Sentences with phrase «as centers of consciousness»

I recognize and affirm myself as a center of consciousness.

Not exact matches

First, one must unequivocally renounce one's individual selfhood as the center and ground of consciousness and experience.

Once this dualistic form of consciousness is negated and transcended by a dialectical movement of thinking or vision, then the world or reality no longer stands forth as autonomous and apart, and is known or experienced as being integrally and necessarily related to the center and ground of consciousness.

They are «dimly conscious» in two senses: (1) as experiences, they do not normally rise to the stature of conscious centers competing for control of the organism, but they have appetitions and aversions in their own right so that it seems appropriate to label them «dimly conscious»; (2) they are perceived only dimly by the members of the regnant society, i.e., the regnant society has these particular occasions as dim, vaguely felt, negative «scars» on the data of what is clearly perceived in full consciousness.

At the center of the book is Frank's pondering of the story of Jacob in Genesis as imposed on his consciousness through a Chagall print which hung in the Franks» living room:

In Augustine a new consciousness takes shape, one that finds the originating and firm center of certainty in the self - awareness of the self as existing, thinking and willing.

And if the pure subject of consciousness is the deepest center of nineteenth century thinking and vision, now that subject is violently disrupted, as most deeply understood by Nietzsche himself, and in the wake of that disruption there has occurred the advent of a truly anonymous consciousness and society.

A higher state of consciousness diffused through the ultra-technified, ultra-socialized, ultra-cerebralized layers of the human mass, but without the emergence (neither necessary nor conceivable) at any point in the system of a universal, defined and autonomous Center of Reflection: this, by the first hypothesis, is all we are entitled to look for or desire as the eventual highest end of hominization.

Gone, too, (at least virtually and in aspiration), is the infernal circle of egocentrism, meaning the isolation, in some sort ontological, which prohibits our escape from self to share the point of view even of those we love best: as though the Universe were composed of as many fragmentary universes, repelling each other, as the sum total of the centers of consciousness which it embraces.

The centers of consciousness, acquiring autonomy as they emerge into the sphere of reflection, tend to escape from their own phylum, which granulates into a line of individuals.

When speaking «of «persons»... beware of... anachronistically foisting contemporary notions of the person onto the ancient texts, especially since most modern Westerners tend to focus on the person as the center of individual psychological consciousness...» (p. 37).

I combine many methods, drawing upon hypnosis - centered techniques, such as guided imagery and breath work, as well as the latest research in Pre and Perinatal Psychology, focusing on pre-birth bonding and understanding the consciousness of the little one inside.

But a new portrait of love has begun to emerge, and at its center lies a fascinating hormone called oxytocin that may well follow in the footsteps of serotonin, which shot into the popular consciousness a dozen years ago as Prozac was introduced.

«Altered states of consciousness are viewed by governments as negative if achieved through drugs,» says Richard Glen Boire, a lawyer and founder of the California - based Center for Cognitive Liberty and Ethics.

The reflective process of contemplation utilizes the word - forming habit of the mind in a directed way, so as to transcend not only body and breath, but most importantly, to go beyond the mind to the realization in direct experience the True Self, the Atman, or Center of Consciousness.

When this dormant energy flows freely upward through the seven chakras (energy centers) and leads to an expanded state of consciousness, it's known as a kundalini awakening.

The film centers on artist Touko Laaksonen, known to the world as Tom of Finland, shaped the fantasies of a generation of gay men, influencing art and fashion before crossing over into the wider cultural consciousness.

The stone embedded in the center of his forehead, otherwise known as the Mind Stone, is Vision's power source; it grants him his consciousness and gives him life.

The scene set in the movie theater at the center of the film functions as the kind of almost subliminally consciousness - raising political gesture he has to use to get his point across.

The consciousness - based teachings of Vedic science, as translated by our founders, coupled with cutting - edge research and modern western medicine, serve as the foundation for Chopra Center teachings.

Helen Mirra / MATRIX 209 65 instants is supported by the National Endowment for the Arts (as part of the multiyear collaborative project Awake: Art, Buddhism, and the Dimensions of Consciousness, generously supported by the Nathan Cummings Foundation and The James Irvine Foundation), Joan Roebuck, and the Arts Research Center of the Consortium for the Arts at UC Berkeley.

«Shades of Black (ness),» Davison Art Center, Wesleyan University, Middletown, CT, January 25 — March 3, 2005 «Collection Remixed,» The Bronx Museum of the Arts, Bronx, NY, February 3 — June 5, 2005; catalogue «Landscape,» Whitney Museum of American Art, New York, NY, March 24 — September 18, 2005 «The Shape of Time,» Walker Art Center, Minneapolis, MN, April 17, 2005 — October 25, 2009 «Very Early Pictures,» Luckman Gallery, California State University, Los Angeles, CA, May 26 — July 23, 2005; traveled to Arcadia University Gallery, Glenside, PA, September 6 — October 30, 2005 «African American Art: Masterworks of Contemporary Art,» Saint Louis Art Museum, St. Louis, MO, June 24 — August 28, 2005 «Wordplay: Text and Image from 1950 to Now,» Davison Art Center, Wesleyan University, Middletown, CT, October 25 — December 11, 2005 «The Painted Word: Language as Image in Modern Art,» Williams Center for the Arts Gallery, Lafayette College, Easton, PA, October 28 — December 14, 2005; brochure «Between Image and Concept: Recent Acquisitions in African American Art,» Princeton University Art Museum, Princeton, NJ, November 12, 2005 — February 6, 2006 «Beauford Delaney in Context: Selections from the Collection,» Philadelphia Museum of Art, Philadelphia, PA, November 13, 2005 — February 26, 2006 «A Brief History of Invisible Art,» CCA Wattis Institute for Contemporary Arts, San Francisco, CA, November 30, 2005 — February 21, 2006 «Linkages and Themes in the African Diaspora,» Museum of the African Diaspora, San Francisco, CA, December 1, 2005 — March 12, 2006 «Looking at Words: The Formal Presence of Text in Modern Contemporary Works on Paper,» conceived by Barbaralee Diamonstein - Spielvogel, Andrea Rosen Gallery, New York, NY, October 28, 2005 — January 15, 2006 «Collective Histories / Collective Memories: California Modern,» Orange County Museum of Art, Newport Beach, CA, February 9, 2005 — September 26, 2006 «Drawing from the Modern, 1975 - 2005,» Museum of Modern Art, New York, NY, September 14, 2005 — January 9, 2006 «ROMANCE (a novel),» curated by Adriano Pedrosa, Cristina Guerra Contemporary Art, Lisbon, Portugal, September 14 — October 15, 2005; catalogue «A Thousand Words,» Inman Gallery, Houston, TX, July 9 — August 27, 2005 «Getting Emotional,» Institute of Contemporary Art, Boston, MA, May 18 — September 5, 2005 «Double Consciousness: Black Conceptual Art Since 1970,» organized by Valerie Cassel Oliver, Contemporary Arts Museum, Houston, TX, January 22 — April 17, 2005

These works represent Schapiro's identity as an artist working in the center of contemporary abstraction and simultaneously as a feminist being challenged to represent women's «consciousness» through imagery.

Art and the Feminist Revolution, Museum of Contemporary Art, Los Angeles (2007, traveling); Second Lives: Remixing the Ordinary, Museum of Art and Design, New York (2008); Double Consciousness: Black Conceptual Art since 1970, Contemporary Arts Museum Houston (2005); 54th Carnegie International, Carnegie Museum of Art, Pittsburgh (2004); Out of Actions: Between Performance and the Object, 1949 - 1979, Museum of Contemporary Art, Los Angeles (1998); Afro - American Art in the Twentieth Century: Three Episodes, Bronx Museum of the Arts, Bronx, NY (1980); Afro - American Abstractions, P.S. 1 Contemporary Art Center, Long Island City, NY (1980); Freeway Fets, public art project, freeway underpass, Los Angeles (1979); The Concept as Art, Just Above Midtown Gallery, New York (1977); California Black Artists, The Studio Museum in Harlem, New York (1977); and Sapphire Show, Gallery 32, Los Angeles (1970).