Sentences with phrase «as creative sense»

The first two «Museum» films earned $ 560 million in worldwide box office, so the move makes financial sense as well as creative sense, since it gives the writers a chance to try new things.

Not exact matches

This role — part strategist, creative director, technologist and teacher — is now recognized at the highest levels of management as it's squarely at the intersection between traditional marketing and the growing number of software tools used to make sense of companies» vast amounts of data.

In many ways, a stylus does indeed make sense for tablets, especially for creative uses such as drawing.

But also be prepared for the enormous sense of fulfillment you receive in providing access to art education to students, families and communities, and in seeing children revel as their untapped creative capabilities come to light.

Let us think of process philosophy as a method designed for use on such occasions, evoked by such disputes as an instrument of reasonable good sense and creative imagination, one that will serve to fix what had broken down and to get things running smoothly once again.

This, as we have seen, is in order to make sense of Man's intentional consciousness, creative behaviour and organic brain, as well as his destiny in Christ.

In what sense do we regard the Cross as an act creative in itself, as an opus operatum whose agent in the loneliness of his total rejection achieved something new, radically affected the scheme of things entire, established in respect of the relations of men and women to God a new foundation?

However, if one emphasized God's providing of individualized ideal aims for each occasion, God's love could be conceived in a creative sense, as his «active goodwill» toward each of his creatures.

The atomism of the autonomous self thus gives way to a sound sense of the community of being and the responsibility, as well as the opportunity, of being fulfilled within such a creative nexus.

In the second sense, the causal objectification within an occasion of its antecedent world may be construed as the cumulative character of time, or, in more systematic terms, of the creative advance of actuality.

In this light, the seen and the unseen universes of the plural existents were posited in two senses: i) In their primary objectification as the word kun (the creative command «Be»).

On the other hand, Jesus» ascent through the resurrection and new immortal life truly re-enacts the miracle of the primordial act of the actualization of existents in a sort of «upward» or «backward» sense — that is just as creative aspect of Jesus who brought humanity into being through «the Spirit or the Thought», the word kun — out of the recesses of the darkness of non-being [SN], his return through resurrection, potentially leads humanity back to the state of uns in him.

Whitehead, Religion in the Making (Cambridge: Cambridge University Press, 1926 and new edition, with the same pagination, published in New York: Fordham University Press, 1996): «Thus religious experience can not be taken as contributing to metaphysics any direct evidence for a personal God in any sense transcendent or creative» (74).

We could illustrate from stories like Walker Percy's Love in the Ruins that are apocalyptic in the narrow sense; these would raise the question, as old as Hebrew prophecy, of the paradoxical tension between threat of inevitable destruction and summons to new, creative action.

Creative action, we reiterate, is not limited to works of art in the usual sense Any subject or endeavor may be regarded as beautiful if its definition is broad enough.

Even if we consider the three major religious groups as ethnic traditions rather than religious in the narrow sense, their brightest and most creative intellectuals and artists have been absorbed into the general American intellectual and artistic community so as to deprive the communal groups of their natural cultural leaders.

It has almost been as if we humans, with our limitations and in our finitude, not to mention our obvious and tragic defection from right alignment with the divine intention for the world and for us, were to insist that until and unless we are given what we regard as due recognition and the security of our own survival in an individualistic sense, we shall refuse to take our place and play our part in the creative advance of the universe.

For the latter not only is it the case, as Hartshorne would agree, that every finite individual owes its existence to the free creative activity of God, in the sense that apart from that creative activity that individual would not exist; in addition, it is wholly due to the free creative activity of God that anything other than Himself exists: it is contingent, and contingent on the will of God, that any created world at all exists.

For Bergson, like many process thinkers (Peirce, James and Dewey come particularly to mind), the entire concept of «necessity» only makes sense when applied internally to abstractions the intellect has already devised.11 Of course, one can tell an evolutionary story about how the human intellect came to be a separable function of consciousness that emphasizes abstraction (indeed, that is what Bergson does in Creative Evolution), but if one were to say that the course of development described in that story had to occur (i.e., necessarily) as it did, then one would be very far from Bergson's view (CE 218, 236, 270).

When another saintly Benedict did finally emerge, this time upon the Chair of Peter, his cultural analysis echoed that of MacIntyre: «I would say that normally it is the creative minorities that determine the future, and in this sense the Catholic Church must understand itself as a creative minority,» suggested Pope Benedict XVI during an in - flight papal press conference in 2009.

«God as Composer - Director and Enjoyer, and in a Sense Player, of the Cosmic Drama» dates to 1987; the six arguments of Creative Synthesis are mentioned and two are summarized.

He argues that God»... is not «omnipotent» in the Thomistic sense, as the power effectively to choose that any possible world, no matter which, shall be actual «7 The reason that God does not have this power is that each actual occasion is a creative entity which, within limits, determines itself.

Both «symbolic reference» and «propositional feelings» have receptive and imaginative aspects; but, whereas Whitehead emphasized the former, cognitive aspect in his discussion of «symbolic reference,» as a rebuttal to Hume and Kant, he emphasized the latter, creative aspect in his discussion of «propositions,» an emphasis needed to counter «the interest in logic, dominating over-intellectualized philosophers,» among whom «aesthetic delight» is eclipsed by «judgment» (cf. PR 184 - 86 and WH 33) In «symbolic reference» a dim, but indirect, mode of perception («causal efficacy») is combined with a clear, but indirect, mode of perception («presentational immediacy»), which produces a sense of the external world.

I certainly don't fit the mold and find a sense of belonging in creative environments more so than church culture as it is.

If with Whitehead one conceives the process of actualization to be a creative advance, then it makes sense that he posits «conceptual valuation» of the datum as the basic function of the «mental pole,» prior to «conceptual reversion» (PR 26/39, 248/379).

Both in The Phenomenon of Man and in The Divine Milieu, Teilhard indicated his conviction that the «end» for which man is intended — and not only man in the racial sense but each man specifically — was a relationship with God, conceived as the Omega - point or the goal and end of the creative process as well as the transcendent origin and initiator of that process.

We can therefore come to understand the universe as the result of the «Mind of God» not merely in a poetic sense but as immediately founded upon the creative power of God's own perfect relationality and unity of being.

In its broadest sense, we may initially state the cosmological principle in a process - based ontology as follows: the emergence of purposive actions and consciousness within the creative and novel concrescence of an evolving physical and biological universe.14

For the taste film — which focuses on perhaps the most intimate of the senses — it was imperative that we bring the viewer as close to Chang and his creative process as possible — only inches, or seconds away from digging in.»

A move for Delph would make sense on a number of levels for Liverpool, with the former Leeds United man set to be available on the cheap in January as his contract expires at the end of the season, whilst he is also the sort of enterprising, creative central midfield player who could excel in Brendan Rodgers» midfield.

The hugely popular events require teams to not only have to build a gravity - powered vehicle which can get down the hill as quickly as possible, but also have to show creative design and have a sense of theatre.

It helps with their cognitive and creative development as it involves using all the senses

Sarah's Silks produces a variety of play silks in a rainbow of colors, as well as silk costumes and dress - ups, and silk toys to nourish a chid's senses and encourage endless hours of creative, open - ended play.

This plush toy, from the well known brand Lamaze, is full of innovative features that will enhance your baby's creative and imaginative skills and stimulate his / her senses, as well as keep him / her entertained.

In this way, walking also helps you become more productive and creative as it can help you to think more clearly and get a new sense of perspective.

While these tips can be very helpful and make complete sense, I see fashion as a creative form that is meant to be enjoyed and experienced.

I've developed several new routines since this first trial, and it has been doing wonders for my sense of calm and well - being, as well as my ability to focus and be creative.

To give you a sense of the creative control I really had on the Basic Invite website card editor, these were the six thank you cards featured in this post as they were initially designed.

He has a creative sense but a scientific application and these together dub him as one of Hong Kongs most trusted colourists.

NEW YORK, United States — Terms like «Resort» or «Cruise» have never held less meaning than this most recent season, as creatives grapple with «fashion immediacy» in a way that makes sense for both the brand and their customer.

Creative artist / craftsman, outgoing, diverse background, world traveled, intellectual as well as a sense of humor, like to ride my Harley and have a little fun but love to kick back and enjoy the quieter part of life to, pleasing my other pleases me.

Looking for a prince or king whom I can treat as such, intellectual, with a sense of humor, in good shape and creative.

People generally describe me as a nice, caring, intelligent, very high - energy, passionate, creative person with a sense of humor and a big infectious smile.

As with John Ford's Wagonmaster or Jacques Tati's Playtime, the absence of a central star reinforces the sense of community that's integral to the creative vision being presented.

High praise will flow, deservedly, about Demme's virtuosity as a filmmaker; about the Oscars he won for The Silence of the Lambs; about his concert films, from Stop Making Sense to Justin Timberlake + The Tennessee Kids, that brought audiences closer than ever before to the sweaty intimacy and creative pulse of music.

What we get is not exactly a snapshot of Cave as he is, nor precisely a day in the life of a rock star, but a guide to Cave's sense of his imaginary and creative self.

As Sestero chronicles (and what's obvious to anyone who watches 20 seconds of «The Room»), the film's sole creative force has absolutely no idea what he's doing but deflects cinematic and societal common sense whenever possible.

This creative decision makes even more sense when we consider that Chris Hemsworth has recently proven himself as an unexpectedly hilarious comedic actor with his role as Kevin in Paul Feig's Ghostbusters reboot.

Well, here's something that both makes sense and kind of doesn't: Mark Millar has been hired as a creative consultant for 20th Century Fox «s upcoming slate of Marvel - based comic book movies.

With bold and lovable new characters, sharp and creative action, and a killer sense of humor, Guardians of the Galaxy easily qualifies as some of the most fun cinema has to offer this year.