Sentences with phrase «as conceptual»

O'Grady's performance Mlle Bourgeoise Noire (1980 — 83) has long been considered a landmark of identity - based institutional critique, and widespread recognition of her importance as a Conceptual artist has grown over the last decade.

Shonibare who can be described as a conceptual artist disclosed that he delegates much of the production of his labor - intensive projects to a network of other artists.

«The View From Here» encompasses photography in California from the earliest commercial portraiture and documentary to the creative picturesque and the camera as a conceptual tool and device of fine art.

There is also a tendency that new art media, emerging as a result of technological development, is a priori labeled as conceptual art.

The sculptures function as a conceptual starting point for the works on paper displayed in the lower galleries; the imaginary environments portrayed in these drawings are the artist's representation of the notional space inside the bronze objects.

This type of materiality can also be interpreted as conceptual, making him, as stated above, one of the earliest conceptual artists.

The exhibition considers artists who use material not only as a means to create, but also as a conceptual foundation of their bodies of work.

The site - specificity of Cabin Comforts serves as a conceptual framework for the communal art store created by Saviour Scraps, an artists» collective made up of Katie Kiline, Jojo Li, Brieana Ruais, and Shabd Simon - Alexander.

With that, I feel most comfortable being identified as a conceptual artist.

The Design department at Phillips de Pury & Company offers functional works by pioneering designers, manufacturers, and ateliers from the 20th and 21st Centuries as well as conceptual form - driven contemporary design.

Rail: One last question, about your referring to yourself as a conceptual artist.

Primarily known as a conceptual artist, Michael Landy's practice often involves finding new potential for objects with specific personal or cultural connotations.

In this volume, amply illustrated with many never - before - seen images from early in his career as well as new photography of his most recent works, scholarly essays provide a broad context for viewing: Cornelia Butler looks at Graham's relationship to landscape and Canadian identity, Lynne Cooke examines the construction of the artist's persona in works such as City Self / Country Self (2001), and Shep Steiner discusses the joke as a conceptual strategy for Graham.

Ham's ongoing «Embroidery Project» is as conceptual and political as it is beautiful.

Leo Villareal explores the realms of scale, pattern, color, and light through a reinterpretation of twentieth - century art movements such as conceptual, minimalism and pop.

Through the paintings, Monk demystifies the process of the creation of his own artworks as a conceptual component to the exhibition.

Likewise, her 2000 work Whoa Whoa Studio (for Courbet) utilizes the artist's studio as a conceptual stage, drawing parallels between art making and infantile whims.

In approaching physical manipulation as a conceptual tool, intimate narratives and material cycles are woven together.

A Los Angeles - based book publisher and artist who works in performance and video, Martine Syms describes herself as a conceptual entrepreneur.

This aspect of the presentation will provide a view into Camnitzer's diverse practice as a conceptual artist, and will illustrate his critical role as a global link between developments of new visual languages in Latin America and New York.

Richard Saltoun has selected works which demonstrate lesser - known aspects of their oeuvres, re-establishing both Morgan and Blake's importance as conceptual artists - not just filmmakers.

In addition to the many arte povera works, the exhibition includes examples of related contemporary practices such as conceptual art, land art and post-minimalism.

Functioning as a conceptual framework to the exhibition, the publication contains artists» contributions and essays by curators in a series of eight chapters.

As the conceptual artist and writer Dan Graham (American, b. 1949) notes, Flavin's work reduces «fine art to quasifunctional (or nonfunctional) décor» when it reflexively refers back to the gallery.

It was the first time I intellectually engaged with the work in The Walters as conceptual art, rather than artifacts.

Lorraine O'Grady: A Portrait (2012), inspired by Gertrude Stein's textual portraits, presents a chronology of O'Grady's work as a conceptual artist in New York since the 1970s and the artist reflecting on her familial relationships.

Gordon shares his fascination with the Middle East and North Africa and goes on to question his responsibility as a conceptual artist to explore literature and history.

His career as a conceptual artist took off when he exhibited An Oak Tree at the Rowan gallery in 1974.

The expressive design of the nearly all - black work as well as its conceptual nature bring to mind the charred furniture of the young Dutch designer Maarten Baas, such as in Smoke Armchair, now on view in the European Design Since 1985 exhibition at the High Museum.

It should come as no surprise, then, that I became interested in what is now termed historical Conceptual Art, which is to say work by artists who defined themselves as conceptual artists in the late «60s and early «70s.

But, to answer your question, yes I would describe my work as conceptual painting.

More interested in dwellings for the human spirit than in constructing habitable spaces, Wexler's architecture - as - sculpture - as installation - as conceptual art isn't easy to pin down.

Describing himself not as a photographer but as a conceptual artist for whom photography is an intrinsic part of his creative process, Demand's work challenges photography's claims to verisimilitude and disrupts notions of authenticity and artifice by questioning the medium as a faithful record of reality.

He describes himself as conceptual artist, while the names of his exhibitions point directly to his interests.

The exhibition includes drawings by Robert Bechtle, Bruce Conner, Joan Brown, and Jess, photography by Lynn Hershman and John Priola, and paintings by Canan Tolon, Anne Appleby and David Ireland, as well as the conceptual contributions of Paul Kos and Tom Marioni, and mixed media constructions by Gay Outlaw, Dean Smith and Frances Stark.

Since then, he has time and again proved his prominent potential as a conceptual artist and created series of art works through his influential brush stroke, perceptive material selection and dominant ideas.

Would you describe your work as conceptual painting?

Alongside «La Notte (1961)», Reid presents new paintings taking the theme of an absent subject as a conceptual starting point.

This year, Tohme invited the Brussels - based Egyptian curator El Fetouh to participate, and the latter responded with a small but complex exhibition that used three historical exhibitions — the first Alexandria Biennial (1955); «China / Avant - Garde» (Beijing, 1989); and the First Biennale of Arab Art (Baghdad, 1974)-- as a conceptual springboard for probing the ways in which such historical touchstones have remained fertile territory for artists engaging with — and altering — narratives of modernity.

The intellectual emphasis of Duchamp - style «readymades» also had an impact on postmodernist art of the late 1960s, 70s and 80s, notably the Arte Povera movement in Italy and Nouveau Realism in France, as well as conceptual art - a new artform based on the belief that the artist's idea was more important than the final artwork.

«From 199A to 199B: Liam Gillick» (through next Friday) Mr. Gillick is a nearly ubiquitous figure on the international art scene as a conceptual artist, speaker, writer and collaborator with other luminaries like Rirkrit Tiravanija and Pierre Huyghe.

In addition, LSG is dedicated to a contemporary program that incorporates paintings, photography and sculpture, as well as conceptual and multimedia art by a growing roster of regional, national and international artists, such as Gino Miles, Thalen & Thalen, David Spiller, Russell Young and Amy Kirchner among others.

While Cohen and Bryant direct us to Walter Benjamin's landmark essay, The Work of Art in The Age of Mechanical Reproduction, as the conceptual basis, they consider it an entry point to diverse cultural insights into socio economics, gender, celebrity, humor and violence.

To confuse matters further, completely new types of art were invented, such as Conceptual art, and Installation art.

Intended as a sort of user's manual, the book reveals the artist's grappling with the enormity of the Perfect World exhibition, as well as the conceptual and physical challenges he was facing in his creative process more generally.

Before I went to this show, I thought of Ader as a conceptual artist in the mode of Chris Burden and Bruce Nauman, unusual only in that he was such a romantic figure - young, handsome and melancholic.

Erik Niedling (* 1973) is known as a conceptual photographer, who placed disappearance and the ephemeral at the center of several work series.

Though Warhol isn't always seen as a conceptual artist, his most perceptive critic, Arthur C. Danto, calls him «the nearest thing to a philosophical genius the history of art has produced.»

André Tehrani's solo exhibition Hard Copy explores notions of standardization, digitalization and editioning as conceptual starting points.

Prof. C Richardson, Loughborough University, Research and Travel Grant: Landscape as conceptual art: the practical context of shale «bings» as monuments in the 21st Century, 1 July - 5 November 2017 - # 500