Sentences with phrase «as an independent curator include»

His exhibitions as an independent curator include «The Short Century: Independence and Liberation Movements in Africa, 1945 - 1994» (2001 - 02), «Global Conceptualism» (1999 - 2000) and «Mirror's Edge» (1999 - 2000).

Not exact matches

OSV Collectors» Forum speakers will include Colleen Callahan, Independent Historian: Put the Manly Breeches On: Boys» Clothing as Symbols of Manhood in the 19th Century; Laura E. Johnson, PhD., Associate Curator at Historic New England: From Stays to Skeleton Suits: Dressing Children in Early America; Chris Bates, Old Sturbridge Village Costume Coordinator: Making A Portrait Come Alive: Creating Reproduction Clothing at Old Sturbridge Village, presented with Rebecca Beall, Old Sturbridge Village Collections Manager, and Jean Contino, Old Sturbridge Village Coordinator of Households and Women's Crafts.

In 2017 alone, VIA provided grants for Pope.L's Whispering Campaign that was included in this year's Documenta 14; the Los Angeles Nomadic Division's public installation by Jose Dávila that will debut as part of Pacific Standard Time; and nonprofits such as Triple Canopy and Independent Curators International.

He has mounted exhibitions as an independent curator at museums in Europe, Asia and the U.S., including the Bronx Museum of the Arts, Comune di Milano in Italy and the Museum Villa Stuck in Munich.

As an independent curator, Cameron has organized several influential exhibitions, including Art and Its Double (1987) and El Jardn Salvage (1991) at Fundacio la Caixa in Barcelona; Cocido y Crudo (1995) at the Centro de Arte Reina Sofia in Madrid; and retrospectives of Peter Saul and Kenny Scharf.

Her other projects include Roma - Sinti - Kale - Manush (May - July 2012) at Rivington Place, London, as co-curator with Mark Sealy, Director of Autograph ABP and Gabi Scardi, Independent Curator; Reflections on the Self — Five African Women Photographers London and touring the UK (2011 - 2014), as part of Hayward Touring; and [Kaddu Jigeen]-- Women Speak Out (2011 - 2013), Galerie Le Manège, Dakar and touring Africa.

Wahler has curated over 400 exhibitions around the globe, principally as museum director / chief curator, but also as a consultant and independent curator, including From Synchrony to Synchronicity (Basel, 2015), a large - scale installation with fireflies, crickets, and algorithmic music by Swiss artist Robin Meier that explored the principles of order in nature and collective intelligence.

She works as independent curator based in New York and her recent projects include «Threshing Floors» at Cuchifritos Gallery on the Lower East Side and «Frames of War» at Momenta Art in Brooklyn.

CB1 also includes a separate exhibition space across the building's common hall, CB1 - G, which is offered as a temporary lease (30 - or 60 - day only) «pop up» gallery for vetted and professional art dealers (public and private) and independent curators from across the world, covering a multitude of both contemporary and historical art disciplines.

The 2017 programme includes the returning Spotlight section for rare solo presentations of 20th - century pioneers curated by Toby Kamps (Blaffer Art Museum, University of Houston) as well as the Collections section, featuring specialist galleries with extraordinary art and objects, selected by independent curator Sir Norman Rosenthal.

As an independent curator, some of DuBois» curatorial projects include: Black Abstraction at Harmony Hall Regional Art Gallery in Fort Washington, MD for the group Black Artists of DC (2011); A / Way Home at the District of Columbia Arts Center (2012 - 13); Of a Place and Time: Photographic Memories and Imaginings at the Hillyer Art Space (2013); (in) Visible and (dis) Embodied: Repositioning the Marginalized as part of the Curatorial Initiative program at the District of Columbia Arts Center (2014As an independent curator, some of DuBois» curatorial projects include: Black Abstraction at Harmony Hall Regional Art Gallery in Fort Washington, MD for the group Black Artists of DC (2011); A / Way Home at the District of Columbia Arts Center (2012 - 13); Of a Place and Time: Photographic Memories and Imaginings at the Hillyer Art Space (2013); (in) Visible and (dis) Embodied: Repositioning the Marginalized as part of the Curatorial Initiative program at the District of Columbia Arts Center (2014as part of the Curatorial Initiative program at the District of Columbia Arts Center (2014).

As an independent curator, Kirszenbaum has organized exhibitions in New York City, including The Seen and The Hidden: (Dis) covering the Veil (2009), NineteenEightyFour (2010) at the Austrian Cultural Forum, the video program Janitors of Lunacy (2011) for the College Arts Association, the group exhibition Grey Peak of the Wave at Harris Lieberman Gallery (2012).

Working as an independent curator has allowed me to expand even further beyond the object to include other media, which I included in Back to Eden with Zurkow's animation and Capone's video installation.

The book includes colour reproductions of the exhibited works, as well as an insightful text by independent art critic and curator, Sacha Craddock.

Besides making and exhibiting his own artworks internationally, he also serves on boards and committees including the Danish Arts Foundation's Committee of Visual Arts Grants Funding, and works as an independent curator at galleries and institutions around the world.

The publication includes an introductory essay by Elizabeth Armstrong as well as short entries on each of the Biennial artists by the curators and several additional writers: New York - based art historian Cary Levine, Los Angeles - based independent curator Kristin Chambers, and Jane Simon, Curator of Exhibitions at the Madison Museum of Contemporacurator Kristin Chambers, and Jane Simon, Curator of Exhibitions at the Madison Museum of ContemporaCurator of Exhibitions at the Madison Museum of Contemporary Art.

As criticisms escalated, ISANG opted to convene a public discussion in the exhibition; it was led by independent curator Ukhona Mlandu and included representations from members of SWEAT.

Visual arts exhibitions included installations as well as group shows by independent curators.

Individually, Gaines has worked as an independent critic and curator and written for the theater, while Segade has directed projects on film and video that have been included in numerous galleries and festivals.

His recent exhibitions as an independent curator (2014 - 16) include: Aerosolar / Space Without Rockets and «Aerocene» by Tomas Saraceno at the Rubin Center, University of Texas at El Paso and White Sands Desert, New Mexico, When the Future was About Fracking, Centrespace at Dundee Contemporary Arts, and Exoplanet Lot, Maison Des Arts Georges Pompidou, France and sites thoughout the Lot Valley, SW France.

Balshaw also commented on the instantly successful new section for 2017, Sex Work, curated by independent curator and scholar Alison M. Gingeras which featured nine solo presentations of women artists working at the extreme edges of feminist practice: «As a woman born in 1970 raised by a tribe of feminist aunts, I find it tremendously exhilarating to see the women artists in Sex Work: Feminist Art & Radical Politics included in the context of an art fair.»

As an independent curator, he has organized international exhibitions since the 1980's for institutions including Fundación Caixa / Barcelona, Museo Nacional Centro de Arte Reina Sofía / Madrid and elsewhere.

In 1974 he was appointed Curator and Head of the Film and Video Department at the Whitney Museum of American Art where he directed the «New American Film and Video Series» which featured independent film and video art programming as well as commissioning art projects and expanding the museum's collection to include video installation art.

While Whitten has been exhibiting at home and abroad throughout his career, there has been a recent resurgence of interest in his work, which has been included in major group shows such as Energy / Experimentation: Black Artists and Abstraction 1964 — 1980 at The Studio Museum in Harlem (2006); High Times Hard Times: New York Painting 1967 — 1975, organized by Independent Curators International (2006); and Blues for Smoke organized by the Museum of Contemporary Art, Los Angeles, California in 2012.

Darling has worked as an independent writer and curator, contributing essays on art, architecture, and design to publications including Frieze, Art Issues, Flash Art, and LA Weekly.

Müller's extensive experience with museums and collections in France and as an independent curator has led to the curation and contribution to more than 100 exhibitions worldwide, including the 2012 Yves Saint Laurent: The Retrospective exhibition for which the DAM was the exclusive U.S. venue.

Krupennikova had been selected as the winner of Akbank Sanat's 2015 International Curator Competition program, overseen by independent curator Başak Şenova, with a jury of international curators including Bassam el - Baroni, Paul O'Neill, Iris Dressler and Hans D. Curator Competition program, overseen by independent curator Başak Şenova, with a jury of international curators including Bassam el - Baroni, Paul O'Neill, Iris Dressler and Hans D. curator Başak Şenova, with a jury of international curators including Bassam el - Baroni, Paul O'Neill, Iris Dressler and Hans D. Christ.

They included Geetha Mehra, Director of Sakshi Gallery, and curator of Finding India, an exhibition of Indian art that was concurrently on view at the Museum of Contemporary Art in Taipei, Taiwan; Pooja Sood, a New Delhi - based independent curator and the Director of KHOJ International Artists» Association, an organization with programming all over India, which has acted as a unique nationwide support structure for artistic practice.

As an independent curator and writer, Melissa has worked with organizations including Danspace Project, MoMA PS1, NurtureArt, and Real Art Ways among others.

Before joining ICI, Giarratano served as a research assistant for an independent curator, and worked at institutions including the Whitney Museum of American Art, Peggy Guggenheim Collection, Corcoran Gallery of Art, and Robert Miller Gallery.

Seminars, site visits, individual meetings, and roundtable discussions will be led by a group of professionals that includes Andrea Andersson (Chief Curator of Visual Arts, CAC New Orleans), María del Carmen Carrión (Director of Public Programs & Research, ICI), Tumelo Mosaka (independent curator, New York), Beatriz Santiago Muñoz (artist, San Juan), Valerie Cassel Oliver (Senior Curator, Contemporary Arts Museum Houston), Elvira Dyangani Ose (Lecturer in Visual Cultures, Goldsmiths, University of London and Curator of the 8th Edition of the Göteborg International Biennial for Contemporary Art, GIBCA 2015), Renaud Proch (Executive Director, ICI), Franklin Sirmans (Artistic Director, Prospect.3, New Orleans and Terri and Michael Smooke Department Head and Curator of Contemporary Art, LACMA, Los Angeles), and Claire Tancons (independent curator, New Orleans), as well as the soon - to - be-announced Artistic Director of Prospect.4, among Curator of Visual Arts, CAC New Orleans), María del Carmen Carrión (Director of Public Programs & Research, ICI), Tumelo Mosaka (independent curator, New York), Beatriz Santiago Muñoz (artist, San Juan), Valerie Cassel Oliver (Senior Curator, Contemporary Arts Museum Houston), Elvira Dyangani Ose (Lecturer in Visual Cultures, Goldsmiths, University of London and Curator of the 8th Edition of the Göteborg International Biennial for Contemporary Art, GIBCA 2015), Renaud Proch (Executive Director, ICI), Franklin Sirmans (Artistic Director, Prospect.3, New Orleans and Terri and Michael Smooke Department Head and Curator of Contemporary Art, LACMA, Los Angeles), and Claire Tancons (independent curator, New Orleans), as well as the soon - to - be-announced Artistic Director of Prospect.4, among curator, New York), Beatriz Santiago Muñoz (artist, San Juan), Valerie Cassel Oliver (Senior Curator, Contemporary Arts Museum Houston), Elvira Dyangani Ose (Lecturer in Visual Cultures, Goldsmiths, University of London and Curator of the 8th Edition of the Göteborg International Biennial for Contemporary Art, GIBCA 2015), Renaud Proch (Executive Director, ICI), Franklin Sirmans (Artistic Director, Prospect.3, New Orleans and Terri and Michael Smooke Department Head and Curator of Contemporary Art, LACMA, Los Angeles), and Claire Tancons (independent curator, New Orleans), as well as the soon - to - be-announced Artistic Director of Prospect.4, among Curator, Contemporary Arts Museum Houston), Elvira Dyangani Ose (Lecturer in Visual Cultures, Goldsmiths, University of London and Curator of the 8th Edition of the Göteborg International Biennial for Contemporary Art, GIBCA 2015), Renaud Proch (Executive Director, ICI), Franklin Sirmans (Artistic Director, Prospect.3, New Orleans and Terri and Michael Smooke Department Head and Curator of Contemporary Art, LACMA, Los Angeles), and Claire Tancons (independent curator, New Orleans), as well as the soon - to - be-announced Artistic Director of Prospect.4, among Curator of the 8th Edition of the Göteborg International Biennial for Contemporary Art, GIBCA 2015), Renaud Proch (Executive Director, ICI), Franklin Sirmans (Artistic Director, Prospect.3, New Orleans and Terri and Michael Smooke Department Head and Curator of Contemporary Art, LACMA, Los Angeles), and Claire Tancons (independent curator, New Orleans), as well as the soon - to - be-announced Artistic Director of Prospect.4, among Curator of Contemporary Art, LACMA, Los Angeles), and Claire Tancons (independent curator, New Orleans), as well as the soon - to - be-announced Artistic Director of Prospect.4, among curator, New Orleans), as well as the soon - to - be-announced Artistic Director of Prospect.4, among others.

-- Allen Ruppersberg, BOMB, 109, Fall 2009 About the Sourcebook Series Each book in the Independent Curators International (ICI) Sourcebook Series is edited by a single artist, includes a collection of primary research materials and influences, such as rare archival documents, artwork studies, and excerpts of landmark publications, selected from the artist's own archive and annotated with personal commentary.

As an independent curator, she organized projects and exhibitions for many leading art institutions, including the Neue Galerie Graz, the CGAC in Santiago de Compostela, the Museo do Chiado in Lisbon and other museums in Great Britain, Iceland, Brazil and the United States.

Frank Auerbach, Early Works 1954 — 1978, curated by independent curator and art historian Catherine Lampert, will feature eighteen works from private collections, oil paintings and charcoal drawings, some not seen for over thirty years, including portraits of some of the artist's principle sitters, such as close friend and fellow artist Leon Kossoff, the model Juliet Yardley Mills (J.Y.M.), and Estella Olivia West (E.O.W.), Auerbach's lover until 1973.

She has also organized a number of exhibitions as an independent curator, including, most recently, Richard Bell: I Am Not Sorry (2009), Carolee Schneemann: Painting, What It Became (2009), Nayland Blake: Behavior (2009), and La Mirada Iracunda (The Furious Gaze)(2008).

She also participated as a guest curator for Guatemala in different international biennials and as an independent curator for several exhibitions in Guatemala and Latin America, including: Móvil, an exhibition and performance by Regina José Galindo, Museo de Arte Contemporáneo (MUAC) and UNAM's Independence BiCentury celebration project: The Liberty Ghost, México 2010.

Shamoon ran the public art program at Waterfront Toronto from 2016 17 and has worked as an independent curator for institutions including Ryerson Image Centre, Toronto.

Van Bruggen, in addition to her work with Oldenburg, has also acted as an independent curator and critic worldwide, including work for Documenta 7, lecturer at Yale University, and writing on Oldenburg and her work with him.

Published by the Walker, the album serves as the catalogue for Larson's exhibition and includes liner notes by Walker exhibition curator Siri Engberg, Walker artistic director Fionn Meade, independent curator Dieter Roelstraete, and Rev. Russell Rathbun, a writer and founding preacher at the St. Paul — based church House of Mercy.

He is an independent curator, and his recent projects as curator include: Lygia Clark: a retrospective (Itaú Cultural, São Paulo, 2012, co-curator Paulo Sergio Duarte) and Abraham Palatnik (Centro Cultural Banco do Brasil, Brasília, 2013).

In 1968, Ron Clark, at the age of 25, established in conjunction with the Whitney Museum of American Art an independent study program (known as the ISP or sometimes the Whitney ISP), which helped start the careers of artists, critics, and curators including Jenny Holzer, Andrea Fraser, Julian Schnabel, Kathryn Bigelow, Roberta Smith, and Félix González - Torres, as well as many other well - known and influential cultural producers.