In this sense, the artistic processes are analyzed
as a creative power that allows understanding different phenomena far from the traditional disciplines.
Because we try to discuss God
as creative power, and not only as persuasion, and because Whitehead seems to identify God and creativity, we appear to be saying that God is responsible for the endurance of evil as well as presenting to us persuasive lures of greater value.
«15 We suggest that this ambiguity is caused by the failure to develop the notion of God
as creative power, and to relate more coherently this notion with the concepts of objective immortality and efficient causation.
Not exact matches
By bringing together people of different backgrounds, you gain the ability to escape a single group's echo chamber and avoid errors caused by groupthink; the
power to act
as a connector or translator between different circles; and the immense
creative potential of combining ideas from different fields.
«It has the
power to influence public debate, mobilize communities, and — most importantly — offer
creative solutions to help people receive better care, no matter where they live or who they are,» write Richards and Karp, who believe that the tech industry owes its success to both of its employees
as well
as the communities it serves, whose health needs are often partially met by Planned Parenthood itself.
Levin — who describes himself
as 80 percent business acumen and 20 percent
creative power — is, in a way, a bizarro - Hardwick.
As for the brain's positive explosive forces, we'll explore where the
creative spark comes from, how to nurture them when they come — and how to turn those brainstorms into a worthy invention — with two individuals who have harnessed that
power themselves: serial inventor and CEO of United Therapeutics Martine Rothblatt and James Park, cofounder and CEO of Fitbit.
As game play shifts from the console to the smartphone, the balance of
power has tipped in favor of upstarts like Bolt
Creative and Imangi Studios.
We believe our job
as venture capitalists is to magnify the
creative power of entrepreneurs through relationships, education and resources essential to their success.
Agility met scale
as established market leaders and innovators from across the industry gathered in this invitation - only environment designed to
power intimate, candid discussions and uncover
creative solutions to our pressing challenges.
After a decade of
creative chair arrangements, attractive
power point, relevant movie clips, and of course, the gamut of «praise music» (Hosanna, Hillsong, Passion, Tomlin), I decided to test the waters of true worship (
as opposed to vicarious worship) by having a Sunday service (just one!)
establish the substance of God
as shown in the Bible to be the eternal state ----- The bible, and any religion, is 100 % unecessary to have a notion or belief in «God», or a higher spiritual /
creative power.
Whoever wants to replace the Creator's realization of this plan by a totally autonomous evolution, inevitably either ascribes some mythic
creative power to evolution, or else abandons any attempt at rational understanding and explains everything
as the blind play of arbitrary chance.
God's
creative power does not in fact fashion us
as though out of soft clay: it is a fire that kindles life in whatever it touches, a quickening spirit.
A strategy of transformation in terms of gaining and using political
power is
as necessary
as the emergence of a
creative minority of utopian dreamers.
As a result of the brief, violent moment of crisis in which it became conscious at once of its
creative power and of its critical faculties, humanity has quite legitimately become hard to move: no stimulus at the level of mere instinct or blind economic necessity will suffice for long to goad it into moving onwards.
Where human holiness offers itself
as a means to his ends, God is not content to send forth in greater intensity his
creative influence, the child of his
power: he himself comes down into his work to consolidate its unification.
«I acclaim you
as the divine milieu, charged with
creative power,
as the ocean stirred by the Spirit,
as the clay moulded and infused with life by the incarnate Word.
It can make itself known
as need long before we know its
creative and healing
power.
Concludes Wright: «It is
as though... «the word of the YHWH» is like an enormous reservoir, full of
creative divine wisdom and
power, into which the prophets and other writers tap by God's call and grace, so that the word may flow through them to do God's work of flooding or irrigating his people.»
Though the past
as inherited sets the realizable limits and opportunities for the moment's
creative power, the eventual creation with all its determinate detail could never have existed nor subsisted before it is created, not even in a primordial vision of potentialities.
It affirms the autonomy of the human being and it involves
as a consequence the rejection of every attempt to rob of human person
creative power.
This is along the same lines
as how Christians assert that a tree is evidence of the
creative powers of their God.
who innocently suffers the consequences of other people's injustices, and who
as the
creative Word of God has the
power and authority to identify with every victim of injustice and,
as the one who suffers at our hands, grants us absolution from our evil.
The agreement between black
power and neoclassical philosophies can, therefore, be symbolized by transforming the black power slogan — «Power to the People» — into a more neoclassical formulation — Creative Synthesis to the People; and, conversely, the philosophy of creative synthesis may be understood as a metaphysical affirmation of the social ethical imperative to empower the pe
power and neoclassical philosophies can, therefore, be symbolized by transforming the black
power slogan — «Power to the People» — into a more neoclassical formulation — Creative Synthesis to the People; and, conversely, the philosophy of creative synthesis may be understood as a metaphysical affirmation of the social ethical imperative to empower the pe
power slogan — «
Power to the People» — into a more neoclassical formulation — Creative Synthesis to the People; and, conversely, the philosophy of creative synthesis may be understood as a metaphysical affirmation of the social ethical imperative to empower the pe
Power to the People» — into a more neoclassical formulation —
Creative Synthesis to the People; and, conversely, the philosophy of creative synthesis may be understood as a metaphysical affirmation of the social ethical imperative to empower the
Creative Synthesis to the People; and, conversely, the philosophy of
creative synthesis may be understood as a metaphysical affirmation of the social ethical imperative to empower the
creative synthesis may be understood
as a metaphysical affirmation of the social ethical imperative to empower the people.
For Hartshorne, to be actual at all is to be an instance of
creative synthesis, and this means to have
power to be partially determinative of self and others,
as well
as to have the capacity to be partly determined by other selves.
An event of a highly distinctive kind and of incalculable
creative power occurred in first century Palestine; it was remembered
as centered in and taking its character largely from a certain Jewish teacher and prophet.
On the other, there are those who emphasize the subjective side of knowledge and look on education
as the development of
creative powers or
as the ingestion of the environment in accordance with subjective need or interest.
It begins where women in theology attempt to deconstruct basic ethical principles such
as «the common good» and «the question of moral
power and authority,» but from there it moves to the
creative impulses we see around us,
as women in faith and faithfulness reconstruct the future image and face of the Church
as a «community of Christ, bought with a price, where everyone is welcome, «14
as Letty Russell describes it.
They do have their own active and
creative manner of collectively representing their historicity, which I am arguing, is closely intertwined with their experience with what they take to be the Divine
Power, Ellaiyamman
as the goddess of the Paraiyars is a pivotal symbol of the source (and the hope of protection) of this distinct physical and conceptual space: she conserves their geographic space by guarding their particularity
as a community and she represents their conceptual space
as self - reflective human beings.
The relation of God's purposings to the historical situation suggests his role
as source of the
power that makes for
creative transcendence of the given.
Personality, the most valuable thing in the universe, revealing the real nature of the
Creative Power and the ultimate meaning of creation, the only eternal element in a world of change, the one thing worth investing in, and in terms of service to which all else must be judged — that is the essential Christian creed [
As I See Religion (Harper & Brothers, 1932), P. 44].
The
creative and more compulsive
power of God
as a concrete process is not emphasized (see ibid., p. 523).
God's role
as cosmic ordering
power, according to Hartshorne, is to define the limits within which localized
creative activity occurs.
In either case, the arrival of man —
as distinguished from merely his carcass — necessarily involved a
creative act and a
power outside the realm of material nature where scientific knowledge is sovereign.
As with the approach to personal suffering, the intention is to engage the
creative power of mind, and through a shift in consciousness to generate a corresponding transformation of external conditions.
He argues that God»... is not «omnipotent» in the Thomistic sense,
as the
power effectively to choose that any possible world, no matter which, shall be actual «7 The reason that God does not have this
power is that each actual occasion is a
creative entity which, within limits, determines itself.
To think of God
as acting in dynamic relation to His creatures not merely
as one actor among many, but
as the universal
creative power which sustains all things, and without which they could neither be nor act, is true to what our best knowledge of the world tells us.
Someone who is totally trustworthy, totally dependable, totally loving, totally powerful, someone named with words such
as «God,» «Higher
Power,» «Allah,» «
Creative Life Source,» or others.
creation,
as the CCC describes it, the angels were to have much more than a supervisory role, and that when some of them fell he did not remove their
power to influence the evolutionary or transformative
creative process, anymore than when we act badly he removes our
power to affect the historical process.
For Man, by the act of «noospherically» concentrating himself upon himself, not only becomes reflectively aware of the ontological current on which he is borne, but also gains control of certain of the springs of energy which dictate this advance: above all, collective springs, in so far
as he consciously realizes the value, biological efficiency and
creative nature of social organization; but also individual springs m
as much
as, through the collective work of science, he feels himself to be on the verge of acquiring the
power of physicochemical control of the operations of heredity and morphogenesis in the depths of his own being.
33:4, 6, 9) Man shared in this creation, taking physical and intellectual possession of the world by his giving names to all living creatures (Gen. 2:19) Throughout the Old Testament, in ordinary and sublime statements, in magic or prophecy, Israel took
as her starting point the conviction that a word possesses
creative power.
When we Africans acknowledge this by associating the spiritual
powers we feel around us with these other manifestations of God's
creative power, we are despised
as pagans, worshiping trees and stones.
If one thinks of the universal
creative powers (or however he customarily considers God)
as becoming concentrated within the limits of a human body, the assertion is pure nonsense.
We do not deny or circumscribe the Creator, because we hold he has created the self - acting originating human mind, which has almost a
creative gift; much less then do we deny or circumscribe His
power, if we hold that He gave matter such laws
as by their blind instrumentality moulded and constructed through innumerable ages the world
as we see it... Mr Darwin's theory need not then be atheistical, be it true or not; it may simply be suggesting a larger idea of Divine Prescience and Skill... At first sight I do not see that «the accidental evolution or organic beings» is inconsistent with divine design - It is accidental to us, not to God.»
They see it
as a devaluation of man, a repression of the self's vital impulses, and an unwillingness to affirm its
creative power.
Just
as the most intense energy of the male and the most enduring persistence of the female principle form the unlimited
power of nature,
as love and life consist in separating and uniting, in restlessness and steadiness, in energy and being, so the
creative and the receptive forces work to produce the perfect creation of genius: the more matter is formed by the
creative force, the more intense the struggle, the greater the effect.
When a late Isaiah represents God
as saying, «I dwell... with him also that is of a contrite and humble spirit, to revive the spirit of the humble, and to revive the heart of the contrite,» (Isaiah 57:15) the question rises in the mind of one who understands from within what the implied experience means: If God so cares for persons one by one and so dwells in them with
creative power, is it not impossible that the relationship will be summarily terminated at death?
But
as the sequel shows, the woman revels in her exalted status
as creator: upon the birth of Cain, the first horn, it is Eve who boasts of her
creative power while Adam is speechless, and Cain hears the name of her pride.
Quite apart from the obvious limitations and ambiguities of his natural finiteness, man uses his
creative moral
power not only for constructive ends but for destructive ones
as well.