Sentences with phrase «as an audio installation»

Not exact matches

Room acoustics, monitoring standards (visual as well as audio), equipment selection, installation standards, synchronization accuracy, mixing competence, and technical experience are all measured and evaluated as part of the certification process.

We're told that the audio boffin in charge of the 1300W, 18 - speaker sound system spent five months with installation, and as a result, when the music includes words, you can actually understand what is being said.

Her wide - ranging oeuvre includes the creation of books, albums, and performances that incorporate film, slides, recorded audio, live music, and spoken word, as well as drawings and sculptural installations.

It ranges from Four Posters (1984) through celebrated performances such as Museum Highlights (1989), Inaugural Speech (1997), Official Welcome (2001/2003), and her audio installations for the Austrian pavilion at the 45th Biennale di Venezia in 1993, to recent works such as Men on the Line (2012).

Visitors hear audio of the artist reciting a love poem in Japanese as they walk throughout the installation.

The inclusion of the Chicago - based collective Public Collectors mixed - media installation on the life of audio recording enthusiast and activist Malachi Ritscher seems an unusual choice that brings up questions of activism and suicide, as Ritscher notoriously killed himself by setting himself on fire in public in 2002.

Image: Willum Geerts thru January 27, 2008 A group exhibition curated by Martijn Lucas Smit of Nieuwe Vide (NL) featuring artists Paul Baartmans (A / V - sculpture), Sema Bekirovic (video), Marissa Evers (drawing), Willum Geerts (video), Jannie Regnerus (film), Robbert van der Horst (audio), Jochem van der Spek (video installation) as well as Ward Denys with a functional sculpture.

A group exhibition curated by Martijn Lucas Smit of Nieuwe Vide (NL) featuring artists Paul Baartmans (A / V - sculpture), Sema Bekirovic (video), Marissa Evers (drawing), Willum Geerts (video), Jannie Regnerus (film), Robbert van der Horst (audio), Jochem van der Spek (video installation) as well as Ward Denys with a functional sculpture.

The audio will be played throughout the exhibition space, creating an architecture of sound whose ambience acts as a transition between the depicted scene and the exhibition at large, and complements the physicality of the adjoining installations.

Weaver is constructing a fictive history for the Black Bottom community using a variety of fake elements: handmade museum vitrines, handmade maps and documents of the community, various faux sculptures and textiles, as well as installation and audio components.

Lektor (2014), a six - channel audio installation, features excerpts from an 11th - century Turkic «mirror for prince» called Kutadgu Bilig (Wisdom of Royal Glory) in as many languages (Uighur, Polish, German, Arabic, Gaelic and Spanish).

Among the highlights of Mark Leckey: Containers and Their Drivers will be Leckey's breakthrough film Fiorucci Made Me Hardcore (1999), which uses sampled footage to trace dance subcultures in British nightclubs from the 1970s to 1990s; a selection of the artist's Sound System sculptures (2001 — 2012), functioning stacks of audio speakers that recall those used in street parties in London; his pedagogical lecture performances; GreenScreenRefrigeratorAction (2010), a video and installation that considers «smart» objects and our increasingly technological environment; and a new iteration of the installation UniAddDumThs (2014), which Leckey created as a «copy» of a touring exhibition, The Universal Addressability of Dumb Things, that he had curated the year before.

Mendi + Keith Obadike's sound - based installation incorporates phrases from an unpublished science - fiction story Butler wrote as a teenager, and includes an audio component that will be launched into space.

An Os Gemeos installation can include elements of live and recorded video, audio recordings, sculpture, painting, live musical performances and anything else they want as long as it helps bring their world, they way they see reality, to the rest of us.

His work embraces moving image, sound and other media to create immersive audio - visual installations and performances which emerge from his long - standing investigation of the voice as a sculptural material and a socio - political agent.

An audio - visual performance that also exists as a sound installation exploring the striking legendary, literary and cinematic connections between the invention of sustainable energy...

The Canadian husband - and - wife team of Janet Cardiff and George Bures Miller specialize in creating meditative, otherworldly site - specific sound installations that lead viewers through a multisensory journey — sometimes literally, as in the case of their audio guides that spur listeners on tours characterized by fictional narratives about what they're seeing.

This is evident in the popularity of sculptural works and installations in the exhibition, many of which incorporate audio or video narrations: as if sculpture is no longer enough on its own, or simply in celebration of augmenting static form with aural and visual media.

This will also be aided by guerrilla public installations of radios installed around the Tenderloin bringing his interventions directly to the street as a form of audio graffiti.

Lungiswa Gqunta creates installations, sculptures and audio - visual work revealing the hidden structures that perpetuate the legacy of colonialism in South Africa as presented to us in the quotidian form of the suburban garden and the leisure activities that takes place there.

Nestler and Stein's collaborative audio work is a collection of environmental sounds sourced from western rural areas as well as around the installation site in the Lower East Side.

The Development is comprised of three parts: an audio guide of the Hudson Valley available as a download from the Apple Store and Google Play; a video installation sited at CCS Bard by the artist collaborative eteam; and a community screening.

Stuart's original approach to material and process has seen her create large - scale site - specific works in the landscape, sculptural installations incorporating objects, drawings, and audio - visual elements, as well as photographs, drawings and sculptures that bring the material of landscape — earth and rock — into the gallery.

The Jazz Museum at the Old Mint held a sampling of the sometimes naughty, little - known collages that jazz great Louis Armstrong made in the final two decades of his life, as well as Satch Hoyt's tambourines linked into chains attached to mirrors to form endless columns, or halved and assembled into crosses reminiscent of the city's famous ironwork; and there were two installations by Dario Robleto, one featuring preserved, mounted butterflies with antennae made of audio tape delicately perched on the edges of the fossilized inner - ear bones of whales, and the other a collaboration with the record label Dust - to - Digital to preserve early gospel music.

«Perfect Strangers» combines painting, installation, sculpture, and audio elements to question the roles of artist and subjects, as Fallah's subjects take an active role in their own portrayal, and even speak for themselves.

His electronic sound interventions explore dynamics of perception of space, sometimes manifesting as multi-channel audio performances or as installation work using video or lighting.

As a traveling project, the Garage Sale accumulates elements from each succeeding event, ranging from components of the first project, such as the slide show and audio track, to «merchandise» from previous iterations and photographs of people holding up objects that form part of the installatioAs a traveling project, the Garage Sale accumulates elements from each succeeding event, ranging from components of the first project, such as the slide show and audio track, to «merchandise» from previous iterations and photographs of people holding up objects that form part of the installatioas the slide show and audio track, to «merchandise» from previous iterations and photographs of people holding up objects that form part of the installation.

Through audio and images, the installation considered specifically the arts as a system for connecting knowledge, ideas, and cultural memory.

Thinking about his sound work as an audio parallel to the painterly practice of translating information from the world onto a surface in the studio, Augustus Thompson's installation combines sounds from the studio, outside noises and constructed harmonies into what the artist considers a «sound painting.»

The show features sculpture, audio and video installation, as well as performance pieces from the museum's media arts collection.

Incorporating elements of sculpture, video, audio, light installation, and live performance, the exhibition creates a surreal landscape of the city exploring themes such as alienation, immigration, the subconscious, childhood, fantasy, film, Hollywood, and dreams.

As audio - installation, epistolary manifesto, and party - as - form, Mothernism is one twenty - first - century feminist's affectionate call to armAs audio - installation, epistolary manifesto, and party - as - form, Mothernism is one twenty - first - century feminist's affectionate call to armas - form, Mothernism is one twenty - first - century feminist's affectionate call to arms.

First exhibited in 2013 as an audio - visual installation that incorporates recordings of the artist (as Queen Leeba) reading the letters aloud, and subsequently published as a book of the same name in 2014, the Mothernism project has been presented in venues nationally and internationally before evolving into its Austin iteration.

Mirza combines a variety of readymade and time based material to create audio compositions, which are often realised as performances, site - specific installations and kinetic sculptures.

Augmenting them with make - up, wigs, glass eyes, as well as interactive sensors and audio components to simulate bodily processes and reactions, Hershman Leeson, like Thek, also encased her modular body parts in materials like Plexiglas or recycled them into site - specific installations, plugging the figures into larger cultural narratives about power, technology and gender.

This exhibition is a site - specific immersive installation of Michael's thesis artwork, including audio - video projections, use of virtual reality and the incorporation of organic elements such as live grass.

McBride's installation, which features her ceramic busts and torsos of bodies in decay and spaces made hollow by time, also includes an audio recording of her mother's soft voice as she sings.

Eventually, these early drawings started to manifest as real audio cables and other music residue — like CD cases — into sculptures and large - scale wall installations.

The space allows the audience to sit on the side of the sound installation, watch as the movement of the dial through the work's interior imitates the motion of a sea wave, and feel the resonance of the trumpet - like audio.

Installations featuring these works are often titled with a double entendre related to musical notation, audio devices, and sound constructs, such as Higher Resonance, Tone, and Absorb / Diffuse.

The audio component of the project is presented within an immersive installation of hand - drawn images printed as wallpaper.

In the same room, opposite the audio installation, a film is projected, titled Maybe one must begin with some particular places (2012), featuring a dancer twisting and furling, as if moved by an eddying current.

In the spirit of multimedia editions of the past such as Andy Warhol's Index and the mid-sixties journal Aspen, The Sleepwalkers Box is designed to encourage audiences to create their own multisensory experiences as they explore a kaleidoscopic universe of printed images, motion pictures, and audio recordings drawn from Doug Aitken's groundbreaking 2007 Museum of Modern Art public film installation.

Sound IN Spaces: The Conservation Challenges of Activation and Installation Tate collection of sound works is varied, encompassing film and video works with sound, sound works with an integral sculptural component and others that would be considered as just audio works.

As well, Ceal Floyer's audio installation, «Til I get it right» (2005), reminded me to listen carefully to the voice in my head.

There is also a beguiling room - sized installation by Hank Willis Thomas that recasts the symbols of the Confederate flag in the colors of black nationalism — and projects them in tune with a soundtrack of spoken - word audio (a piece that Times art critic Christopher Knight describes as «enthralling.»)

From the 1990s onwards, she has produced several large - scale displays of video and audio installation art, as well as a set of fibreglass sculptures.

Mirza's works are simultaneously sculptural installations and audio compositions that alter the intended function of materials such as used furniture, household electronics, found or constructed video footage and sometimes artworks by other artists.

Among the highlights of Containers and Their Drivers are Leckey's breakthrough film Fiorucci Made Me Hardcore (1999), which uses sampled VHS footage to trace dance subcultures in British nightclubs from the 1970s to 1990s; a selection of the artist's Sound System sculptures (2001 — 2012), functioning stacks of audio speakers that recall those used in street parties in London; his pedagogical lecture performances; GreenScreenRefrigerator (2010 - 16), an installation that considers «smart» objects and our increasingly technological environment; and the fullest iteration to date of the installation UniAddDumThs (2014), which Leckey created as a «copy» of a touring exhibition, The Universal Addressability of Dumb Things, that he had curated the year before.

The installation will also feature LCD projections of abstract and text animations, as well as an audio recording of various radio broadcasts near his remote, rural studio in northern Italy.