Sentences with phrase «as curated group exhibitions»

Not exact matches

Locks Gallery is pleased to present Catch as Catch Can, a group exhibition curated by Fionn Meade.

He returned to his artistic practice in 2005, and has since exhibited in several group exhibitions including State of Mind: New California Art Circa 1970 co-organized by the Berkeley Art Museum and the Orange County Museum of Art; Ends of the Earth: Art of the Land to 1974 at the Museum of Contemporary Art, Los Angeles; and Afterlife: A Constellation, curated by Julie Ault as part of the 2014 Whitney Biennial.

Between 2016 — 2017, her work has been featured in numerous international exhibitions, including «Moving Kate» curated by Nick Knight at SHOWStudio in London and The Mass in Tokyo, Japan, «The Vulgar» at The Barbican, London curated by Judith Clark and Adam Phillips, «Red Hot Wicked» at Studio C Gallery in Los Angeles, as well as The Untitled Space group shows «UPRISE / ANGRY WOMEN» and «SECRET GARDEN» curated by Indira Cesarine and «LIFEFORCE» curated by Kelsey and Remy Bennett.

A group exhibition of contemporary artists exploring 2 and 3 - dimensional sculpture curated by Indira Cesarine to take place July 2018 at The Untitled Space gallery in New York City as well as online on Artsy.

Alongside a host of solo and group shows, he has curated exhibitions as far afield as Hong Kong, and has for the last two years been co-running an exhibition space called Horatio Junior in south London.

In addition to this, Jarvis has independently curated and consulted on many fine art exhibitions including: The Amistad Center for Art and Culture's Double Exposure: African Americans Before and Behind the Camera five - city traveling exhibition (2007 - 2010); Black Abstraction at Harmony Hall Regional Art Gallery in Fort Washington, MD for the group Black Artists of DC (2011); GA Gardner: Interconnections at the Athenaeum in Virginia (2012); (in) Visible and (dis) Embodied: Repositioning the Marginalized as part of the Curatorial Initiative program at the District of Columbia Arts Center (2014) all in Washington, DC; and most recently, Of Present Bodies at the Arlington Arts Center, VA (2014).

A group exhibition at The Photographers» Gallery presents, London, curated by Ekow Eshun explores the identity of the black dandy as performed in studio and street photographs from London to New York to Bamako.

Image: Willum Geerts thru January 27, 2008 A group exhibition curated by Martijn Lucas Smit of Nieuwe Vide (NL) featuring artists Paul Baartmans (A / V - sculpture), Sema Bekirovic (video), Marissa Evers (drawing), Willum Geerts (video), Jannie Regnerus (film), Robbert van der Horst (audio), Jochem van der Spek (video installation) as well as Ward Denys with a functional sculpture.

A group exhibition curated by Martijn Lucas Smit of Nieuwe Vide (NL) featuring artists Paul Baartmans (A / V - sculpture), Sema Bekirovic (video), Marissa Evers (drawing), Willum Geerts (video), Jannie Regnerus (film), Robbert van der Horst (audio), Jochem van der Spek (video installation) as well as Ward Denys with a functional sculpture.

More recent exhibitions include solo exhibitions at the Kunstverien Heilbronn, Germany in 2015 and LAX > < Art, Los Angeles in 2013, as well as, the group exhibitions The Afghan Carpet Project at the Hammer Museum curated by Ali Subotnick, Made in LA 2012, also at the Hammer Museum and Hans Ulrich Olbrist's ongoing Do It project.

More recent exhibitions include solo exhibitions at the Kunstverien Heilbronn, Germany in 2015 and LA > < Art, Los Angeles in 2013, as well as, the group exhibitions The Afghan Carpet Project at the Hammer Museum curated by Ali Subotnick, Made in LA 2012, also at the Hammer Museum and Hans Ulrich Olbrist's ongoing Do It project.

This contemporary visual art group exhibition, curated by Sarah Perks, takes the artistic and socio - cultural movement La movida (literally «the movement») of post - Franco Spain as its thematic heart.

It's a «generative» phenomenon — as curator Joshua Friedman references in a brief prospectus for this group exhibition curated for the Kohn Gallery.

Inclusion in museum exhibitions include a forthcoming two person show at the Philadelphia Photo Center, curated by Nathaniel Stein, as well as group shows at the Brooklyn Museum of Art, the Nasher Museum of Art, the Seattle Museum of Art, the Studio Museum and the Nerman Museum of Contemporary Art, among others.

Previously she held curatorial positions at the South London Gallery (SLG), the Institute of Contemporary Arts (ICA) in London and the Hayward Gallery in London where she curated film, performance and exhibitions, and commissioned new works by artists including Juliette Blightman, Michael Smith, Bonnie Camplin, Kapwani Kiwanga, Jill Magid, Lis Rhodes as well as the group exhibitions Last Seen Entering the Biltmore (2014) and independently Duh — Art and Stupidity (co-curated with Paul Clinton) at Focal Point Gallery (2015).

Gavlak Los Angeles is pleased to present, Not I, We, a group exhibition curated by Julie Russo and Lauren Wood featuring artists that identify as women and / or LGBTQ, and feminists that support them.

Sammak has been included in numerous group exhibitions, such as DSM - V, curated by David Rimanelli and presented by Vito Schnabel in The Future Moynihan Station, New York.

Seror's work has been included in group exhibitions such as Don Juan, Vienna Kunsthalle (2006); Jeugen von heute, Schirn Kunsthalle Frankfurt (2006); Balance and Power: Performance and Surveillance in Video Art, curated by Michael Rush, Rose Art Museum at Brandeis University (2005); In Focus: Themes in Photography, Albright Knox Art Gallery, Buffalo (2005); typ0, Moderna Museet, Stockholm (2004); Strangers: First ICP Triennial of Photography and Video (2003).

As Greece defaults on its International Monetary Fund payment, The Pure Tongue group exhibition — curated by Agata Chinowska and running June 19 to August 20 — explores the currency of language in a globalised world at Galeria Arsenał in Białystok, Poland.

Limited edition box set of 26 volumes published on the occassion of Andrea Rosen Gallery's 25 year anniversary, comprising 25 exhibition catalogues highlighting significant, curated group exhibitions, as well as a comprehensive index illustrating the gallery's complete exhibition history.

Her work has been part of international group exhibitions such as the 8th Berlin Biennale, curated by Juan Andrés Gaitán, 2014; «Clemania» at the FRAC des Pays de la Loire, Carquefou, France, curated by Daniela Pérez, 2014 and, «Crossing Boundaries,» the II Moscow International Biennale for Young Art in Moscow, Russia, 2010.

As if to confirm this, Barlow notes that she was rather taken with the way a delivery firm had stacked up the elements for her Hide (2010) installation in Basel (where it was eventually installed as part of a group exhibition curated by Berlin - based independent space Silberkuppe); and I get the impression she is only half joking when she says she was tempted to abandon plans for a full - scale recreation of a petrol station shell, preferring the unintentional sculptural amalgamation of the material pile insteaAs if to confirm this, Barlow notes that she was rather taken with the way a delivery firm had stacked up the elements for her Hide (2010) installation in Basel (where it was eventually installed as part of a group exhibition curated by Berlin - based independent space Silberkuppe); and I get the impression she is only half joking when she says she was tempted to abandon plans for a full - scale recreation of a petrol station shell, preferring the unintentional sculptural amalgamation of the material pile insteaas part of a group exhibition curated by Berlin - based independent space Silberkuppe); and I get the impression she is only half joking when she says she was tempted to abandon plans for a full - scale recreation of a petrol station shell, preferring the unintentional sculptural amalgamation of the material pile instead.

Maor has curated solo shows for numerous Israeli and international artists, as well as large - scale, thematic group exhibitions such as «Embroidered Action,» «(after),» «Temporally,» «History of Violence,» «Living Room,» «showtime,» and others.

Group exhibitions include the Pizzuti Collection's exhibition Now - ism: Abstraction Today, the Hammer Museum's Made in L.A. 2012, Painting in Place, curated by Shamim M. Momin, as well as exhibitions at GAVLAK, Los Angeles, the Orange County Museum of Art, the Santa Barbara Museum of Art, Bregenzer Kunstverein, Austria, Ameringer / McEnery / Yohe, New York, and Gagosian Gallery, Los Angeles, among others.

She has curated major monographic exhibitions of artists including Jenny Holzer, Lee Bontecou, Kerry James Marshall, Roberto Matta, Catherine Opie, Cindy Sherman and Donald Moffett, as well as numerous group exhibitions.

The Washington Color School has its origins in the mid-1950s but was formalized as a group of six painters in the 1965 exhibition Washington Color Painters at the Washington Gallery of Modern Art, curated by Gerald Nordland.

Andria Hickey is Curator at the Public Art Fund, where she has curated exhibitions throughout New York City with artists such as Danh Vō, Katharina Grosse, and Oscar Tuazon, as well as the group exhibitions Lightness of Being (2013), Configurations (2012 — 13), and A Promise Is a Cloud (2011 — 12).

In the past few years, the artist has participated in numerous group exhibitions including Landscapes, Revisited at the Olympic Sculpture Park at the Alvord Art Lab in Seattle, Blind Field at the Krannert Art Museum in Champaign, Illinois and the Broad Art Museum in Michigan, curated by Tumelo Mosaka and Irene Small as well as Ground, Materiality # 2 (Earth) at the Sorø Kunstmuseum in Denmark.

on view at MUSEION studio house, Bolzano, Italy, through Nov 22, http://www.museion.it/current-exhibitions/?lang=en Goldschmied & Chiari in group exhibition «The Body as Language,» curated by Paola Ugolini at Richard Saltoun, London, Oct. 9 - Nov. 27, http://www.richardsaltoun.com/exhibitions/ Kristen Lorello to exhibit at UNTITLED., Miami Beach, Dec. 2 - 6 Nadia Haji Omar / Bayne Peterson exhibition previewed in ArtCritical by William J. Simmons 9/7/15, http://www.artcritical.com/2015/09/07/labor-day-shout-outs/ Rachel Higgins interviewed in «From the Salvage Yard to the Shopping Mall: Rachel Higgins» Logistical Aesthetics,» by Natalie Hegert, in ArtSlant, June 30, http://www.artslant.com/ew/artists/rackroom/244140-rachel-higgins Rachel Higgins: Logistics featured in «Standing Out in the Crowd: 10 Summer Solo Shows Around the World in 2015» by Natalie Hegert in MutualArt http://www.mutualart.com/OpenArticle/Standing-Out-in-the-Crowd — 10-Summer-Sol/648DC5F4E3B290BD Josh Slater in CKTV Karaoke Night at Redbull Studios, Friday, June 12th, http://nyprojectspace.redbullstudios.com/news/karaoke-night/ Goldschmied & Chiari in «Organic Matters — Women to Watch 2015,» at the National Museum of Women in the Arts, Washington, D.C., through September 13, http://nmwa.org/exhibitions/organic-matters Rachel Higgins in Martha Schwendener's New York Times article, «10 Galleries to Visit in Brooklyn and Queens,» April 16, http://www.nytimes.com/2015/04/17/arts/design/10-galleries-to-visit-in-brooklyn-and-queens.html

Besides numerous thematic group exhibitions, Kroksnes has also curated solo exhibitions by international artists such as Thomas Ruff (2002, in collaboration with the Kunsthalle Baden - Baden), Paul McCarthy (2003, together with the Kunstverein in Hamburg), Nick Relph / Oliver Payne (2003 - 2004, in collaboration with the Musée d'Art Moderne de la Ville de Paris), Rémy Zaugg (2004), Louise Lawler (2005), and Kirstine Roepstorff (2010, with Kunstmuseum Basel).

Recent shows include the solo exhibition The Power of Reinforcement, curated by Zhang Peili, Zendai Moma, Shanghai 2009; and groups exhibitions such as Jungle, Platform China, Beijing, 2010; Go, OCT Contemporary Art Terminal, Shenzhen, 2010; Bourgeoisified Proletariat, Shanghai, 2009; Quantity Bears Identity, Kultflux, Vilnius, Lithuania, 2009; Itchy, BizArt, Shanghai, 2009; Spade, T - Space, Beijing, 2008; eArts Festival, Shanghai, 2008; and New Directions from China, Plug.In, Basel, Switzerland, 2007.

Between 2016 — 2017, her work has been featured in numerous international exhibitions from London to Japan, as well as The Untitled Space group shows «UPRISE / ANGRY WOMEN» and «SECRET GARDEN» curated by Indira Cesarine and «LIFEFORCE» curated by Kelsey and Remy Bennett.

Teenage participants curated the related exhibition Group Portrait, featuring photographic portraits from the Smart Museum's collection as well as works on loan from a private collection.

Obrist has curated or cocurated more than 200 solo and group exhibitions and biennales throughout Europe and the United States, as well as in Asia and Africa, notably including Il Tempo del Postino, co-curated with Philippe Parreno for the 2007 Manchester International Festival and also presented at Art Basel, 2009, and the Marathon series of public events.

Since 2012, she has served as gallery director and curator of REDCAT, where she has worked with artists including Javier Téllez, Pablo Bronstein, and Allora & Calzadilla, and curated the group exhibitions Agency (Assembly: Before and After the Split Second Recorded) and Hotel Theory.

This presents a way of re-thinking the «curated» exhibition - which usually relies on formal similarities - as a text or newspaper wherein each «article» or artwork is a separate entity to be read singularly, only held together by the group show format and gallery space itself.

In addition to this, he will be exhibiting as part of a group exhibition, Self - interruption from the 20th - 25th October at Jack Chiles Gallery curated by Helen Kaplinsky, (481 Broadway, Floor 4.

Her work has been exhibited in venues including the Comfort Station Logan Square, Chicago; the Den Theater Chicago; Dfbrl8tr Performance Art Gallery, Chicago; Chicago Home Theater Festival; Woman Made Gallery; Fancy House Gallery, Chicago; the group exhibition Words we Live By, curated by Molar Productions; as well as the Cook County Jail, Chicago.

Over the past 12 years he has curated and organised over 50 exhibitions and projects, including solo shows by Simon Starling, Alex Katz, Lily van der Stokker, Henri Gaudier Brzeska, Linder, Albert Oehlen, Carol Bove, Dexter Dalwood, Mark Titchner, Heimo Zobernig, Hans - Peter Feldmann, Barbara Hepworth, Adam Chodzko, Deimantas Narkevicius, Eileen Quinlan, Peter Lanyon and Lucy McKenzie, as well as a number of group exhibitions including: «The Hollows of Glamour»,» This storm is what we call progress», «Pale Carnage», «The Indiscipline of Painting», «The Dark Monarch: Magic and Modernity in British Art» and most recently «Aquatopia: The Imaginary of the Ocean Deep».

David Adika is participating at the group exhibition: «Flora Palestina», as part of Photopoetics # 5 at Musrara, the Naggar School of Art, Jerusalem Curated By: Avi Sabbag Assistant Curator: Almog Gez The exhibition is on view through December 24th, 2015

Muholi's visit to UCLan coincides with her participation to the group exhibition Residual: Traces of the Black Body, curated by Christine Eyene at New Art Exchange, Nottingham, as part of FORMAT International Photography Festival 2015.

In 2013, he curated the group exhibition Forming the Loss in Darkness at Galerie Praz - Delavallade, Paris, as part of Nouvelles Vagues, the young curators season in Paris initiated by Palais de Tokyo, and in 2014 became a curator at Palais de Tokyo and a contributing curator for the institution's projects in 2015.

A former Director (2000 - 06) of CCA Wattis Institute, at California College of the Arts in San Francisco, he has curated numerous group shows at the Hayward Gallery over the past 11 years, including The Painting of Modern Life (2007), Psycho Buildings (2008), an exhibition that included interactive and immersive installations by artists such as Mike Nelson, Gelitin and Do - ho Suh; and The Infinite Mix (2016); he also has curated important retrospectives and solo exhibitions by Ed Ruschka, Jeremy Deller, Carsten Holler, Tracey Emin and George Condo.

The table arrangement strikes a similarity to one of Rakowitz's previous works as a part of Museum of Contemporary Art Chicago's group exhibition The Way of the Shovel (2013), curated by Dieter Roelstraete.

A former Director (2000 - 06) of San Francisco's CCA Wattis Institute, he has curated numerous group shows at the Hayward Gallery over the past 11 years, including The Painting of Modern Life (2007), and Psycho Buildings (2008), an exhibition that included installations by artists such as Mike Nelson, Gelitin and Do - ho Suh.

Seeing Other People, a group exhibition curated by Jessica Baran, considers the rhetoric of the constructed self as it is shaped by the act of gazing or being gazed upon.

She's curated exhibitions internationally, including the performance and print programme for Chart Art Fair in 2015, The Dark Cube at the Palais de Tokyo, E-vapor-8 at Site Sheffield and 319 Scholes in New York, along with numerous other shows in European project spaces, showing a keen and experienced eye, which was demonstrated in Manifesta 11 by including a diverse group of artists such as Martine Syms, Coco Fusco, Aleksandra Domanović, Trisha Baga and Frances Stark.

Her exhibitions include co-curating the 2004 and 2006 Whitney Biennials, and curating major survey exhibitions of Dan Graham, Louise Bourgeois, Sol LeWitt, Donald Judd, and Yoko Ono, as well as exhibitions of Paul McCarthy, James Lee Byars, Jack Goldstein, and several group exhibitions including «Signs of the Times: Film, Video and Slide Installation and Britain in the 1980s», «Scream and Scream Again: Film in Art», and «Into the Light: The Projected Image in American Art 1964 - 1977», voted best group show in New York in 2001 by the International Association of Art Critics.

The exhibition, Name against the Same Sound curated by Howie Chen, presents a group of highly sophisticated sculptures and wall works that question the influence of English as an agent of imperial design.

Also in 2009, he curated Ernesto Neto's anthropodino at the Park Avenue Armory and As Long As It Lasts, a group exhibition at Marian Goodman Gallery (both in New York).