Sentences with phrase «as art critic at»

Not exact matches

Eric's first journalistic forays were as an arts critic, covering film and music for the Stanford Daily; his first feature was about artists - in - residence at the San Francisco dump.

Bowerbirds produce elegant bachelor pads (bowers) that would probably elicit favorable reviews from Manhattan art critics — as long as you auctioned them at Sotheby's and did not reveal that they were created by birdbrains.

Although the film didn't connect as strongly with mass audiences (although it's considered a «sleeper hit,» you have to wonder what it could have done if it had been released after Whedon's little art house film «The Avengers «-RRB- and more than a few critics found it befuddling and arch (it's neither), «The Cabin in the Woods» is the kind of movie that will ultimately live on as a deserved cult classic, perfect for drunken film studies students and bored kids at slumber parties alike.

(as presented at Frye Art Museum Critics Wrap) 1.

In June 2017, Rich is being honored with a week of events at the Barbican Center for the Arts and Birkbeck, University of London, entitled «Being Ruby Rich» saluting her work as critic, curator, and advocate.

Petit also looks at Farber as a painter and an art critic and Hickey as an art critic, a resident of Las Vegas, an appreciator of Farber, and a commentator on American culture.

Critics have been raving about this tender romance from Italian director Luca Guadagnino (I Am Love, A Bigger Splash) since it premiered at Sundance back in January, and it's so highly anticipated that some theaters have been selling tickets weeks in advance, as though the film were the art - house equivalent of The Last Jedi or something.

All About Eve (1950, Joseph L. Mankiewicz): «Fasten your seat belts, it's going to be a bumpy night,» says diva supreme Bette Davis in this immortal take on the freaks of the theater, including Anne Baxter as Davis» cutthroat protégée, George Sanders as an acerbic critic and the young Marilyn Monroe as a budding talent who trained, claims the critic, «at the Copacabana School of Dramatic Arts.»

Early word from critics is that this is just as hilarious and ridiculous as the first two films, and might be a good bit of entertainment to catch at your local art house later this summer.

As many of the best critics have stressed, film criticism's function is to resist becoming part of the machine for promoting films at either the mass market or indie / art film level, repeating the press notes and feeding the hype.

No sign of a «female style»; no centralized imagery or necessary pattern and decoration, as some essentialist feminist art critics believed at the beginning of the women's movement.

Vehabović is among the most highly regarded young artist in Croatia having won First Prize for Zagreb Salon 2010, The International Association of Art Critics (AICA) Award 2010, as well as an Essl Award in 2007, (Emerging Artists in Southeast Europe) 2010, and with solo exhibits in 2011 and 2013 at Lauba Museum in Zagreb, Kranjcar Gallery, Zagreb (2011).

Donald Moffett, whose paintings and prints are currently on view at the Blanton, discusses growing up in San Antonio, and his career as an artist and an activist based in New York with acclaimed novelist and art critic Jim Lewis.

On the occasion of the only full - scale retrospective Porter's work has been given - the exhibition called Fairfield Porter (1907 - 1975): Realist Painter in an Age of Abstraction, which Kenworth Moffett organized at the Museum of Fine Arts in Bostonin1983 - I wrote that «For myself, though as a critic I had praised Porter's work on a number of occasions during thelast20yearsand though I knew it well, I found I was not really prepared for what I found in this exhibition....

«Rirkrit Tiravanija's art is like a fungus», according to art critic Jerry Saltz, «As with mold, mildew, and mushrooms, it is parasitical, lacks the artistic equivalent of true chlorophyll, grows virtually anywhere, and is mysteriously beautiful»; and this zoomorphic quality seems even more relevant in light of Rirkrit Tiravanija «s latest work for Open Source: Art at the Eclipse of Capitaliart is like a fungus», according to art critic Jerry Saltz, «As with mold, mildew, and mushrooms, it is parasitical, lacks the artistic equivalent of true chlorophyll, grows virtually anywhere, and is mysteriously beautiful»; and this zoomorphic quality seems even more relevant in light of Rirkrit Tiravanija «s latest work for Open Source: Art at the Eclipse of Capitaliart critic Jerry Saltz, «As with mold, mildew, and mushrooms, it is parasitical, lacks the artistic equivalent of true chlorophyll, grows virtually anywhere, and is mysteriously beautiful»; and this zoomorphic quality seems even more relevant in light of Rirkrit Tiravanija «s latest work for Open Source: Art at the Eclipse of CapitaliArt at the Eclipse of Capitalism.

Schwabsky, art critic for The Nation and an editor for international reviews at Artforum, is a practitioner of what curator James Meyer describes as «a criticism of varied interests and passionate opinions.»

Acha has served as a visiting critic at the School of Visual Arts, Rhode Island School of Design, and Williams College where she was also Visiting Lecturer in 2015.

As NYPL's senior art librarian she curates exhibitions and events at New York Public Library where she has initiated several exhibition and program series featuring the work of emerging and renowned artists, authors, critics, designers and others.

Whether one considers these bold innovations or gimmicks by which to impress the art market, they had nothing to do with abstraction as such, with that ruthless subtractive process of whittling images down to their roots which so obsessed critics like Greenberg that they put it at the center of their story of what modern art even is.

Croatian artist Zlatan Vehabović is likely the most highly regarded young artist in Croatia having won First Prize for Zagreb Salon 2010, The International Association of Art Critics (AICA) Award 2010, as well as an Essl Award in 2007, (Emerging Artists in Southeast Europe) 2010, and with a solo exhibit in 2011 at Lauba Museum in Zagreb, and inclusion in many important group shows.

This summer, top artists, writers, and critics will speak as part of the Summer Residencies and Programs at Otis College of Art and Design.

The awards «honor the outstanding achievements and accomplishments of individual artists, art historians, authors, conservators, curators, and critics whose efforts transcend their individual disciplines and contribute to the profession as a whole and to the world at large,» and will be presented Feb. 15 at CAA's annual conference in New York City.

Gerhard Richter fans still giddy from his last major retrospective at New York's Museum of Modern Art in 2002 — which one critic described as «a resounding hosanna of piquant, good, and great paintings» — will get another chance to savor the modern master's art this fall when Tate Modern looks back at 50 years of his work (October 6, 2011, to January 8, 201Art in 2002 — which one critic described as «a resounding hosanna of piquant, good, and great paintings» — will get another chance to savor the modern master's art this fall when Tate Modern looks back at 50 years of his work (October 6, 2011, to January 8, 201art this fall when Tate Modern looks back at 50 years of his work (October 6, 2011, to January 8, 2012).

Using Still's storied relationship with critics as a point of departure, Smith and Saltz will explore the realm of art criticism today, sharing insights about their work, process, and criticality in looking at art.

He served as chief art critic at The New York Times before creating the paper's «Abroad» column — covering culture, political, and social affairs across Europe and around the world from 2007 - 2011.

She serves as a visiting critic at the School of the Museum of Fine Arts / Tufts and Massachusetts College of Art and Design.

Just as when art history looks at the past, a critic's job is to see the context, so that others can navigate who brings it alive.

Some art critics also looked at this movement as an attempt to restore the image of artistic Paris, which had held the rank of capital of the arts until the war.

After studies in Art History at Columbia University, Weinstein worked as a writer and critic.

From the lyric, dark grisaille of Gorky's inner landscapes it grew to epic stature: In 1952 art critic Harold Rosenberg observed that «at a certain moment the canvas began to appear to one American painter after another as an arena in which to act, rather than as a space in which to... «express» an object, actual or imagined.

This innovation prompted the art critic Harold Rosenberg to observe that «at a certain moment, the canvas began to appear to one American painter after another as an arena in which to act... what was to go onto the canvas was not a picture, but an event.»

Later that year participated in an exhibition at Galleria La Bertesca in the Italian city of Genoa, with a group of other Italian artists that referred to their works as Arte Povera, or poor art, a term subsequently widely propagated by Italian art critic Germano Celant.

Winning the award for the New York Magazine senior art critic was his essay «My Life as a Failed Artist» that described how his failure at being an artist pushed him to become an art critic.

Tuesday night, Paddy Johnson joins other art critics to talk shop at the Brooklyn Public Library's Dweck Cultural Center, and Tyler Coburn talks genetic engineering and body mods as the future of humanity at e-flux.

David Anfam is a critic and art historian, as well as Commissioning Editor in Fine Art at Phaidon Press, Londart historian, as well as Commissioning Editor in Fine Art at Phaidon Press, LondArt at Phaidon Press, London.

The catalogue includes essays by Whitechapel Gallery Curator Omar Kholeif as well as commissioned texts by Jean Fisher (art critic), Lorenzo Fusi (Artistic Director of the International Contemporary Art Prize), Graziella Parati (Professor at Dartmouth College) and Nikos Papastergiadis (Professor at the University of Melbournart critic), Lorenzo Fusi (Artistic Director of the International Contemporary Art Prize), Graziella Parati (Professor at Dartmouth College) and Nikos Papastergiadis (Professor at the University of MelbournArt Prize), Graziella Parati (Professor at Dartmouth College) and Nikos Papastergiadis (Professor at the University of Melbourne).

As Charlotte Cotton, critic and former curator of photographs at the Victoria and Albert Museum (London) as well as the Wallis Annenberg Department of Photographs at the Los Angeles County Museum of Art, writes in The Photograph as Contemporary Art (World of Art): «Harris makes a map of visual and ideological connections... blending high criticality and personal narrative to suggest that all photography inherently carries representational meaning beyond the intent or making of the photographer.&raquAs Charlotte Cotton, critic and former curator of photographs at the Victoria and Albert Museum (London) as well as the Wallis Annenberg Department of Photographs at the Los Angeles County Museum of Art, writes in The Photograph as Contemporary Art (World of Art): «Harris makes a map of visual and ideological connections... blending high criticality and personal narrative to suggest that all photography inherently carries representational meaning beyond the intent or making of the photographer.&raquas well as the Wallis Annenberg Department of Photographs at the Los Angeles County Museum of Art, writes in The Photograph as Contemporary Art (World of Art): «Harris makes a map of visual and ideological connections... blending high criticality and personal narrative to suggest that all photography inherently carries representational meaning beyond the intent or making of the photographer.&raquas the Wallis Annenberg Department of Photographs at the Los Angeles County Museum of Art, writes in The Photograph as Contemporary Art (World of Art): «Harris makes a map of visual and ideological connections... blending high criticality and personal narrative to suggest that all photography inherently carries representational meaning beyond the intent or making of the photographer.&raquas Contemporary Art (World of Art): «Harris makes a map of visual and ideological connections... blending high criticality and personal narrative to suggest that all photography inherently carries representational meaning beyond the intent or making of the photographer.»

The term «abstract classicists» was coined in 1959 by curator and critic Jules Langsner to define these four southern California painters whose work he grouped in a seminal exhibition that year at the Los Angeles County Museum in Exposition Park (prior to LACMA's existence as an independent art museum).

Fairfield Porter reared in Winnetka, educated at Harvard, art developed in New York City.F.Porter although known as a conservative carries weight as a critic.

Against this revisionist tradition, an essay by Michael Kimmelman, chief art critic of The New York Times, called Revisiting the Revisionists: The Modern, Its Critics and the Cold War, argues that much of this information (as well as the revisionists» interpretation of it) concerning what was happening on the American art scene during the 1940s and 50s is flatly false, or at best (contrary to the revisionists» avowed historiographic principles) decontextualized.

Before he transitioned to work in three dimensions, Judd began as a painter and an art critic, having studied philosophy and art history at Columbia University and painting at the Art Students Leagart critic, having studied philosophy and art history at Columbia University and painting at the Art Students Leagart history at Columbia University and painting at the Art Students LeagArt Students League.

After working in Europe as an art critic and independent curator during the 1980s and 1990s, Christov - Bakargiev was senior curator at P.S. 1 Contemporary Art Center from 1999 to 2001 (she was a primary force behind and co-curator of the inaugural «Greater New York» exhibition at P.S. 1 in 200art critic and independent curator during the 1980s and 1990s, Christov - Bakargiev was senior curator at P.S. 1 Contemporary Art Center from 1999 to 2001 (she was a primary force behind and co-curator of the inaugural «Greater New York» exhibition at P.S. 1 in 200Art Center from 1999 to 2001 (she was a primary force behind and co-curator of the inaugural «Greater New York» exhibition at P.S. 1 in 2000).

As critics always add at the end, there is a lot of good art out there, honest.

She has also served as a Visiting Critic at Yale University and a faculty member in the Summer MFA Program at the Milton Avery Graduate School of Arts at Bard College.

Working with Linda Durham, Wilson learned the nuances of the art business, and at the same time as a published art critic and university art history professor, continued honing his critical and artistic writing skills.

After giving a lecture at the University of Central Lancashire (UCLan) and New Art Exchange in March as part of her participation to FORMAT International Photography Festival, Zanele Muholi is back to London for a conversation with journalist, critic and BBC broadcaster Bidisha on 26 May.

«He shocked his contemporaries with loose brushstrokes and vibrant colours,» says art critic Alastair Sooke as he walks through galleries at Tate Britain, an institution he describes as «the storehouse of Turner's artistic legacy».

When unveiled at St Paul's Cathedral in London last year, Bill Viola's video installation of the four martyrs was lauded by the art critic Jonathan Jones as «visionary... a powerful modern altarpiece».

Admired by critics throughout his long career, Wilson was singled out as a «discovery» by the New York Times art critic Edward Alden Jewel even before his first one - man show at the Galerie Neuf in 1946.

As New York magazine art critic Jerry Saltz pointed out, art galleries pay between $ 15,000 to $ 125,000 for a booth at Frieze art fair — just for the weekend.