Sentences with phrase «as an independent curator for»

As an independent curator for the Museum Ludwig in Cologne he carried out a project in 1997 with Sarah Lucas, while in 1999 he was responsible for the contemporary section of the exhibition «Kunstwelten im Dialog.
She also participated as a guest curator for Guatemala in different international biennials and as an independent curator for several exhibitions in Guatemala and Latin America, including: Móvil, an exhibition and performance by Regina José Galindo, Museo de Arte Contemporáneo (MUAC) and UNAM's Independence BiCentury celebration project: The Liberty Ghost, México 2010.
Shamoon ran the public art program at Waterfront Toronto from 2016 17 and has worked as an independent curator for institutions including Ryerson Image Centre, Toronto.
Adah Rose has worked as an independent curator for the past seven years.
He currently works as a curator in the 19th Festival of Contemporary Art Sesc Videobrasil and develops projects as an independent curator for different institutions, such as The Negative Hand, a group exhibition at Parque Lage in Rio de Janeiro, and Prisma Project, a group show at ArtRio in Rio de Janeiro (2015).
She is the former senior curator of painting and sculpture at the Dallas Museum of Art, and served earlier as an independent curator for the Kunstmuseum Wolfsburg, the Kunstmuseum Basel, and the Royal Academy of Arts in London.

Not exact matches

As a champion and curator of independent stories for the stage and screen, Sundance Institute provides and preserves the space for artists in film, theatre, film composing, and digital media to create and thrive.
In 2017 alone, VIA provided grants for Pope.L's Whispering Campaign that was included in this year's Documenta 14; the Los Angeles Nomadic Division's public installation by Jose Dávila that will debut as part of Pacific Standard Time; and nonprofits such as Triple Canopy and Independent Curators International.
As Halt Action Group cofounder (and independent curator) Alison Gingeras explained to me, the powerlessness of an artist seeing his or her work in a carefully constructed Instagram picture posted by Ivanka — subsumed into her digital world — proved jarring for more than a few artists in her sphere.
Having posed for some 10 paintings by Alex Katz, Mie Iwatsuki — a Japanese model and independent curator based in New York — collaborated with dealer Nick Lawrence to solicit portraits of her by an additional 34 artists, ranging from Robert Frank to DJ Spooky, from New York's David Humphrey to China's Lin Yilin and Korea's Min Hyung (who, in one of the show's most imaginative leaps, depicts Itwatsuki as a male Maasai warrior in Kenya).
The prize was devised by Hammond in 2007, the independent curator then went on to compile The Catlin Guide, a yearly book that presents a collection of recent graduate and postgraduate artists from UK art schools, which is now recognised as an essential reference for collectors of contemporary art.
Sketchy as the final outcome often is, they and Independent Curators International are to be commended for tackling a job that a flush New York museum should have taken on about 10 years ago.
Currently the Director / Curator of PLATFORM: centre for photographic + digital arts, Kegan found himself in New York City this past June as a participant in the inaugural Curatorial Intensive with Independent Curators International, where he work - shopped the exhibition Cabin Fever, which opened at PLATFORM in October.
Nadja is an independent producer, specialised in the field of art films and artist films, a curator and writer and has worked as a journalist for press and television (Conde Nast, Canal +).
Center, in turn, exists as an independent exhibition space founded by artist Lin May and home to coeval.gen.in, an internet - based platform for artists, writers and curators engaging with a critical use of technology and digital economy.
CB1 also includes a separate exhibition space across the building's common hall, CB1 - G, which is offered as a temporary lease (30 - or 60 - day only) «pop up» gallery for vetted and professional art dealers (public and private) and independent curators from across the world, covering a multitude of both contemporary and historical art disciplines.
Prior to this, Day worked as an independent curator, writer and educator in the arts for 12 years, primarily in Mexico City.
The 2017 programme includes the returning Spotlight section for rare solo presentations of 20th - century pioneers curated by Toby Kamps (Blaffer Art Museum, University of Houston) as well as the Collections section, featuring specialist galleries with extraordinary art and objects, selected by independent curator Sir Norman Rosenthal.
An artist himself as well as a DJ, curator, writer, publisher, and former Turner Prize judge (in 2007), he has also for the past five years served as the creative advisor of the Independent art fair, using that platform as an opportunity to introduce a broad range of creativity into the traditionally staid, too - often straitjacketed art - fair format.
As an independent curator, some of DuBois» curatorial projects include: Black Abstraction at Harmony Hall Regional Art Gallery in Fort Washington, MD for the group Black Artists of DC (2011); A / Way Home at the District of Columbia Arts Center (2012 - 13); Of a Place and Time: Photographic Memories and Imaginings at the Hillyer Art Space (2013); (in) Visible and (dis) Embodied: Repositioning the Marginalized as part of the Curatorial Initiative program at the District of Columbia Arts Center (2014As an independent curator, some of DuBois» curatorial projects include: Black Abstraction at Harmony Hall Regional Art Gallery in Fort Washington, MD for the group Black Artists of DC (2011); A / Way Home at the District of Columbia Arts Center (2012 - 13); Of a Place and Time: Photographic Memories and Imaginings at the Hillyer Art Space (2013); (in) Visible and (dis) Embodied: Repositioning the Marginalized as part of the Curatorial Initiative program at the District of Columbia Arts Center (2014as part of the Curatorial Initiative program at the District of Columbia Arts Center (2014).
As an independent curator, Kirszenbaum has organized exhibitions in New York City, including The Seen and The Hidden: (Dis) covering the Veil (2009), NineteenEightyFour (2010) at the Austrian Cultural Forum, the video program Janitors of Lunacy (2011) for the College Arts Association, the group exhibition Grey Peak of the Wave at Harris Lieberman Gallery (2012).
She previously worked as Assistant Curator for Tate Film and Live Programmes and writes for Afterall and various independent publications.
Rugoff, who joined the Hayward from San Francisco's CCA Wattis Institute for Contemporary Arts in 2006, has worked widely as an independent critic and curator, and was the Artistic Director of the 13th Biennale de Lyon in 2015.
Presently, Kotik works as a writer, lecturer, and independent curator, and facilitates various project for galleries, alternative spaces, and museums.
Beside beeing a freelance art critic for the Swedish daily Aftonbladet between 1986 - 2004, Mr. Nilsson also organised several exhibitions as an independent curator, among others he was curator for The Nordic Pavilion at The Venice Biennale 1999.
Currently he is the Director / Senior Curator for the Torrance Art Museum as well as Founder and Curatorial Director of ARTRA Curatorial, an independent and voluntary curatorial projects management team which organizes international exhibition exchanges as well as the MAS ATTACK series of pop - up exhibitions.
In partnership with EXPO Chicago, the Cultural Services of the French Embassy, the Institut français, and independent curator Guillame Désanges, Rebuild welcomed Xavier Wrona as curator - in - residence for a ten - week project, Georges Bataille, Architecture, and the World Over — An Attempt in General Economy.
Following stints as an independent curator and gallery director in the early»90s, she was hired by billionaire collector and owner of Christie's François Pinault in 1999 to pioneer a private sales division for the auction house in New York.
She also works as an independent curator and consultant for arts organizations and independent projects.
During that time she was part time registrar at a small commercial gallery in the LES, followed by a production intern at Creative Time, completed a fellowship at Independent Curators International and moved on to the Museum of the City of New York as their Registrar for Exhibitions and Loans.
Prior to joining the Brooklyn Museum, she taught contemporary art history at Tufts University, wrote art criticism for Art in America, and organized a number of international exhibitions as an independent curator.
Bonnie Rychlak is Executive Curator for citydrift / Detroit as well as an independent curator and museum consCurator for citydrift / Detroit as well as an independent curator and museum conscurator and museum consultant.
Individually, Gaines has worked as an independent critic and curator and written for the theater, while Segade has directed projects on film and video that have been included in numerous galleries and festivals.
He has worked as independent curator, artistic director and publisher for several international art projects, inter alia at institutions / events like the Berlinische Galerie, Tensta Konsthal Sweden, Goethe Institute, Institute für Auslandsbeziehung (ifa), Kunstraum Kreuzberg / Bethanien, Arsenal Kino Berlin, 7.
Alongside the exhibition is planned an intervention by Hélène Jayet with photo portraits shooting sessions on the theme of Afro hair open to the public, as well as an exciting programme of public events organised by Amal Alhaag, independent curator and co-founder of The Side Room, a space for intersectional feminist, queer and anti-colonial discourses and art.
2006 Primitivism Revisited, Sean Kelly Gallery, New York, USA RADAR: Selections from the Collection of Vicki and Kent Logan, Denver Art Museum, Denver, Colorado, USA Alien Nation, Institute of Contemporary Arts, London, England William Hogarth, Musee du Louvre, Paris, France; travelled to Tate Britain, London, England; Caixa Forum, Madrid, Spain Transvideo, Madison Museum of Contemporary Art, Madison, Wisconsin, USA MASCARADA / MASQUERADE, DA2 - Domus Artium 2002, Centro de Arte de Salamanca, Spain DRESSCODE, Historisches und Volkerkundemuseum, St Gallen, Switzerland Space is the Place, Independent Curators International, New York, USA Los Usos de la Pintura II, Espacio 1414, San Juan, Puerto Rico (curated by Julieta González) Pattern Language: Clothing as Communicator, University Art Museum, UC Santa Barbara, California, USA Africa Remix, Moderna Museet, Stockholm, Sweden Acting the Part: Photography as Theatre, National Gallery of Canada Contemporary Commonwealth, The Ian Potter Centre, National Gallery of Victoria, Melbourne, Australia A Historic Occasion, Artists Making History, MASS MoCA, Massachusetts, USA East Wing Collection No. 7 Culture Bound, Courtauld Institute, Somerset House, London, England Around The World In Eighty Days, Institute of Contemporary Arts and South London Gallery, London, England Photography: Recent Acquisitions, Fisher Landau Center for Art, Long Island City, New York, USA Artificial Afrika, Gigantic ArtSpace, New York, USA (curated by Vernon Reid and C. Daniel Dawson)
Balshaw also commented on the instantly successful new section for 2017, Sex Work, curated by independent curator and scholar Alison M. Gingeras which featured nine solo presentations of women artists working at the extreme edges of feminist practice: «As a woman born in 1970 raised by a tribe of feminist aunts, I find it tremendously exhilarating to see the women artists in Sex Work: Feminist Art & Radical Politics included in the context of an art fair.»
She graduated from the Center for Curatorial Studies at Bard College, and worked as an independent curator in New York for several years prior to joining Artpace.
In addition to serving as a tutor for the Royal College of Art's graduate program in Contemporary Curatorial Studies since 2001, Farquharson is an active Independent Curator and Critic.
As an independent curator, he has organized international exhibitions since the 1980's for institutions including Fundación Caixa / Barcelona, Museo Nacional Centro de Arte Reina Sofía / Madrid and elsewhere.
As an independent curator, Gregory has organized group exhibitions at FLAG Art Foundation, Winkleman Gallery, PPOW Gallery, the New York Center for Art and Media Studies, Tyler School of Art in Philadelphia, and the Austrian Cultural Forum in New York.
Organized by independent curator, Jane Hart with 30 + years experience in the international contemporary fine art field, having worked with such acclaimed artists as Doug Aitken, Uta Barth, John Baldessari, Mike Kelley, Christian Marclay, Diana Thater and Pae White; and just recognized (for the second time) as Curator of the Year by the Newcurator, Jane Hart with 30 + years experience in the international contemporary fine art field, having worked with such acclaimed artists as Doug Aitken, Uta Barth, John Baldessari, Mike Kelley, Christian Marclay, Diana Thater and Pae White; and just recognized (for the second time) as Curator of the Year by the NewCurator of the Year by the New Times.
Independent Curators International has announced that Renaud Proch will serve as its new executive director, replacing Kate Fowle, who will move to a director - at - large position with ICI while also acting as the chief curator of the Garage Center for Contemporary Culture in Moscow.
Tricia Collins is an influential curator, gallerist, and critic best known for her curatorial work in the 1980s and 90s as part of the independent curatorial team of Collins & Milazzo.
While Whitten has been exhibiting at home and abroad throughout his career, there has been a recent resurgence of interest in his work, which has been included in major group shows such as Energy / Experimentation: Black Artists and Abstraction 1964 — 1980 at The Studio Museum in Harlem (2006); High Times Hard Times: New York Painting 1967 — 1975, organized by Independent Curators International (2006); and Blues for Smoke organized by the Museum of Contemporary Art, Los Angeles, California in 2012.
Beatrix Ruf, the director of Amsterdam's Stedelijk Museum, has been selected as the 2015 recipient of Independent Curators International's Agnes Gund Curatorial Award, which «is presented every other year to an established curator for their outstanding contribution to the world... Read More
Interspersed with the jobs I have had in for the last 4 years or so, I have also had a secondary career as an independent curator and instructor in the Arts Administration department at The School of the Art Institute.
Previously, he worked as a contemporary art advisor for the Ministry of Culture as well as an independent curator.
Max Presneill is currently the Executive Director and Head Curator for the Torrance Art Museum as well as Curatorial Director of ARTRA Curatorial, an independent curatorial projects management team who organize the CO / LAB — an art fair for alternative spaces which is free to participants - as well as the MAS ATTACK series of large - scale pop - up exhibitions.
Müller's extensive experience with museums and collections in France and as an independent curator has led to the curation and contribution to more than 100 exhibitions worldwide, including the 2012 Yves Saint Laurent: The Retrospective exhibition for which the DAM was the exclusive U.S. venue.
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