As this beautiful film by the Washington Post makes clear...
Not exact matches
It's about the use of computation and game theory,
as espoused by mathematician John Nash (the subject of the 2002 multi-Oscar-winning
film A
Beautiful Mind) in many applications.
Described
as «
beautiful, bright, witty and down to earth», she starred in 10
films and earned a Tony nomination for her performance in the Broadway production The Pleasure of His Company.
I also wanted to talk up what is perhaps John Sayles» greatest
film, the very play - like Sunshine State,
as a
beautiful illustration of the fact that in modern times especially, some need to heed the Berry-esque call to stay (or return) and build the community, but others need to sell and go, and get free of a community, or mere arrangement, that is holding them back.
The
beautiful eighteenth - century costumes and setting seduce us into viewing these affairs with a kind of horrified detachment,
as though we were watching a «Nature»
film on PBS showing the praying mantis being devoured by his mate in the act of copulation.
In comparison, my
film cameras (which were much less expensive) are
as old
as I am, are still going strong, and take
beautiful photos.
We decided to supplement our practice with a
film — a culture - changing
film that is
as revolutionary
as it is
beautiful.
Beautiful photos, inspiring
films, soul - stirring music, funny videos and television shows support a more positive perspective, so
as you're learning to become more optimistic, consider restricting the flow of negative images into your daily consciousness.
Usually we have a great amount of depth when
filming as we try our best to capture
beautiful backgrounds and locations.
For a
film to be really great, in my opinion, it has to be just
as aesthetically
beautiful as it is compelling
as a story.
Personal or Handmade Touches - Handmade invitations (made by ourselves)- Handmade place settings (made by ourselves)- Handmade Guest Book (drop frame — guests signed a wooden heart, and dropped them into a frame)(made by ourselves)- Framed pictures for table names (made by ourselves, and named after cars from Harry's favourite
film)- Personalised cake topper and cupcake decoration (cake topper from Ebay, and cake made by my Aunt)- Handmade bridesmaid's posies (made by my mum)- Personalised and hand painted wedding shoes (for Bride)(done by
Beautiful Moments)- Personalised champagne glasses for Bride and Groom to use for toast (bought
as a present by my sister and her family)- Ushers were bought cufflinks to wear that reflected their personal interests - Bridesmaids were given personalised flat shoes to wear in the evening (personalised by me)- Handmade bridesmaids dresses - Flowers and buttonholes, and bouquet all made unique, with my bouquet including charms with pictures of my grandfathers on them.
A
beautiful film sequence by the director John Maybury is at the top of the gallery, and it shows a girl plunged overboard a ship and appear to drown, and
as she sinks deeper beneath the waves, the tendrils of her torn chiffon dress ensnare her legs and pull her deeper under.
A tragically
beautiful horror
film that works not only
as a supernatural thriller but also
as a commentary on the failure of man.
Not only does it double
as a coffee table book — it's full of
beautiful stills from the
film — it's also packed with facts about each vehicle.
Haskell has starred or co-starred in such made - for - TV
films as The Ballad of Andy Crocker (1969), The Eyes of Charles Sand (1970), The Phantom of Hollywood (1973), The Night They Took Miss
Beautiful (1977) and The Cracker Factory (1979).
The
film, with its transcendentally
beautiful visuals and mysterious and detached narration from Bill's actual younger sister Linda (Linda Manz), who tags along with them, is a rich and rewarding experience, then
as now celebrated for its intricacy and slowness.
I was not one of A
Beautiful Mind's historical accuracy Nazis, who used the
film's marginalization of the real John Nash
as a way to bash the
film (for my money, it was the horrid screenplay and direction that made it such a painful
film to watch, not its artistic rewriting of history), though the erasing of Turing in Enigma is rather distressing.
The
film mainly centers on the charismatic and arrogant character Tom Sterling [portrayed by Hartnett] trying to keep the Dotcom company he started with his genius brother afloat
as it begins to fold, spending money frivolously to make it seem
as though the company is doing well... all while trying to rekindle a romance with his ex-girlfriend Sarrah [portrayed by the
beautiful Naomie Harris].
The languid pace of the
film is utterly perfect, reflecting the time investment that McCandless put into his journey, while the
beautiful, subtly - played performances he gets from Vince Vaughn, Hal Holbrook, and especially Emile Hirsch
as McCandless are nothing short of phenomenal.
Taking the
film on its own material terms, there's a perverse frisson of pleasure — of sweet, egregiously unequal justice — to be had in watching two people this immaculately
beautiful finally unite in quite such accordingly
beautiful fashion, and it's here where James (once more acting
as producer) and the filmmakers have us right where they want us.
It's a
beautiful film with a powerful message that still manages to make us laugh just
as much
as move us.
Much of the
film is
as strange and oddly
beautiful as one of Arbus» own photographs, bold in its attempt to find new ways of cracking the biopic chestnut and sensitive in its portrayal of a 1950s woman who, like so many of her contemporaries, finds herself imprisoned in a «Good Housekeeping» nightmare.
It's an emotionally involving rather than harrowing
film, with scenes
as beautiful as oil paintings.
This is a very raw, sad, and
beautiful film about faith and fatherhood, and it feels just
as grounded and big - hearted
as the other
films Nichals has made.
The
film charges alongside Sin - dee
as she takes the streets by storm: it was shot entirely on an iPhone 5S, thus accessing the real, down and dirty Hollywood, but also capturing some insanely
beautiful tracking shots.
As photographed by Danish cinematographer Magnus Nordenhof Jonck, Haigh's
film allows strategic glimmers of sunshine to warm up the bleakly
beautiful landscapes.
All in all, the
film is plenty conventional, even in a portrayal of Ancient Rome that is about
as thin
as a lot of the characterization, and
as contrived
as the melodramatics which slow down the impact of momentum almost
as much
as dull and draggy spells, thus making for a script whose shortcomings are challenged well enough by a powerful score, immersively
beautiful visual style, solid direction, and strong lead acting for Henry Koster's «The Robe» to stand
as an adequately rewarding and very intriguing study on the impact Christ had even on those who brought about his demise.
The Rider is
as beautiful of a
film about horses
as it about humans.
Wright's
film is a
beautiful and deeply empathetic depiction of this community, a portrait of Vanier and his philosophy of compassion
as the source of true human connection, found and forged with those who have otherwise been cast out by society.
Shot on
beautiful 35 mm stock, Lincoln is a
film filled with natural beauty
as seen through the keen eyes of Spielberg and Kamínski.
As I've mentioned, the production design is different — more colorful; more
beautiful and more area specific than we've seen in most earthbound Marvel
films.
It is hilarious and heartbreaking all at once, especially when factoring in Dave Franco's performance, a
beautiful game of shadows in which he's forced to play the more respected artist against his older, more famous brother (who, just to kick things up a notch, method - directed the
film as Wiseau).
To call Mr. Turner one of the year's most overrated
films seems unfair,
as it's worth watching for
beautiful cinematography and a plethora of gentle laughs.
Anchored with a lovely, subtle sad eyed performance by the
beautiful Keri Russell and a cast of terrific comedic prodigy actors, including the great Andy Griffith in his last
film appearance
as the crusty diner owner.
The
film Creation, which some people take to refer to both the creation of the Origins book and the creation / evolution controversy, stars Paul Bettany, who is best known for his roles in popular movies such
as «The Da Vinci Code,» «Master and Commander,» and «A
Beautiful Mind» (in which he won the London
Film Critics» Award for Best British Actor).
This is one of the few horror
films I've seen that I would describe
as beautiful and it's no wonder coming from Herzog.
Scott Tobias gives the
film the same «B +» grade
as his colleague, but acknowledges that he thinks it's Malick's worst
film, even though he found it affecting in its attempt to «give expression to the ineffable and show us something
beautiful, reminding us that we live in a world that's larger than ourselves and crafted by that invisible hand.»
You don't go to this
film for the story, but for the scenery: Bikini - clad girls riding waves, surf photography
as beautiful as it is breathtaking, sun, surf, sand, even a little PG - 13 romance.
If you're wondering why there are shouts of jubilation from
film buffs and aficionados of pre-swing-era music it's because the Criterion Collection has released a
beautiful Blu - ray and DVD of King of Jazz (1930), The movie features Bing Crosby's first appearance onscreen,
as part of the Rhythm Boys trio, jazz giants Joe Venuti and Eddie Lang, and a spectacular rendition of George Gershwin's «Rhapsody in Blue» by Paul Whiteman, the orchestra leader who commissioned the piece just six years earlier.
It's been seven years since designer Tom Ford made a splash with his award - winning writing - directing debut A Single Man, and it's no surprise that his second
film is just
as exquisitely
beautiful to look at...
Two other
films I have to mention
as runner - ups: Zhang Yimou's Coming Home made me cry more than any other
film at the festival, and the last shot is heartbreaking, but oh so
beautiful.
This is a
beautiful, tender, moving
film about love and dedication and patience, and will leave you with tears in your eyes,
as long
as you still have a beating heart inside your chest.
The latest
film from already - acclaimed Belgian brothers Jean - Pierre & Luc Dardenne, Two Days, One Night stars the not - so - working - class - but - still -
beautiful Marion Cotillard
as a working - class woman about to lose her job, desperate to convince her co-workers to keep her on board.
Stiller is reprising his role
as clueless male model Derek Zoolander, who in the
film has a penchant for selfie sticks, and Wilson returns
as his fellow model and sidekick Hansel
as they attempt to put an end to a plot to assassinate the world's most
beautiful people.
Now,
as Garcia pointed out, she's biased about that Star Wars project because it features Alden Ehrenreich, who starred in the
film adaptation of her book,
Beautiful Creatures.
The cover story, «Grade B — But Choice,» is devoted to an obscure 1934 musical called «Young and
Beautiful,» featuring «budding starlets, grade - A character actors, grade - B musical numbers, a pair of vaudevillians, a look behind the scenes of Hollywood, bogus appearances by Charlie Chaplin and Buster Keaton and a script by Dore Schary» [later famous
as a producer of
films such
as «Crossfire,» «Mr. Blandings Builds His Dream House,» «They Live By Night» and «The Red Badge of Courage»].
It is a
film in which the ephemeral becomes corporeal and the real slips into fantasia, making for Korine's most
beautiful film not only in aesthetic terms but tonal ones
as well.
Normally this kind of documentary manipulation would raise flags for some, but given Panahi's current predicament and subsequent longing for the medium (and additionally the
film's unmanufactured feeling), it comes off
as an intensely personal, resonant rebellion, an incredibly
beautiful movie and one of his best
films to date (read our review).
It's not a great
film, but it looks
beautiful, is well - acted (Jeremy Irons is excellent
as the passive senior missionary, Robert de Niro
as a reformed mercenery and Ray McAnally
as a papal representitive and smaller roles for Aidan Quinn, Ronald Pickup and Liam Neeson) and then of course comes the pièce de résistance, one of the greatest contributions to cinema of one of cinema's all - time - greatest contributors, Ennio Morricone.
The
film finds the actress in a coming - of - age tale set in the English countryside, against the backdrop of World War III, and Ronan described it
as «just the most
beautiful story.