Not exact matches
The burdens of the book are to establish that television and movies are nihilistic; they display the inherent tendency of democratic liberalism towards nihilism; they remove any possibility for
classical tragedy or comedy; and they hold up «demonic antiheroes» such
as Hannibal Lecter for our emulation.
The image of the «crucified God» is central to Christian teaching, though perhaps it has not often been taken seriously.2 Instead «God» has been ensconced, in
classical theologies,
as omnipotently immune to suffering and
tragedy.
By this Buber does not mean
tragedy in the
classical Aristotelian sense of the downfall of a hero, but rather
tragedy in a profounder sense of two men living in opposition to each other, each just
as that which he is.
Kalliope Lee studied
Classical Literatures and Languages
as an undergraduate at the University of Chicago, focusing on Greek
Tragedy and Ancient Greek language.
The stark Irish scenery with its accompanying sense of
tragedy, derived from the days of The Great Famine, found later expression in O'Donoghue's art,
as did the knowledge and experience he gained from his father Daniel, who introduced his son to many of the great European cultural traditions derived from
Classical Greek art, the Renaissance and later eras.
Depicting ancient, medieval and contemporary warriors,
as well
as dinosaurs, bears and mythical beasts, along with nudes lifted from
classical masterpieces, glossy magazines and salacious websites, Kuksi's Baroque confections treat history
as primordial soup — a burbling stew of thrilling highlights and epic
tragedies that not only resonate in the mind's eye but also inspire all sorts of emotions — good, bad and otherwise.
They have been cast, like Burton and Taylor, in a variety of showy roles:
as painters interested in reviving aspects of the art form in its most staid and
classical modes;
as Marxist or Marcuseian critics of commodity culture and its discontents;
as leering champions of youth movements and counter-culture stylings;
as strict, detached, ironic appropriationists; and, finally,
as sincere and romantic poets attendant on the
tragedy of age's advancing degenerations of the body and of the melancholy states of nostalgia associated primarily with the waning of youthful beauty.
This most recent decision quotes one of the many judges who have been involved in the case commented,
as far back
as 1980,
as having described the parties
as «figures in a
classical tragedy, bent upon destroying that which surrounds them and especially their monetary inheritance».