Sentences with phrase «as collaged objects»

Torey Thornton creates raw and crudely rendered abstracted forms often painted on paper, found wood and slatted panels, using a mix media of spray and acrylic paint, as well as collaged objects.

The Brooklyn - based painter rejects the canvas, instead preferring the textural possibilities of paper, found wood, and slatted panels, all of which serve as the grounds for spray and acrylic paint, as well as collaged objects.

Not exact matches

With the notable exceptions of The Oxford Companion to the Book (2010) and Bettley's The Art of the Book (2001), most literature in the fields of book history and topics concerning the history of writing and digital textuality, including studies of books as artistic objects and of the material page make no mention of comics at all, in spite of the fact they do refer to other forms of multimedia or text - and - image publications such as collage books and illustrated books.

This application offers a wide variety of image adjustments including fun picture editing effects, image collages and sketching to advanced photo tools such as working with layers and masks as well as complex object selections.

Though it can open up with a hazy light, Picasso and Braque's Cubism remains an intimate art of enclosed spaces; Braque understood his collages as visual translations of the availability of objects to touch.

These monumental sculptures, which the artist views as three - dimensional manifestations of his collages, feature identical monochrome shapes to those evident in the ECLPSE series, but this time juxtaposed with identifiable scraps of materials and objects from his studio.

Spanning two decades, the mid-career survey includes his found object sculptures and installations, as well as less prominent areas of his work such as photography, video and collage.

The collage and cut outs of John O'Reilly and Brainard bump up against each other in their juxtapositions of classic Greek sculpture and the eroticized male form, as ideal, object of contemplation and as pop advertisement.

Gone are the collage materials, found objects and foamcore: the new sculptures are constructed exclusively of papier - mache and paint, materials which reinforce their presence as sculpture in their own right.

In contrast to works that incorporate found everyday objects, such as the «Combine» paintings of Robert Rauschenberg or the Dada collages of Kurt Schwitters, Almquist's experimental paintings extend his picture plane into three dimensions with constructed elements of disjointed, dream - like imagery.

After writing about the objects and characters they have identified in the artwork, families will draw their own images and use them as collage elements to create a collaborative, remixed version of Shaw's installation.

'' News / Prints: Printmaking and the Newspaper» (at IPCNY, New York, closed October 19) included historical editorial cartoons, Meiji - era Japanese newspapers, collages using newsprint as a found object and other works of contemporary art in its exploration of newspapers as both primary and secondary sources for art.

As he explains: «A coat of arms is really a collage of objects that represent social status and economic status and status as a warrioAs he explains: «A coat of arms is really a collage of objects that represent social status and economic status and status as a warrioas a warrior.

His collage - like images of photographs, colors, numbers, and objects as well as his installations evoke and reference the past in an authentic, contemporary articulation.

By manipulating, deconstructing and distorting the architecture and objects as represented in glossy magazine, Rachel Wrigley's collages attempt to invent new forms; providing a distorted version of reality by investigating space as a moveable, impermanent fixture.

Although such techniques as collage and assemblage may have served as inspiration, different terms were found for the objects produced, both in the U.S. and in Europe.

Cornell's rare, early collages and «sand tray» box bring together imagery and found objects from historical source material — sand in this case as a metaphor for a universal symbol marking the passage of time.

Large freestanding paintings will simultaneously act as objects, sculpture, collage, installation, and decoration as they are successively moved and re-installed within the exhibition space.

Assemblage art can be characterized as a process in which a composition is made from combining found objects and collage that are usually altered in the process.

American Neo-Dada artists and lovers Jasper Johns and Robert Rauschenberg set the scene for US Pop Art, using mass imagery, iconography and found objects and employing techniques such as printmaking, silkscreen and collage.

Another pioneer of collage was Joseph Cornell, whose more intimately scaled works were seen as radical because of both his personal iconography and his use of found objects.

She never tires to experiment with new found ideas and objects, turning household objects reminiscent of her pre-described role as a woman born in the 30s into powerful images of presence, there - ness and solitude, one example of this being a series of plastic table covers re-used as drip catchers for her varnished collages and then re-worked and re-used to become large scale images themselves.

Frandsen began creating layered, collage - like works that featured unexpected objects, such as lights and...

Collection, as Walter Hopps observed, is probably the first of Rauschenberg's works to evince all the characteristics of a Combine, that hybrid of painting and sculpture that the artist developed in the 1950s.1 Yet, despite the challenge to conventional categories posed by its collage and the addition of objects that transgress the limits of frame and picture plane, Collection stands primarily as a reflection on the contemporary status of painting.

Aldrich's works incorporate paint, collage, and found objects, claiming everything within the boundaries of the canvas as the territory of painting.

Emma Cousin's painting «Hybrid» is a brilliantly complicated start to the show, as its strong and varied yet complementary palette presents a collage - style composition with elements and angles from identifiable objects and characters.

In just five years — from the point in 1949 that the exhibit's curator, Walter Hopps, identifies as Rauschenberg's first artistic maturity until 1954, just before the first «combine» paintings that were to make him famous — the artist worked in paint, sculpture made of found objects, collage, and photography.

Also, just as the lithograph was about one set of objects (namely man - made chimneys also acting as trees), the collaged ukulele would be a functional musical instrument also being an art object, so I felt that there existed interesting parallel sets of ideas to play with about one set of images that can suggest something entirely different or about an object that can be transformed into something else with different associations.»

In the 1950s Robert Rauschenberg used what he dubbed «combines», literally combining readymade objects such as tires or beds, painting, silk - screens, collage, and photography.

Although they both turn to this medium to examine physical properties as well as social functions, Beasley's sculptural tendencies result in sturdy objects that consist of clothing melded to foam and resin, and Smith's patterned textiles are precisely shaped into collages.

2001 Air Conditioned Abstraction, Volume Two, Manny Silverman Gallery, Los Angeles, CA Los Angeles County Museum of Art, Los Angeles, CA A Private Reading, The Book as Image and Object, Senior & Shopmaker Gallery, New York, NY Rupture & Revision: Collage in America, Pavel Zoubok Gallery, New York, NY

As ephemeral as they are translucent, these works present an elusive complexity as the striations of paint, fabric, keepsakes, collected and found objects, and clippings from mass - produced paper media coalesce into collages and assemblages that, taken individually or as a series, are most succinctly described as a multidimensional gestalt.&raquAs ephemeral as they are translucent, these works present an elusive complexity as the striations of paint, fabric, keepsakes, collected and found objects, and clippings from mass - produced paper media coalesce into collages and assemblages that, taken individually or as a series, are most succinctly described as a multidimensional gestalt.&raquas they are translucent, these works present an elusive complexity as the striations of paint, fabric, keepsakes, collected and found objects, and clippings from mass - produced paper media coalesce into collages and assemblages that, taken individually or as a series, are most succinctly described as a multidimensional gestalt.&raquas the striations of paint, fabric, keepsakes, collected and found objects, and clippings from mass - produced paper media coalesce into collages and assemblages that, taken individually or as a series, are most succinctly described as a multidimensional gestalt.&raquas a series, are most succinctly described as a multidimensional gestalt.&raquas a multidimensional gestalt.»

Our modern notion of collaging, or papier - collé (French for glued or stuck paper), was ignited in the early twentieth century by artists such as Pablo Picasso (1881 — 1973) and Georges Braque (1882 — 1963), who incorporated various text, photographs, found objects, and paper into works of art, resulting in an entirely new medium.

He works from photographs and drawings, creating collage - like compositions, and then experiments with different ways of drawing out the aspects that interest him — whether highlighting the surface detail or distant object, or by painting a version of the image as a blocked - out negative of flat colour.

As he became more successful, Hawkins began to collage mass media images and eventually found objects into his paintings, and he developed a technique he called «puffing up» a shape: building it up from the support by mixing cornmeal into the enamel paint.

The artists manipulate these found objects to create collages, sculpture / found object art, paintings, and fabric arts, which convey who they are as individuals.

Strategically placed objects in her photographs come into sharper relief during the collage stage as deliberately exposed tape and abrupt lines between forms frame our perspective, focusing us on the distinct cultural languages that she puts on view.

I use both the objects and the explorations as collages in space, which become experiential environments for the viewer.

Much as in the collages of Kurt Schwitters, whose work had a vital influence on Rauschenberg, the objects here have been plucked out of the artist's experience and hung on a geometric scaffold.

«After the collages, I began to paint the eyes approaching the paintings on board as decorative objects symbolically representing the eye motif while creating an optical situation where the interior image and periphery of the painting (margins outside of the eye and thus painting) serve as a flipping perspective between view finder mask to visible interior image.

In Traditional Object 11, other substances such as paper towel are buried beneath layers of neon yellow acrylic; the piece's primary subject (the Impressionist rectangle) is revealed to be a facade covering up techniques and materials native to textile arts or collage.

Seen from a distance his collages appear as vistas or objects.

These collaged elements — along with images of pillows and a detail from a Baroque relief — are sealed within a clear Plexiglas casing that acts as a support for the surprising array of three - dimensional objects suspended from the work's surface, ranging from tin cans and a spent tube of paint to assorted empty plastic tubes and salvaged wooden chair rungs.

He also added to the complexity of his images with the use of stencil and collage, and by making impressions of various objects such as lace, leaves, or even his own fingertips.

The works in the exhibition range from paintings marked by «water stains» resembling the patina of vintage photographs to Foulkes» tableaux paintings, which are constructed on a massive scale, exhaustingly carved into with a sandblaster, collaged with plaster, paint, and found objects (such as two Coke cans, an American flag, and a tree branch in «Lost Horizon,» 1991).

He created collages and assemblages incorporating everyday objects and advertising ephemera in an effort to make images as powerful as the abstract expressionism he admired.

Baxter St at the Camera Club of New York presents As Object, an exhibition of photographs with watercolors, video, sculpture and collage by artist Pam Butler, curated by Leigh Ledare.

Rauschenberg's Spreads series are composed of wooden panels to which he applied acrylic, solvent transferred imagery, paper collage, fabric and colored or mirrored plastics and commonplace objects such as fans, pillows, buckets and lights.

Bringing together some 80 paintings, collages, and objects, along with a selection of photographs, periodicals, and early commercial work, the exhibition offers fresh insight into Magritte's identity as a modern painter and Surrealist artist.

Gabriel Kuri is known for sculptures and collages that he creates from the remains of everyday purchases and objects such as tickets, cigarettes, body care products, slabs of marble, stones and other materials.