Sentences with phrase «as aural»

Several of the works are three - dimensional as well as aural.

It's a real shame as aural qualities aside, it's a cracker of an engine and brilliantly matched to the GTS's six - speed manual — one of the most tactile do - it - yourself gearboxes in a modern vehicle.

Your subwoofer may get quite a workout, as the aural ambience of the deep - sea exploration is often heavy on bass.

In quieter moments, too, Spielberg's touch is evident, as in what can only be described as an aural dissolve, when the sound of water on leaves gives way to the distant sound of gunfire.

We are used to the imagery of God communicating by God's word, and so we think of our responses to God as aural: we listen.

Not exact matches

(Of course, I can play one note so loud that the other is not heard, but the point here is that it is possible to hear them as different notes in the same aural space.)

Inadequate as they are, subject to modification from time to time, needing correction and supplementation, our various human languages (verbal and pictorial, aural or graphic) are both necessary for us and useful to us; they help to make sense of, and they help to give sense to, the richness of experience and the given - ness of the world as we observe and grasp it.

He worked for years to eliminate aural no - no's such as unwanted echoes and dead spots in concert halls and other man - made spaces.

If you're attractive for bodies aural the association who have the aforementioned religious behavior as you for example, or who are in the aforementioned industry as you assignment in, again you can attenuated bottom ward your chase to these abilities and aural abnormal you will be able to see their online profiles.

Leslie Dilley's production design already has everyone believing Vienna and Sarajevo were actual locations As for aural atmosphere, Hans Zimmer's score barely skirts cliché but registers for its melodramatic use of French horns and a lusty male chorus.

Stanley Kubrick shuns common narrative crutches such as voice - over narration or back - glancing exposition in favor of a strict antiseptic license that necessarily utilizes classical music from the likes of Johann Strauss to serve as an inner - connecting emotional aural fabric upon which the filmmaker balances mesmerizing outer - space sequences that have been copied ad nauseam ever since.

That's neither here nor there, however, as the film brings more than enough visual and aural vibrancy to satisfy.

As restraint yields immense emotion in the story, so too does simplicity and silence accrue a devastating power on the aural and visual planes (the latter courtesy Haneke's inspired and exceedingly proficient D.P., Darius Khondji, who's also been responsible for the look of such diverse other pictures as Panic Room, several The Immigrants, and Haneke's own U.S. remake of Funny GamesAs restraint yields immense emotion in the story, so too does simplicity and silence accrue a devastating power on the aural and visual planes (the latter courtesy Haneke's inspired and exceedingly proficient D.P., Darius Khondji, who's also been responsible for the look of such diverse other pictures as Panic Room, several The Immigrants, and Haneke's own U.S. remake of Funny Gamesas Panic Room, several The Immigrants, and Haneke's own U.S. remake of Funny Games).

This mischievous ethos has rarely been better displayed than on this often uneasy listening set from Berlin - based, old - school activist DJs Graef and Astro who, after name - making solo careers, came together last year to form their Money $ ex imprint as a platform for their woozy marriages of obscure vinyl sensibility and startling aural foraging.

For all the cinematic dreck currently peddling disorienting editing as «action,» no one in good conscience could deride Tarantino for his indulgence in split screens or extreme close ups or smash zooms or any other mode of cinematic gimmickry, when it affords us hauntingly sparse centerpieces such as The Bride's live burial, an aural choir of oppressive dirt, panting whimpers, and futile struggling set to the visual accompaniment of pitch black confinement that stretches on well past any spectator's comfort level.

As such, the aural effects and sonic booms sound especially dated against the new transfer.

As Kris mentioned in this morning's Oscar Guide, composer Michael Giacchino had the full aural attention of the audience for 10 minutes.

The music in Deep in My Heart, recently released as an MOD through Warner Archive Collection, seems like aural realizations of Curtiz's vivant tableaux, rich with swelling strings, languid with mellow brass.

Other technical decisions are curious and hampering as well, particularly Loggia's reading from Bartali's memoir, which lacks much connection to the subject, and Joel Goodman's score, which sounds as if it recognizes the dullness of the material and tries to force a little aural drama into each scene.

I went back and forth many times on whether or not to place Harmony Korine's visual and aural sensation of a film as the # 1 on my personal list before eventually settling for the # 2 slot.

The early sequence, depicting the amphibious assault on Omaha Beach, is as gut - wrenching and deglorifying a depiction of combat as has ever been filmed, and it is realised through careful employment of a wide range of visual and aural techniques.

These guys are pretty kooky company — Kiser wears a bright yellow hipster beanie and poncho, like he's doing cosplay as Lego Clint Eastwood — and probably spend too much time waxing philosophic about farts (drink every time the Dolby guy blushes), but I came away with a greater appreciation for the movie's aural complexity.

At this point it may be tempting to call Smith's vision «cinematic,» as more than a few professorial types in the past have staked a claim on his lyrics for literature, but this ignores the unbridgeable gaps between aural, written, and moving - image art — and he remained stubbornly a man of rock»n' roll.

Playfully approaching the grand canyons of personal trauma and the emotional ruptures of global adoption politics through popping aural ellipses and jarring jump cuts, Jensen deftly handles a sensitive issue, based on her own experience as a Danish adoptee returning to South Korea to find her birth mother.

And he describes the score by BENJAMIN WALLFISCH & HANS ZIMMIER as «aural neon — gaunt, harsh and angular, like the noise of machinery».

Bishop Jakes, who heads the Dallas - based nondenominational church the Potter's House and is the host of a weekly broadcast on the Trinity Broadcasting Network, appears in the film in two modes as a charismatic preacher performing before an enraptured audience, and as a quiet, compassionate confessor, whose deep, rumbling voice seems to provide a kind of aural absolution for the troubled Michelle.

Festival director Kristen Bell described as «a blazing, 32 - member aural assault from the darkest depths of Colorado, Itchy - O is a wholly immersive, musical experience on a massive scale.

escribed as «a blazing, 32 - member aural assault from the darkest depths of Colorado, Itchy - O is a wholly immersive, musical experience on a massive scale.

Based on a book by Henry James that was previously put to film in 1949 as The Heiress (which raked in a substantial number of Oscars), Washington Square is a garden of visual and aural delights.

His monumental, epoch - making cinema - redefining visual and aural assault on the senses has become the reference by which all horror genre is measured and its creator, director Dario Argento can now truly be seen as one of the important artists of the 20th century..

All aspects of this film serve its purpose as a nail - biting thriller, and these two aural departments are positively key to its effectiveness.

As the camera glides through a rain - drenched, rubbish - strewn back alley in the opening sequence of The Long Day Closes, aural snippets from a variety of sources (the triumphant horns of 2...

The film's lead actors Emma Stone and Ryan Gosling made the shortlist, as did its writer - director Damien Chazelle, and the film racked up technical nominations for its aural and visual elements to reach that record - tying number.

But it works better as a mutation of the genre, placing aural dread ahead of visceral gore.

Overall, it's as delectable an aural experience as you might hope for on a DVD of a 2 - year - old television movie.

As usual, the visual and aural work here is truly sublime.

All support cast members play to the back row, as no doubt instructed to by Luhrmann, but perhaps also as a means by which to be heard above the aural and visual shrillness of every scene.

Meanwhile, the electronic score by Trent Reznor and Atticus Ross helps sustain the on - edge atmosphere, its chimes and drones serving as fitting aural correlatives to the film's fairly woozy visual register.

Near the end of the film, a fireworks scene should have resulted in a jaw - dropping aural experience, and yet it's definitely dialed back, almost as if Paramount did some suppression so it wouldn't blow our system.

The technique on display here is next level, as Wright arranges shots, cuts, effects, and music into seamless visual and aural compositions.

As with the original film, Greek composer Vangelis is the real star here — his keening keyboard themes have been acid - washed by today's re-scorers, Benjamin Wallfisch and Hans Zimmer, yet the Chariots of Fire wizard's aural signature echoes through these urban canyons like a welcoming beacon.

While the leads are all fine in both voice and acting, there are more than a few aural cameos such as Patrick Stewart as William Shakespeare.

Far more than the filmmaker's hectic, ultimately tension - dispersing visual and aural gimmickry, the picture's best special effect remains Franco's performance, which catches the horror and sublimity of a jock humbled while trapped at the bottom of the earth, becoming spiritually whole even as he literally loses parts of himself.

The ticking clocks and booming blasts and crashing waves of Dunkirk make Christopher Nolan's World War II drama a no - brainer front - runner, accompanied by a mix of nouveau genre films that are as concerned with lush aural world - building as they are with telling isolated stories.

Notable features of Trailblazers include a Campaign Mode that includes both Single Player and Multiplayer challenges, an aural and visual feast of styles and soundscapes rarely experienced in a racing title, and a multitude of Characters and Race Cars that you will have the opportunity to customize as you play.

As in In the Mood for Love, Wong repeatedly finds the perfect visual and aural complements to his characters» romantic rapture, as in the stunning (goddamn stunning) slow - motion shot of Faye watching no. 663 drink a cup of coffee, or the screwball comedy of Faye's apartment - cleaning sequences, or the ways in which Wong uses the Mamas and the Papa's «California Dreaming» (over and over again) to express the lovers» tumultuous relationshiAs in In the Mood for Love, Wong repeatedly finds the perfect visual and aural complements to his characters» romantic rapture, as in the stunning (goddamn stunning) slow - motion shot of Faye watching no. 663 drink a cup of coffee, or the screwball comedy of Faye's apartment - cleaning sequences, or the ways in which Wong uses the Mamas and the Papa's «California Dreaming» (over and over again) to express the lovers» tumultuous relationshias in the stunning (goddamn stunning) slow - motion shot of Faye watching no. 663 drink a cup of coffee, or the screwball comedy of Faye's apartment - cleaning sequences, or the ways in which Wong uses the Mamas and the Papa's «California Dreaming» (over and over again) to express the lovers» tumultuous relationship.

Still others expand the notion of twenty - first - century literacy beyond spoken and writtenlanguage to include the panoply of skills often collected under the umbrella term multimedia (being able to both understand and create messages, communications, and works thatinclude, or are constructed with, visual, aural, and haptic — that is, physical — elements as wellas words).

An arts - based approach effectively responds to the way students learn as it taps into the varied learning styles of students (i.e., visual learner / visual art, aural learner / music, kinesthetic learner / creative movement, etc.), thus engages all types of learners (Howard Gardner's Multiple Intelligence Theory).

And aural exposure to knowledge and vocabulary can help children decode what they read as well as to comprehend it.

When used in conjunction with simpler, beginning reader books, students can continue to build their aural vocabulary as they build a reading vocabulary.