Sentences with phrase «as art viewers»

Not exact matches

Examining absurd theories around Mad Men and True Detective, Julia Yost characterizes this phenomenon as a shift from the aesthetic to the forensic: «Everything on screen and soundtrack is a clue, and the viewer's challenge is to suss out the secrets encoded by the creators» choices in writing, casting, wardrobe, and art direction.

The vice of the media - processed image in covering politics, art, education — most of the world in which we live and act — is that it strips away the moral - historical context to leave the citizen - viewer with Brute Event as Truth.

According to this definition, the wo4 of art functions as a symbol when ii offers the viewer a manner of looking ai something which reveals an otherness, What we look at may be a recognizable subject or the nonreferential manipulation of paint over a surface.

«Our ambition is to create a connection between the viewer and the very real art of building taking place on a live construction project - especially as many of these are located in the very heart of public spaces,» says Art of Building manager Saul Townseart of building taking place on a live construction project - especially as many of these are located in the very heart of public spaces,» says Art of Building manager Saul TownseArt of Building manager Saul Townsend.

In its incarnation as an art installation, mounted in Melbourne, Berlin and, most recently, New York City, Manifestoallowed viewers to wander freely among its dozen tableaux, each projected on its own screen.

Although not limited to the fight game, initial series subjects will take viewers behind the curtain and inside the provocative and often edgy world of boxing and mixed martial arts with virtually unrestricted license as only SHOWTIME can.

well, I would like to make a comment, with of course no harsh bashing or one sided opinionated blather, However, I find it quite simply funny how one could watch a movie and with a couple of sentences and elegant word - ology, thing they can grasp what it takes to compose a work of art and creativity into a 250 page manuscript and then production material for viewers such as myself and yours truly.

Hamlet 2 will most likely find an audience with those viewers who mistake raunch for art, as if pushing the boundaries of taste equates to pushing the boundaries of creativity.

As the film focuses heavily on establishing itself as almost a piece of art, there are a few methods of filming that may strike the viewer as strangAs the film focuses heavily on establishing itself as almost a piece of art, there are a few methods of filming that may strike the viewer as strangas almost a piece of art, there are a few methods of filming that may strike the viewer as strangas strange.

After a year full of fraught conversations about whether a person can separate the art from the artist, Oldman's past behavior rang alarm bells for some viewers who saw his award as undermining the Time's Up movement.

This documentary plunges the viewer into the chaotic life of a forgotten artist, from early fame as a painter and denizen of the Lower East Side, through his struggles with heroin, to his surprising comeback as street art exploded to become one of the most popular and lucrative art movements in the world.

After all the movie is too downright weird for mainstream tastes but appeals instead to the type of viewer familiar with film noir conventions, German expressionism in film as well as the art of Edward Hopper.

And it invites the viewer to take seriously her mode of thought and of art; not just to take seriously, but to revel, inasmuch as one is able to revel in work that is simultaneously so austere and so rich.

But as with her queerness, her pop inclinations are a feature, not a bug, and it is difficult to separate Dirty Computer from the larger narrative of resistance across the arts today; from A Wrinkle in Time, a film dedicated above all else to instilling wonder and empowering young viewers; from Gabby Rivera's (now sadly discontinued) America comic book series, one centering a young, queer Latina, America Chavez, who repeatedly declares she is America; from An American Marriage, Tayari Jones's latest novel that emphasizes to be black is to be American.

One of my favorite aspects of art as a whole is it's ability to take questionable things and make the viewer appreciate them in a way that makes them second guess not only their taste but their moral compass.

Billed as a comedy, the movie will leave most viewers wondering wherefore art the laughs.

Watching «Loving Vincent» involves something of an Easter egg hunt, as viewers may try to pick out the famous works of art from among its scenes.

An impressionistic barrage of sexually frustrated prisoners grasping for each other and at themselves, their musculature bathed in chiaroscuro light as they lovingly move their hands down their bodies while they're watched by drooling, baton - wielding guards, Un chant d'amour is an all - consuming work of art that aims to liberate the viewer through erotic fantasy.

As we observe Kate and Alex getting to know each by sharing their deepest feelings about love, work, and life, the film reminds the viewer of the lost art of taking the time to know and understand another individual.

Moments that might strike childless viewers as schmaltzy — like the audience's last glimpse of Richard Kind's Bing Bong, a character who seems to have grated on David but whom I regard as one of the great fictional creations of the year — provided my 9 - year - old and me with our first - ever experience of weeping together over a work of art.

A decade later, Alexander's work was featured in a boldly oversize book, At Speed, full of luscious, full - color images that forced viewers to reconsider motorsports photography as fine art.

One day, I was invited to do an interview about the books as well as a martial arts demo so the viewers could get some sense of what Nayla does.

The Fisher - Price IXL e-reader is a 6 in 1 device the new device functions as a Digital Book Reader, MP3 Music Player, Photo Viewer, Digital Art Book, Notepad and also a Game Player.

It's perhaps not as interesting to the average viewer as the art videos released previously but we enjoyed it regardless.

Sharp - eyed viewers will also take note that Protodude's prediction was right on, as that mysterious bit of art featuring Mega Man with an odd, brick - like arm and different appearance that wasn't from any of the previous titles featured in the collection was indeed a tease for Mega Man 11, with Yuji Ishihara serving as art director for the game's hand - drawn visuals.

For a group like the Criterion Collection, the prioritization of this concern happens through signaling their ongoing act of «working closely with filmmakers and scholars to ensure that each film is presented as its maker would want it seen and published in an edition that will deepen the viewer's understanding and appreciation of the art of cinema.»

Cohen notes «At first [Westfall's] compositions strike the viewer as well - behaved structures of pattern with decorative correlates in the applied arts... But his visual wit goes beyond mere reference to recent abstract art history.

In 1998, he published his book Relational Aesthetics, which theorized a new style of art — pioneered by such figures as Pierre Huyghe and Dominique Gonzalez - Foerster — that placed an increased emphasis on viewer participation and the interaction between humans surrounding works.

-LSB-...] what you and your art are about, resonates with the viewer, and as Hugh McLeod says, your blog leads them somewhere they also want to go, you have a powerful combination.

Magna and anime — as well as children's picture books, graffiti, and Renaissance fresco painting — influence Nara's style, but what may surprise viewers is the extent to which music drives his art and life.

The High Museum of Art's current exhibition, Basquiat: The Unknown Notebooks, presents the viewer with a «portrait of the artist as a poet.»

Animation, as subset within video art, is unique in its versatility as a communicative form and its ability to place viewers inside adjacent realities.

As a result, the viewer can buzz from one art piece to the next, hopefully stopping to smell the roses because the most important thing to do this summer is to enjoy it.

It is a space cut in half, a half - space, one that opens outward toward the viewer, invites the viewer into an awareness that they are positioned (as art is positioned, as poetry is positioned) in a between - space, a space between here and there — a theater.

More than other formal elements in the visual arts — such as color, line, or shape — scale directs attention towards the capacity of the artwork to respond to a specific location and call into play the role of the viewer.

Inspired by European artists such as Mondrian and Kandinsky, their bold experiments with space, movement and colour radically transformed the relationship between art and viewer.

On view are two works: Ru - ao - objeto (Road - as - Object) is a work from 1974, a proposal to the viewer to experience a street in Recife, Brazil as the art work; along with this is a newly commissioned mail work, mailed as an open ended series of postcards, sent in 2017 from the artist in Recife to the gallery in Los Angeles.

Emerging in the early 1970s, Austrian artist Franz West (1947 - 2012) created objects that serve to redefine art as a social experience, calling attention to how viewers interact with works of art and with each other.

And just as art that is too didactic can close off all interpretation, art that is too opaque or too ambiguous runs the risk of the viewer deciding that there is actually nothing there.

Furthermore, a work of art, as Marcel Duchamp reminded us, is always completed by the viewer.

NB: I can not really talk about the reception of my own work, but I can say that as a viewer and recipient of art in different contexts that when, for example, I see a work by Cady Noland at the Art Institute of Chicago or in the Museum Ludwig Cologne, or somewhere else in the world, the initial impetus of the work stays with me the same whilst my view on the surrounding realities can be affectart in different contexts that when, for example, I see a work by Cady Noland at the Art Institute of Chicago or in the Museum Ludwig Cologne, or somewhere else in the world, the initial impetus of the work stays with me the same whilst my view on the surrounding realities can be affectArt Institute of Chicago or in the Museum Ludwig Cologne, or somewhere else in the world, the initial impetus of the work stays with me the same whilst my view on the surrounding realities can be affected.

As late as 1989 Celant had accepted a number of artists (Cucchi, Clemente, Kiefer) but still regarded the new painting as nationalistic and apolitical and characterised instead by a personal vision in the guise of «beautiful painting» that would seduce the viewer into believing it was a superior or «real» form of arAs late as 1989 Celant had accepted a number of artists (Cucchi, Clemente, Kiefer) but still regarded the new painting as nationalistic and apolitical and characterised instead by a personal vision in the guise of «beautiful painting» that would seduce the viewer into believing it was a superior or «real» form of aras 1989 Celant had accepted a number of artists (Cucchi, Clemente, Kiefer) but still regarded the new painting as nationalistic and apolitical and characterised instead by a personal vision in the guise of «beautiful painting» that would seduce the viewer into believing it was a superior or «real» form of aras nationalistic and apolitical and characterised instead by a personal vision in the guise of «beautiful painting» that would seduce the viewer into believing it was a superior or «real» form of art.

Stuart Comer, the museum's chief curator of media and performance art, described the piece as «a watershed transition in her work, about activating a social and political space for the viewer.»

Instead of asking viewers to reconsider furniture, electrical wiring, or the floor (as the East Coasters did), this branch of Minimalist sculptors examined the way that art could change a viewer's understanding of illumination and darkness, both natural and synthetic.

Curated specifically in response to recent events, «Parrish Perspectives» exhibitions offers the chance to reconsider art, artists, and the creative process in a new way by including current times as a factor for viewers.

, which exhibited big name art by such as Joan Miró and Kazimir Malevich that a naive viewer might still think his child could make, I witnessed a bidding war for a Picasso.

This work can be interpreted in the simplest, most direct manner — as a stereotyped image of China's food culture and painting traditions, but at the same time, its multiple references to various Chinese social and historical backgrounds make interpretation much more difficult: the use of objects to express morality in Chinese landscaping, satirical poetry mocking ostentatious refinement, and the imitation of handwritten menus to capture a scene of civil life... Viewers unfamiliar with the specific context can easily find themselves lost in the smokescreen of mysterious Oriental poetic calligraphy and bonsai art.

Committed to experimenting at the intersection of disciplines, publications and design, the gallery Exit Art remained steadfast in its mission to provide new possibilities and opportunities for artists, curators and viewers through its expansive historical shows, exhibitions of emerging and under - recognized artists, experimental theater and performance works, as well as national and international film and video programs.

Widely recognized as the leading video artist of our time, Bill Viola employs sophisticated state - of - the - art technologies to create installations that envelop the viewer in image and sound.

In her sculptures and performances, Ettun focuses on ritualistic aspects of art, and in the way her work can address the viewer's psychological space in its relation to trauma as manifested in post-traumatic stress disorder and obsessive - compulsive disorder.