Sentences with phrase «as contemporary video art»

Online video platform, www.d-est.com Initiated by: Ulrike Gerhard Between 2017 and 2019 D'EST will be established as a contemporary video art...

On view every other Thursday evening, Tony Labat will curate a series of screenings surveying both historical as well as contemporary Video Art, local, national and international.

Not exact matches

According to its capital campaign brochure, the non-profit organization is in the midst of a $ 2.5 million fundraising push to repair the exterior of the arts center, as well as to upgrade the historic playhouse and renovate the galleries, including the «installation of moveable walls (to) accommodate video installations and other contemporary work.»

Here's one big reason: Thursday, June 13th, concurrent with this year's E3 expo, the site will be partnering with MOCAtv, the video channel of Los Angeles's Museum of Contemporary Art, to present HORIZON, a press conference that will highlight a lineup of beautiful games as an alternative to what we've come to expect from standard E3 fare.

His significance is widely acknowledged when it comes to music, music videos, dance, choreography and fashion, but his impact on contemporary art is an untold story; one that has not been recognised with an international loan exhibition such as this.

«Here and Elsewhere,» opening at the New Museum July 16, is billed as a major survey of contemporary art from the Arab world and includes figures such as Emirati conceptual artists Hassan Sharif and Abdullah al Saadi and Moroccan video artist Bouchra Khalili.

One of the world's most prestigious annual photography events, The Photography Show is the longest - running and foremost exhibition dedicated to the photographic medium, offering a wide range of museum - quality work, including contemporary, modern, and 19th - century photographs as well as photo - based art, video, and new media.

Her videos have been screened at venues such as Anthology Film Archives, New York (2016); Museum of Contemporary Art, Chicago (2015); Images Festival, Toronto (2015); and The New York Film Festival (2014).

Photos and / or videos taken at the Contemporary Arts Museum Houston (CAMH) and associated events may be published in print or posted online for download, in online photo albums, on photo / video sharing sites such as Flickr and YouTube, and on social media sites such as Facebook, Twitter, Tumblr, Instagram, etc..

The major group exhibition Believe not every spirit, but try the spirits takes as its departure point the art of forgotten Victorian - era Spiritualist Georgiana Houghton (1814 - 1884), and features contemporary and historical painting, sculpture, video and photography that both explore and adopt Spiritualist practices and methodologies.

2009 100 Years, PS1 / MoMA, Queens, NY Reflections on the Electric Mirror: New Feminist Video, Brooklyn Museum of Art, NY Party at Chris's House, Janet Kurnatowski Gallery, Brooklyn, NY Supergirl, Nexus Foundation for Arts, Philadelphia, PA One Minute More, The Kitchen, New York, NY Pink Panther, Kumukumu Gallery, New York, NY Night Gallery Rosslyn, Arlington Arts, Arlington, VA Tell Me Everything, As You Remember It», Creative Research Lab, The University of Texas at Austin, TX Chewing Color: Patty Chang, Kate Gilmore, Marilyn Minter, Creative Time, Times Square, NY City Garden, Contemporary Art Museum, St. Louis, MO East Coast Video, Ramis Barquet, New York, NY I am a Video, Good Children Gallery, New Orleans, LA No Longer Empty, The Chelsea Hotel, New York, NY Practice, Practice, Practice, Lora Reynolds Gallery, Austin, TX Sixty Minutes, University of South Florida Contemporary Art Museum, Tampa, FL Feel the Force, Cafe Gallery London, London, England It's You, Not Me, San Jose Institute of Contemporary Art, San Jose, CA Theoretical Practice, International Studio and Curatorial Program, Brooklyn, NY Our Great Show: Selections from the Jefferson Godard Collection, Nice & Fit, Berlin, Germany

Beds in History and Contemporary Art focuses on the historical as well as iconographic significance of the depiction of the bed and will include and juxtapose paintings, sculptures, drawings, photos, and video works spanning from old masters to present - day artists, subdivided into themes and arranged according to visual associations.

I touch on «Fever: The Art of David Wojnarowicz,» which ran at The New Museum of Contemporary Art through June 20, 1999, and is the subject of a separate article, as is the Wojnarowicz video, «A Fire in My Belly.»

He made a name for himself on the Turkish and international contemporary art scene by creating videos that raise fundamental questions about the meaning and significance of human activity and labor as well as the authentic experiences of people while they are working on the real projects.

The Icelandic artist's work gives performance art, and contemporary art in general, a good rep.. His actions, musical scores, films and paintings are reminiscent of the repetitious, contemplative tone of Bill Viola's video work as well as Anselm Kiefer's multimedia, existential reflections on the creative «self» and on cultural inheritance.

The gallery was established 2005 by Martin Asbæk (b. 1975) and focuses on contemporary Scandinavian as well as international art by well - established and up - coming artists who work in a wide range of media; painting, drawing, sculpture, photography, video, embroidery.

For exhibitions such as 100 Steps to the Mediterranean at the Rose Art Museum at Brandeis University in Boston (2012), The Nation's Groves at Tel Aviv Museum of Art (2011), and Al - Lydd at Kunst - Werke Institute for Contemporary Art in Berlin (2010), he integrated photographs of the ancient Arab city Al - Lydd (today's Lod) and the surrounding landscape with video featuring three generations from the Christian - Palestinian community.

Cecilia Vicuña's exhibition «About to Happen» at the Contemporary Arts Center New Orleans is billed as the first major solo exhibition for the artist in the United States and features an array of media: performance, sculpture, drawing, video, text, and site - specific installation.

Exquisite Corpse: Moving Image in Latin American and Asian Art embodies the exquisite corpse model as a curatorial framework between three institutions — Asia Society Museum, Mana Contemporary, and Smack Mellon — using video and new media work by contemporary artists who represent perspectives from across Latin America and Asia as the variable coContemporary, and Smack Mellon — using video and new media work by contemporary artists who represent perspectives from across Latin America and Asia as the variable cocontemporary artists who represent perspectives from across Latin America and Asia as the variable contributions.

Rachel Perry's video, Karaoke Wrong Number, is currently on view as part of the exhibition ICA Collection Photography Rotation at the Institute of Contemporary Art, Boston.

Artists from Istanbul represented in Double Crescent are Hale Tenger, whose edgy assemblage works, addressing issues of gender and identity, have been exhibited at the biennials in Saõ Paolo, Johannesburg and Istanbul; Ali Kazma, whose powerful videos of people at their occupations have been shown at the Istanbul Biennial; Ayşe Erkmen, whose witty architectural interventions have been featured at Art Basel, the Hamburger Bahnhof and the Sharjah Biennial; Gülsün Karamustafa, a multimedia artist whose research - based installations on subjects such as nomads and refugees have been shown at Documenta, the Salzburger Kunstverein and the Walker Art Center and Nazım Ünal Yılmaz whose large - scale figurative paintings have been exhibited at the Kunsthaus Stade in Germany and Contemporary Istanbul.

Goddess Clap Back: Hip Hop Feminism in Art is a group exhibition highlighting Hip Hop Feminism as an emerging motif of contemporary artists working with performance, photography, video, collage, sculpture and sound.

The exhibition presents contemporary work in dialogue with historical objects from the collections of the Seattle Art Museum and the Brooklyn Museum within an immersive and lively installation of video, digital, sound, and installation art, as well as photography and sculptuArt Museum and the Brooklyn Museum within an immersive and lively installation of video, digital, sound, and installation art, as well as photography and sculptuart, as well as photography and sculpture.

Through a collaborative approach, these artists create installations and video inspired by ancient Japanese art as well as contemporary anime.

Performa: New Visual Art Performance presents an authoritative introduction to the genre, many forms including radio broadcast, dance, live installation, new technologies, film and video, music, historic reconstructions and lecture - as - performance, and provides a vivid tour through the world of contemporary performance, featuring inventive documentation of works by some of the most significant artists of our time, including Jesper Just, Francis Alys, Christian Marclay, Laurie Simmons, Tamy Ben - Tor, Melik Ohanian, Michael Smith, Christian Holstad, and Gelitin.

The exhibition's installations, sculpture and video, some rarely exhibited in public previously, come from collections such as the Museo Reina Sofía in Madrid, the Thyssen - Bornemisza Art Contemporary in Vienna, and the François Pinault Collection in Paris and Venice.

Abidin's art uses various media such as videos, video installations, multi media sculptures and sound based installations and photography to explore the issues of the contemporary world that we are living in.

Boettcher Foundation Education Gallery A place to pause and reflect, the Boettcher Foundation Education Gallery contains books, exhibition catalogues, and short videos concerning the art and life of Clyfford Still, as well as his Abstract Expressionist contemporaries.

The Institute for Contemporary Art, Boston will present Nalini Malani: In Search of Vanished Blood, featuring Malani's large - scale video / shadow play that premiered in dOCUMENTA 13 and at Galerie Lelong New York in 2013, as well as a selection of works on paper.

Founded in 1983, Gana Art has organized over 600 exhibitions of modern and contemporary art such as painting, sculpture, video art, installation, and contemporary photograpArt has organized over 600 exhibitions of modern and contemporary art such as painting, sculpture, video art, installation, and contemporary photograpart such as painting, sculpture, video art, installation, and contemporary photograpart, installation, and contemporary photography.

Pratt's Department of Film and Video emphasizes an awareness of fine arts traditions as well as the professional disciplines of the contemporary media artist.

Border Zones and Liminal Bodies This screening features short video art pieces by 12 U.S. and international artists that invite viewers to contemplate contemporary issues, such as migration and refugee crises, disability and the body in movement, feminicide in Ciudad Juárez, water insecurity, and other issues.

As contemporary artists continue to push the boundaries of painting, photography, sculpture, video, installation art, and other genres, the new galleries will provide the space to showcase, not just the present and past, but the very future of art.

The performances, installations and videos exhibited serve not only as explorations of the complex identity of black youthful opposition but also a way in which to question whether these contemporary traditions can exist with the established traditions of art institutions and discourse.

The exposure to different corners of the art world, diving into performative and video art, pretty much everything that would be categorized as contemporary art, was so fresh.

LoVid has exhibited installations, videos, and media objects in venues such as The Jewish Museum, The Neuberger Museum, The Butler Institute of American Art, Exit Art, The New Museum of Contemporary Art, Institute of Contemporary Art (London), Urbis (Manchester), and Science Gallery (Ireland).

Fisher's paintings, photographs, and videos have been exhibited internationally in such venues as Palais de Tokyo, Paris; Halle fuer Kunst, Luneburg, Germany; Kemper Museum, Kansas City; Kunsthalle Wien, Vienna; Kunsthaus Baselland, Basel; Vizcaya Museum & Gardens, Miami; and the Deste Foundation for Contemporary Art, Athens.

Considering Andy Warhol's and Keith Haring's artistry, the New York - based artist Brian Donnelly, or internationally known as Kaws, is a prolific contemporary artist who has pushed the art of appropriation significant steps forward embracing pop culture with a wide range of influential artistic projects from toys, to clothings, graffiti, paintings, sneakers and videos.

During his tenure, he curated award winning exhibitions such as Ryan McGinness: Studio Visit (2014); Xu Bing: Tobacco Project (2011); Sally Mann: The Flesh and The Spirit (2010); Chuck Close: People Who Matter to Me (2010); Artificial Light (2006), which appeared at VCU Anderson Gallery and MOCA at Goldman Warehouse in Miami; Robert Lazzarini (2003), recognized by the International Association of Art Critics as one of year's best exhibitions; Outer and Inner Space: A Video Exhibition in Three Parts (2002), recipient of an Emily Hall Tremaine Exhibition Award; and Vanitas: Meditations on Life and Death in Contemporary Art (2000).

Upcoming at Virginia Museum of Fine Arts Posing Beauty in African American Culture April 27 — July 26 This exhibition examines the contested ways in which African and African American beauty has been represented in historical and contemporary contexts through a diverse range of media, including photography, film, video, fashion, advertising, and other forms of popular culture such as music and the Internet.

In her videos, Gilmore critiques and also inserts herself into male dominated movements such as Abstract Expressionism and Minimalism, exploring feminist themes and modern and contemporary art tropes, all the while exhibiting relentless determination.

His work has also been screened at the Museum of Contemporary Art in Miami, the Banff Center in Canada, Gallery 400 in Chicago, as well as the Werkleitz Centre for Media Art, Halle, Germany, the Magmart International VideoArt Festival in Napoli, the Dublin Electronic Arts Festival in Ireland and the Kortfilm festival in Copenhagen as well as the 25th Festival Les Instant Video in Marseille France.

Featuring large - scale installations, lush colorful paintings, video works, and sculptures from the 21st century as well as an accompanying exhibition of works by Francis Newton Souza, one of the most important 20th century Indian painters, these exhibitions showcase two significant Columbus - based collections, offering an unprecedented look at modern and contemporary art from India.

Every Wednesday from 11 a.m. to 6 p.m., video documentation of Preparatory Notes (2014), performed at the 8th Berlin Biennial for Contemporary Art, will be screened in the New Museum Theater in conjunction with «Goshka Macuga: Time as Fabric.»

September 7 - December 8, 2013 Project 35: Volume 2 is an eclectic compilation of 35 works selected by an international group of 35 curators exploring video as a contemporary art medium.

As well as curatorial work of several screening series of independent film and contemporary art videos, lecturing in universities, participating in symposia and teaching workshopAs well as curatorial work of several screening series of independent film and contemporary art videos, lecturing in universities, participating in symposia and teaching workshopas curatorial work of several screening series of independent film and contemporary art videos, lecturing in universities, participating in symposia and teaching workshops.

He has recently garnered new attention and recognition in the contemporary film and art worlds marked by his retrospective exhibition at MoMA PS1, «George Kuchar: Pagan Rhapsodies,» as the subject of a recent article in the February Artforum, and his inclusion in the forthcoming 2012 Whitney Biennial (at the Whitney Museum of American Art, March 1 - May 27, 2012), which will be showing a selection of his Weather Diaries, a series of video works produced between 1986 and 20art worlds marked by his retrospective exhibition at MoMA PS1, «George Kuchar: Pagan Rhapsodies,» as the subject of a recent article in the February Artforum, and his inclusion in the forthcoming 2012 Whitney Biennial (at the Whitney Museum of American Art, March 1 - May 27, 2012), which will be showing a selection of his Weather Diaries, a series of video works produced between 1986 and 20Art, March 1 - May 27, 2012), which will be showing a selection of his Weather Diaries, a series of video works produced between 1986 and 2011.

Today, no contemporary art venue can ignore video, and the technical quality of such offerings has vastly improved as the distinction between «video» and «film» has dissolved.

He has had solo shows at Fringe Exhibitions, Los Angeles (2007), bitforms gallery, New York (2006), Kunsthalle Loppem, Belgium (1995), Lisson Gallery, London (1994), Barbara Gladstone Gallery, New York (1991, 1993 and 1994) and has been included in group exhibitions such as Illiterature, Arena 1 Gallery, Santa Monica (2009), Beneath the Underdog, Gagosian Gallery, New York (2007), CUT / FILM Film as Found Object in Contemporary Video, MOCA, North Miami (2004), Public Offerings, Los Angeles Museum of Contemporary Art, Los Angeles (2001), 1993 Biennial Exhibition, Whitney Museum of American Art, New York (1993).

The research project aims to investigate the heritage of documentary practices in contemporary art in relation to the history of film, documentary photography, television and video art, as well as to situate these contemporary documentary practices within current cultural production.