Sentences with phrase «as child actors with»

Newcomer Levi, who plays Peter, ranks right there with director Joe Wright's previous discovery of Saoirse Ronan, as child actors with big time screen presence.

Not exact matches

In addition to topics such as Maternal, infant and Young Child Nutrition and Non Communicable Diseases, we are following WHO's Draft over-arching Framework of engagement with non-State actors.

It was the early»80s, and Nixon soon fell into the pack of child actors making after - school specials and message movies like Little Darlings and My Body, My Child, in which she and Sarah Jessica Parker starred as the daughters of a woman — Vanessa Redgrave — agonizing over whether to abort a child with severe birth defchild actors making after - school specials and message movies like Little Darlings and My Body, My Child, in which she and Sarah Jessica Parker starred as the daughters of a woman — Vanessa Redgrave — agonizing over whether to abort a child with severe birth defChild, in which she and Sarah Jessica Parker starred as the daughters of a woman — Vanessa Redgrave — agonizing over whether to abort a child with severe birth defchild with severe birth defects.

Lloyd stands as one of the best child actors around — not a small feat — and his work with Nicholson and Duvall speaks volumes.

Middendorf plays her good girl character with aplomb while Hughes doesn't bug me nearly as much as other child actors.

As town wild - child and Reverend's daughter Ariel Moore, Jullianne Hough, best known for her stint on Dancing with Stars, shows off her own movie - star qualities, and though she's a professional dancer and not an actor, there's nothing stilted or wooden about her performance.

For Hank and Jim, biographer and film historian Scott Eyman spoke with Fonda's widow and children as well as three of Stewart's children, plus actors and directors who had worked with the men — in addition to doing extensive archival research to get the full details of their time together.

Born and raised in L.A., Mackenzie began as a child and teen actor on TV in the early 1980s with roles in the TV movie Lois Gibbs and the Love Canal (1982), and the girls» prep - school sitcom The Facts of Life.

Estranged from his wife, an out - of - work actor masquerades as a nanny to be with his children.

Described as a Hollywood Neo-noir, the movie follows Gregg as Howard Holloway, a onetime - child - actor - turned - Hollywood - agent, who allies himself with a talented rising star, Lydia (played by Saxon Sharbino).

They include audio commentaries with Director Kirk Jones and Children as well as Actor Emma Thompson and Producer Lindsay Doran, information about casting the children and village life, a Nanny McPhee makeover, deleted scenes, a gag reel, and a lesson on How Nanny McPhee CamChildren as well as Actor Emma Thompson and Producer Lindsay Doran, information about casting the children and village life, a Nanny McPhee makeover, deleted scenes, a gag reel, and a lesson on How Nanny McPhee Camchildren and village life, a Nanny McPhee makeover, deleted scenes, a gag reel, and a lesson on How Nanny McPhee Came to Be.

There are also perfect miniature performances from Mason Gamble as Max's chapel partner (for a child actor, he deadpans lines like «with friends like you, who needs friends?»

Another perfect scenario is when Rex tells Jeannette (who I should mention is incredibly well acted by a couple different child actors, and very sympathetic, although that's not very difficult to accomplish with this band of sociopaths) that he can and would do anything for her, so she asks him to quit drinking as when he hits the alcohol pretty hard (which is literally every day) he can not take care of them.

In A Quiet Place, John Krasinski's third film as a writer - director - actor (The Hollars, Brief Interviews with Hideous Men), a cheaply made, disposable children's toy, a plastic and metal reproduction of the space shuttle — a symbol of both triumph and tragedy in American culture — portends an abrupt, premature end for the unfortunate member of a...

To his credit, the film's lucky young star Cameron Bright, who played a similar role in Godsend, is able to keep pace with the more experienced actors, although the deadpan delivery to try to make him believable as an adult in a child's body tends to drag the scenes down.

The other bonus feature has an interview with star Tommy Cook, who began his career as a child actor and had a long career in TV and film.

With veteran actor Ricardo Darin («Nine Queens») as the child's father.

It's a cute idea, but it gets old real fast as the script constantly tries to mine laughs from the same few jokes and undermines emotional moments with stupid stuff like ostrich rodeos, bad child actors and rhinos having sex.

The New York - born actor, who for many will always be associated with The Waltons, started his career as a child actor, making his first Broadway appearance at age seven in 1958.

My fears seemed to be confirmed in the first few minutes Favreau's film, as it begins with jittery close - ups of young «man - cub» Mowgli (newcomer Neel Sethi, who's neither a standout nor annoying like most child actors) running and jumping across tree branches in the jungle.

It's almost as if each actor interpreted the script in a different tone; some child friendly with wonder and others monotone and dramatic.

Winstead is incredibly patient and maternal as the girl's interest in the task at hand waxes and wanes; this is a rare and fascinating glimpse of what it's like to work with child actors, as well as a reminder of the value of supplementary content — something streaming platforms threaten to extinguish.

Growing up as an only child in Carlow, Ireland's second - smallest county, she relished her relationship with her homemaker mother and actor father.

Joey appears as a character in Buckley's novel, but Reitman has made Naylor's warm relationship with his son (played by ubiquitous child actor Cameron Bright) the emotional center of the movie.

Among the other fiction films to look for in theaters or on VOD: John Michael McDonagh's Calvary, in which Brendan Gleeson gives a beautifully modulated performance as a dedicated priest who is no match for the disillusionment of his parishioners and the rage of another inhabitant of his Irish seaside village, determined to take revenge against the priesthood for the sexual abuse he suffered as a child; the desultory God Help the Girl, the debut feature by Stuart Murdoch (of Belle and Sebastian), all the more charming for its refusal to sell its musical numbers; Tim Sutton's delicate, impressionistic Memphis, a blues tone poem that trails contemporary recording artist Willis Earl Beal, playing a character close to himself who's looking for inspiration in a legendary city that's as much mirage as actuality; and two horror films, Jennifer Kent's uncanny, driving psychodrama The Babadook, with a remarkable performance by child actor Noah Wiseman, and Ana Lily Amirpour's less sustained A Girl Walks Home Alone at Night, which nonetheless generates some powerful political metaphors.

This is a real performance by an actor as present and in - tune to the demands of the character as we have seen in some time by a child, with no aw - shucks cutesiness to be found.

It features four «Bridesmaids» actors playing married couples with children: Kristen Wiig and Jon Hamm are Missy and Ben, whose once - hot sex life is now cooling, while Maya Rudolph and Chris O'Dowd are the bickering Leslie and Alex. Writer - director Jennifer Westfeldt (the 2001 indie hit «Kissing Jessica Stein») casts herself as Julie, and Adam Scott (NBC's «Parks and Recreation») as Jason, two lifelong buddies who decide to platonically make a child and skip the whole strained - relationship thing.

Even filled as his film is with child - actor antics, Baker never gets sentimental.

The climactic sequence is a thing of utter beauty, as the camera takes us around half a block: up, down, across, around ambulance and fire truck, never cutting, and with every actor on their mark, which for some is multiple marks in different locations, doling out savory, pitch - perfect resolution while Mark Mothersbaugh's suitably versatile score swells with children's choir accompaniment.

It was billed perhaps most prominently as evidence for the continuing McConaissance, but each and every actor, from high - paycheck megastars (Reese Witherspoon) to newcomer child actors (star - in - the - making Tye Sheridan) to, yes, the man of the hour himself (Matthew McConaughey has never appeared more vulnerable than as the title's hood - on - the - run), thrive under the tutelage of a director concerned with a casual reality, even when the circumstances touch upon the fantastical.

Though the movie features a few decent action sequences, they're overshadowed by a terrible script that plays fast and loose with the real - life events that supposedly inspired the story, as well as some amateurish performances including one of the worst child actors ever recorded.

Their shortcomings are exacerbated — as opposed to plastered over, as they have been in the past — by the supporting cast of the UK's best and brightest, a harsh relief that probably explains why for long stretches it appears as though there are two films going on: one with actors and one with children pretending to be actors.

Veteran actor Michael Caine has once again said he will not work with filmmaker Woody Allen as child abuse for him is the «greatest crime».

Sadly, my vow to never sit through another Farrelly Brothers yak - track remains unbroken, as it takes all of three minutes for their conversation to devolve into arcane trainspotting here: that's when they start furnishing the child actors playing Fallon's students with gratuitous biographies.

We're pretty sure this is the same movie that was previously announced as «Sundowning» earlier this year, with Kathryn Hahn and child actor Ed Oxenbould in the lead roles.

Along the same lines, Hellion, which premièred at Sundance, turns on the paired central performances of first - time actor Josh Wiggins as Jacob, a 13 - year - old budding delinquent in rural Southeast Texas and Aaron Paul as his troubled widower father, whose loving yet hands - off approach to parenting results in child - protective services sending Jacob's little brother Wes (Deke Garner) to live with his aunt (Juliette Lewis).

Good actors — we also get the usually wonderful Michael B. Jordan (Fruitvale Station) as the new Johnny Storm (Dr. Storm's biological child)-- turn in terrible performances, but who could possibly do much of anything with the inane dialogue with which they are saddled?

As a relatively newly minted father himself, actor - director - Scranton prankster John Krasinski seems to be sharing with us in his horror debut something deeply personal, an epiphany that has struck him, like it might another parent, as horrifying: There will eventually come a day when your children need you and you just can't be there for theAs a relatively newly minted father himself, actor - director - Scranton prankster John Krasinski seems to be sharing with us in his horror debut something deeply personal, an epiphany that has struck him, like it might another parent, as horrifying: There will eventually come a day when your children need you and you just can't be there for theas horrifying: There will eventually come a day when your children need you and you just can't be there for them.

Nicholas Hoult As a gawky 12 year - old, Hoult may have impressed in «About a Boy,» sparring opposite Hugh Grant with admirable lack of cuteness, but it was hard to see what kind of career lay ahead for a child actor with such a tart register and ungainly presence.

The virtues essentially stop with the shot design and the work of Edward Norton (himself being a sort of walking meta joke, as his character arrives on scene and immediately begins armchair directing and taking control, something for which Norton himself has been infamous on set), and while the other actors are fine, they do not manage to separate themselves as anything other than puppets for Inarritu's agenda, who looms over every frame like some petulant child with a grudge and a budget that allowed him to force his opinions on an unwitting public.

With a class made up of budding writers and actors, as well as those less likely to want to steal show, it's important to give every child the tools they need to read, write and perform plays.

If you have the opportunity to see Ross on tour, I would go for it, as Ross (a child actor — and you could tell from his expressive voice) was an entertaining reader and very engaged with the audience.

Consistent with Breitz's interest in the role that mimicry plays in the forging of selfhood and her ongoing analysis of the circular relationship between real life and reel life, The Woods traverses three continents to explore the rituals and conventions governing the on camera and off - camera personae of professional child actors, as well as adult actors who have become famous playing child roles.

Consistent with Breitz's interest in the role that mimicry plays in the forging of selfhood, and with her ongoing analysis of the circular relationship between real life and reel life, The Woods traverses three continents to explore the rituals and conventions governing the on - camera and off - camera personae of professional child actors, as well as adult actors who have become famous playing child roles.

As part of the wider MI!MS project, Holden teamed up with Roger Illingworth, childhood friend and fellow band - member from The Grubby Mitts, to revisit and rework a series of songs that they initially composed as teenagers, which were performed in Kingston upon Thames by pupils from Tiffin School Chamber Orchestra and Tiffin Children's Chorus, the latter comprised of children from primary schools across South West London, and accompanied by readings from actor Sam MarsAs part of the wider MI!MS project, Holden teamed up with Roger Illingworth, childhood friend and fellow band - member from The Grubby Mitts, to revisit and rework a series of songs that they initially composed as teenagers, which were performed in Kingston upon Thames by pupils from Tiffin School Chamber Orchestra and Tiffin Children's Chorus, the latter comprised of children from primary schools across South West London, and accompanied by readings from actor Sam Marsas teenagers, which were performed in Kingston upon Thames by pupils from Tiffin School Chamber Orchestra and Tiffin Children's Chorus, the latter comprised of children from primary schools across South West London, and accompanied by readings from actor SaChildren's Chorus, the latter comprised of children from primary schools across South West London, and accompanied by readings from actor Sachildren from primary schools across South West London, and accompanied by readings from actor Sam Marsh.

Working with a team of craftsmen, artists, and actors — and referencing a wide range of cinematic, pop - culture, and art - historical sources — del Toro recreates the lucid dreams he experienced as a child in Guadalajara, Mexico.

Called Kiddie Flamingos, the video depicts a table read of Waters» 1972 film Pink Flamingos, which is as full of any kind of obscenity and depravity that one would hope to imagine — only here it's been recast as a children's movie, with child actors and all the X-Rated content «defanged and desexualized,» according to the gallery, which also calls this G - rated version «more perverse than the original.»

Out of college he spent several years as a Tour Actor / Director with the Missoula Children's Theater where he made a poor imitation of wildlife, singing and dancing in bear, wolf, and flytrap costumes.

The farm of fear is dubbed as one of Edmonton's scariest events, with actors, props and spooky prizes it is note recommended for children under 12 years of age.

Devised by party planner to the stars Steven Duggan (a friend of Louis Walsh), the event featured a huge marquee, giant toadstools and flamingos, a pirate ship — with accompanying bar where patrons have to «walk the plank» — and a host of actors dressed up as characters from the famous children's novels.