Sentences with phrase «as art objects for»

My biggest fears are that picture books will cease to exist or will exist only as art objects for devotees; and that small children will be read to by their devices, not their parents, who will be too busy.

Not exact matches

For Sherburne, then, the art object, as a proposition, is about meaning, or theory; it is something that may or may not be said about events that may or may not belong together.

This way of putting the connection would seem somewhat strange to those who promoted art as a substitute for religion at the turn of the century, however, for it exhibits a consciousness both about the art object and about the language of religion and art which had not yet informed criticism or religion.

As a practicing Popsiclebyterian, I have to object to the use of the Holy Tongue Depressor with a naked guy painted on it for this sacrilegious art show.

There are many online communities focused on babywearing, High End Babywearing is one that values carriers for their utility, as objects (even art), and for their monetary value.

He suspects that thousands of looted cuneiform tablets, small figurines, and bronze objects won't show up on the art market for years, as sellers wait for international outrage to cool.

While most scholarship treats films as fodder for validating and perpetuating sacred theoretical frameworks, much like Thomas Kuhn's scientific paradigms, film criticism takes each film primarily as an autonomous art object and derives from the object the analytical tools necessary for discussing it, which may or may not be found in film theory toolkit.

In the end the film recast human suffering as an art object or an advertisement (one of its most memorable images — a cell wall that a prisoner has smeared with his own shit in neat concentric circles — resembled the logo for Target).

National Gallery takes this development to the next logical step, using its titular establishment as a springboard for an all - encompassing exploration into the multifarious nature of art as both history and object.

I use it to just hang out and browse for new things, picking up stuff that is actually designed for print, as an art object.

Stockport About Blog Richard Minsky is known for his conceptual approach to the book as an art object.

This Ubud Kintamani Tour will visit places of interest in Bali like watching traditional Barong and Keris Dance performance is balinese dance story about battle good and evil, then the tour continue to visit Celuk Village is traditional village for gold and silver handicraft, then tour will visit Batuan Village is a traditional balinese village with beautiful fine art, then tour continue to visit the Tirta Empul Temple or most known as a Holy Spring Temple, a myth described if this temple was build by God Indra for protect the village from the arrogant King Maya Denawa, then ubud and kintamani volcano tour will visit the Kintamani village to see the breathtaking view of mount batur volcano, is a mountain tourism object for see the view of mount batur and lake batur view, and you will having lunch in Kintamani, while having lunch you can admire the beauty of the mount batur volcano and the lake batur from the restaurant.

But pixel art is always gorgeous to behold (check out Kingdom if you don't believe me) and the ever - changing design piles on the apprehension as you scour the pixelated hallways for tiny details and useful objects.

The selection of titles for the Festival aims to affirm the status of video games as culture, and as a design object, showing the state of the art in narrative, experimental and political games.

The art direction consists of folded paper or «origami» objects and creatures, and everything in the world of Tearaway can be recreated in paper and as a bonus collectable they even unlock plans for you to make the game characters «come - to - life» in reality.

Create 2D and 3D art assets such as characters, props, textures, environment elements (terrain, ecosystems, architecture, and skybox), and collision objects for future prototyping (fully optimized) utilizing industry standard software tools and platform guidelines.

• Follow the level design pipeline from «pen & paper» game designs to implement spectacular character based levels and ultra-fun gameplay mechanics • Work closely with level layout artists to identify level assets and gameplay direction to ensure visual and technical quality for the levels • Follow direction of Lead Level Designer to maintain gameplay vision consistency • Contribute to level concept, layout, implementation (camera, entity, etc.), prototype modeling, scenario creation, event scripting, game balancing, pacing, and gameplay tuning • Contribute to general game design, as well as cooperate with all other facets of game production (programming, environment / world art and animation) • Place and trigger entities (such as enemies, movers, and objects) to create fun, absorbing gameplay • Master internal tools for modeling environments and integrating game play • Rough out world geometry, camera paths, and lighting using 3D world - building tools • Assist with the scripting of gameplay entities and events • Creatively resolve gameplay and production issues • Meet production schedules and deadlines • Collaborate with Design team to define and refine gameplay mechanics • Multitask effectively, prioritize competing demands, and follow through on details

Fine Art Registry (FAR) is a U.S. patented identification numbering system and database, realized, engineered and specially developed as a Web - based, permanent standard registration system and globally networked database for fine art, which is based on the Getty's Object ID, the core world standard for the identification of art and cultural objecArt Registry (FAR) is a U.S. patented identification numbering system and database, realized, engineered and specially developed as a Web - based, permanent standard registration system and globally networked database for fine art, which is based on the Getty's Object ID, the core world standard for the identification of art and cultural objecart, which is based on the Getty's Object ID, the core world standard for the identification of art and cultural objecart and cultural objects.

As it was, the checklist for the three - dimensional objects on view in 1960 at MoMA, three of which are included in the current show, were labeled as sculpture, and that was the term used in the review published in Arts magazinAs it was, the checklist for the three - dimensional objects on view in 1960 at MoMA, three of which are included in the current show, were labeled as sculpture, and that was the term used in the review published in Arts magazinas sculpture, and that was the term used in the review published in Arts magazine.

One of the most puzzling minor sidelights of Courbet's composition is the significance of the little boy scribbling a picture, a later insertion whose presence has been accounted for both as a mere space filler - to balance the still - life objects on the left - hand side — and as a personification of the newly awakened interest in the art of children associated with the Swiss artist Rodolphe Topffer.15 Yet here again a Fourierist interpretation best accounts for this figure.

Micchelli writes: «Optical or perceptual painting, for all of its rigor and intellection, can be thought of as a vanguard in defense of «aura,» a Romantic credo affirming the power of the art object.

Tom Dash's mixed media works at Borghi's Bridgehampton site reflect what are probably the more familiar trappings of Pop Art, as embodied by Andy Warhol, James Rosenquist — and, more recently, Richard Prince, for whom Dash worked — in their use of appropriated imagery and their celebration of everyday objects.

Collection, Museum of Art, Fort Lauderdaie, FL; travelled to Oklahoma Museum of Art, Oklahoma City, OK; Santa Barbara Museum of Art, Santa Barbara, CA; Grand Rapids Art Museum, Grand Rapids, MI; Madison Art Center, Madison, WI; Montgomery Museum of Fine Arts, Montgomery, AL 1981 Drawing Invitational, Harm Bouckaert Gallery, New York, NY 1981 New Work, Roy Boyd Gallery, Chicago, IL 1981 Artists Books, Metrònom, Barcelona, Spain 1980 Little Books, Franklin Furnace, New York, NY 1980 New York 1980, Banco - Massimo Minini, Brescia, ltaly 1980 Pool Project Documentation, Artists Space, New York, NY 1980 New York Painters, University of Rochester, Rochester, NY 1980 Works of Art, Patricia Sneed Gallery, Rockford, IL 1980 Group Show, Roy Boyd Gallery, Chicago, IL 1980 Collection of Dr. Milton Brutten and Dr. Helen Herrick, Ben Shahn Gallery, William Patterson College, Wayne, NJ 1980 Group Exhibition, Susan Caldwell, Inc., New York, NY 1980 Pool Projects, Wake Forest University, Winston - Salem, NC 1980 Faculty Exhibition, Hillwood Commons Gallery, C.W. Post College, Greenvale, NY 1979 Prospectus, Aldrich Museum, Ridgefield, CT 1979 New Wave Painting, The Clocktower, MoMA P.S. 1, New York, NY 1979 Artist's Postcards, Ananas Gallery, Abrau, Switzerland 1979 Poets and Painters, The Denver Art Museum, Denver, CO; traveled to Atkins Museum of Fine Art, Kansas City, MO; La Jolla Art Museum, La Jolla, CA 1979 14 Painters, Lehman Gallery, CUNY, Bronx, NY 1979 Drawings, Hal Bromm, New York, NY 1979 Summer Show, Hal Bromm, New York, NY 1979 Drawings, Pyramid Gallery, Providence, MA 1978 Detective Show, Gorman Park, Jackson Heights, NY 1978 Works on Paper, Studio La Citta, Verona, Italy 1978 Group Exhibition, Arte Fiera, Bologna, Italy 1978 Group Exhibition, Art - 9, Basel, Switzerland 1978 Black and White on Paper, Nobe Gallery, New York, NY 1978 Paperworks, Galerie Wirz, Milan, Italy 1978 Selections from the Collection, Aldrich Museum, Ridgefield, CT 1978 Artists Books: USA, New Gallery, Cleveland, OH 1977 Fine / Fleishman / Stamm, Franklin Furnace, New York, NY 1977 Painting 75,76,77, Sarah Lawrence College, Bronxville, NY; traveled to American Foundation for the Arts, Miami, FL; Contemporary Arts Center, Cincinnati, OH 1977 Book Objects, Albright - Knox Art Gallery, Buffalo, NY 1977 A Painting Show, MoMA P.S. 1, Long Island City, NY 1977 New York Group Show, Galerie Denise Rene, New York, NY 1977 Group Exhibition, Art Fiera, Bologna, ltaly 1977 Group Exhibition, Documenta - 6, Kassel, Germany 1977 Collection in Progress, Moore College of Art, Philadelphia, PA 1977 Ideas — Images, Eugenia Cucalon Gallery, New York, NY 1977 Postcards and Other Mail, Jock Truman, New York, NY 1977 Wrapping Paper Invitational, Nobe Gallery, New York, NY 1977 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1976 Group Exhibition, Art Fiera, Bologna, Italy 1976 Summer Group, Max Protetch Gallery, Washington D.C. 1976 SoHo and Downtown Manhattan, Akademie Der Kunste, Berlin, Germany 1976 Selections SoHo - Berlin, Louisiana Museum, Humlebaek, Denmark 1976 Works on Paper, Hal Bromm, New York, NY 1976 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1975 Contemporary Reflections 1971 — 1974, AFA; travelling exhibition Spare, Central Hall Gallery, Port Washington, NY 1975 Group Indiscriminate, 112 Greene Street, New York, NY 1975 A Collection in Progress (Herrick - Brutten Collection), The Clocktower, MoMA P.S. 1, New York, NY 1975 Group Exhibition, International Art Fair, Cologne, Germany 1975 Five from SoHo, Rose Art Museum, Waltham, MA 1975 Spare, Central Hall Gallery, Port Washington, NY 1975 Abstraction Alive and Well, SUNY, Potsdam, NY 1975 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1974 Tight and Loose, State University, Albany, NY; travelled to State University, Potsdam, NY 1974 Black as Color, Reed College, Portland, OR 1974 Drawings, Albright - Knox Art Gallery, Buffalo, NY 1974 Paperworks, Rosa Esman Gallery, New York, NY 1974 10th Anniversary Exhibition 1964 — 1974, Aldrich Museum, Ridgefield, CT 1974 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1973 Painting in America, Decorative Arts Center, New York, NY 1973 Black Paintings, Nancy Hoffman Gallery, New York, NY 1973 DiDonna / Stamm, O.K. Harris Gallery, New York, NY 1973 Nine New York Artists, Hartwick College, Oneonta, NY 1973 Recent Acquisitions, Phoenix Museum, Phoenix, AZ 1972 Contemporary Reflections 1971 — 1972, Aldrich Museum, Ridgefield, CT 1971 What's Happening in SoHo, University of Maryland, College Park, MD 1971 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1971 Alumni Show, Hofstra University, Hempstead, NY 1970 Young Artists: New York 1970, Greenwich, CT

Within the exhibition these personal objects are recast within the public realm, as they provide the material for a work of art.

Still, whether they took the pieces by mistake or stole them for a quick buck, they had to assume the objects are worth more as scrap metal than as art.

In the early 1970s, Finn - Kelcey was fascinated by the weather as a subject for art and made a number of «wind dependent objects», that relied on this intangible natural force.

Kessling works across a range of media such as photography, film, and performance, and here the images reflect performative tools for exploring identity, often juxtaposing the artist's own body with objects and materials such as dust sheets, clay, fabric and paper bags used with transformative effect — the temporal nature of the performative movement frozen in a single gesture — a single still from an action, or a response to an art - historical identity.

2013 Art Public: Only One Like You, curated by Nicolas Baume, Art Basel Miami Beach, Miami Beach, FL Pataphysics (A Theoretical Exhibition), Sean Kelly Gallery, New York, NY Body is Present, Berrie Center for Performing and Visual Arts, Ramapo College, NJ Hold on Her, (performance), Cleveland Museum of Art, Cleveland, OH All Good Things, SOMA Arts, San Francisco, CA Remainder, curated by Lauren Ross, Philbrook Museum of Art, Tulsa, Oklahoma The Lobby Project, City Center, New York, NY Sisyphus: Heroism of the Absurd, Arte Actual, Quito, Ecuador If Color, then also Dimension; If Flatness, then Texture, etc., LMCC at Governor's Island, New York, NY Object Focus: The Bowl, Museum of Contemporary Craft, Portland, OR Paint Things: Beyond the Stretcher, Decordova Sculpture Park and Museum, Lincoln, MA In Praise of Chance and Failure, Family Business, New York, NY There Is No Place Like Home, Paul Robeson Galleries, Rutgers, Newark, NJ Only as Signal Show, Southern Exposure, San Francisco, CA No Sun Without Shadow, Lu Magnus, New York, NY Unfolding Tales: Selections from the Contemporary Collection, Brooklyn Museum, Brooklyn, NY

will ignite conversations about the multitude of differences between reproductions and their objects, an issue that has become particularly poignant as laptops and phones become increasingly ubiquitous viewing devices for the visual arts.

With Shingles (2011), for example, Carl Andre's floor - based metal works meet their working - class counterpart, as copper plates are exchanged for patterns of overlapping asphalt roofing tiles; Siding (2011), meanwhile, replaces Donald Judd's shiny metal cubes with the work's namesake — and very plebeian — exterior vinyl wallcovering found on many a tract house; and by simply lifting a marble countertop off the bathroom sink and onto the wall, Counter (2012) proves that even the slightest of gestures, such as a change of orientation and context, can render foreign something familiar — the everyday as convincing art object.

'' News / Prints: Printmaking and the Newspaper» (at IPCNY, New York, closed October 19) included historical editorial cartoons, Meiji - era Japanese newspapers, collages using newsprint as a found object and other works of contemporary art in its exploration of newspapers as both primary and secondary sources for art.

His focus on the work of art as an object in its own right paved the way for Minimalism, while his appropriation of familiar everyday imagery was a major influence on Pop Aart as an object in its own right paved the way for Minimalism, while his appropriation of familiar everyday imagery was a major influence on Pop ArtArt.

With his iconic paintings serving as a trademark of American contemporary art, Wayne Thiebaud is a Pop art painter best known for his colorful works depicting commonplace objects like pies, lipsticks, paint cans, ice cream cones, pastries and hot dogs, although he has painted many landscapes and figures in his time as well.

As always, Ms. Skaer, a graduate of the powerhouse Glasgow School of Art, stakes her claim for sculpture that begins in pre-existing objects and images but, through memory and poetry, exceeds them.

Recent projects such as Crash Pad for the 8th Berlin Biennial, Every End is a Beginning at the National Museum of Contemporary Art in Athens and Fin de Siècle at Swiss Institute will be used to highlight aspects from Angelidakis's exhibition practice where the artist becomes curator, the exhibition becomes a medium and the exhibition device an exhibited object.

These objects served as offerings of inspiration for his artist friends, brought attention to contemporary artists operating outside of Western art centers, and represent collecting as an inherently artistic practice in its own right.

For centuries, Western art traditions have been centred on creating tangible and physical objects such as paintings, architecture and sculpture.

Claes Oldenburg is already beloved for his floppy fans and other surrealistic takes on everyday objects, but in recent years a steady drumbeat of shows has been framing him as more than just a family - friendly sculptor, and instead as a titan of American avant - garde art.

As the territory of birth, love, illness, and death and as the most anthropomorphic shape in the history of all civilizations, the bed a much - reproduced object in art and a common metaphor for the human conditioAs the territory of birth, love, illness, and death and as the most anthropomorphic shape in the history of all civilizations, the bed a much - reproduced object in art and a common metaphor for the human conditioas the most anthropomorphic shape in the history of all civilizations, the bed a much - reproduced object in art and a common metaphor for the human condition.

For her first solo show at State of Concept, entitled Video Art Manual, Cytter will present a selection of video works from the past decade as well as objects and books.

The arc of Stella's 50 - plus - year career is revisited as the Whitney marshals some 120 objects for this, the most comprehensive survey of his art ever mounted.

Nonetheless, the Lévy news release bruits about the improbable notion that Mr. Judd regarded Mr. Castellani as the «father of the style that came to be known as Minimalism» and as «essential for Judd's formulation of a specific art object that «need only be interesting.»»

Recommended reading The Art Newspaper carries a report on the opening of the Palestinian Museum, which as previously reported here, will not be exhibiting any objects for the time being.

Willie Cole is best known for assembling and transforming ordinary domestic and used objects such as irons, ironing boards, high - heeled shoes, hair dryers, bicycle parts, wooden matches, lawn jockeys, and other discarded appliances and hardware, into imaginative and powerful works of art and installations.

For Clement Greenberg, the grid obliged one to perceive the work of art as an object, and objects have weight.

Expressing a desire to «conceive of the short story as a studio space in which she crafts work,» Williams radically reinvents the criteria for what can be considered an object of contemporary art.

May 2, 2018 — Middle Eastern and Mediterranean Landscapes by Renowned Hartford Artist at Wadsworth Atheneum March 22, 2018 — Herbert Ferber Retrospective On View Now at Wadsworth Atheneum Dec. 15, 2017 — Edward Gorey's Illustrations and Art Collection Unite in Unprecedented Exhibition at Wadsworth Atheneum Sept. 28, 2017 — MATRIX 178 Premiers Sam Messer's Newly - Completed Animation «Denis the Pirate» at Wadsworth Atheneum Museum of Art Sept. 19, 2017 — More Than 100 Objects Illuminate Groundbreaking Art Collection of Financier J. Pierpont Morgan Aug. 29, 2017 — Scandinavian Landscapes at Wadsworth Atheneum May 31, 2017 — Mika Tajima Contemplates Technology and Contemporary Life in MATRIX 177 May 18, 2017 — Highlights, Rediscoveries of American Design Trends On View in Exhibition at Wadsworth Atheneum Museum of Art April 18, 2017 — MoMA Paintings by Warhol, Lichtenstein Featured in Pop Art Exhibition at Wadsworth Atheneum Museum of Art Feb. 2, 2017 — Brazilian Conceptual Artist Valeska Soares Featured in Wadsworth Atheneum's 176th MATRIX Exhibition Jan. 20, 2017 — Wadsworth Atheneum Appoints Brandy S. Culp as Richard Koopman Curator of American Decorative Arts Jan. 6, 2017 — UPDATED — Japanese Masterpieces Reunited for First Time in More Than a Century at Wadsworth Atheneum

For the past 40 years, Mosset has challenged the historical notion of painting as an art object beginning with his involvement in B.M.P.T. (a Paris - based group of painters active during the mid-1960s consisting of Daniel Buren, Mosset, Michel Parmentier, and Niele -LSB-...]

JIMMIE DURHAM: AT THE CENTER OF THE WORLD Art can be activist, and vice versa: Jimmie Durham's involvement in the American Indian Movement, downtown New York in the 1980s and identity politics in the 1990s serve as touchstones for an exhibition of more than 200 objects.

The role of verbal language and its relationship with images — usually photographic — probed by Conceptualism, determines another order for the art object, which has now lost its link to manual craftsmanship, positioning itself as an idea of what the object might be as art.