Sentences with phrase «as curated group»

Our gallery, sometimes referred to as The OCG, hosts solo exhibitions as well as curated group shows.
Visitors can expect a wide range of cultural events such as the curated group show, the Live music solo concerts by Mario Stracuzzi (guitar) and special guest Laurence Gartel, the pioneer of the Digital Art Movement.
Our art gallery, sometimes referred to as The OCG, hosts solo exhibitions as well as curated group shows.
Women at Sundance fellows as well as a curated group of artists from Sundance Institute, Women In Film, and Allied Organizations are invited to attend.
Women at Sundance Fellows as well as a curated group of artists from Sundance Institute programs and collaborating organizations are invited to attend.

Not exact matches

It looks at past articles you've liked or reacted to, as well as articles shared by your in - groups, and it specifically curates articles that it thinks you're going to like.
Locally Inspired Pairings: Overlooking San Juan's vibrant skyline all the way to the old city, Sheraton Puerto Rico Hotel & Casino offers a palatable cultural immersion for groups with its recently activated Paired Program, which is a curated menu comprised of plates such as chorizo manchego empanadas and Puerto Rican arancini, served alongside local craft beers.
Patina Restaurant Group, whose founder, award - winning chef Joachim Splichal, has curated several concepts including Patina and Nick & Stef's, and Panda Restaurant Group, which owns and operates 1,800 Panda Express restaurants nationwide along with Panda Inn and Hibachi San, has joined such clients as The Habit Burger Grill, My Fit Foods and Yard House in working with the «Dream Team.»
In an experiment completed a few months ago, the Scripps researchers found that although the average novice doesn't curate as well as a person with a doctorate, groups of novices actually perform on par, or even slightly better, than a professional.
Because of his expertise and this ambition, Annese was chosen by a group of researchers to cut, archive, and curate the most famous brain in neuroscience, that of Henry Molaison — better known to students and researchers worldwide as the legendary amnesiac patient «H. M.»
Biologist Leonore Reiser, curator for The Arabidopsis Information Resource (TAIR), says some groups train undergrads to handle some of the more routine curating tasks, such as triaging the papers to be included in the database or annotating the features in a DNA sequence.
All TreeWool products are personally curated by a small group of promoters, just as they would want it in their own homes.
In one session we read a curated batch of stellar articles and we discussed in fine detail as a group what made them pop and resonate...
+ Provides coaching experiences for teachers, including review of lesson delivery, providing feedback, and modeling demo lessons + Develops / curates quality instructional resources to share with teachers, including lesson plans, unit plants, and assessments + Facilitates professional development workshops for group sizes ranging up to 100 participants + Designs rich and meaningful professional development sessions aligned to math instruction + Continues own learning through research and self - driven PD to stay current of latest trends in math education + Maintains open communication with supported teachers to nurture a professional learning community of educators + Communicate actively with key stakeholders on progress of teacher development + Provides reporting documentation of services delivered, as required EDUCATION / EXPERIENCE: + BA / BS Degree in Education or related field + 4 + years of work experience teaching math in a K - 12 setting + Expert in math content at least across a 5 year grade level band (g. grades 4 — 8) + Record of result in effectively coaching teachers + Experience designing and delivering professional development for adults + Experience working in blended learning classrooms is a plus + Master's degree preferred + Excellent communication skills are essential OTHER JOB REQUIREMENTS: Some local traveling required.
From boutique hotels, eco lodges, game reserves and luxury houseboats to adventure tourism as well as a bespoke tour operating division, the agreement reinforces AccorHotels as a leader in curated one - of - a-kind experiences and resonates with the group's conservation platform with Planet 21.
Curated by artist Fahamu Pecou, «Rites» was a small group show featuring work dealing with race, gender, and growing up as a black man.
Locks Gallery is pleased to present Catch as Catch Can, a group exhibition curated by Fionn Meade.
This spring, Goodson curated Armstrong into «Inherent Structure,» a group show that speaks to abstraction not as a strictly formal discussion but a starting point for unpacking the psychological and sociopolitical.
He returned to his artistic practice in 2005, and has since exhibited in several group exhibitions including State of Mind: New California Art Circa 1970 co-organized by the Berkeley Art Museum and the Orange County Museum of Art; Ends of the Earth: Art of the Land to 1974 at the Museum of Contemporary Art, Los Angeles; and Afterlife: A Constellation, curated by Julie Ault as part of the 2014 Whitney Biennial.
Between 2016 — 2017, her work has been featured in numerous international exhibitions, including «Moving Kate» curated by Nick Knight at SHOWStudio in London and The Mass in Tokyo, Japan, «The Vulgar» at The Barbican, London curated by Judith Clark and Adam Phillips, «Red Hot Wicked» at Studio C Gallery in Los Angeles, as well as The Untitled Space group shows «UPRISE / ANGRY WOMEN» and «SECRET GARDEN» curated by Indira Cesarine and «LIFEFORCE» curated by Kelsey and Remy Bennett.
A group exhibition of contemporary artists exploring 2 and 3 - dimensional sculpture curated by Indira Cesarine to take place July 2018 at The Untitled Space gallery in New York City as well as online on Artsy.
Alongside a host of solo and group shows, he has curated exhibitions as far afield as Hong Kong, and has for the last two years been co-running an exhibition space called Horatio Junior in south London.
In addition to this, Jarvis has independently curated and consulted on many fine art exhibitions including: The Amistad Center for Art and Culture's Double Exposure: African Americans Before and Behind the Camera five - city traveling exhibition (2007 - 2010); Black Abstraction at Harmony Hall Regional Art Gallery in Fort Washington, MD for the group Black Artists of DC (2011); GA Gardner: Interconnections at the Athenaeum in Virginia (2012); (in) Visible and (dis) Embodied: Repositioning the Marginalized as part of the Curatorial Initiative program at the District of Columbia Arts Center (2014) all in Washington, DC; and most recently, Of Present Bodies at the Arlington Arts Center, VA (2014).
Named for the «animatronic effigy» that the father of mind - body dualism supposedly built after the death of his young daughter, this group show, curated by Piper Marshall, doesn't argue with the famous dichotomy so much as indulge in it, taking its inadequacies for granted and then squeezing out the fun it still has to offer.
A group exhibition at The Photographers» Gallery presents, London, curated by Ekow Eshun explores the identity of the black dandy as performed in studio and street photographs from London to New York to Bamako.
Image: Willum Geerts thru January 27, 2008 A group exhibition curated by Martijn Lucas Smit of Nieuwe Vide (NL) featuring artists Paul Baartmans (A / V - sculpture), Sema Bekirovic (video), Marissa Evers (drawing), Willum Geerts (video), Jannie Regnerus (film), Robbert van der Horst (audio), Jochem van der Spek (video installation) as well as Ward Denys with a functional sculpture.
Defining the fair experience, the work on exhibit was, as ever, largely market - driven, targeting maximum impact and branded recognition, but quality was high, with many presentations curated for reflection, grouped for immersion, and closely edited for sheer viewing pleasure.
A group exhibition curated by Martijn Lucas Smit of Nieuwe Vide (NL) featuring artists Paul Baartmans (A / V - sculpture), Sema Bekirovic (video), Marissa Evers (drawing), Willum Geerts (video), Jannie Regnerus (film), Robbert van der Horst (audio), Jochem van der Spek (video installation) as well as Ward Denys with a functional sculpture.
One of the early contributors to the Arte Povera movement living in Genoa in the 1960s, Prini became involved in shows such as «Arte povera — Im spazio» and «Collage 1» curated by Germano Celant, art critic credited with grouping the artists together.
It marks his exciting return to the gallery since he was first introduced in 2015 as a participant in Topography, a groundbreaking group show curated by Fisk University's Jamaal B. Sheats.
More recent exhibitions include solo exhibitions at the Kunstverien Heilbronn, Germany in 2015 and LAX > < Art, Los Angeles in 2013, as well as, the group exhibitions The Afghan Carpet Project at the Hammer Museum curated by Ali Subotnick, Made in LA 2012, also at the Hammer Museum and Hans Ulrich Olbrist's ongoing Do It project.
More recent exhibitions include solo exhibitions at the Kunstverien Heilbronn, Germany in 2015 and LA > < Art, Los Angeles in 2013, as well as, the group exhibitions The Afghan Carpet Project at the Hammer Museum curated by Ali Subotnick, Made in LA 2012, also at the Hammer Museum and Hans Ulrich Olbrist's ongoing Do It project.
Morgan Lehman is pleased to announce «MetLife,» curated by Geoffrey Young, a group show of drawings and paintings featuring twelve apostles of contemporary art as different from each other as neighborhoods are in a huge metropolis.
This contemporary visual art group exhibition, curated by Sarah Perks, takes the artistic and socio - cultural movement La movida (literally «the movement») of post - Franco Spain as its thematic heart.
Vital Archive │ Revisiting Group Material's AIDS Timeline is curated by Sabrina Locks as part of the requirements for the master of arts degree in curatorial studies.
It's a «generative» phenomenon — as curator Joshua Friedman references in a brief prospectus for this group exhibition curated for the Kohn Gallery.
Inclusion in museum exhibitions include a forthcoming two person show at the Philadelphia Photo Center, curated by Nathaniel Stein, as well as group shows at the Brooklyn Museum of Art, the Nasher Museum of Art, the Seattle Museum of Art, the Studio Museum and the Nerman Museum of Contemporary Art, among others.
Previously she held curatorial positions at the South London Gallery (SLG), the Institute of Contemporary Arts (ICA) in London and the Hayward Gallery in London where she curated film, performance and exhibitions, and commissioned new works by artists including Juliette Blightman, Michael Smith, Bonnie Camplin, Kapwani Kiwanga, Jill Magid, Lis Rhodes as well as the group exhibitions Last Seen Entering the Biltmore (2014) and independently Duh — Art and Stupidity (co-curated with Paul Clinton) at Focal Point Gallery (2015).
Tagged as: Alex Gulla, Alfredo Jaar, alice aycock, and Feminist Curators United, Annabel Daou, Annie Lapin, Antonio Lopez, artcritical, Avelino Sala, Ayana Evans, barbara hammer, Brooklyn Bridge Park, Brooklyn Institute for Social Research, Brooklyn Public Library, Carlos Aires, Celia Eslamieh Shomal, Chris Jones, Christophe Thompson, Cleverson De Oliviera, Curatorial Activism: Toward an Ethics of Curating, cyborgs, Dalia Amara, Damián Ontiveros, David Cohen, David Humphrey, Decolonize this Place, Dread Scott, Dune Studios, Dweck Cultural Center, e-flux, El Museo Del Barrio, Ellie Ga, Emily Roysdon, Enrique Jezek, Federico Solmi, Ferran Martin, Filip Noterdaeme, Florencia Escudero, GALA Committee, Gitte Sætre, Grand Arts, Hector Madera, Isaac Julien, Ivaylo Hristov, Jasa Mrevlje, Jersey City, Jim Costanzo / Aaron Burr Society, Joaquín Segura, Johan Wahlstrom, John Salvest, Jorge Tacla, Josechu Davila, Julia San Martin, Julie Mehretu, kader attia, Kai Altoff, Kathy Caraccio, Kendell Geers, Kyle Goen, Laurel Nakadate, Marc Straus, MARC STRAUS Gallery, Marco Maggi, Maria Buszek, Marian Goodman, Marisa Jahn, Martha Rosler, martin creed, Maura Reilly, Mel Chin, Michael Jones McKean, Miguel Rodríguez Sepúlveda, moma, moma ps1, Mona Saeed Kamal, Norma Vila Rivero, Paddy Johnson, Paolo Cirio, Pasha Radetzki, Patrice Renee Washington, Patricia Cronin, Patrick Hamilton, printmaking, red bull studios, Regina José Galindo, Riiko Sakkinen, Roberto Visani, Rosemarie Fiore, Ruben Verdu, S & P Stanikas, Salon 94, Sascha Braunig, Selena Gallery, Shahram Entekhabi, Stefano Cagol, Stephen Lichty, Stony Brook, tania bruguera, Tavares Strachan, Terence Trouillot, Teresa Margolles, The Feminist Art Project, The Propeller Group, the Women's Action Coalition, Tim Rollins & K.O.S., Tyler Coburn, underdonk, Wafaa Bilal, Whitebox, William Pope L, Wojtek Ulrich, Word Bookstore
Gavlak Los Angeles is pleased to present, Not I, We, a group exhibition curated by Julie Russo and Lauren Wood featuring artists that identify as women and / or LGBTQ, and feminists that support them.
Sammak has been included in numerous group exhibitions, such as DSM - V, curated by David Rimanelli and presented by Vito Schnabel in The Future Moynihan Station, New York.
Seror's work has been included in group exhibitions such as Don Juan, Vienna Kunsthalle (2006); Jeugen von heute, Schirn Kunsthalle Frankfurt (2006); Balance and Power: Performance and Surveillance in Video Art, curated by Michael Rush, Rose Art Museum at Brandeis University (2005); In Focus: Themes in Photography, Albright Knox Art Gallery, Buffalo (2005); typ0, Moderna Museet, Stockholm (2004); Strangers: First ICP Triennial of Photography and Video (2003).
The «Watercolors «show, curated by Kristin Sancken, Phillips de Pury features 92 watercolors by a diverse group of artists and includes emerging young painters like Willy Bo Richardson, Ben Blatt, Eva Lundsager and Annika Connor as well as such heavyweights of the art world as Eric Fischl.
000 On the Origin of Art MONA Tasmania Australia 05 November 2016 — 17 April 2017 Audio and LED installation Collaboration with United Visual Artists as part of a group show curated by four scientists.
Future projects include a reading with Fiktion: New Writing Group at ICA, London, a new performance for Art16, curated by Nicoletta Lambertucci, the Transversal Writing Seminar at the School of Architecture, KTH Stockholm as well as Poetry off the Page (working title) curated by Frances Loeffler at Oakville Galleries, Ontario this June.
As Greece defaults on its International Monetary Fund payment, The Pure Tongue group exhibition — curated by Agata Chinowska and running June 19 to August 20 — explores the currency of language in a globalised world at Galeria Arsenał in Białystok, Poland.
Limited edition box set of 26 volumes published on the occassion of Andrea Rosen Gallery's 25 year anniversary, comprising 25 exhibition catalogues highlighting significant, curated group exhibitions, as well as a comprehensive index illustrating the gallery's complete exhibition history.
Her work has been part of international group exhibitions such as the 8th Berlin Biennale, curated by Juan Andrés Gaitán, 2014; «Clemania» at the FRAC des Pays de la Loire, Carquefou, France, curated by Daniela Pérez, 2014 and, «Crossing Boundaries,» the II Moscow International Biennale for Young Art in Moscow, Russia, 2010.
As if to confirm this, Barlow notes that she was rather taken with the way a delivery firm had stacked up the elements for her Hide (2010) installation in Basel (where it was eventually installed as part of a group exhibition curated by Berlin - based independent space Silberkuppe); and I get the impression she is only half joking when she says she was tempted to abandon plans for a full - scale recreation of a petrol station shell, preferring the unintentional sculptural amalgamation of the material pile insteaAs if to confirm this, Barlow notes that she was rather taken with the way a delivery firm had stacked up the elements for her Hide (2010) installation in Basel (where it was eventually installed as part of a group exhibition curated by Berlin - based independent space Silberkuppe); and I get the impression she is only half joking when she says she was tempted to abandon plans for a full - scale recreation of a petrol station shell, preferring the unintentional sculptural amalgamation of the material pile insteaas part of a group exhibition curated by Berlin - based independent space Silberkuppe); and I get the impression she is only half joking when she says she was tempted to abandon plans for a full - scale recreation of a petrol station shell, preferring the unintentional sculptural amalgamation of the material pile instead.
Raoul De Keyser: Drift, published on the occasion of the eponymous show curated by Ulrich Loock at David Zwirner, is organized around a group of 23 paintings that De Keyser (1930 — 2012) completed shortly before his death, which have become known collectively as The Last Wall.
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