It does have something of a reputation
as a cult film, but that would appear to be primarily because of its intense violent moments that include Ichi slicing a couple of throats, slicing someone completely in half (with laughably - bad CGI), and several instances of Kakihara torturing others.
«Saints» survives
as a cult film, though I do not expect this movie to do the same.
As a cult film, however, The Room still plays once - a-year engagements before dedicated audiences, who recite its lines.
«The Sandlot» performed modestly at the box office in 1993, but it found a second life
as a cult film on VHS and on DVD a decade after its release.
And though Showgirls has been universally reviled and is now rather forcibly embraced
as a cult film, the misleadingly - marketed movie is really yet another in a long line of Hollywood horror films masquerading as something else entirely.
Not exact matches
The chain is famous for League's strict anti-texting policy,
as well
as the stars who show up to premiere
films at the Austin location and the special posters designed for many of the screenings, which may pair
cult classics with themed foods.
Even after The Disaster Artist gave his own story and his
cult - classic indie
film The Room — largely regarded
as the worst movie ever made — new prominence, little is known about where he comes from or who he truly is.
Speaking about the
film recently in Los Angeles, Cera — who in this
film, takes some refreshingly bold steps away from his usual one - note nerd persona — and co - writer / director Edgar Wright (who also did the zany
cult classics Shaun of the Dead and Hot Fuzz) discussed the meaning of the
film, the stretching Cera had to go through for the role, and the way in which the
film's hyperkinetic action sequences are really just the same
as the dance scenes in Grease or a Gene Kelly movie.
Cult: great devotion to a person, idea, object, movement, or work (
as a
film or book); especially: such devotion regarded
as a literary or intellectual fad.
Definition of
CULT 1: formal religious veneration: worship 2: a system of religious beliefs and ritual; also: its body of adherents 3: a religion regarded
as unorthodox or spurious; also: its body of adherents 4: a system for the cure of disease based on dogma set forth by its promulgator 5a: great devotion to a person, idea, object, movement, or work (
as a
film or book); especially: such devotion regarded
as a literary or intellectual fad b: the object of such devotion c: a usually small group of people characterized by such devotion
She also appeared to cast Ed Miliband in the role of Uncle Monty from Withnail and I,
as she quoted a memorable line from the
cult film.
Although best known
as the director of the
cult classic
films Blue Velvet, Mulholland Drive and the television series Twin Peaks, David Lynch is also a painter and designer.
But it's good to know that I'm not alone in my horror: Director Luke Gilford has skewered the extreme ends of «wellness» in his new short
film Connected, starring Pam Anderson
as Jackie, a lonely spinning instructor who wants to feel more, well, connected — so she joins a wellness
cult and gets wifi shot into her brain so that Jane Fonda (no, really, she does a voiceover cameo) can tell her how «limitless» she is all the time.
Yes, he remains «The Incredible Hulk» more than 30 years after the world got to know him
as Arnold Schwarzenegger's main adversary in the 1977
cult film «Pumping Iron.»
But with last year's success of Emma Cline's novel The Girls (and it's eventual
film adaptation), it seems
as though a slew of Fashion Girls were inspired by the look of some
cults / religious subcultures (tomato / tomatoe?).
Directed by and starring James Franco, this
film is much more of an homage to the
cult classic that is The Room,
as well
as a nod to the passion it takes to make something so terrible.
This
film does seem to have a
cult following (nowadays, upon release not so much) and its easy to see why
as its highly enjoyable with its highly nonsensical premise.
The 3:47 «Meet Katie» focuses on the story of the furry little yak who just steals her scenes in the
film,
as the creators talk about the development of the character from a background drawing to full - fledged
cult hero.
Roth began acting during her years
as an expatriate, earning her first major
film role in Ivan Zuleta's
cult film Arrebato (1979).
A documentary
film crew join
cult rock band, Dead Cat Bounce,
as they cross Europe in search of lead singer Jim's real father - who he is almost certain is the legendary rock singer and Whitesnake frontman David Coverdale.
Reynolds» superb turn
as unhinged central character goes a long way towards smoothing over The Voices» various faults, which finally does confirm the
film's place
as a distinctive black comedy that is, in essence, an instant
cult classic.
Starring writer - director - producer and enigmatic «auteur» Tommy Wiseau, who had unlimited funds but questionable talent, the $ 6 - million
film has been hailed «The «Citizen Kane» of bad movies,» a fascinatingly inept and endlessly quotable
cult sensation that has carved out a place for itself
as a midnight - movie communal experience.
This unintentionally hilarious Depression Era propaganda
film has become a
cult classic for its outrageous claims about the effects of marijuana,
as told by a concerned school principal (Joseph Forte) to a PTA meeting.
The
film is very much of its time, trying desperately for «
cult» credibility
as it is by casting Lemmy, Iggy Pop and that bloke from Fields Of The Nephilim in cameo roles; it also sports a soundtrack by Goth - punk rockers The Ministry and contains the inevitable fractal imagery and pretentions towards artiness that were peculiar to post 80s popular culture.
The
film came to fruition
as 1993's The Nightmare Before Christmas — an immediate
cult hit.
After pop is kidnapped by the demon
cult and transported back to the netherworld, Sharon — who,
as in the first
film, is not who she thinks she is (or is she?
It's about the feeling of Rocky Horror and,
as the
film took on this
cult second life, the audience who is feeling it.
It ain't easy taking a popular
cult film and adapting it into a successful TV series (emphasis on successful), but the advent of alternative digital platforms such
as Netflix and Hulu are opening up more possibilities.
As a quirky tip of the hat to junk food cinema, it would go on to a similar cult status as the films it pays homage t
As a quirky tip of the hat to junk food cinema, it would go on to a similar
cult status
as the films it pays homage t
as the
films it pays homage to.
The 34 - year - old actress stars in the new the dramatisation of the making of Tommy Wiseau's «The Room» alongside her husband Dave Franco, 32, and his older brother James - who directed and stars
as Tommy
as he portrays Johnny in the 2003
cult film.
Although the
film didn't connect
as strongly with mass audiences (although it's considered a «sleeper hit,» you have to wonder what it could have done if it had been released after Whedon's little art house
film «The Avengers «-RRB- and more than a few critics found it befuddling and arch (it's neither), «The Cabin in the Woods» is the kind of movie that will ultimately live on
as a deserved
cult classic, perfect for drunken
film studies students and bored kids at slumber parties alike.
This
film is actually terrible — I mean, yeah — it is scary in the sense that its creepy, but I think, really, the
film is just the byproduct of global DVD residuals from the directors father — allowing Panatos to string together a series of overproduced, overgrained interior sequences, cheap synth score and a slasher movie ending, and trying to pass it off
as a «
cult movie», when really we, the audience, need to know who, what or where the protagonist is coming from, what her dramatic need is, who she interacts with, and so on.
One of our favourite movies of the latter part of this year in the upcoming The Disaster Artist, James Franco's feature that looks into the making of the
cult film The Room, one that is heralded
as being the Citizen Kane of bad movies.
In a recent interview with the Hollywood Reporter, Wiseau says he welcomes descriptions of the
film as a «
cult classic.»
For a few years now a
cult as formed around Michael Mann's
film adaptation of his own 80's TV series.
The
film, which is considered the «' Citizen Kane of bad movies»,» became a
cult hit, spawning midnight screenings across the nation and now worldwide where fans quote iconic lines like «Oh hi, Mark» and «You're tearing me apart, Lisa»
as they watch the
film onscreen — in between throwing plastic spoons.
In this rapidly changing industry, genre
film remains a strongly communal experience,
as horror, sci fi, fantasy and
cult films continue to flourish under the banner of event cinema.
While The Discovery plays in many ways like a more effective version of the concept - choked Brit Marling / Zal Batmanglij movies, the
cult scenes feel underdeveloped next to their
film The Sound of My Voice, an intriguing but ragged thread left dangling
as The Discovery turns towards more concrete, backstory - driven explanations for its characters» obsessions.
The
film gained a minor
cult following and seemed to cement Remar's reputation
as a bad guy.
The movie could be summarized
as «Rosemary's Baby if Rosemary were the head of the
cult,» but while Roman Polanski's 1968 masterpiece is a rich, nuanced
film that works (and disturbs) on multiple levels, Hungry Hearts never goes any further than preying on some pretty basic fears.
They soon realize they are trapped inside the
cult classic movie and must team up with the fictional and ill - fated camp counselors, including Max's mom
as the scream queen, to battle the
films machete - wielding killer.
Criterion not only further verifies its dedication to streams of both classic and
cult films, but effectively (and correctly) resuscitates a
cult object
as a certifiable classic.
Just a discussion of The Treasure of the Sierra Madre requires an examination of the Apollonian / Dionysian divide, of the ways in which the
cult of man breeds animalism even
as it restrains it and the ways in which politics can sometimes bolster a
film rather than unhorse it.
The
film has been heralded
as somewhat of a crazy new Australian
cult classic in the works.
The book and the
film on which it's based share a tone of hipster sexual frustration metaphor in the Jay McInerney mold, here caged,
as it usually is, in pumped - up bodies trying not to seem gay so
as to ease admittance into these exclusive
cults of machismo and sadomasochism.
After brief appearances in his father's
films as a child, he made his first foray into helming with 1998's Zero Effect, before spending time in television on teen
cult efforts Freaks And Geeks, Grosse Pointe and Undeclared.
Hirsch is best known
as being the creator of Disney's the
cult favourite «Gravity Falls,» so with him and Perlman both being in the mix, should they do end up writing it, Detective Pikachu might just wind up being a
film worth watching for those who aren't Pokémon fans,
as well
as the ones that are.
As Criterion releases it on Blu - ray, Justine Smith writes this appreciation of the infamous
cult film «Beyond the Valley of the Dolls.»
Refn clearly has a love for the likes of Walter Hill and John Carpenter,
as well
as cult classics like Silent Running and Logan's Run, a
film he was looking to remake for some time; von Trier has grander aspirations
as a filmmaker, a compulsive need to make the audience feel something, anything, at the end of his works.
A throwback to the star - driven cinema of the Fifties and a reflection of our own fanatical interest in
cults of personality, the
film features transparent performances (with the exception of Don Cheadle, each performer in Ocean's Eleven is playing his - or herself), and the same kind of sadistic voyeurism that impels us to simultaneously deify and find fault with our favourite actors keeps our peepers glued to the screen
as George Clooney, Brad Pitt, Matt Damon, Elliot Gould, and Carl Reiner revolve around one another in a loose heist intrigue intended to relieve Andy Garcia of both his millions and his girlfriend.