Sentences with phrase «as creative synthesis»

To the extent that one fails to take seriously Hartshorne's particular understanding of experience as creative synthesis or his demand that one constantly confront the question of God, one can not do justice to his ethical system.
His understanding of all reality as creative synthesis demands a multiplicity of truly free entities.
One can not do justice to Charles Hartshorne's ethical system without taking seriously his particular understanding of experience as creative synthesis and his demand that one constantly confront the question of God.
The mathematical procedure, as distinct from the content of Principia Mathematica, provides an interesting insight into the workings of Whitehead's thought as creative synthesis.

Not exact matches

In the preface to Creative Synthesis and Philosophic Method, Hartshorne celebrates «our English inheritance of critical caution and concern for clarity»; he seeks to learn more from Leibniz, «the most lucid metaphysician in the early modern period,» as well as from Bergson, Peirce, James, Dewey, and Whitehead, «five philosophers of process of great genius and immense knowledge of the intellectual and spiritual resources of this century.
The claim that «necessarily, creative experience occurs» presupposes as necessary all the statements which describe what creative synthesis is.
In such books as Beyond Humanism, Man's Vision of God, A Natural Theology for Our Time, Creative Synthesis and Philosophic Method, and The Logic of Perfection, Hartshorne has been indefatigable in the presentation of this «di - polar» position.
We have already noted the conflict which runs through most of Christian thought between the biblical vision of God as the creative and redemptive actor in the history of his creation, and the metaphysical doctrine inherited from the synthesis of the Christian faith with neo-platonic philosophy which conceives God as the impassible, non-temporal absolute.
In his review article of Hartshorne's Creative Synthesis and Philosophic Method (PS 2:49 - 67), Robert Neville remarks that «one of Hartshorne's most important contributions» has been his concern to deal «with problems as formulated by public discussion, usually that of analytical philosophers.»
The agreement between black power and neoclassical philosophies can, therefore, be symbolized by transforming the black power slogan — «Power to the People» — into a more neoclassical formulation — Creative Synthesis to the People; and, conversely, the philosophy of creative synthesis may be understood as a metaphysical affirmation of the social ethical imperative to empower theCreative Synthesis to the People; and, conversely, the philosophy of creative synthesis may be understood as a metaphysical affirmation of the social ethical imperative to empower thSynthesis to the People; and, conversely, the philosophy of creative synthesis may be understood as a metaphysical affirmation of the social ethical imperative to empower thecreative synthesis may be understood as a metaphysical affirmation of the social ethical imperative to empower thsynthesis may be understood as a metaphysical affirmation of the social ethical imperative to empower the people.
For Hartshorne, to be actual at all is to be an instance of creative synthesis, and this means to have power to be partially determinative of self and others, as well as to have the capacity to be partly determined by other selves.
New creative energies are released in one's life and relationships as synthesis occurs around this spiritual center.
Wieman variously referred to God with such terms as Growth, Creative Synthesis, Creativity, Creative Event and Creative Interchange, for much the same reasons as Kaplan.
Someday we may be able to write a history of twentieth - century theology in the United States in which the many creative strands of Christian thinking during the period are displayed as shared sources for the emerging synthesis.
In Hartshorne's earlier discussions (Creative Synthesis 271 - 72 and «Metaphysical and Empirical» 183), the zeros were interpreted as nonexistence (cf. Viney, «The Varieties of Theism» 212 - 13).
«God as Composer - Director and Enjoyer, and in a Sense Player, of the Cosmic Drama» dates to 1987; the six arguments of Creative Synthesis are mentioned and two are summarized.
Thus we hold that creative synthesis, as such, is then not subject to localization, and thus without contradicting the current laws of physics God is free to participate in the creative process across the entire universe, because God's contact with the world is not mediated by scientific abstraction and is therefore not subject to the restrictions of a local, postprojective theory.
Old structures of existence must give way in creative synthesis to new ones, because, as alive, we experience novelty in the actual world.
Process As an Accumulating of Feelings or Creative Syntheses, Represented along with Charles Peirce's Three Metaphysical Categones As Modes of Time
Thus the creative advance, taken as a synthesis between the «old» and the «new,» must first of all be envisioned «conceptually» if, as a consequence of this mediation, it is to be realized «physically.»
Walker concludes that black power can be seen as part of a creative synthesis that operates within the whole social process to transform the reality of ethnic suffering and free the oppressed from bondage.
These are based on critical, creative and conceptual thinking, as well as the top two levels of Bloom's Taxonomy — synthesis and evaluation.
In this approach pedagogy is flipped so that the skills, processes and understanding of the creative or artistic inquiry become the teaching focus, emphasising such things as creativity, imagination, critical analysis, empathy, experimentation, synthesis, and voice.
The new model is a synthesis of style, creative flair, passion and cutting - edge technology, characteristics for which Italy as a nation is well - known.
Research is a creative endeavor; custom term papers writing as well as custom research papers writing present a synthesis of what the investigator has read, observed, though, and mentally ordered into new patterns rather than a mere compilation of other men's work.
Having experience with sound design and audio post-production through various projects for companies including Cedar Fair, 3D Live, and Comhear, as well as teaching advanced synthesis and sound design classes at the Art Institute of California, Daniel has been able to not only hone his skills but develop new creative tools to assist him in his artistic endeavors.
It's as if the mineral quality of the paint, the pigment, has been carefully weighed and allotted to each area, and could be accounted for, tabulated, as a mineral just as much as it could be considered a form or even part of a representation... Just as the picture balances paint's physicality with its depictive utility, it achieves a synthesis between seemingly opposed ideas of creative work: it attracts without beckoning; it presents a woman who turns to us but does not need our presence for her self - definition, who is naked but not sexualized, and for whom creative expression comes through a medium of repetitive work.»
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