Cultural assets are people, places, events and organizations, both past and present, that serve
as cultural anchors within this community.
We think of cultural assets as people, places, events, and organizations recognized
as cultural anchors within a specific community.
The museum's central location positions
it as a cultural anchor within the community and enhances its role in developing cultural literacy throughout the Miami region.
During Golden's tenure as Chief Curator (2000 to present) and Director (2005 to present) the Studio Museum has gained international acclaim for its pioneering exhibitions by art by artists of African descent and role
as a cultural anchor in the Harlem community.
Hired by the Whitney Museum in 1988 as a curator, Golden became the Studio Museum's director in 2005 and has since focused on strengthening the institution's status
as a cultural anchor and, recently, spearheading a $ 122 million expansion by architect David Adjaye (of DC's recently opened National Museum of African American History and Culture) that will increase gallery space by almost half.
Founded in 1993
as the cultural anchor of San Francisco's Yerba Buena Gardens development, YBCA's work spans the realms of contemporary art, civic engagement, and public life.
Not exact matches
We want to strengthen Europe, improve integration through equal educational opportunities for everyone, drive forward the energy transition
as a trigger for global climate change mitigation and firmly
anchor cultural education in schools.
And,
anchored by gorgeous production design and the pop naturalism of its performances, How to Make It in America dramatizes this particular
cultural moment with uncommon style and a little grace
as well.
Looking forward at the time of the exhibition, the site's future
as the Sugar Hill Children's Museum of Art & Storytelling was, and continues to be, a promising
cultural anchor of the community.
His work,
anchored in his unique
cultural background
as a Kenyan - Indian Canadian based in the United States for over a decade, confronts the hybrid and transitional nature of identity
as not static, but enacted.
«In these three decades, The Art Show has served
as an
anchor of the New York
cultural calendar, offering visitors a unique fair experience that encourages engagement with high quality works of art and with the foremost galleries in the country.
«BRIC House,
as an
anchor for contemporary art in the Brooklyn
Cultural District, is the perfect place for an artist survey which will both shine a spotlight on extraordinary talent in our immediate environment, and enable Brooklyn - based artists to share their work with their neighbors
as well
as the thousands of visitors that come to BRIC House each week.»
Her Infrastructure, Streamline and
Anchored Candy series are physical manifestations of the
cultural and industrial history of her materials even
as they serve
as intellectual bridges for their users, bringing them to a new way of conceiving the built world through a luxurious deployment of the senses.
The Dallas Museum of Art is the
anchor of the Dallas Arts District and serves
as a
cultural magnet for the city with diverse programming ranging from exhibitions and lectures to concerts, literary readings, and dramatic and dance presentations.
Yet the troika of world - class museums that
anchor Fort Worth's
cultural district, each renowned for its striking and influential architecture
as well
as the excellence of its collection, make a persuasive case for the claim.
Under her leadership since 2000, the Studio Museum has gained increased renown
as a global leader in the exhibition of contemporary art, a centre for innovative education, and a
cultural anchor in the Harlem community.
«For nearly fty years, the Studio Museum has been a trailblazer in the
cultural conversation, fostered the careers of emerging artists of African descent, and served
as an
anchor in Harlem,» said Mayor Bill de Blasio.
The Dallas Museum of Art is the
anchor of the growing Dallas Arts District and, in all its vitality, serves
as a
cultural magnet for the city with diverse programming ranging from exhibitions and lectures to concerts, literary readings, and dramatic and dance presentations.
As a supplement to APT Validation Study II, the research aims for Validation Study III are to (1) generate master scores for video clips of youth program observations without
cultural bias, (2) create more tailored and targeted online training and
anchor systems, and (3) eliminate significant differences in certification passing rates between groups with different
cultural vantage points (i.e., Black vs. White raters, urban vs. non-urban program experiences).
Developmental scholars have long been interested in documenting the social experiences that help explain within - and between - group variation in children's early language and learning.1, 2 This work is
anchored in the writings of scholars such
as Bruner3, 4 and Vygotsky, 5 who posited that learning occurs in a socio -
cultural context in which adults and primary caregivers support or «scaffold» young children to higher levels of thinking and acting.