Sentences with phrase «as an independent curator in»

Most recently, Rivas has worked as an independent curator in New York City and as the associate curator of Latin American Art at LACMA.

She has worked as independent curator in Mexico, Guatemala, and Venezuela, and has also been devoted to art criticism in Papel Literario y la Revista Hábitat Plus.

She graduated from the Center for Curatorial Studies at Bard College, and worked as an independent curator in New York for several years prior to joining Artpace.

She has also worked as an independent curator in Wolfsburg, Germany; Basel, Switzerland; and London.

She has been working as an independent curator in Vienna and abroad since 2009.

Previously, she organized exhibitions as an independent curator in different countries.

Not exact matches

OSV Collectors» Forum speakers will include Colleen Callahan, Independent Historian: Put the Manly Breeches On: Boys» Clothing as Symbols of Manhood in the 19th Century; Laura E. Johnson, PhD., Associate Curator at Historic New England: From Stays to Skeleton Suits: Dressing Children in Early America; Chris Bates, Old Sturbridge Village Costume Coordinator: Making A Portrait Come Alive: Creating Reproduction Clothing at Old Sturbridge Village, presented with Rebecca Beall, Old Sturbridge Village Collections Manager, and Jean Contino, Old Sturbridge Village Coordinator of Households and Women's Crafts.

As a champion and curator of independent stories for the stage and screen, Sundance Institute provides and preserves the space for artists in film, theatre, film composing, and digital media to create and thrive.

Schönfelder contributes as speaker, curator and jury - member to game events like the Independent Games Festival in San Francisco or FMX in Stuttgart.

The Hammer Museum in Los Angeles has named Anne Ellegood, a senior curator at the museum, and Erin Christovale, an L.A. - based independent curator, as the organizers of the museum's next Made in L.A. biennial in 2018.

In 2017 alone, VIA provided grants for Pope.L's Whispering Campaign that was included in this year's Documenta 14; the Los Angeles Nomadic Division's public installation by Jose Dávila that will debut as part of Pacific Standard Time; and nonprofits such as Triple Canopy and Independent Curators InternationaIn 2017 alone, VIA provided grants for Pope.L's Whispering Campaign that was included in this year's Documenta 14; the Los Angeles Nomadic Division's public installation by Jose Dávila that will debut as part of Pacific Standard Time; and nonprofits such as Triple Canopy and Independent Curators Internationain this year's Documenta 14; the Los Angeles Nomadic Division's public installation by Jose Dávila that will debut as part of Pacific Standard Time; and nonprofits such as Triple Canopy and Independent Curators International.

As Halt Action Group cofounder (and independent curator) Alison Gingeras explained to me, the powerlessness of an artist seeing his or her work in a carefully constructed Instagram picture posted by Ivanka — subsumed into her digital world — proved jarring for more than a few artists in her sphere.

Independent curators Regine Basha, Rebecca Gates, and Lucy Raven will bring together fifteen artists with specific interests in sound work and its potential as a transgressive medium across place and geography.

Born in London and currently based in New York, he has been active since the 1980s as an independent scholar, exhibition curator, and college instructor.

In Century of the Self, organized by independent curator Sarah C. Bancroft at Lora Reynolds Gallery, artist Alexandra Grant dives into feverishly detailed compositions that embrace language as both quotable texts and visual tools.

APPOINTMENT > On Oct. 1, curator Hamza Walker (right) begins his tenure as executive director of LAXART, an independent, nonprofit art space in Los Angeles.

Having posed for some 10 paintings by Alex Katz, Mie Iwatsuki — a Japanese model and independent curator based in New York — collaborated with dealer Nick Lawrence to solicit portraits of her by an additional 34 artists, ranging from Robert Frank to DJ Spooky, from New York's David Humphrey to China's Lin Yilin and Korea's Min Hyung (who, in one of the show's most imaginative leaps, depicts Itwatsuki as a male Maasai warrior in Kenya).

Since his early retirement in 2003, Loers has worked as an independent curator and author.

The prize was devised by Hammond in 2007, the independent curator then went on to compile The Catlin Guide, a yearly book that presents a collection of recent graduate and postgraduate artists from UK art schools, which is now recognised as an essential reference for collectors of contemporary art.

As an independent curator, he has presented exhibitions in Brazil and abroad, such as Mythologies - Brazilian Contemporary Photography (Shiseido Gallery, Tokyo, 2012); Éloge du Vertige (Maison Européenne de la Photographie, Paris, 2012); Generation 00 - The New Brazilian Photography (Sesc Belenzinho, São Paulo, 2011), Look and Simulate - Photographies from Collection Auer (MAM - SP, 2009), The Invention of the World - Collection of the Maison Européenne de la Photographie, Paris (Itaú Cultural, 2009, with Jean Luc Monterosso), Provisional Power (MAM - SP, 2014As an independent curator, he has presented exhibitions in Brazil and abroad, such as Mythologies - Brazilian Contemporary Photography (Shiseido Gallery, Tokyo, 2012); Éloge du Vertige (Maison Européenne de la Photographie, Paris, 2012); Generation 00 - The New Brazilian Photography (Sesc Belenzinho, São Paulo, 2011), Look and Simulate - Photographies from Collection Auer (MAM - SP, 2009), The Invention of the World - Collection of the Maison Européenne de la Photographie, Paris (Itaú Cultural, 2009, with Jean Luc Monterosso), Provisional Power (MAM - SP, 2014as Mythologies - Brazilian Contemporary Photography (Shiseido Gallery, Tokyo, 2012); Éloge du Vertige (Maison Européenne de la Photographie, Paris, 2012); Generation 00 - The New Brazilian Photography (Sesc Belenzinho, São Paulo, 2011), Look and Simulate - Photographies from Collection Auer (MAM - SP, 2009), The Invention of the World - Collection of the Maison Européenne de la Photographie, Paris (Itaú Cultural, 2009, with Jean Luc Monterosso), Provisional Power (MAM - SP, 2014).

«I feel like I'm living inside of a video game, in which every life event represents a gold coin that can be used as a way to obtain likes, faves, and retweets,» writes independent curator Lindsay Howard in the exhibition's press release.

He has mounted exhibitions as an independent curator at museums in Europe, Asia and the U.S., including the Bronx Museum of the Arts, Comune di Milano in Italy and the Museum Villa Stuck in Munich.

As an independent curator, Cameron has organized several influential exhibitions, including Art and Its Double (1987) and El Jardn Salvage (1991) at Fundacio la Caixa in Barcelona; Cocido y Crudo (1995) at the Centro de Arte Reina Sofia in Madrid; and retrospectives of Peter Saul and Kenny Scharf.

Currently the Director / Curator of PLATFORM: centre for photographic + digital arts, Kegan found himself in New York City this past June as a participant in the inaugural Curatorial Intensive with Independent Curators International, where he work - shopped the exhibition Cabin Fever, which opened at PLATFORM in October.

One wonders if Weber and Stritzler - Levine realised just how far off the map they would go when independent institutional curator José Roca, a native of Colombia who now lives in Bogotá, agreed to take on the project.1 Inspired by a show of Andean chuspas — bags made from coca leaves — that would run simultaneously in the BGC Focus Gallery, Roca envisioned immersive environments in which the paradoxes, polarities and points of contact between diverse artistic practices are explored through the tropes of the river and weaving.2 The works themselves provide their own context as they interact with each other and viewers, who are given a minimalist illustrated pamphlet as their only guide to what they will encounter in the gallery spaces.

Wahler has curated over 400 exhibitions around the globe, principally as museum director / chief curator, but also as a consultant and independent curator, including From Synchrony to Synchronicity (Basel, 2015), a large - scale installation with fireflies, crickets, and algorithmic music by Swiss artist Robin Meier that explored the principles of order in nature and collective intelligence.

McLean - Ferris previously worked as an independent curator, staging exhibitions at the David Roberts Art Foundation in London, Glasgow Sculpture Studios, S1 in Sheffield, and Chapter NY.

In the wake of last year's group exhibitions The 5th of July and It Can Howl, which featured work by New York - and Los Angeles - based artists such as Martine Syms, Nancy Lupo and Katherine Bernhardt — as well as the more regionally inclusive revival of the Atlanta Biennial, co-curated by Fuller, ART PAPERS editor Victoria Camblin, Jacksonville - based independent curator Aaron Levi Garvey and Joan Mitchell Center director Gia Hamilton of New Orleans — there has been some local hand - wringing about whether Atlanta Contemporary's exhibition schedule prioritizes Georgia artists or the rising stars of the New York scene.

She has worked internationally as an independent curator and theorist specializing in media art, net cultures, and Eastern Europe since 1993.

Nadja is an independent producer, specialised in the field of art films and artist films, a curator and writer and has worked as a journalist for press and television (Conde Nast, Canal +).

Center, in turn, exists as an independent exhibition space founded by artist Lin May and home to coeval.gen.in, an internet - based platform for artists, writers and curators engaging with a critical use of technology and digital economy.

In the first part of the day, together with curator Rose Lejeune and independent academic Dr Rebecca Gordon, we will discuss issues that arise when setting new ephemeral and process - based artworks in dialog with historical artefacts, as is the case in the New Perspectives exhibitioIn the first part of the day, together with curator Rose Lejeune and independent academic Dr Rebecca Gordon, we will discuss issues that arise when setting new ephemeral and process - based artworks in dialog with historical artefacts, as is the case in the New Perspectives exhibitioin dialog with historical artefacts, as is the case in the New Perspectives exhibitioin the New Perspectives exhibition.

She works as independent curator based in New York and her recent projects include «Threshing Floors» at Cuchifritos Gallery on the Lower East Side and «Frames of War» at Momenta Art in Brooklyn.

He is currently the curator of Art Basel's Unlimited, as well as the curator of the independent biennial La Otra in Bogota, Colombia in 2015.

The term «abstract classicists» was coined in 1959 by curator and critic Jules Langsner to define these four southern California painters whose work he grouped in a seminal exhibition that year at the Los Angeles County Museum in Exposition Park (prior to LACMA's existence as an independent art museum).

Jess began her career as an independent curator, creating exhibitions that investigated themes of contemporary life by crossing disciplines and featuring often under - recognized work being made in the Northwest.

The exhibition is organized by ONE National Gay & Lesbian Archives at the USC Libraries in collaboration with The Museum of Contemporary Art, Los Angeles, and organized as a traveling exhibition by Independent Curators International (ICI).

Subsequently I worked in museums and then as an independent curator.

Prior to this, Day worked as an independent curator, writer and educator in the arts for 12 years, primarily in Mexico City.

The exhibition is accompanied by a catalogue, with essays on the interaction between Gutai and New York artists by guest curator Ming Tiampo, associate professor of art history at Carleton University in Ottawa, and on Jackson Pollock's relationship to the Gutai group by Tetsuya Oshima, curator of the Aichi Prefectural Museum of Art in Japan, as well as a new translation of the Gutai Manifesto by independent scholar Reiko Tomii and a reflection by David Kaplan, a director and Tennessee Williams scholar, on Gutai's influence on Williams» one - act play, The Day on Which a Man Dies.

After working in Europe as an art critic and independent curator during the 1980s and 1990s, Christov - Bakargiev was senior curator at P.S. 1 Contemporary Art Center from 1999 to 2001 (she was a primary force behind and co-curator of the inaugural «Greater New York» exhibition at P.S. 1 in 2000).

An artist himself as well as a DJ, curator, writer, publisher, and former Turner Prize judge (in 2007), he has also for the past five years served as the creative advisor of the Independent art fair, using that platform as an opportunity to introduce a broad range of creativity into the traditionally staid, too - often straitjacketed art - fair format.

As an independent curator, some of DuBois» curatorial projects include: Black Abstraction at Harmony Hall Regional Art Gallery in Fort Washington, MD for the group Black Artists of DC (2011); A / Way Home at the District of Columbia Arts Center (2012 - 13); Of a Place and Time: Photographic Memories and Imaginings at the Hillyer Art Space (2013); (in) Visible and (dis) Embodied: Repositioning the Marginalized as part of the Curatorial Initiative program at the District of Columbia Arts Center (2014As an independent curator, some of DuBois» curatorial projects include: Black Abstraction at Harmony Hall Regional Art Gallery in Fort Washington, MD for the group Black Artists of DC (2011); A / Way Home at the District of Columbia Arts Center (2012 - 13); Of a Place and Time: Photographic Memories and Imaginings at the Hillyer Art Space (2013); (in) Visible and (dis) Embodied: Repositioning the Marginalized as part of the Curatorial Initiative program at the District of Columbia Arts Center (2014as part of the Curatorial Initiative program at the District of Columbia Arts Center (2014).

As an independent curator, Kirszenbaum has organized exhibitions in New York City, including The Seen and The Hidden: (Dis) covering the Veil (2009), NineteenEightyFour (2010) at the Austrian Cultural Forum, the video program Janitors of Lunacy (2011) for the College Arts Association, the group exhibition Grey Peak of the Wave at Harris Lieberman Gallery (2012).

The massive expansion of the art market in recent decades has aroused much intrigue about how galleries operate, particularly as critics, artists and independent curators take the lead in opening their own spaces, enhancing the appeal of the gallerist's role.

In 2010 independent curator and academic Nontobeko Ntombela curated the exhibition Layers at Goodman Gallery Projects as part of her ongoing research into the creative strategies of women artists, in particular those that aim to contextualise socio - political issueIn 2010 independent curator and academic Nontobeko Ntombela curated the exhibition Layers at Goodman Gallery Projects as part of her ongoing research into the creative strategies of women artists, in particular those that aim to contextualise socio - political issuein particular those that aim to contextualise socio - political issues.

In the past Goodman Gallery has collaborated with independent curators such as Simon Njami and Bettina Malcomess, who curated the US exhibition, part of which was shown at Goodman Gallery Projects at Arts on Main in 200In the past Goodman Gallery has collaborated with independent curators such as Simon Njami and Bettina Malcomess, who curated the US exhibition, part of which was shown at Goodman Gallery Projects at Arts on Main in 200in 2009.

Working as an independent curator has allowed me to expand even further beyond the object to include other media, which I included in Back to Eden with Zurkow's animation and Capone's video installation.

Since our first audiovisual performances and video projections as Celestial Twins (a collective of experimental cinema and avant - garde music platform), my mission as an independent curator has been to create space that reclaims and reflects on the poetic, political and erotic, and to support greater female representation as a dynamic force in the international scene, encouraging subversions to audiovisual language, abstractions and occult art.

He currently lives and works in Berlin as an independent curator, art critic, and lecturer.