Her concept contains what black feminist scholar Bell Hooks in From Margin to Center identifies
as cultural codes.
Not exact matches
Peoples Temple on its scale, and Synanon and Scientology on theirs — and let us make discriminations in this part of the spectrum, too — are coming to be stamped on the
cultural mind
as code words, like Watergate and Vietnam.
Second, Jewett adopts whole - cloth the latest fad in New Testament scholarship, which broadly terms itself
as postcolonial, and reads virtually everything in the New Testament
as a
coded critique of the Roman Empire and especially of its claims of
cultural superiority elaborated in the civic cult of the early empire.
The new
cultural coding that we need will emerge from the revelatory vh sion that comes in the special moments we describe
as «dream.»
What we need are not
cultural dictionaries and lists,
as if we are trying to crack a
code, but listening and responding because we are trying to cope.
If understanding is a closure of meaning that includes an encounter with the alterity of the text, how can the production of meaning comprehend the complexity of the text
as both a «
cultural speech performance» (29) and a
code of linguistic signs?
However,
as distanciation increases in terms of time, socio -
cultural contexts, and linguistic
codes, the alterity of the text becomes opaque and therefore subject to polysemy.
Of course, to be repetitive, that fusion is not the assimilation of one horizon into another, but the extension of the preunderstanding's projection to construe the text
as both a
cultural speech performance and a dynamic
code of linguistic signs.
At the same time, our distinctly Christian
codes of personal ethics do not reveal the only meanings in MASH, and,
as Christians, we also have to be sensitive and aware of the wider
cultural meanings, meanings in the programs, meanings that may or may not also be Christian — the anti-war message, the compassion, the community, the healing, and, of course, the humor — and celebrate, criticize and enjoy them
as well.
Cherry isn't calling for a restoration of first - century
cultural norms, such
as women covering their hair in worship, or a rigid dress
code.
We see
as much on our tony college campuses and other bastions of progressivism where the
cultural engineering promises racial harmony and the erasure of any male - female difference through speech
codes, indoctrination, and 24/7 intimidation of dissent.
These
cultural codes and their corresponding traditions are valuable resources for indicating and validating the kind of data upon which womanist theologians can reflect
as they bring black women's social, religious, and
cultural experience into the discourse of theology, ethics, biblical and religious studies.
The completion of this test dataset aimed to establish best practices in
coding cultural heritage destruction information
as well
as a case study on the relationship between sectarian violence and
cultural heritage destruction.
Also noteworthy, in the category of cinema ruled by
cultural concerns and actual political events, was Carlos (d. Olivier Assayas), which kept a packed auditorium of critics in their seats for over five hours with a glossy, but intelligent action film version of the 1970s exploits of a terrorist born Illich Ramirez Sanchez, but known internationally
as the Jackal, also by the
code name Carlos; and Des Hommes et des dieux (Of Gods and Men, Xavier Beauvois), a film, elegantly minimalist in design, based on a real - life encounter between Algerian fundamentalist Islamic terrorists and a community of ascetic Christian monks.
A humanity which has a complex pluriculturalism, which is inherited from the same genetic
code: cosmic - biological and
cultural - historical,
as we proceed from the same cosmic
So, in order to provide suitable hosts it is important that they have sufficient information provided, which should include: name, age and gender of pupils, plus any special requirements such
as food, medical or
cultural issues; minimum standards of accommodation required; information on the dynamic risk management process to ensure it can operate effectively; the visiting school's
code of conduct; and contact numbers, including emergency contacts and medical insurance information.
As they put it: «Bourdieu argued that cultural capital, that is familiarity with the dominant cultural codes in a society, is a key determinant of educational success because it is misperceived by teachers as academic brilliance and rewarded as such.&raqu
As they put it: «Bourdieu argued that
cultural capital, that is familiarity with the dominant
cultural codes in a society, is a key determinant of educational success because it is misperceived by teachers
as academic brilliance and rewarded as such.&raqu
as academic brilliance and rewarded
as such.&raqu
as such.»
Resources provide opportunities to: - work to a brief
as per industry standard - explore existing radio dramas - listen to radio drama with focus on The Archers - explore the history of radio dramas - explore symbolic
codes - explore
cultural codes - explore technical
codes - explore conventions of radio drama - explore style and structure of radio drama - explore representation in radio drama
The concepts covered are: * Camera techniques * Audio techniques * Editing techniques * Mise - en - scene
codes * Narrative structure * Genre conventions * Representation * Ideologies *
Cultural Spheres and Universes * Institutional Techniques * Audiences models and theories * A wide range of media theories broken into contextual areas into sociological and political This is vital tool in the lead up to the exam period, where it can be used
as a revision guide for key concept development, and
as a compliment to other units you are teaching.
CODE: 5184990006 Overnight Stay in Machu Picchu (03 Days / 02 Nights) This is a relatively short, but very complete program which adapts itself perfectly to student delegations» academic requisites,
as the synthesis of the Incan and Colonial monuments, Machu Picchu, Saqsaywaman, Pisaq, Ollantaytambo, the Sacred Valley and Cusco's Historical Center, Humanity's
Cultural Patrimony, are the guardians of the enigmas of a prominent ancestral culture that left traces of great monumental, architectural, scientific, historical and artistic value
CODE: 5184990002 Archaeological Cusco (04 Days / 03 Nights) from USD $ 270 This is one of the favorite
cultural programs which allows you to penetrate the Incan World, discovering its emblematic monuments, like Machu Picchu, Saqsaywaman, Ollantaytambo, Chinchero, the city of Cusco,
as well
as the handicraft of the picturesque village of Pisaq, which generate a mixture of history, art and admiration for the architectural wonders built by the Incas, combining them with the monumental witnesses of the Colonial and Republican time periods, wh
Genevieve Gaignard stares down the narrow eye of her own camera,
code - switching into characters that represent her biracial multiplicity
as the
cultural landscape shape - shifts before our eyes.
Duddell's bills itself
as «a social and
cultural destination for people who have an active appreciation for the arts» (a strategically
coded phrase for collectors) and hosts what it calls exhibitions, often involving high - profile artists or institutional curators.
Her latest video, Black Friday, exposes shopping malls
as centers of capitalist control and
cultural merging, while her installation of electronic devices, «The Litany,» addresses «a
coded history of consumption, conflict, and desire.»
This survival of the past, full of misunderstandings, shifts and projections (
as shown in the slideshow Egyptomania, the film Cynopolis, drawings of the Sphinx, and even in the photographs of prehistoric flints) troubles
cultural codes and conventions.
Referencing a range of historical and contemporary
codes and double meanings including floriography, the Victorian
cultural phenomenon that used flowers
as tokens to communicate hidden or forbidden pleasures, Fox developed the «Phantasieblume» body of work (2008 - 11), a series of intricately hand cut decorative objects resembling the preciousness of handcrafted Victorian lace sited within a series of cabinets.
Highlighting this spectrum of
code - based art, the work in
code / switch will explore technology
as subject
as well
as medium, and will offer a survey of art that critically reflects on the creative use of tech, through a socio -
cultural lens.
Be it videos, works on paper or installations, his work, exemplary of post-conceptual strategy, plays with the viewer's expectation by a free use of common
cultural codes such
as the teaser borrowed from cinema's industry: Coming Soon.
Fullerton is particularly interested in architectural semiotics and how a building's materials can express social or
cultural codes as well
as our interaction to the built environment.
Based in Berlin, Nevin Aladağ uses everyday objects and situations
as a starting point for her artworks, in which she deals with
cultural and political
codes,
as well
as their origins and histories.
Street: behind the cliché considers the particular section of public space called the street
as a local theater, a stage on which the complex stratification of
cultural codes is acted out and identity is formed.
At each museum, a nearly empty area will be set off using only red and blue area rugs, which will divide the exhibition space into what the artist describes
as opposing zones, «reflecting America's color -
coded political and
cultural divide.»
Focusing on language and the creation of new visual
codes,
as well
as on the little - known friendship between the Berman and Heinecken, their works are explored within the unique
cultural milieu of 1960s and 1970s Southern California,
as it fueled and amplified each artist's highly original creative approach to making images.
PEET's practice can best be described
as a kind of
coded, free - form
cultural assemblage, a combination of made and found materials that prods and questions dominant systems of authority, class, and institutional display.
Lee is known for using everyday objects such
as soda cans, light bulbs, socks and tambourines to evoke the familiar and explore affiliations between materials and their
coded cultural and sexual meanings.
Marilyn Minter's pink - and - blue gender -
coded paintings comment on the either / or status of sexual identity, while Alison Saar's vibrant figures treat identity
as a fluid
cultural hybrid.
He became notorious
as a member of a generation of arab artists exploring the
codes of conceptual art to question contemporary
cultural identity and solo exhibitions of his work have been shown all over the world, and he has participated in numerous major group exhibitions — including, most recently, the 6th Quebec City Biennial and the 54th Venice Art Biennale.
The whole idea of restorative justice legislatively endorsed in the Criminal
Code and recognized to be of
cultural significance to aboriginal offenders such
as Mr. Michael, depends on reconciliation.
Business Development: Brokering various business dealings that further the diversification of Indian economies Developing and accessing commercial financial programs and services for tribal governments, including tax - exempt offerings and federally - guaranteed housing loans Serving
as issuer or underwriter's counsel in tribal bond issuances Ensuring tribal compliance with Bank Secrecy Act and other federal financial regulatory requirements Handling federal and state income, excise, B&O, property and other tax matters for tribes and tribal businesses Chartering tribal business enterprises under tribal, state and federal law Registering and protecting tribal trademarks and copyrights Negotiating franchise agreements for restaurants and retail stores on Indian reservations Custom - tailoring construction contracts for tribes and general contractors Helping secure federal SBA 8 (a) and other contracting preferences for Indian - owned businesses Facilitating contractual relations between tribes and tribal casinos, and gaming vendors Building tribal workers» compensation and self - insurance programs Government Relations: Handling state and federal regulatory matters in the areas of tribal gaming, environmental and
cultural resources, workers» compensation, taxation, health care and education Negotiating tribal - state gaming compacts and fuel and cigarette compacts, and inter-local land use and law enforcement agreements Advocacy before the Washington State Gambling Commission, Washington Indian Gaming Association and National Indian Gaming Commission Preparing tribal
codes and regulations, including tribal court, commercial, gaming, taxation, energy development, environmental and
cultural resources protection, labor & employment, and workers» compensation laws Developing employee handbooks, manuals and personnel policies Advocacy in areas of treaty rights, gaming, jurisdiction, taxation, environmental and
cultural resource protection Brokering fee - to - trust and related real estate and jurisdictional transactions Litigation & Appellate Services: Handling complex Indian law litigation, including commercial, labor & employment, tax, land use, treaty rights, natural and
cultural resource matters Litigating tribal trust mismanagement claims against the United States, and evaluating tribal and individual property claims under the Indian Claims Limitation Act Defending tribes and tribal insureds from tort claims brought against them in tribal, state and federal courts, including defense tenders pursuant to the Federal Tort Claims Act Assisting tribal insureds in insurance coverage negotiations, and litigation Representing individual tribal members in tribal and state civil and criminal proceedings, including BIA prosecutions and Indian probate proceedings Assisting tribal governments with tribal, state and federal court appeals, including the preparation of amicus curiae briefs Our Indian law & gaming attorneys collaborate to publish the quarterly «Indian Legal Advisor ``, designed to provide Indian Country valuable information about legal and political developments affecting tribal rights.