Sentences with phrase «as creative responses»

Not exact matches

«While I agree with Dove's response to unequivocally apologise for any offense caused, they could have also defended their creative vision, and their choice to include me, an unequivocally dark - skinned black woman, as a face of their campaign.»

Creative Direct Response would pay Squire for the $ 3 million stock purchase, acquiring the company as a wholly owned subsidiary.

As inefficient as cold calling can be, an underrated, sorely missed benefit of the tactic in technology - reliant sales teams is the practice it gave reps in facing adversity, honing their messaging and developing creative, on - the - spot responses to overcome prospect objectionAs inefficient as cold calling can be, an underrated, sorely missed benefit of the tactic in technology - reliant sales teams is the practice it gave reps in facing adversity, honing their messaging and developing creative, on - the - spot responses to overcome prospect objectionas cold calling can be, an underrated, sorely missed benefit of the tactic in technology - reliant sales teams is the practice it gave reps in facing adversity, honing their messaging and developing creative, on - the - spot responses to overcome prospect objections.

The fact that Rinzai hoped for a creative response is itself exemplary of the fact that, in Zen, the true self includes volition as well as awareness.

As the church faced the cultural upheavals at the turn of the sixteenth century, the response was to attempt to preserve the established structures and to put a damper on creative initiative.

Events such as the world is currently experiencing [in the aftermath of 9 - 11] offer the prospect of moving into a creative response, one that may have never before been considered.»

Thus, the Christian story and its reenactment and reappropriation serve as propositions that provide the relational matrix which empowers a creative response to novel possibilities.

This response was continuous, although the resurrection marked the crisis in its development — the moment when loyalty to the person reached its climax and when faith in the meaning of the event as an act of God became for the first time clear and sure — but at every stage this response was a constituent and creative element in the event itself, and the event had not fully happened until this response of faith had been fully made.

This theme of Christ as creative transformation is emphasized in Christ in a Pluralistic Age, but it is overlaid by another account of Christ, namely, as the particularization of divine aims in images or symbols capable of evoking deep human response.

God is understood as unchanging in his primordial nature which envisions the eternal objects and as changing in his creative response to the events of the world.

This capacity of the intellect to work with the imagination becomes the place of creativity as beneficial experiences enter, and become the creative responses.

Every decision is a response to a lure or solicitation; that is how God effectively «acts» in a creative process from which he is nowhere absent, by permitting things to «make themselves» as decisions are undertaken that «decide» the degree and kind of actualization that will occur.

Pursuing the semiotic hints of Heraclitus a little further, one is led to regard the «stuff» of mindings as arising from, or better perhaps precipitated out of, creative affective responses to potential influences.

Drawing on themes he explicated in his 2004 book The Rise of Evangelicalism, Noll suggests instead that evangelicalism began as a creative religious response to the situation of its time.

Howell finds the different understandings of necessity and contingency creative («Response» 207) while Rice finds the difference between the world as necessary or contingent unresolvable («Process» 200).

In some contexts divorce may be a creative, positive and affirmative response, ethically justified as that option which best approximates fulfilling the Great Commandment in the midst of limited alternatives.

In such a context divorce may be a creative, positive and affirmative response, ethically justified as that option which best approximates fulfilling the Great Commandment in the midst of limited alternatives.

We knew his separation anxiety and resulting experience was a normal response to who he is and what was being expected of him, and we did not want him labeled as pathological in any sense.Hand in Hand offered us the exact support we needed to let him be himself, go through his development and support us in this intense and difficult time.I learned that my son was a normally developing boy - active, creative, physical, verbal, sensitive and loving.

In response to this challenge, Löffler and her team (as well as other institutions and their TTOs) have come up with creative funding mechanisms, including fellowships supported by private companies and philanthropies, which provide postdocs the freedom to chase entrepreneurial ambitions.

While they found that people with high autistic traits produced fewer responses when generating alternative solutions to a problem - known as «divergent thinking» - the responses they did produce were more original and creative.

Activities such as meditation, massage, being creative, prayer, being out in nature, being with loving family and friends, and laughter calm the stress response.

Instead, descriptors such as «creative», «happy», «outgoing» and «optimistic» all saw an increase in responses for the profiles that used them.

At Creative Assembly we are very pleased with the response to ROME II, with hundreds of thousands of players enjoying the game so far; but we do know that, as with all large PC releases, the variety of hardware and general system specifications can cause issues for some people and we are urgently working to

Here's his response to a question about making sure the film still feels like his, even with the Marvel machine behind it: «I think that's a great creative challenge to me — to make this movie as personal as possible.

After a screening of the film — originally titled «Eaters of the Dead» — earned a tepid response from the execs at Disney, Michael Crichton was brought on as the chief creative voice to help right the ship.

Manohla Dargis, The New York Times: To say that Charlie Kaufman «Äôs «ÄúSynecdoche, New York «Äù is one of the best films of the year or even one closest to my heart is such a pathetic response to its soaring ambition that I might as well pack it in right now... Despite its slippery way with time and space and narrative and Mr. Kaufman «Äôs controlled grasp of the medium, «ÄúSynecdoche, New York «Äù is as much a cry from the heart as it is an assertion of creative consciousness.

During the meeting, Mrs. Cecile Guidote - Alvarez accepted to become honorary membership at Global Education Magazine and she also made a speech about her experience as Director of the Philippine Center of International Theater Institute / Earthsavers UNESCO DREAM Center and Interdisciplinary Creative Arts Therapeutic Emergency Response for the area affected by earthquake and super Typhoon Haiyan in Bohol, as she had made in a previous interview with Global Education Magazine.

I hope to publish eventually but do use it as a basis for discussion or creative response.

Activities: ♦ Cloze — fill in the missing words * ♦ Word search * ♦ Order events in the story * ♦ Drama — Freeze frame cards * ♦ Music — Sound effect cards * ♦ Creative drawing — 2 headed dog * ♦ Storyboard — with words * ♦ Storyboard — without words ♦ Write a poem (noun, verbs, adjectives, synonym) ♦ Acrostic poem ♦ 5 senses — what a character may see, hear, smell, etc ♦ Thought bubbles - what a character may be thinking ♦ Story outline — problem, response, action, outcome ♦ Trifold — beginning, middle, end (paper foldable) ♦ Newspaper article — write and draw ♦ Graph — tally chart and block graph ♦ Bookmark ♦ Creative thinking — giant killing plan and equipment needed ♦ Character traits ♦ Wall ball — write and draw ♦ Diorama — write and draw (paper foldable) ♦ Art — decorate the footprint in the same style as the illustrator ♦ Pattern art ♦ Book cover — design a new one ♦ Book dust jacket ♦ Story review ♦ Flap booklet - write and / or draw.

In response to these concerns, Sturdy has said he «wholeheartedly» agrees that children should have the chance to flourish as «creative, confident and critical thinkers», but believes that the SATs tests do not undermine these characteristics.

However, be prepared to accept creative responses as correct answers.

Encourage students to be creative and record their responses on the board (This initial brainstorm serves as a way to assess student thinking and prior knowledge.)

In the past pupils have produced identical products in response to closed briefs, such as «design a chocolate bar wrapper», that leave little room for creative thought.

Gerry McGovern, Land Rover Design Director and Chief Creative Officer, commented: «When the Range Rover Evoque Convertible was first shown as a concept, the response was overwhelmingly positive.

In response, Wattpad announced this week that it has developed Open Stories, a Creative Commons option that authors can choose to let their work reach as many readers as possible while allowing those readers to be a part of the process.

We appreciate your interest in Creative Nonfiction, as well as your patience during the long review process, and apologize for how long it took to provide a response.

As writers, it is also important we examine our reaction to setbacks in the creative realm with a healthy response.

We've also reported the deals figures by each category, and, although we don't expect the referral and transfer fee programs to be as volatile as the commission - free offers or the «other» category, the recent deal from Virtual Brokers might touch off a few more creative responses from other brokerages.

Creative marketing is also important, not just in response to overcrowding or unusual situations such as hoarding - associated impoundments (though it's good there too), but on a routine basis to keep animals moving quickly before overcrowding occurs.

Write Nonfiction in November (WNFIN), also known as National Nonfiction Writing Month (NaNonFiWriMo), is Nina Amir's response to National Novel Writing Month (NaNoWriMo), which is a is a fun, seat - of - your - pants approach to creative writing that encourages fiction writers to write 50,000 words in 30 days during November.

We'd like to thanks our sponsors Facebook, Fourth Floor Creative, Splash Damage, Riot Games, Amiqus, OPM Response, Sumo Digital and Ukie for making this night a huge success, as well as our incredible host Dr Jo Twist OBE, CEO of Ukie.

During his tenure as a senior executive at ESA, he orchestrated the government affairs component of ESA's historic U.S. Supreme Court free speech victory, and led the industry's strategic and tactical campaign in response to recent legislative challenges to the industry's creative expression and distribution model.

So, this drew a response from Totilo, who is one of the most meticulous journos I know, as follows: «Phil Harrison is one of the most forward - thinking and creative executives in the games industry that I've interviewed.

Games mostly revolve around quick doodling on the touch - screen, snapping photos of each other and creative responses to questions such as «person most likely to...».

Curated specifically in response to recent events, «Parrish Perspectives» exhibitions offers the chance to reconsider art, artists, and the creative process in a new way by including current times as a factor for viewers.

In the current climate of political disenfranchisement and growing ideological tension, Creative Time launched Pledges of Allegiance on Flag Day, June 14, 2017 to «inspire a sense of community among cultural institutions, and begin articulating the urgent response our political moment demands,» as stated on their website.

Taking this approach allows us to consider how the role of self - portraiture has shifted over time from producing likenesses as keepsakes for friends or as public statements of creative identity, to more recent conceptual responses to self - portraiture such as Felix Gonzales - Torres» text portrait (Untitled, 1989), the content of which is added to each time it is shown in a new location.

This exhibition reconsiders the state of contemporary art in Latin America, investigating the creative responses of artists to complex, shared realities that have been influenced by colonial and modern histories, repressive governments, economic crises, and social inequality, as well as by concurrent periods of regional economic wealth, development, and progress.

With a focus on work made by artists born after 1968, in addition to several early pioneers who were active internationally in the 1960s and 70s, Under the Same Sun at the SLG examines a diversity of creative responses by artists to complex, shared realities that have been influenced by colonial and modern histories, repressive governments, economic crises, and social inequality, as well as by concurrent periods of regional economic wealth, development, and progress.

When working on a new painting, Christopher's creative process begins as a visual and visceral response to his subject matter.