Sentences with phrase «as cinematographer on»

Babette Mangolte, well known as a filmmaker and as the cinematographer on a number of key films by Yvonne Rainer and Chantal Akerman (including Akerman's Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles), was included in the Whitney exhibition The American Century; her Biennial contribution is a mixed media installation involving photography and a video that recreates an earlier installation from 1978.

George Jenne's background in the film industry, which includes working as a mold maker at Jim Henson's Creature Shop in Hollywood, and as a cinematographer on low budget music videos, informs his relationship to the material aspects of his work, in which «cheap plastic is paramount» and «the faker, the better.»

Having been involved as a cinematographer on a number of great films over the years that blended elements of horror and thriller with comedy, I'm excited to direct a project that I think hits all those notes and is hugely entertaining.

Behind the scenes, the creative team includes frequent collaborators Tom Stern, who served as cinematographer on 13 of Eastwood's previous films, and Deborah Hopper, who has served as Eastwood's costume designer on 17 prior films; editor Blu Murray, who most recently cut «Sully,» and that film's composer, Christian Jacob.

Whether it's that final shot of the twin sunset on Ahch - To or Laura Dern's Holdo crashing her ship into a First Order Destroyer, Steve Yedlin says his job as cinematographer on Star Wars: The Last Jedi was made easier because of the way...

Lachman earned the award for his work as a cinematographer on such films as Erin Brockovich, The Virgin Suicides and Life During Wartime.

When: January 27th Why: This is Lawrence Sher's first film as a director, though he's previously worked as a cinematographer on such movies as «The Hangover» series and «Garden State.»

Dickerson also acted as cinematographer on multiple episodes of Tales from the Darkside and Spike Lee's immortal (and beautiful) Do the Right Thing.

Not long after, Morrison took something of a left turn, serving as cinematographer on the third and fourth seasons of hit MTV semi-reality series «The Hills,» Maybe it's not a job that everyone would have taken, but Morrison found it invaluable on the film that would become her breakthrough, Zal Batmanglij «s «Sound Of My Voice,» which premiered at Sundance in 2011 having shot at the tail end of 2010.

Beautifully shot on 35 mm by Ben Kasulke (who made his debut as a cinematographer on the film).

Foerster, who previously directed episodes of the television series «Criminal Minds» and «Outlander,» is widely known for her work as cinematographer on epic blockbusters such as Independence Day, The Day After Tomorrow and White House Down.

Zhang's five features as a director — all made after he worked as a still photographer, then served as cinematographer on One and Eight (1982), Yellow Earth (1983), The Big Parade (1985), and Old Well (1987), in which he was also the lead actor — are the three features already mentioned, Red Sorghum (1987), and a period action thriller with political overtones about an airplane hijacking known as Code Name Puma or Code Name Cougar (1987), which has rarely been imported (and which colleagues have assured me isn't very good).

Doug Nichol started out his career as a cinematographer on such music documentaries as Truth or Dare (Madonna) and Rattle and Hum (U2) and the director of hundreds of award - winning music videos and commercials.

Behind the scenes, the creative team includes frequent collaborators Tom Stern, who served as cinematographer on 13 of Eastwood's previous films, and Deborah Hopper, who has served as Eastwood's costume designer on 17 prior films, editor Blu Murray, who most recently cut «Sully,» and the film's composer, Christian Jacob.

Since they first collaborated on 2002's Far From Heaven, Ed Lachman has been an integral part of Todd Haynes» core team, serving as cinematographer on films as complex as the director's experimental 2007 Bob Dylan biography I'm Not There or as straightforward as 2015's Patricia Highsmith adaptation Carol.

Not exact matches

Perrin, working with five crews totaling 450 people, including 17 amazing cinematographers, makes you feel as though you're traveling with and among the flocks, close enough to see the determined looks on their faces and hear the relentless beating of their wings.

It is to the credit of the cinematographer (Soderbergh himself, although he is credited as Peter Andrews) and its production designer, Antxon Gomez, that the film brings Bolivia to harsh life on screen.

Working with a pricier, higher quality technical team, Nicolas Winding Refn calls in renouned cinematographer Larry Smith to assist him in delivering on nifty, stylish camera plays that often immerse as cleverly used, in spite of limitations to aesthetic value beyond stylish usage, kind of like Brian Eno's and J. Peter Schwalm's score, which isn't all that special by its own right either, but has a certain atmosphere to it that is very effective when used right.

Master cinematographer Caleb Deschanel («The Right Stuff,» «The Passion of the Christ») uses an unnatural amount of light inside that home on wheels, almost as if the world is too bright for these dark characters.

Production designer Stuart Craig (who has worked on all eight Potters) and cinematographer Eduardo Serra (a collaborator on the final two) create a Potterverse as familiar and fantastical as a dream.

Their journey will unfold in groundbreaking 3D that James Cameron, Guillermo del Toro, and David Fincher were all consulted on; having the incredible Emmanuel Lubezki (The Tree of Life) back as cinematographer doesn't hurt, either.

As the film takes us from star - capped frontier panoramas to squalid urban trailers, Haigh and Danish cinematographer Magnus Joenck focus on Charley in nearly every frame, so that his desperation becomes ours.

Its loneliness is, however, appropriate enough, and Cooke and cinematographer Sean Bobbitt contrive a moment in which they look marooned on that beach, as if washed up from some disaster.

The highlight is an FBI night raid on Dillinger and his cohorts holed up in Wisconsin's Little Bohemia lodge, as cinematographer Dante Spinotti's high - definition - video cinematography shows the blackest night in lustrous intensity.

Directed by Curtis Hanson, co-edited by Jay Rabinowitz, and shot by Amores Perros cinematographer Rodrigo Prieto, 8 Mile stars Eminem as an aspiring rapper choking on the poverty, stale air, and broken dreams of his trailer - park life.

Fans are buzzing about Anderson's dual role as director and cinematographer on «Phantom Thread,» but the director has some thoughts to share.

This time out Glazer is working with cinematographer Daniel Landin, who has collaborated with Glazer on his music video work, as well as the young multi-instrumentalist and composer Mica Levi.

Hoffman praised the cinematographer for his integrity on and off screen, and Roizman's eyes were misty as he accepted his award.

I was also curious as a first - time filmmaker, what was it like working with a cinematographer like Seamus McGarvey or production designer like Nathan Crowley on your first film?

Especially electric is the push and pull between Kushner's talky, microscopic script — unafraid of politics, long scenes and four walls — and Spielberg's attraction, in cahoots with cinematographer Janusz Kaminski, to quietly iconic moments: Lincoln's famous beard silhouetted against the night or the faint shadow of soldiers riding past Ulysses S Grant (Jared Harris) and Lincoln as they chat on a porch.

While Florentine and his longtime cinematographer, Ross W. Clarkson, manage to get a few»90s Hollywood - flavored Steadicam shots in, much of the movie is composed in an anemic, impersonal style that more closely resembles Florentine's past career as a regular director on various Power Rangers TV shows than the low - budget craft of Ninja (2009) or Undisputed III: Redemption (2010).

Ripley is engulfed by darkness and despair in director David Fincher's claustrophobic and underrated big - screen debut (which looks a lot better in light of Seven — photographed by Alien Resurrection cinematographer Darius Khondji — and The Game), as she crash lands on Fiorina «Fury» 161, a remote, nearly deserted, Class C Prison, maximum security, Double Y Chromosome - Work Correctional Facility after drifting in space — again — for an unspecified time.

Wandering the mountainous landscape, gorgeously photographed by veteran cinematographer Dean Cundey (Apollo 13, Who Framed Roger Rabbit, Jurassic Park), the psychically tortured protagonist has a series of run - ins with various figures, including a sympathetic Indian (Adam Beach), a Chinese immigrant (Tzi Ma), an old war buddy (Danny Glover) and, most memorably, a vicious killer named Ezra (Walton Goggins, stealing every scene as usual) who demands a «toll» from Jackson for encroaching on his territory.

As Tamar - kali's Dolby - mixed score swells all around, cinematographer Rachel Morrison supplies widescreen views of dramatic Mississippi sunsets, rain - drenched fields, and makeshift wooden houses that look ready to collapse in on themselves.

Dean Semler, the cinematographer on her 2011 directorial debut, «In the Land of Blood and Honey,» called Jolie «a true screen goddess» as he presented her with the Board of Governors Award.

Preminger and cinematographer Joseph LaShelle often tellingly linger on visual details that suggest incarceration, such as, most literally, the bars over the windows of a prison, or, more suggestively, the beams of street railings or the panes of apartment windows that reveal the busy city to be ever - present even within people's homes.

(Liman and cinematographer Roman Vasyanov, shooting on Super 16 mm film, took care of principal photography in 14 days, using the western edge of California's Mojave Desert as a stand - in location.)

New listings on IMDB have now revealed several of the crew including the addition of Vittorio Storaro as cinematographer (above).

The influence on those later films is obvious, as Wong and his longtime cinematographer Christopher Doyle apply the techniques of Chinese art movies to a kung fu epic.

But the movie has its own vibe, as Roskam and cinematographer Nicolas Karakatsanis work some remarkable effects with lighting, making Schoenaerts look simultaneously bulky and small, and as Roskam has his characters grunt at each other and move through sliding doors, on their way to the slaughter.

With franchise icons Tom Savini as executive producer and cinematographer, Henery Manfredini as composer, and Kane Hodder as motion capture actor portraying Jason, Friday the 13th: The Game will launch on Xbox One, PS4 and Steam as a digital download on May 26.

His virtuoso skills as director, cinematographer, and editor are on full display here.

Mangold along with his editors Quincy Z Gunderson and Michael McCusker and cinematographer Phedon Papamichael stage these scenes, that take place on planes, trains and automobiles amongst other various locations such as the rooftops of Salzburg and abandoned downtown factories, with energy and visual dynamism.

Now on board as cinematographer; Steven Soderbergh makes each shot look exquisite and the choreography of the dance sequences is exceptional.

The DVD production was helped along with the loving hands (certainly one of my favorite pair of hands on earth) of film editor Thelma Schoonmaker, Michael Powell's widow.There's fantastic commentary with cinematographer Jack Cardiff and Ian Christie, as well as Martin Scorsese, a close, dear friend of Powell's.

Shot by Academy Award - winning cinematographer Robert Elswit, who has worked with Anderson ever since Hard Eight, scored by singer - songwriter Michael Penn, edited by the great Dylan Tichenor, who started as an apprentice on Robert Altman's movies and went on to do great films such as Magnolia, There Will Be Blood, Brokeback Mountain and The Assassination of Jesse James by the Coward Robert Ford, Paul Thomas Anderson's epic drama went on to garner three Academy Award nominations, did reasonably well at the box office by tripling its initial investment and, more importantly, showcased the surprising talent and determination of one of the few brilliant filmmakers of American contemporary cinema.

The film was a great challenge for him as a cinematographer, considering the groundbreaking practical FX as well as all the ways Carpenter likes to set the moodiness and tone with lighting and painting with light (there are many hints throughout the film as to who is human and who is infected through the lighting on their face).

To distinguish the character - defining songs (always of inner turmoil) from the more matter - of - fact and plot - driving singing - as - dialogue, Hooper and cinematographer Danny Cohen shoot the characters» solos in long close - ups (most done in a one - take or with only a short cutaway in the middle or a complete break just at the final word)-- every tiny movement magnified and expanded on the screen.

Cinematographer Roger Deakins has worked on such films as «The Shawshank Redemption» and «Blade Runner 2049.»

As such he fulfilled his promise as a cinematographer early on, since Paramount, then under the influence of Ernst Lubitsch and Josef von Sternberg, was the home of great photographers of black - and - white cinemAs such he fulfilled his promise as a cinematographer early on, since Paramount, then under the influence of Ernst Lubitsch and Josef von Sternberg, was the home of great photographers of black - and - white cinemas a cinematographer early on, since Paramount, then under the influence of Ernst Lubitsch and Josef von Sternberg, was the home of great photographers of black - and - white cinema.