Sentences with phrase «as an art director with»

This definitive, chronological visual record spans Paula's early days in the music industry as an art director with CBS and Atlantic records; the launch of her first studio, Koppel & Scher; and her 25 - year engagement with Pentagram.

Title: Paula Scher: Works (concise edition)[Unit 37] Editors: Tony Brook & Adrian Shaughnessy Design: Spin Edition of 2000 «Paula Scher is the most influential woman graphic designer on the planet» Ellen Lupton Abstract: The Art of Design, Netflix Book This monograph covers Paula's early days in the music industry as an art director with CBS and Atlantic records; the launch of her first studio, Koppel & Scher; and her 25 - year engagement with Pentagram.

(Ellen Lupton), This definitive, chronological visual record spans Paula's early days in the music industry as an art director with CBS and Atlantic records; the launch of her first studio, Koppel & Scher; and her 25 - year engagement with Pentagram.

A great opportunity seemed to come her way when, through her networking efforts, she was asked to interview for a full - time position as Art Director with a leading fashion - oriented website.

Not exact matches

Jenn Lisak, Director of Content Strategies at DK New Media, says «Content marketing strategy is as much an art form as it is a process; when working with a client on an infographic or a whitepaper, I have to pay attention to target audience, aligning the messaging with the brand, appealing to different types of learners and personality types, and whether the curated content is going to resonate with our desired buyer persona.»

Name: Chris Fowler, MA Title: President and Chief Executive Officer Areas of responsibility: Executive management, strategy Years with CWB Financial Group: 27 Career history: Has served at CWB in roles with increasing responsibility since 1991, including, commercial account management (1991 - 1995), credit risk (1995 - 2008), and joined the executive team in 2008 as Executive Vice President, Banking, and then President and Chief Operating Officer Education: Master of Arts Degree in Economics from the University of British Columbia Community involvement: Trustee for the University Hospital Foundation (University of Alberta), Member of the Canadian Bankers Association's Executive Council, director with the Art Gallery of Alberta's board of directors, and campaign cabinet member with the United Way of Alberta Capital Region

Perhaps the kinds of studies that have been made of the art of administration, of the relations of policy and administration, of organization and management in other: spheres will be carried forward into the sphere of the Church and may show how much the pastoral director of our time, as pastoral preacher, teacher, counselor and leader of worship has also become the democratic pastoral administrator, that is to say, a man charged with the responsibility and given the authority to hold in balance, to invigorate and to maintain communication among a host of activities and their responsible leaders, all directed toward a common end.

Chris Koetke, CEC, CCE, executive director of Kendall College School of Culinary Arts and vice president of Laureate International Universities Center of Excellence in Culinary Arts, sits down with Australian author Julian Cribb to discuss his new book, The Coming Famine, and his upcoming address as a featured speaker at the International Foodservice Sustainability Symposium, May 24 — 25, in Chicago.

As director of culinary arts for the Certified Angus Beef ® brand, he will be hosting this four course luncheon with featured wine pairings.

Birthing from Within Advanced Mentor Retreat with Virginia Bobro, 2017 Doula Trainings International Doula Training with Jackie Davey, 2017 Creating a Culture of Breastfeeding in the NICU with BreastfeedLA, 2017 Diversity, Determinants, and Disparities in Maternal Mental Health, 2017 Hypnobirthing for Birth Professionals with Ellie Shea, 2017 (certified 2017) Working with Diverse Populations in Maternal and Child Health with Shafia Monroe, 2017 Changing the Paradigm: Social and Historical Trauma, 2017 Seeking Safety with Treatment Innovations, 2017 Holding Space for Pregnancy Loss with Amy Wright Glenn, 2017 Working with Childhood Trauma with Echo Parenting, 2017 Breastfeeding Full Circle with Dr. Jack Newman, 2016 Art of Sacred Postpartum and Mother Roasting with Sara Harkness, 2016 (certified 2017) Birth Story Medicine Part I with Pam England, 2016 Supporting Perinatal Mental Health as a Doula with Sonia Nikore, 2016 Prenatal and Postpartum Nutrition with Elizabeth Kotek, 2016 Sacred Blood Mysteries Online Class with Sacred Living, 2016 Birthing from Within Introductory Workshop with Virginia Bobro, 2016 Supporting Breastfeeding as a Doula with Kate Zachary, 2016 Homebirth Caesarean Workshop with Courtney Jarecki, 2016 Return to Zero Training for Supporting Fetal and Infant Loss with Kiley Hanish and Ivy Margulies, 2016 Acupressure for Pregnancy, Labor, Birth and Postpartum with Abigail Morgan, 2016 Becoming Dad Workshop with Darren Mattock, 2015 Diversity Roundtable for Birth Workers with Debra Langford, 2015 Babywearing for Doulas with Laura Brown, 2015 Co-leader, BabywearingLA, 2014 - 2016 DASC Director of Hospitality, 2014 - 2015 Co-leader, Silver Lake meeting of the International Caesarean Awareness Network, 2013 CAPPA Lactation Educator Training with Christy Jo Hendricks, 2013 (certified 2015, recertified 2018) Acupressure for Labor and Birth with Abigail Morgan, 2013 Essential Oils for Doulas with BluJay Hawk, 2013 Babywearing for Birthworkers with Laura Brown, 2013 Rebozo Techniques with Angela Leon, 2013 Massage Techniques for Doulas with Jenna Denning, 2013 Breeches, Twins and VBACs with Stuart Fischbein, 2013 DASC co-Director of Development, 2012 - 2013 Co-founded Two Doulas Birth, 2012 Spinning Babies Training with Gail Tully, 2012 Featured as the Doula Expert in LA Parent Magazine, 2012 Advanced Doula Training with Penny Simkin, 2012 CAPPA Postpartum Doula Training with Darla Burns, 2012 (certified 2014, recertified 2017) Yoga Instructor, Yogavidala, Los Angeles, CA, 2011 - 2012 Billings Ovulation Method Teacher Training, 2011 CAPPA Labor Doula Training with Angie Whatley, 2010 (certified 2011, recertified 2014, recertified 2017) CAPPA Childbirth Educator Training with Angie Whatley, 2010 (certified 2011, recertified 2014, recertified 2017) Neonatal Resuscitation Program Workshop with Karen Strange, 2010 (certified 2010) Herbs and Homeopathics in the Care of Women and Infants, 2010 The Farm Midwifery Center Midwife Assistant Workshop with Ina May Gaskin, 2009 Birthing from Within Introductory Workshop with Pam England, 2009 Iyengar Yoga Introductory I Assessment passed, 2010 Yoga Instructor, Eastern Sun Yoga, Memphis, TN 2008 - 2011 Yoga Instructor, Evergreen Yoga Center, Memphis, TN, 2009 - 2011 Eastern Sun Yoga Iyengar Teacher Training with Lou Hoyt, 2008 - 2011 Audubon Yoga Iyengar Teacher Training with Karin O'Bannon, 2010 - 2011

Along those lines, I'm hearing that former budget director Art Smith and deputy executive Marshall Beckman, recently retired with generous pensions, are back in harness as «contract employees» in the executive branch.

Mr. Jackson (also known as Sekou Molefi Baako) is an East Elmhurst resident with a long history of community service, including 36 years as Executive Director of the Queens Library's Langston Hughes Community Library and Cultural Center, a full - service, general circulation library with an extensive reference collection of materials related to African American history and culture, and a cultural arts program that offers a variety of programming of independent film video screenings, stage presentations, panel discussions, concerts, art exhibitions and more.

Vargas will work with David Satran, director of the Associate in Arts Program, to customize opportunities for the AAP students, and will incorporate his current graduate students as mentors for the AAP students.

As former Art Director for the New York Times, Carol worked with the late Bill Cunningham, legendary photographer and eccentric chronicler of street style fashion, on his «On the Street» and «Evening Hours» columns.

BRUNO PIETERS is returning to fashion with a collaboration for Swedish high street label Weekday, two years after closing down his own - name label and resigning from his position as art director of Hugo Boss» diffusion line.

As a beauty blogger and art director I am common with unusual beauty styles.

Following an advertising collaboration with Alexander McQueen on the company's McQ diffusion label, Paringaux re-located to Tokyo to work as art director for the newly launched Vogue Hommes Japan alongside Formichetti, before returning to London in 2011.

Coogler has already been a talented filmmaker who impresses, but, with three works of art already under his belt, you would be hard - pressed to remember another director who came onto the scene this quickly with as much effortless talent as this.

Co-founding the Silver Spring Stage and the Maryland Academy of Dramatic Arts, with his wife Madolyn in the late»60s, Tabakin worked in the Washington, D.C. and Baltimore - area theater communities as a director and acting coach, as well as directing the Jewish Community Center of Washington's drama school.

Del Toro's commentary track finishes off the extras and, as expected, is filled with the director speaking about influences and inspirations for the film whether from art or film history.

Art director Eric Skillman describes working with Jack on the design for our release of Stanley Kramer's It's a Mad, Mad, Mad, Mad World as one of the highlights of his career.

With We the Animals, first time feature director Jeremiah Zagar has created a kaleidoscope of influences ranging from the ethereal wonder of Terrence Malick to the dreams - as - art fantasy of John Cameron Mitchell.

The ending in the theatrical release was not well - liked, but a much - better alternate version is included here, along with interviews with director John Boorman and art director Anthony Pratt, as well as an audio commentary with film historians Travis Crawford and Bill Ackerman.

Director Kevin Chu was like the head coach leading out his Most Valuable Players (MVPs) to court, and explained that the idea for Kung Fu Dunk was actually established some 13 years back when filming martial arts movies such as Shaolin Popey (Shao Lin Xiao Zhi, starring Jimmy Lin), when he thought about whether martial arts could be combined with a ball game like basketball.

Though he once described his screenplays as more craft than art, Stoppard's literate film adaptations of various works by major authors have matched him with some of the most esteemed directors in international cinema, beginning with Joseph Losey's The Romantic Englishwoman in 1975.

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Three reasons explain why Tokyo Story is generally regarded as Ozu's finest work are: it's by far the film of his that's been most widely seen in the West; its first distribution in the U.S. coincided with the landmark publication in 1972 of Paul Schrader's Transcendental Style in Film, which considered Ozu alongside other such luminaries as Carl Theodor Dreyer and Robert Bresson as an exemplar of spiritual filmmaking; and it's seen as the most complete summation of its director's art.

The film equivalent of a stroll through the Louvre, the documentary Visions of Light: The Art of Cinematography collects interviews with many of modern - day Hollywood's finest directors of photography and is illustrated by examples of their best work as well as scenes from the pictures which most influenced them.

In the only stylistic flourish to suggest the director's hand, Tim Burton gives us a few scenes of her art infiltrating real life, as she sees and is haunted by random people with exaggerated eyes staring at her and through the lie.

Wide Angle / Closeup has a fascinating interview with designer Norman Garwood, who'd worked with Gilliam (as Art Director alongside Milly Burn as Production Designer) on Time Bandits.

Director Joe Wright imagines the world of Imperial Russia in the 1870s as theater — both the art and the physical space (That the screenplay is written by the playwright Tom Stoppard might have something to do with this).

Daggers, however, is director Zhang Yimou's follow - up to the callowly beautiful Hero and, like that movie and a number of others (Ashes of Time, Bride with the White Hair, Crouching Tiger, Hidden Dragon, Kill Bill, Zatoichi, Warriors of Heaven and Earth, and, in a way, Goodbye Dragon Inn), it belongs to a martial arts / art - house genre of films by hip young directors upgrading genres they loved as teenagers - «martial arts plus.»

For all its faults and insane overreaching — seldom has a sleazy melodrama announced its aspirations to art so boldly and insistently — The Counselor is compelling as a wild and audacious take on neo-noir, though it replaces the dark shadows and intimacy of classic noir for bright lighting and an epic scope in keeping with the rest of director Ridley Scott's filmography.

, while a little gimmicky (Lloyd reprises his librarian character), does manage to provide a good deal of insight into the difficulties of cel animation as well as the odd priorities of the filmmaking team (animation director Maurice Hunt declares, «Animation is the best art form in the history of the world» — a contention at direct contretemps with The Pagemaster's literary ethic).

He is a freelance film poster art director, designer and illustrator for such films as «Hobo With a Shotgun», «The Innkeepers», «Fathers Day!»

It certainly seems like director David Gordon Green is on the road to becoming a household name, which is a bit odd considering that the guy started his career with such acclaimed art house films as George Washington and All The Real Girls.

But he would contribute to a number of other notable films over the years as well, like with the lush Art Deco look of Prince's weird cult item «Under the Cherry Moon» (1986), or helping director Paul Newman keep his adaptation of «The Glass Menagerie» (1987) from feeling hopelessly stage - bound.

As well as covering the literature and animated film of the story of «Sleeping Beauty», this book also touches (I use that lightly, since «Maleficent» could have fill a book on its own) on the new film «Maleficent» with interviews with Angelina Jolie, Imelda Staunton, Linda Woolverton, Sean Bailey, Joe Roth, Don Hahn, and director Robert Stromberg (Oscar - winning art director of Avatar and Alice in WonderlandAs well as covering the literature and animated film of the story of «Sleeping Beauty», this book also touches (I use that lightly, since «Maleficent» could have fill a book on its own) on the new film «Maleficent» with interviews with Angelina Jolie, Imelda Staunton, Linda Woolverton, Sean Bailey, Joe Roth, Don Hahn, and director Robert Stromberg (Oscar - winning art director of Avatar and Alice in Wonderlandas covering the literature and animated film of the story of «Sleeping Beauty», this book also touches (I use that lightly, since «Maleficent» could have fill a book on its own) on the new film «Maleficent» with interviews with Angelina Jolie, Imelda Staunton, Linda Woolverton, Sean Bailey, Joe Roth, Don Hahn, and director Robert Stromberg (Oscar - winning art director of Avatar and Alice in Wonderland).

Ever since the French filmmaker Leos Carax announced Annette as his next film, the project has seemed just too strange to survive the often perilous road to financing and production: an English - language musical from the director of The Lovers On The Bridge and Holy Motors, with original songs by the cult art - pop duo...

Earlier this year, the Academy of Motion Picture Arts And Sciences responded to the #OscarsSoWhite campaign with a series of wide - sweeping promises, intended to improve the representation of minority actors, writers, and directors in its future nominations, as well as the makeup of the committee that determines those nods.

With 11 nominations «The Grandmaster» was the big winner as it won 7 awards: Best Film, Best Director, Best Actress, Best Costume Design, Best Art Direction, Best Original Score and Best Cinematography.

** Theatrical Feature Blu - ray ** True Love: The Princess Bride Phenomenon All - New 2 - Part Featurette — Includes a Reunion with Director Rob Reiner and Stars Robin Wright and Carey Elwes, New Cast Interviews with Mandy Patinkin, Billy Crystal, Chris Sarandon & Christopher Guest, Film Tributes, Fun Parodies and Fan Encounters ** Audio Commentary by Rob Reiner ** Audio Commentary by William Goldman ** The Art of Fencing ** As You Wish: The Story of The Princess Bride ** Cary Elwes Video Diary ** The Dread Pirate Roberts: Greatest Pirate of the Seven Seas ** Fairy Tales and Folklore ** Love Is Like a Storybook ** Miraculous Makeup ** The Princess Bride: The Untold Tales

In this Reverse Shot Talkie, director Matías Piñeiro browses the aisles of a Greenwich Village bookstore with host Eric Hynes to talk about adaptation as an art of taking liberties, the beauty of mess, and his ongoing relationship with William Shakespeare, whose plays have inspired many of his films, including his latest, The Princess of France.

The martial arts sequences are genuinely impressive, with Key and Peele director Peter Atencio giving moments such as a terrible action remake of Huckleberry Finn real visual style and wit.

As we head to the DVD's extras, we open with an audio commentary from editor Billy Weber, art director Jack Fisk, costume designer Patricia Norris and casting director Dianne Crittenden.

Vapidness masquerading as depth, narcissism peddled as existentialism, director Terrence Malick proves with this film that he can not differentiate between art and pretentiousness.

It's the sort of movie Edgar Wright was born to make, so in line with his strengths as an action comedy director and fine purveyor of the genre arts.

Behind The Screens: Panels Master Classes Conversations MVFF38 hosted a total of six panels, which included such luminaries as Ed Arentz, Managing Director Music Box Films; Ira Deutchmann, Founder Fine Line Features; production designer Judy Becker; director Valerie Weiss; Russ CollinsFounder / Director Art House Convergence; producer / writer Komal Minhas; and director Christopher Coppola as well as three master classes, including Bobby Roth: A Director Prepares, a Conversation with Catherine Hardwicke and The Heroine's Journey: Writing and Selling the Female - Driven Screenplay, led by screenwriter Pamela Gray and story consultant Tom SchlDirector Music Box Films; Ira Deutchmann, Founder Fine Line Features; production designer Judy Becker; director Valerie Weiss; Russ CollinsFounder / Director Art House Convergence; producer / writer Komal Minhas; and director Christopher Coppola as well as three master classes, including Bobby Roth: A Director Prepares, a Conversation with Catherine Hardwicke and The Heroine's Journey: Writing and Selling the Female - Driven Screenplay, led by screenwriter Pamela Gray and story consultant Tom Schldirector Valerie Weiss; Russ CollinsFounder / Director Art House Convergence; producer / writer Komal Minhas; and director Christopher Coppola as well as three master classes, including Bobby Roth: A Director Prepares, a Conversation with Catherine Hardwicke and The Heroine's Journey: Writing and Selling the Female - Driven Screenplay, led by screenwriter Pamela Gray and story consultant Tom SchlDirector Art House Convergence; producer / writer Komal Minhas; and director Christopher Coppola as well as three master classes, including Bobby Roth: A Director Prepares, a Conversation with Catherine Hardwicke and The Heroine's Journey: Writing and Selling the Female - Driven Screenplay, led by screenwriter Pamela Gray and story consultant Tom Schldirector Christopher Coppola as well as three master classes, including Bobby Roth: A Director Prepares, a Conversation with Catherine Hardwicke and The Heroine's Journey: Writing and Selling the Female - Driven Screenplay, led by screenwriter Pamela Gray and story consultant Tom SchlDirector Prepares, a Conversation with Catherine Hardwicke and The Heroine's Journey: Writing and Selling the Female - Driven Screenplay, led by screenwriter Pamela Gray and story consultant Tom Schlesinger.

About the Founders: Chris is best known as a top - tier creative director, art director and concept artist, with key involvement in the acclaimed animated TV series reboot «Max Steele», Eidos» «Monster Lab» franchise, and Disney's ill - fated (but beautiful) «Pirates of the Caribbean: The Doomed Armada.»

It may not have sounded like much on the surface (another reason why it probably didn't do very well with audiences or most critics) but legendary director Hill (the man behind such classics as «The Warriors,» «48 HRS» and «Streets of Fire») brought both his impeccable technical gifts and a genuine sense of personal style to the proceedings that elevated the material to something that came far closer to what one might refer to as «art» than one might rightly expect from a genre picture these days.