Not exact matches
Short uses
cultural detritus as a point of departure.
Yeapanis selects both manufactured goods and collected
detritus of her life
as an artist, a consumer, a
cultural participant and a waitress, because these materials represent an acceptance and engagement with what is, rather than a striving towards what should / could be.
Not only does our
detritus function
as cultural artifact, but what we discard or sweep up alludes to fundamental limitations of our own human faculties.
Coming to us with a readymade patina of age due to their reliance on increasingly dated software, these works act
as signals for the speed at which we cycle through and abandon
cultural detritus in pursuit of the new.