Sentences with phrase «as archived here»

Not exact matches

As suggested by a reader, we evaluate here Steve Sjuggerud's commentary on the U.S. stock market via the DailyWealth archive since October 2005.

By the way, if you want to see this trade exactly as it appeared in our newsletter, press here to view our free swing trading archives.

We'll leave the site live and will make sure it's here as a resource for us all of us (we would literally be lost without the recipe archive — we refer to it constantly).

In case anyone else happens to be in the same boat as me, here are a few more recipes from the archives that don't require a stove or oven to make:

You are here: Home» Media Release Archive» Beverage industry labels soft drinks tax as ineffective and costly

You are here: Home» Media Release Archive» Beverages Council hits back at claims sports drinks are not beneficial as a hydration option

You are here: Home» Media Release Archive» Integral Logic / Miteco AG announced as Gold Sponsors for leading beverage industry conference and exhibition

You are here: Home» Media Release Archive» Industry calls for consultation with WA Health Minister as industry players excluded

Here's a taste of things to come over the next few months as we delve into the archives to bid our farewell to the Boleyn after all these years.

maybe its belated as I read this out of the archives but I am horrified about some of the comments on here.

In my opinion, as long as you keep the site well - organized (for searching the archives) and continue to offer activities in a range of ages you'll be doing a service to the community you've built here.

Unfortunately that is incorrect as cited by the National Archives here, that states «Each redaction will be associated with a redaction code, which gives the reason for why the information can not be released», and goes on to specify those codes.

Here is an interactive audio archive of Ron Paul speeches and interviews as a resource in chronological order.

As a continued effort to provide the American public with factual information on candidates running for public office, these archived responses are made available here.

It is a screengrab from a BBC film - available online here - which features some delicious archive footage of Balls from his younger days and at his wedding to Yvette Cooper, as well as an interview just conducted by the BBC's Laura Kuenssberg.

This outfit is one from the archives, i.e. from several weeks ago, but as soon as I saw the new Bassike collection (you can check it out here), I thought it would be adecuate to post it, especially if I unintendedly achieved a similar look / feel to one of said collection.

As with Gable, Fleming helped shape Harlow's screen persona with this and the subsequent «Bombshell» (also available from the Warner Archive; reviewed on Parallax View here).

In the first webinar of the series held October 12 (archived here in the AACTE Resource Library), «Principals as Transformation Leaders: Changing Roles and Responsibilities,» presenters discussed how the principal's role has changed from building manager to instructional leader.

You can read an archive of my personal work from Publishing Perspectives here, as well as peruse just some of hundreds of reviews and essays, I've written — for everyone from USA Today, Bloomberg News, People and Publishers Weekly — here and here.

So, whether you want to read the Dylan Hunter thrillers for the first time — or send the three - book set to someone as a gift — or just conveniently archive the series opening trilogy on your Kindle — here's your opportunity to do those things for only $ 9.99.

To make an archive available would be the same as saying «Don't buy the books, just read your manga here for super cheap», and I don't think that is Yen Press» intention.

I reviewed it as part of the Fumi Yoshinaga Manga Moveable Feast, the archive of which can be found here.

As we've discussed recently in the context of the Biotechnology Value Fund (BVF) proxy fight for the board of Avigen Inc (NASDAQ: AVGN)(see our post archive here), achieving a supermajority is nigh on impossible.

In today's case, we bring you a ten - point lesson on John Baldessari written by Rebecca Taylor for the Huffington Post, reposted here at Daily Serving and now revisited once more as our entry today From the DS Archives.

An extensive archive of videos and documentary material related to works such as Damaged Goods Gallery Talk Starts Here (1986), Preliminary Prospectuses (1993), and Services (1994) will mark the beginning of this exhibition.

Zanele Muholi, accompanied by journalist and Inkanyiso editor Lerato Dumse also visited UCLan's Centre for Contemporary Art where Making Histories Visible holds a unique archive focusing on Black Art and more particularly Black women artists; a resource valued by a cross-generation of artists and researchers as shown by Collective Creativity's inquiry into the legacy of the Black Art movement (watch the video here).

Just as Benjamin compiled ideas, the artists here mine the details of modern life to create new archives, full of treasures and secrets.

This tradition, of creating a catalog for the Ground Floor exhibition as a method of documenting and archiving this pivotal and vital moment in time, creates an unprecedented opportunity for a young voice to emerge alongside those visual artists presented here.

He does this by carving and cutting the insignificant into a trace, the vacuum into an archive, the shadow into an alphabet, the detail into a cosmos -LRB-...) No wonder that the fold is the organizing principle here, as well as the mag (g) ic force.

The exhibition functions as a memory archive and cosmic timeline, following the small and the invisible from the beginnings of time, to the here - and - now.

Here we find Eugene von Bruenchenhein's copious photographs of his often topless and apparently game wife; the rather creepier ballerina - doll pictures made by Morton Bartlett, after devoting laborious attention to crafting the dolls themselves; the insouciant intensities of Greer Lockton, revolving around gender reassignment and the refashioning of icons, both cultural (Jackie O.) and subcultural (Candy Darling) through dolls and photographs; and selections from the inscrutable archive of Polaroids taken of actresses on television by the anonymous photographer known as Type 42.

Tagged as: Anthology Film Archives, Babble on, David Zwirner, hunter east harlem gallery, Light Industry, lois weber, NURTUREart, people who work here, star spangled to death, summer anagram, topless, visions of confinement

From ABC archives, here's a sample of the Clement Greenberg style when asked, as he often was, to define modernism.

2000 The Work Shown in this Space is a Response to the Existing Conditions and / or Work Previously Shown Within the Space III, Neuger Riemschneider, Berlin, DE Sequences, Galerie Roger Pailhas, Marseille, FR La Frontière, Recit d'Expériences, one of several exhibitions collectively entitled «Réseau Galleries / Multilangages de l'Art», Institut d'Art Contemporain - FRAC Rhône - Alps, Villeurbanne / Collège de Prévessin - Moëns (Ain), Academie de Lyon, FR TransAct - Platform for Transitional Activities in the Cultural Field, «Museum in Pro-gress» in cooperation with «Art Pool», Vienna, AT Shoot: Moving Pictures by Artists, Malmö Konsthall / The Cinema Spegeln / Restaurant Hipp, Malmö, SW; Living Art Museum, IS, as part of Kyikar Myndir show, Reykjavik, IS Never Exhibited: Works from the Marieluise Hessel Collection, Center for Curatorial Studies, Bard College, Annandale, New York, US Copyright / Copywrong, Ecole Régionale des Beaux - Arts de Nantes, Nantes, FR Thirtieth Anniversary Benefit Silent Auction, White Columns, New York, US Two by Two for Aids and Art, Dallas Museum of Art, Dallas, Texas, US Dust and Dirt, De Witte Zaal in cooperation with SMAK, Ghent, BE L'Elemento Verbale Nell» Arte Contemporanea, Galleria Martano, Torino, IT; Galleria Martano, Milan, IT Sentimental, Galerie Yvon Lambert, Paris, FR Die Natur der Dinge, NRW - Forum Kultur und Wirtschaft, Düsseldorf, DE Pure, one of several simultaneous exhibitions around UK, collectively entitled On the FRAC Track: A Selection of International Art from the Collection of Fonds Régional d'Art Contemporain (FRAC), Nord - Pas de Calais, Maidstone Library Gallery, Maidstone, UK Under the Apple Tree, Galleria Massimo de Carlo, Milan, IT A Tribute to Robert Hopper, Yorkshire Sculpture Park, West Yorkshire, UK From Here to There - Passageways at Solitude, Akademie Schloss Solitude, Stuttgart, DE Topologies, White Box, New York, US Multiple Configurations: Displaying the Contemporary Portfolio, Busch - Reisinger Museum, Harvard University, Cambridge, Massachusetts, US Heimatweh — Fernlust, Galerie Herbert Winter, Vienna, AT In the Mirror of Space and Time, Listasafns ASÍ, Reykjavik, IS Árátta, Listasafn Kópavogur, Reykjavik, IS Recent Works on Paper, Leo Castelli Gallery, New York, US Présumés Innocents: l'Art Contemporain et l'Enfance, Musée d'Art Contemporain, Bordeaux, FR l'Oeuvre Collective, les Abattoirs, Toulouse, FR Arteast 2000 + The Art of Eastern Europe in Dialogue with the West, from the 1960s to the Present, Moderna Galerija Ljubljana, SL Works by Peter Friedl, Thomas Hirschhorn, Lawrence Weiner, Arndt & Partner [Gallery], Berlin, DE (E Così Via)(And So On): 99 Artisti Della Collezione Marzona, Galleria Comunale d'Arte Moderna e Contemporanea, Rome, IT Collection Lambert en Avignon: Rendez - vous # 1, Rendez - vous # 2, January 12 - December 31, Hôtel de Caumont, Avignon, FR Wallpapers, Art Gallery of Nova Scotia & Nova Scotia College of Art and Design, Halifax, CA Orbis Terrarum: Ways of Worldmaking, Museum Plantin - Moretus, Antwerp, BE Drawings 2000, Barbara Gladstone Gallery, New York, US Von Edgar Degas bis Gerhard Richter / Arbeiten auf Papir aus der Graphischen Sammlung..., Kunstmusem Winterthur, Winterthur, US; Nationalgalerie Prag, CZ; Rupertinum, Salzburg, AT; Westfälischer Landesmuseum, Münste, DE; Neues Museum, Nürnberg, DE Proposals from Halifax: An Exhibition of Selected Typescripts, Flyers, Posters, Catalogues, Books, Mailers and Postcards of a Conceptual Nature Produced From 1969 to 1999 by Affiliates of the Nova Scotia College of Art and Design (NSCAD), Library and Archives - National Gallery of Canada, Ottawa, CA Stanze, Museums für Moderne Kunst / Museo d'Arte Moderna, Bozen / Bolzano, IT Tempus Fugit - Time Flies, Nelson - Atkins Museum of Art, Kansas City, Kansas, US In Process: Photographs from the 60s and 70s, Curt Marcus Gallery, New York, US Many Colored Objects Placed Side by Side to Form a Row of Many Colored Objects: Anton & Annick Herbert Collection, Casino Luxembourg - Forum d'Art Contemporain, LUBeyond Preconceptions: The Sixties Experiment, Independent Curators Inc., New York, US; traveling exhibition Hard - Pressed: 600 Years of Print and Process, International Print Center, New York, US Changing Perceptions: The Panza Collection, Guggenheim Museum, Bilbao, ES Talking Heads: Arti e Letterature nell» era della Globalizzione, Commune di Padova - Settore Attività Culturali, Padua, IT Festival de les Arts, Fundació Pro-Penedès, Barcelona, ES Editions and Multiples 1990 - 2000, Helga Maria Klosterfelde, Hamburg, DE Collection Lambert, Fundacio ProPenedès, Barcelona, ES

Eventually, Phil the Fan's entire archive will make its way to the Denver Public Library as part of the DPL collection, but here's a chance to remember him before it gets packed away.

With solo exhibitions at Spike Island and Modern Art Oxford, archive work included in The Place is Here at Nottingham Contemporary and other work included in a new exhibition just opened at the Bluecoat, 2017 is already proving to be a busy year for Lubaina Himid as her paintings and installations attract both popular and critical acclaim.

This exhibition celebrates the publication of Peter Cain, the first complete monograph on the artist's work, featuring essays by Beau Rutland, Richard Meyer, and Collier Schorr, and illustrated with over eighty full - color plates of the paintings, drawings, photographs, and collages, as well as photos of the artist's studios, plus notes and ephemera from his archive, much of it published here for the first time.

As for the nonsense about not having archive capacity in 2003, here is evidence to the contrary:

Almost all the data we have in the CRU archive is exactly the same as in the Global Historical Climatology Network (GHCN) archive used by the NOAA National Climatic Data Center [see here and here].

The university has policies requiring data to be archived with and retained by the university (in case the author moves on, as has happened here.

Part of the blunder here is yet another indirect citation of a source, as in the above problem of citing the UCS when the San Mateo / Marin / Imperial Beach court filings should have directly cited Greenpeace's archives.

I've saved the article; such items as the one you link from the Wayback machine should be saved / stored by as many ppl here as possible, and more bloggers reading this could blog about them in case they disappear even from Wayback (someone commented that if a website starts to block the robot.txt used by the Wayback machine then even previously archived articles will vanish as Wayback's policy is to take that as a refusal to be archived at all, even retroactively).

Dr Carter's own website (archived here on 4 July 2013) still carries his university affiliation (as a side note, I refer to Dr Carter as a «Dr» because the title «Professor» is only generally used when an academic has such an affiliation with a university, either paid or unpaid).

Notably, Kennerly found the opinions using RECAP, the recently released Firefox extension that recycles PACER documents into a publicly accessible archive (as Carolyn Elefant wrote about here last week).

Here are three resources on the Web: The National Climatic Data Center of the National Oceanic and Atmospheric Administration describes itself as the world's largest archive -LSB-...]

(And, as detailed here and this archive, the USSC has this year put its long - held expert opinion into action by amending the guidelines, effective November 1, to lower all crack guideline ranges across the board.)

As previously discussed (you can click here to read all my archived posts on this topic), a binding ICBC settlement can be reached even before the «full and final release» is signed.

I'm a bit late, but it looks like we've got the case in the RECAP Archive, here: https://www.courtlistener.com/docket/4221177/british-telecommunications-plc-v-valve-corporation/ As @ohwileke says, this is a federal case, so it's going to be in PACER.

Here's the search that got sent to Google when I put in «cabbage» and «carrot» and asked for a vegan / vegetarian recipe: cabbage carrot (site: fatfree.com inurl: veganmania inurl: vegetarianrecipe inurl: veggiefiles) Notice that Tara uses site: to send requests for this type of recipe to fatfree.com («The Low Fat Vegetarian Recipe Archive») and as well, with the inurl: modifier, to sites the URLs of which contain one of the terms «veganmania,» «vegetarianrecipe,» or «veggiefiles.»

You can find the complete Surviving the Slide issue here, and a full archive of articles from all past issues of LAWPRO Magazine here, and a full listing of articles from LAWPRO Magazine as well as other claims prevention resources arranged by topic here.