Sentences with phrase «as archived publications»

Not exact matches

If my studies of Whitehead and Russell are, as Lucas says, «intellectual biographies,» such an approach has very recently been given its greatest boost in Russell: The Journal of the Bertrand Russell Archives with the publication of Whitehead's «To the Master and Fellows of Trinity College, Cambridge» 1 preceded by an analysis by Paul Delany of...

[3] For a summary of New Thought history see: Charles S. Braden, Spirits in Rebellion: The Rise and Development of New Thought (Dallas: Southern Methodist University Press, 1963); Sherry Evans, The Roads to Truth: In Search of New Thought's Roots (West Jordan, UT: Northern Lights Publications, 2005); the work of C. Alan Anderson and Deborah G. Whitehouse, for example, New Thought: A Practical American Spirituality (New York: Crossroad Publishing, Co., 1995), as well as their extensive web - based archive resource < www.websyte.com/alan >

For research papers created under grants for which the authors are required by their funding agencies to make their research results publicly available (for example, from NIH, Howard Hughes Medical Institute, or Wellcome Trust), we allow posting of the accepted version of research content (Research Articles and Reports) to the funding body's archive or designated repository (such as PubMed Central) no sooner than six months after publication, provided that a link to the final version of the paper published in the Science Journal is included.

At the time of publication of the full manuscript, the research data must also have been shared on a public archive such as OSF.

For authors who are required by their funding agencies to make their research results publicly available, AAAS allows posting of the accepted version of the paper to the funding body's archive or designated repository (such as PubMed Central) six months after publication, provided that a link to the final version published by AAAS is included.

IOI's website constitutes the primary information base of IOI's activities and future plans and serves as an archive source for its publications.

The International Ocean Institute (IOI) makes available its information sources on its website which constitutes the primary information base of IOI's activities and future plans, as well as an archive source for its publications.

The EGA serves as archive for publication as well as data on several levels, including the raw data (so they could be re-analysed in the future using other algorithms) and the genotype calls (information about pathogenic genetic variants) provided by the data submitters.

Comments: 20 pages, 14 figures, 5 tables; accepted for publication in ApJS; electronic versions of Tables 4 and 5 are available as ancillary files (see sidebar on the right), and an interactive version of Table 5 is available at the NASA Exoplanet Archive (http://exoplanetarchive.ipac.caltech.edu/)

20 pages, 14 figures, 5 tables; accepted for publication in ApJS; electronic versions of Tables 4 and 5 are available as ancillary files (see sidebar on the right), and an interactive version of Table 5 is available at the NASA Exoplanet Archive (http://exoplanetarchive.ipac.caltech.edu/)

For publications done when the Milwaukee Education Partnership was known as the Milwaukee Partnership Academy (MPA), visit the Publication Archives section of our website located in the MPA Archives.

As conformant ZIP archives, EPUB Publications can be unzipped by many software programs, simplifying both their production and consumption.

Recently reopened theatre The Rep has been bringing exciting drama to Birmingham for more than 100 years and it is now adjoined to the new cultural icon that is the Library of Birmingham, Europe's largest public library, offering live music and entertainment as well as a vast collection of books, films and publications to explore, including a breath - taking archive of Shakespeare works.

Through audio interviews with founders and key staff, a reading room of magazines and publications, documentation, ephemera and narrative descriptions, the exhibition will tell the story of pioneering spaces — like P.S. 1, Artists Space, Fashion Moda, Taller Boricua, ABC No Rio, The Kitchen, Franklin Furnace, Exit Art, 112 Greene Street, White Columns, Creative Time, Electronic Arts Intermix, Anthology Film Archives, Storefront for Art and Architecture, Just Above Midtown, and many more — as well as document a new generation of alternative projects such as Cinders, Live With Animals, Fake Estate, Apartment Show, Pocket Utopia, Cleopatra's, English Kills Art Gallery, Triple Candie, Esopus Space, and others.

In 2007 she set up the «Office for Anti-Propaganda» as an archive of and vehicle for political actions and publications.

Curators will be able to cross-reference paintings with works on paper in public collections, drawings with sculptures, and so on; the archive is more likely than ever to act as a springboard for future exhibitions and publications.

The publications can additionally be seen as archives, as a way for the artists to show their work alongside other critical thinkers.

Details of each iam publication, edition, and curated event are archived on this website as individual portfolio entries.

SL: With Too Hard to Keep (Syracuse) the site - specific installation of selected images and objects from the archive will also live on in publication form, as an issue of Contact Sheet.

-- Allen Ruppersberg, BOMB, 109, Fall 2009 About the Sourcebook Series Each book in the Independent Curators International (ICI) Sourcebook Series is edited by a single artist, includes a collection of primary research materials and influences, such as rare archival documents, artwork studies, and excerpts of landmark publications, selected from the artist's own archive and annotated with personal commentary.

But some early reviews questioned the press's inclusion, dismissing the installation as merely an archive of past publications.

Set within an immersive wall painting the installation «Ahy - kon - uh - klas - tik» combines a trans - historical selection of works from the Van Abbemuseum's collection, sculpture and assemblages by Brook Andrew, rarely seen documents and publications from the museum's library as well as the artist's own extensive archives that focus on popular and official documents relating to colonial and stereotyped agendas of the global south.

Inspired by midcentury photobooks and magazines, as well as the materials in the artist's own archive, 50 Photographs features a tipped - in sleeve with fictitious contact sheets, a checklist and an essay by art historian and curator James Oles on photographic prints and archives, in which he recounts the story behind this publication.

• Three to six months of artistic, editorial, and technical support • Honorarium of up to 300 USD as well as material costs • Opportunity to present the project to an audience in the form of a reading, workshop, or discussion • Opportunity for inclusion in our annual print publication, Invalid Format: An Anthology of Triple Canopy, as well as our ongoing broadsheet series • Archiving and long - term maintenance of the final project by technical staff

It will be accompanied by a new publication featuring full colour plates of works from 2013 — 2017, installation images from museum shows, reference images from the artist's archive, texts by Darian Leader and Craig Burnett as well as a poem by Kate Dent.

Constructed as a collage of essays, interviews, and manifestos, this publication archives an impressive range of thinking about artists» fascination with technology.

The «Features» section of the Digital Archive contains valuable research aids, including chronological lists of New Museum exhibitions, public programs, and publications, as well as contextual essays and new scholarship produced through ongoing research.

Throughout its 20 - year history as a site of curatorial education, CCS Bard has encouraged its students and faculty to question the motives and avenues of curating exhibitions, events, programs, publications, and archives.

They assist with research and fact - checking for exhibitions, publications and the collection, undertake administrative tasks such as archiving and correspondence, and support installations.

The book includes a collection of primary research materials, such as rare archival documents, artwork studies, and excerpts of landmark publications, selected from the artist's own archive and annotated with personal commentary.

Course members will work on producing three outcomes: 1) create a formal descriptive bibliography of the archive 2) design a publication of selected documents from the archive, and 3) organize a traveling exhibition in which the archive is presented as a three - dimensional form.

Her practice, which is based on extensive on - site research and an ever - expanding archive of visual material, primarily deploys photography, video, slide projection and large scale photographic installations of blown up photocopies or silkscreens, as well as the publication of artists books in the form of photographic visual essays.

This exhibition celebrates the publication of Peter Cain, the first complete monograph on the artist's work, featuring essays by Beau Rutland, Richard Meyer, and Collier Schorr, and illustrated with over eighty full - color plates of the paintings, drawings, photographs, and collages, as well as photos of the artist's studios, plus notes and ephemera from his archive, much of it published here for the first time.

New, expanded Parkett exhibitions in various museums are in preparation as well, which will further explore the publication's singular approach as a thirty - three - year time capsule and archive.

In times of digital processing and publication the work of art archives increasingly attracts international attention and gains in efficacy, while providing new stimuli for art sciences such as the dynamically growing field of art market research as well as the exhibition practice itself.

This publication includes archival photographs and facsimile documents from the Bourgeois family archive, as well as excerpts from the artist's psychoanalytical writings.

So with the understanding that I sure as hell know what pervasive influence peddling can do to the process of peer review — because the pharma companies do actively recruit their «key opinion leaders» on the basis of things like editorial clout and that prominence within their specialty which gives them to hold responsibilities in peer review for «high impact» medical journals — you might appreciate why, when I got to read those e-mails in the FOI2009.zip archive last November, my immediate desire was for something brutally Sicilian to happen immediately and with spatter marks on the surrounding walls to the C.R.U. correspondents who had been concerting to infest and pervert the peer review process throughout the physical sciences wherever anything critical of the AGW hypothesis might be brought into publication.

I think that an author should have archived data or data citations and methods at the time of publication, as in econometrics, and if he failed to do so (as climate science has poor practices) then he has an obligation to take the time to provide the requested information (and should perhaps think about making a proper archive.)

As a step towards restoring confidence in the scientific process and to provide greater transparency in future, the editorial boards of scientific journals should work towards setting down requirements for open electronic data archiving by authors, to coincide with publication.

Re-doing the analysis with original data is currently impossible as Mann deleted the post-1960 values from the «original» data as well and the «original» data, originating from another RegEM publication by Mann and associates (Rutherford et al 2005) has never been archived (despite representations to the contrary.)

Publication these days is really only a means of recording research and data archiving as theories are explored, in the hope that great minds might find that elusive idea to advance our understanding of the complexity of our climate.

As soon as any of the publications are accepted we will be archiving the corresponding data seAs soon as any of the publications are accepted we will be archiving the corresponding data seas any of the publications are accepted we will be archiving the corresponding data set.

List all financial support you have received related to your research, including, but not limited to, all private, state, and federal assistance, grants, contracts (including subgrants or subcontracts), or other financial awards or honoraria... [and](1) the location of all data archives relating to each published study for which you were an author or co-author, (2) such supporting documentation as computer source code, validation information, and other ancillary information, (3) when this information was available to researchers, (4) where and when you first identified the location of this information, (5) what modifications, if any, you have made to this information since publication of the respective study, and (6) narrative description of the steps... to replicate your study results...

However, the more common form of green open access publishing is «self - archiving»: the author publishes her work in a standard journal, but retains permission either to upload (archive) a version of her publication — ideally a PDF of the final, edited paper as published in the journal but usually a pre-publication version («pre-print»)-- to an institutional repository or other repository, eg, the private Social Sciences Research Network (SSRN).

The archive includes news sources such as The Washington Post, The New York Times, The Wall Street Journal and ALM publications.

I am in favor of digital publication for scholarly works as long as an adequate online depository and archive is securely in place.

Despite its often ephemeral nature, publication is publication, and although the foregoing decision does not analyze the nature of defamation on the Internet, the breadth of Internet transmission is so great as to outweigh any transitory notion that the information will not be there forever (also consider the impact of the Internet Archive, which periodically takes snapshots of information on the Internet).

The digital archive collection of the Harvard Law School Library includes selected Harvard Law School publications, government documents (both U.S. and foreign), and secondary legal and law - related sources, such as reports and studies from organizations, scholarly societies, and other types of grey literature.