnews Museums should not fear the art snobs — The Art Newspaper (Video) Shadows Bright As Glass: When Brain Injuries Transform Into Art — NPR British 20th - century aArt Newspaper Everything Is Illuminated: Your Guide to the Venice Biennale — Art in America Polly Morgan, Sarah Lucas and the rise of the female sculptor — The Guardian «Cronocaos,» by Rem Koolhaas, at the New Museum — NYTimes Recent Art News - Texas Week of 04/24/11 Arthouse: The Dilemma of Authenticity and Visibility — Glasstire Blanton Director resigns — Austin 360 Biennial survives — and keeps thriving — as new exhibits show — Austin 360 Mayoral Candidates Debate Arts, Arts Funding, Arts Re-Districting — Art & Seek Recent Art News - National - International Week of 04/24/11 Andres Serrano's Piss Christ destroyed by Christian protesters — Guardian Confucius Statue Vanishes Near Tiananmen Square — NYTimes Guy Wildenstein, Venerable Art Dealer Is Enmeshed in Lawsuits — NYTimes Soldiers Protecting Art, Art Protecting Soldiers — Studio 360 Slow Down, You Look Too Fast — ARTnews Museums should not fear the art snobs — The Art Newspaper (Video) Shadows Bright As Glass: When Brain Injuries Transform Into Art — NPR British 20th - century aArt in America Polly Morgan, Sarah Lucas and the rise of the female sculptor — The Guardian «Cronocaos,» by Rem Koolhaas, at the New Museum — NYTimes Recent Art News - Texas Week of 04/24/11 Arthouse: The Dilemma of Authenticity and Visibility — Glasstire Blanton Director resigns — Austin 360 Biennial survives — and keeps thriving — as new exhibits show — Austin 360 Mayoral Candidates Debate Arts, Arts Funding, Arts Re-Districting — Art & Seek Recent Art News - National - International Week of 04/24/11 Andres Serrano's Piss Christ destroyed by Christian protesters — Guardian Confucius Statue Vanishes Near Tiananmen Square — NYTimes Guy Wildenstein, Venerable Art Dealer Is Enmeshed in Lawsuits — NYTimes Soldiers Protecting Art, Art Protecting Soldiers — Studio 360 Slow Down, You Look Too Fast — ARTnews Museums should not fear the art snobs — The Art Newspaper (Video) Shadows Bright As Glass: When Brain Injuries Transform Into Art — NPR British 20th - century aArt News - Texas Week of 04/24/11 Arthouse: The Dilemma of Authenticity and Visibility — Glasstire Blanton Director resigns — Austin 360 Biennial survives — and keeps thriving — as new exhibits show — Austin 360 Mayoral Candidates Debate Arts, Arts Funding, Arts Re-Districting — Art & Seek Recent Art News - National - International Week of 04/24/11 Andres Serrano's Piss Christ destroyed by Christian protesters — Guardian Confucius Statue Vanishes Near Tiananmen Square — NYTimes Guy Wildenstein, Venerable Art Dealer Is Enmeshed in Lawsuits — NYTimes Soldiers Protecting Art, Art Protecting Soldiers — Studio 360 Slow Down, You Look Too Fast — ARTnews Museums should not fear the art snobs — The Art Newspaper (Video) Shadows Bright As Glass: When Brain Injuries Transform Into Art — NPR British 20th - century aras new exhibits show — Austin 360 Mayoral Candidates Debate Arts, Arts Funding, Arts Re-Districting — Art & Seek Recent Art News - National - International Week of 04/24/11 Andres Serrano's Piss Christ destroyed by Christian protesters — Guardian Confucius Statue Vanishes Near Tiananmen Square — NYTimes Guy Wildenstein, Venerable Art Dealer Is Enmeshed in Lawsuits — NYTimes Soldiers Protecting Art, Art Protecting Soldiers — Studio 360 Slow Down, You Look Too Fast — ARTnews Museums should not fear the art snobs — The Art Newspaper (Video) Shadows Bright As Glass: When Brain Injuries Transform Into Art — NPR British 20th - century aArt & Seek Recent Art News - National - International Week of 04/24/11 Andres Serrano's Piss Christ destroyed by Christian protesters — Guardian Confucius Statue Vanishes Near Tiananmen Square — NYTimes Guy Wildenstein, Venerable Art Dealer Is Enmeshed in Lawsuits — NYTimes Soldiers Protecting Art, Art Protecting Soldiers — Studio 360 Slow Down, You Look Too Fast — ARTnews Museums should not fear the art snobs — The Art Newspaper (Video) Shadows Bright As Glass: When Brain Injuries Transform Into Art — NPR British 20th - century aArt News - National - International Week of 04/24/11 Andres Serrano's Piss Christ destroyed by Christian protesters — Guardian Confucius Statue Vanishes Near Tiananmen Square — NYTimes Guy Wildenstein, Venerable Art Dealer Is Enmeshed in Lawsuits — NYTimes Soldiers Protecting Art, Art Protecting Soldiers — Studio 360 Slow Down, You Look Too Fast — ARTnews Museums should not fear the art snobs — The Art Newspaper (Video) Shadows Bright As Glass: When Brain Injuries Transform Into Art — NPR British 20th - century aArt Dealer Is Enmeshed in Lawsuits — NYTimes Soldiers Protecting Art, Art Protecting Soldiers — Studio 360 Slow Down, You Look Too Fast — ARTnews Museums should not fear the art snobs — The Art Newspaper (Video) Shadows Bright As Glass: When Brain Injuries Transform Into Art — NPR British 20th - century aArt, Art Protecting Soldiers — Studio 360 Slow Down, You Look Too Fast — ARTnews Museums should not fear the art snobs — The Art Newspaper (Video) Shadows Bright As Glass: When Brain Injuries Transform Into Art — NPR British 20th - century aArt Protecting Soldiers — Studio 360 Slow Down, You Look Too Fast — ARTnews Museums should not fear the art snobs — The Art Newspaper (Video) Shadows Bright As Glass: When Brain Injuries Transform Into Art — NPR British 20th - century aart snobs — The Art Newspaper (Video) Shadows Bright As Glass: When Brain Injuries Transform Into Art — NPR British 20th - century aArt Newspaper (Video) Shadows Bright As Glass: When Brain Injuries Transform Into Art — NPR British 20th - century arAs Glass: When Brain Injuries Transform Into Art — NPR British 20th - century aArt — NPR British 20th - century artart?

AWAD is an international network of women art dealers that facilitates business and collaborations for and between members at all stages of their careers as business owners.

Red Bull Arts New York and the New Art Dealers Alliance (NADA) are pleased to present the The Bell, Mannahatta, a site - specific solo presentation by artist Eric Wesley at NADA New York 2018 as part of the fair's programming.

So our strength is to show you, obviously what we think, is the best, as dealers, but also sort of give you a history of the medium within a setting over the course of a few days at an art fair.

At The Art Show, in a thematic presentation from Van Doren Waxter and Eleven Rivington, works on paper by Diebenkorn — brand new to the market — highlight the artist's painted figures and what dealer Dorsey Waxter describes as the «long, translucent strokes» and a «fascinating attention to brushstroke that defines each work.»

At least two exhibitors at NADA have galleries about as small as their booths — and those are already members of the New Art Dealers AlliancAt least two exhibitors at NADA have galleries about as small as their booths — and those are already members of the New Art Dealers Alliancat NADA have galleries about as small as their booths — and those are already members of the New Art Dealers Alliance.

Screening: NADA at the Atrium: Michel Auder at The David Rubenstein Atrium The New Art Dealers Alliance (a.k.a. NADA) is bringing French - born, Brooklyn - based artist Michel Auder (known in some circles as Cindy Sherman's ex-husband) to this Lincoln Center site to show three of his acclaimed New Wave - inspired videos: Heads of the Town, Endless Column, and 1967.

In 1977, the German art dealer Heiner Friedrich hosted The Earth Room as an installation at his New York gallery at the Wooster Street space.

At the same time, just as importantly, there is a new generation of dynamic young dealers who are very active in post-war Italian art — doing a lot of research and promoting artists with catalogs, museum shows and major highly focused art - fair booths.

Exhibitionism's 16 exhibitions in the Hessel Museum are (1) «Jonathan Borofsky,» featuring Borofsky's Green Space Painting with Chattering Man at 2,814,787; (2) «Andy Warhol and Matthew Higgs,» including Warhol's portrait of Marieluise Hessel and a work by Higgs; (3) «Art as Idea,» with works by W. Imi Knoebel, Joseph Kosuth, and Allan McCollum; (4) «Rupture,» with works by John Bock, Saul Fletcher, Isa Genzken, Thomas Hirschhorn, Martin Kippenberger, and Karlheinz Weinberger; (5) «Robert Mapplethorpe and Judy Linn,» including 11 of the 70 Mapplethorpe works in the Hessel Collection along with Linn's intimate portraits of Mapplethorpe; (6) «For Holly,» including works by Gary Burnley, Valerie Jaudon, Christopher Knowles, Robert Kushner, Thomas Lanigan - Schmidt, Kim MacConnel, Ned Smyth, and Joe Zucker — acquired by Hessel from legendary SoHo art dealer Holly Solomon; (7) «Inside — Outside,» juxtaposing works by Scott Burton and Günther Förg with the picture windows of the Hessel Museum; (8) «Lexicon,» exploring a recurring motif of the Collection through works by Martin Creed, Jenny Holzer, Barbara Kruger, Bruce Nauman, Sean Landers, Raymond Pettibon, Jack Pierson, Jason Rhoades, and Allen Ruppersberg; (9) «Real Life,» examines different forms of social systems in works by Robert Beck, Sophie Calle, Matt Mullican, Cady Noland, Pruitt & Early, and Lawrence Weiner; (10) «Image is a Burden,» presents a number of idiosyncratic positions in relation to the figure and figuration (and disfigurement) through works by Rita Ackerman, Jonathan Borofsky, John Currin, Carroll Dunham, Philip Guston, Rachel Harrison, Adrian Piper, Peter Saul, Rosemarie Trockel, and Nicola Tyson; (11) «Mirror Objects,» including works by Donald Judd, Blinky Palermo, and Jorge Pardo; (12) «1982,» including works by Carl Andre, Robert Longo, Robert Mangold, Robert Mapplethorpe, A. R. Penck, and Cindy Sherman, all of which were produced in close — chronological — proximity to one another; (13) «Monitor,» with works by Vito Acconci, Cheryl Donegan, Vlatka Horvat, Bruce Nauman, and Aïda Ruilova; (14) «Cindy Sherman,» includes 7 of the 25 works by Sherman in the Hessel Collection; (15) «Silence,» with works by Christian Marclay, Pieter Laurens Mol, and Lorna Simpson that demonstrate art's persistent interest in and engagement with the paradoxical idea of «silence»; and (16) «Dan Flavin and Felix Gonzalez - Torres.&raqArt as Idea,» with works by W. Imi Knoebel, Joseph Kosuth, and Allan McCollum; (4) «Rupture,» with works by John Bock, Saul Fletcher, Isa Genzken, Thomas Hirschhorn, Martin Kippenberger, and Karlheinz Weinberger; (5) «Robert Mapplethorpe and Judy Linn,» including 11 of the 70 Mapplethorpe works in the Hessel Collection along with Linn's intimate portraits of Mapplethorpe; (6) «For Holly,» including works by Gary Burnley, Valerie Jaudon, Christopher Knowles, Robert Kushner, Thomas Lanigan - Schmidt, Kim MacConnel, Ned Smyth, and Joe Zucker — acquired by Hessel from legendary SoHo art dealer Holly Solomon; (7) «Inside — Outside,» juxtaposing works by Scott Burton and Günther Förg with the picture windows of the Hessel Museum; (8) «Lexicon,» exploring a recurring motif of the Collection through works by Martin Creed, Jenny Holzer, Barbara Kruger, Bruce Nauman, Sean Landers, Raymond Pettibon, Jack Pierson, Jason Rhoades, and Allen Ruppersberg; (9) «Real Life,» examines different forms of social systems in works by Robert Beck, Sophie Calle, Matt Mullican, Cady Noland, Pruitt & Early, and Lawrence Weiner; (10) «Image is a Burden,» presents a number of idiosyncratic positions in relation to the figure and figuration (and disfigurement) through works by Rita Ackerman, Jonathan Borofsky, John Currin, Carroll Dunham, Philip Guston, Rachel Harrison, Adrian Piper, Peter Saul, Rosemarie Trockel, and Nicola Tyson; (11) «Mirror Objects,» including works by Donald Judd, Blinky Palermo, and Jorge Pardo; (12) «1982,» including works by Carl Andre, Robert Longo, Robert Mangold, Robert Mapplethorpe, A. R. Penck, and Cindy Sherman, all of which were produced in close — chronological — proximity to one another; (13) «Monitor,» with works by Vito Acconci, Cheryl Donegan, Vlatka Horvat, Bruce Nauman, and Aïda Ruilova; (14) «Cindy Sherman,» includes 7 of the 25 works by Sherman in the Hessel Collection; (15) «Silence,» with works by Christian Marclay, Pieter Laurens Mol, and Lorna Simpson that demonstrate art's persistent interest in and engagement with the paradoxical idea of «silence»; and (16) «Dan Flavin and Felix Gonzalez - Torres.&raqart dealer Holly Solomon; (7) «Inside — Outside,» juxtaposing works by Scott Burton and Günther Förg with the picture windows of the Hessel Museum; (8) «Lexicon,» exploring a recurring motif of the Collection through works by Martin Creed, Jenny Holzer, Barbara Kruger, Bruce Nauman, Sean Landers, Raymond Pettibon, Jack Pierson, Jason Rhoades, and Allen Ruppersberg; (9) «Real Life,» examines different forms of social systems in works by Robert Beck, Sophie Calle, Matt Mullican, Cady Noland, Pruitt & Early, and Lawrence Weiner; (10) «Image is a Burden,» presents a number of idiosyncratic positions in relation to the figure and figuration (and disfigurement) through works by Rita Ackerman, Jonathan Borofsky, John Currin, Carroll Dunham, Philip Guston, Rachel Harrison, Adrian Piper, Peter Saul, Rosemarie Trockel, and Nicola Tyson; (11) «Mirror Objects,» including works by Donald Judd, Blinky Palermo, and Jorge Pardo; (12) «1982,» including works by Carl Andre, Robert Longo, Robert Mangold, Robert Mapplethorpe, A. R. Penck, and Cindy Sherman, all of which were produced in close — chronological — proximity to one another; (13) «Monitor,» with works by Vito Acconci, Cheryl Donegan, Vlatka Horvat, Bruce Nauman, and Aïda Ruilova; (14) «Cindy Sherman,» includes 7 of the 25 works by Sherman in the Hessel Collection; (15) «Silence,» with works by Christian Marclay, Pieter Laurens Mol, and Lorna Simpson that demonstrate art's persistent interest in and engagement with the paradoxical idea of «silence»; and (16) «Dan Flavin and Felix Gonzalez - Torres.&raqart's persistent interest in and engagement with the paradoxical idea of «silence»; and (16) «Dan Flavin and Felix Gonzalez - Torres.»

In this conversation recorded on February 9, 2014, as part of The Collecting of African American Art, a series at the National Gallery of Art, Ruth Fine and Rodney M. Miller discuss his collection in all of its aspects — from his early interest in art to the development of his diverse interactions with contemporary artists, curators, and dealeArt, a series at the National Gallery of Art, Ruth Fine and Rodney M. Miller discuss his collection in all of its aspects — from his early interest in art to the development of his diverse interactions with contemporary artists, curators, and dealeArt, Ruth Fine and Rodney M. Miller discuss his collection in all of its aspects — from his early interest in art to the development of his diverse interactions with contemporary artists, curators, and dealeart to the development of his diverse interactions with contemporary artists, curators, and dealers.

Dealer Jasmin Tsou, a veteran of Maccarone and Kimmerich galleries, as well as Karma, the West Village bookshop and gallery, started this LES showcase for emerging and under - appreciated artists in 2012 with money she raised at the NADA art fair in Miami where she'd mounted a small project booth.

When Bluhm returned to the United States in 1956, he settled in New York, where he joined Franz Kline, Robert Motherwell, Ad Reinhardt, Willem de Kooning, and others as a member of the Club — the group of artists, writers, and art dealers who would meet in an apartment at 39 East 8th Street — and became a regular at the Cedar Bar.

From a striking portrait of a Glaswegian art dealer to a marine scene that inspired Turner — as Rembrandt: The Late Works opens at the National Gallery, here are ten unmissable paintings from the Netherlands on display across Britain.

Art dealers, collectors, auction houses, and major artists such as Gerhard Richter and Georg Baselitz spoke out strongly against the «German Cultural Property and Heritage Protection Law,» which would require that any work valued at or above $ 300,000 and older than 70 years be granted an export license before leaving the country.

A sweltering heat and art dealer jitters about a softening market did not discourage attendance at the Frieze fair's four - day celebration of art as big business.

As an internationally recognized artist whose work spanned five decades, Allan D'Arcangelo began painting at a pivotal moment when artists, critics, and dealers were challenging the dominance of abstract expressionism and other modernist doctrines and hotly contesting new criteria in defining the creation and interpretation of art in society.

Belying «fair fatigue» and qualms about our fraying political superstructure, that dealers such as David Zwirner, Larry Gagosian and Marian Goodman booked large spaces both at Tefaf Spring and Frieze, testifies to the perceived health of the contemporary art market.

Two years ago, Rybolovlev lodged a criminal complaint in Monaco, as well as France and Singapore, against Swiss art dealer Yves Bouvier, claiming that Bouvier sold him some 38 artworks for, at a total of $ 2 billion, as much as $ 1 billion more than their actual value.

Her eye for overlooked talent has earned her a reputation as one to watch at international art shows — a rarity for a Bay Area - based dealer.

He subsequently worked at Christie's, and as an art dealer, before ultimately turning to criticism.

At least not in the opinion of art dealer Robert Mnuchin, who is fond of the specific body of work by Judd known as «stacks»: the cool, vertical, wall - mounted arrangements of iron - and - Plexiglas boxes that are, in their industrial materials and repetitive form, evocative of skyscrapers and mass - produced goods.

The Os Gêmeos work was one of the first in a series of artist murals that have been exhibited in the mural space on Houston Street at Bowery, beginning in 2008 when property developer Tony Goldman — who was a pioneer of the revitalization of SoHo as well as Miami's Wynwood Arts District — teamed up with art dealer Jeffrey Deitch to commission the recreation of a Keith Haring mural that had been there decades earlier.

In this video interview at ARCO 2011 in Madrid, the renowned gallerist taks about her career as an art dealer, the importance of art fairs for her gallery, how ARCO came about, and what she thinks of the recent development at ARCO.

The dinner bubbled with cheer, however, as Violette and his tattooed buddies joined artists Kai Althoff and Wangechi Mutu, collector Beth Swofford, and dealers Jeff Poe and Rodolphe Janssen to chow down and chew fat about, among other things, the insanely funny new YouTube video pitting Adolf Hitler against Jeffrey Deitch in the former's unsuccessful bid for director at the Los Angeles Museum of Contemporary Art.

He sold his fashion business, bought the imposing Victorian mansion, Caroline House, in Caroline Street, South Yarra, and established himself as a commercial art dealer, with premises at 5 Collins Street, Melbourne.

«Our relationship was not just of artist and dealer — Leslie and I became good friends,» says artist Michael Craig - Martin, remembering the legendary British art dealer who served as chairman of Waddington Custot galleries, and whose personal collection, offered at Christie's on 4 October, is set to be a highlight of London Frieze Week.

There is a great eclectic exhibition at Pace London titled «A Strong Sweet Smell of Incense» that takes as inspiration the character and career of celebrated art dealer and pioneer, Robert Fraser, curated by Brian Clarke.

Opening his first New York gallery on the Upper East Side at a time when there were very few dealers operating out of the city, he later helped establish SoHo as a thriving art district in the 1980s when he opened a humongous (at least by those days» standards) space on Greene Street.

-- Nikolay Oleynikov, Tsaplya Olga Egorova, Dmitry Vilensky, and others Claire Fontaine (fictional conceptual artist)-- A Paris - based collective including Fulvia Carnevale and James Thornhill CPLY — William N. Copley Diane Pruis (pseudonymous Los Angeles gallerist)-- Untitled gallery's Joel Mesler Donelle Woolford (black female artist)-- Actors hired to impersonate said fictional artist by white artist Joe Scanlan Dr. Lakra (Mexican artist inspired by tattoo culture)-- Jeronimo Lopez Ramirez Dr. Videovich (a «specialist in curing television addiction»)-- The Argentine - American conceptual artist Jaime Davidovich Dzine — Carlos Rolon George Hartigan — The male pseudonym that the Abstract Expressionist painter Grace Hartigan adopted early in her career Frog King Kwok (Hong Kong performance artist who uses Chinese food as a frequent medium)-- Conceptualist Kwok Mang Ho The Guerrilla Girls — A still - anonymous group of feminist artists who made critical agit - prop work exposing the gender biases in the art world Hennessy Youngman (hip - hop - styled YouTube advice dispenser), Franklin Vivray (increasingly unhinged Bob Ross - like TV painting instructor)-- Jayson Musson Henry Codax (mysterious monochrome artist)-- Jacob Kassay and Olivier Mosset JR — Not the shot villain of «Dallas» but the still - incognito street artist of global post-TED fame John Dogg (artist), Fulton Ryder (Upper East Side gallerist)-- Richard Prince KAWS — Brian Donnelly The King of Kowloon (calligraphic Hong Kong graffiti artist)-- Tsang Tsou - choi Klaus von Nichtssagend (fictitious Lower East Side dealer)-- Ingrid Bromberg Kennedy, Rob Hult, and Sam Wilson Leo Gabin — Ghent - based collective composed of Gaëtan Begerem, Robin De Vooght, and Lieven Deconinck Lucie Fontaine (art and curatorial collective)-- The writer / curator Nicola Trezzi and artist Alice Tomaselli MadeIn Corporation — Xu Zhen Man Ray — Emmanuel Radnitzky Marvin Gaye Chetwynd (Turner Prize - nominated artist formerly known as Spartacus Chetwynd)-- Alalia Chetwynd Maurizio Cattelan — Massimiliano Gioni, at least in many interviews the New Museum curator did in the famed Italian artist's stead in the»90s Mr. Brainwash (Banksy - idolizing street artist)-- Thierry Guetta MURK FLUID, Mike Lood — The artist Mark Flood R. Mutt, Rrose Sélavy — Marcel Duchamp Rammellzee — Legendary New York street artist and multimedia visionary, whose real name «is not to be told... that is forbidden,» according to his widow Reena Spaulings (Lower East Side gallery)-- Artist Emily Sundblad and writer John Kelsey Regina Rex (fictional Brooklyn gallerist)-- The artists Eli Ping (who now has opened Eli Ping Gallery on the Lower East Side), Theresa Ganz, Yevgenia Baras, Aylssa Gorelick, Angelina Gualdoni, Max Warsh, and Lauren Portada Retna — Marquis Lewis Rod Bianco (fictional Oslo galleris)-- Bjarne Melgaard RodForce (performance artist who explored the eroticized associations of black culture)-- Sherman Flemming Rudy Bust — Canadian artist Jon Pylypchuk Sacer, Sace (different spellings of a 1990s New York graffiti tag)-- Dash Snow SAMO (1980s New York Graffiti Tag)-- Jean - Michel Basquiat Shoji Yamaguchi (Japanese ceramicist who fled Hiroshima and settled in the American South with a black civil - rights activist, then died in a car crash in 1991)-- Theaster Gates Vern Blosum — A fictional Pop painter of odd image - and - word combinations who was invented by a still - unnamed Abstract Expressionist artist in an attempt to satirize the Pop movement (and whose work is now sought - after in its own right) Weegee — Arthur Fellig What, How and for Whom (curators of 2009 Istanbul Biennial)-- Ana Dević, Nataša Ilić, Sabina Sabolović, Dejan Kršić, and Ivet Curlin The Yes Men — A group of «culture - jamming» media interventionists led by Jacques Servin and Igor Vamos

The International Herald Tribune looks at Brussels as the new crossroads of Contemporary art in Europe where dealers like Xavier Hufkens found freedom, chaos and opportunity:

72 ° 19 ′ W, «was the Chelsea gallery's first summer show on the North Fork, presented at the same venue as this year's, the home of art dealer Jose Martos and artist Servane Mary.

«Certain that «no serious black artist today would accept to be include in an exclusively black show» and that any exhibition he organized would have to include nonblack artists as well, (Peter) Bradley (an African American artist who was also an art dealer at the time) proposed a competing vision.

As many dealers noted, the city's support for the arts extends back at least a century, when local families such as the Palmers and the Bartletts went to Europe and bought the Impressionist and Post-Impressionist paintings that now form the core of the Art Institute of Chicago's famed collectioAs many dealers noted, the city's support for the arts extends back at least a century, when local families such as the Palmers and the Bartletts went to Europe and bought the Impressionist and Post-Impressionist paintings that now form the core of the Art Institute of Chicago's famed collectioas the Palmers and the Bartletts went to Europe and bought the Impressionist and Post-Impressionist paintings that now form the core of the Art Institute of Chicago's famed collection.

Allan Stone, a vital and respected New York art collector and dealer who ignored art world fashion and embraced artists whose work stirred him personally — among them such masters as Willem de Kooning, Barnett Newman, Joseph Cornell and Wayne Thiebaud — has died of heart failure at age 74.

Owner and founder Robert Mnuchin, whose passion for the arts developed through his childhood and his longstanding career in the financial sector as the head of the trading desk at Goldman Sachs, began a successful second career as an art dealer in 1992, co-founding C&M Arts in 1992, and the bi-coastal operation, L&M Arts, in 2arts developed through his childhood and his longstanding career in the financial sector as the head of the trading desk at Goldman Sachs, began a successful second career as an art dealer in 1992, co-founding C&M Arts in 1992, and the bi-coastal operation, L&M Arts, in 2Arts in 1992, and the bi-coastal operation, L&M Arts, in 2Arts, in 2005.

Not long after, Mr. Zwirner became Ms. Dumas's primary representative, a coup for the art dealer, as she had a 2008 retrospective of her work at the Museum of Modern Art, among other achievemenart dealer, as she had a 2008 retrospective of her work at the Museum of Modern Art, among other achievemenArt, among other achievements.

It is the first of the artist's «gray numbers» paintings and was acquired by Ms. Miller at the 1958 one - man exhibition at the Leo Castelli Gallery, a show that Mr. Castelli has been quoted as saying was «the crucial event in my career as an art dealer.»

When he arrived, Tamayo spoke no English, but that didn't stop him from rapidly inserting himself into a number of creative communities — one of Mexican intellectuals who hung out at the midtown bookstore run by poet Juan José Tablada; one of American artists who lived near Tamayo's apartment in the Village, including Stuart Davis, Reginald Marsh, Raphael and Moses Soyer, and Yasuo Kuniyoshi; and a circle of art dealers and impresarios including Walter Pach (who had organized the 1913 Armory Show), Carl Zigrosser of Weyhe Gallery, and future gallerist and Surrealist promoter Julien Levy, then working as an assistant to Zigrosser.

Her prior experience includes ten years as a dealer of 19th and 20th century American painting and sculpture at a Boston gallery and 18 years as Curator and Acting Director of the Fuller Museum of Art in Brockton, Massachusetts.

As for formative influences among collectors, Rebecca and Martin Eisenberg credited the dealer and tastemaker Jack Tilton, who passed away in May, as «a great inspiration» who taught them «how to look at art, where to find great art, and how to build a collection.&raquAs for formative influences among collectors, Rebecca and Martin Eisenberg credited the dealer and tastemaker Jack Tilton, who passed away in May, as «a great inspiration» who taught them «how to look at art, where to find great art, and how to build a collection.&raquas «a great inspiration» who taught them «how to look at art, where to find great art, and how to build a collection.»