Sentences with phrase «as curated group shows»

Our gallery, sometimes referred to as The OCG, hosts solo exhibitions as well as curated group shows.

Our art gallery, sometimes referred to as The OCG, hosts solo exhibitions as well as curated group shows.

Visitors can expect a wide range of cultural events such as the curated group show, the Live music solo concerts by Mario Stracuzzi (guitar) and special guest Laurence Gartel, the pioneer of the Digital Art Movement.

Not exact matches

Curated by artist Fahamu Pecou, «Rites» was a small group show featuring work dealing with race, gender, and growing up as a black man.

This spring, Goodson curated Armstrong into «Inherent Structure,» a group show that speaks to abstraction not as a strictly formal discussion but a starting point for unpacking the psychological and sociopolitical.

Between 2016 — 2017, her work has been featured in numerous international exhibitions, including «Moving Kate» curated by Nick Knight at SHOWStudio in London and The Mass in Tokyo, Japan, «The Vulgar» at The Barbican, London curated by Judith Clark and Adam Phillips, «Red Hot Wicked» at Studio C Gallery in Los Angeles, as well as The Untitled Space group shows «UPRISE / ANGRY WOMEN» and «SECRET GARDEN» curated by Indira Cesarine and «LIFEFORCE» curated by Kelsey and Remy Bennett.

Alongside a host of solo and group shows, he has curated exhibitions as far afield as Hong Kong, and has for the last two years been co-running an exhibition space called Horatio Junior in south London.

Named for the «animatronic effigy» that the father of mind - body dualism supposedly built after the death of his young daughter, this group show, curated by Piper Marshall, doesn't argue with the famous dichotomy so much as indulge in it, taking its inadequacies for granted and then squeezing out the fun it still has to offer.

One of the early contributors to the Arte Povera movement living in Genoa in the 1960s, Prini became involved in shows such as «Arte povera — Im spazio» and «Collage 1» curated by Germano Celant, art critic credited with grouping the artists together.

It marks his exciting return to the gallery since he was first introduced in 2015 as a participant in Topography, a groundbreaking group show curated by Fisk University's Jamaal B. Sheats.

Morgan Lehman is pleased to announce «MetLife,» curated by Geoffrey Young, a group show of drawings and paintings featuring twelve apostles of contemporary art as different from each other as neighborhoods are in a huge metropolis.

Inclusion in museum exhibitions include a forthcoming two person show at the Philadelphia Photo Center, curated by Nathaniel Stein, as well as group shows at the Brooklyn Museum of Art, the Nasher Museum of Art, the Seattle Museum of Art, the Studio Museum and the Nerman Museum of Contemporary Art, among others.

The «Watercolors «show, curated by Kristin Sancken, Phillips de Pury features 92 watercolors by a diverse group of artists and includes emerging young painters like Willy Bo Richardson, Ben Blatt, Eva Lundsager and Annika Connor as well as such heavyweights of the art world as Eric Fischl.

000 On the Origin of Art MONA Tasmania Australia 05 November 2016 — 17 April 2017 Audio and LED installation Collaboration with United Visual Artists as part of a group show curated by four scientists.

Raoul De Keyser: Drift, published on the occasion of the eponymous show curated by Ulrich Loock at David Zwirner, is organized around a group of 23 paintings that De Keyser (1930 — 2012) completed shortly before his death, which have become known collectively as The Last Wall.

Maor has curated solo shows for numerous Israeli and international artists, as well as large - scale, thematic group exhibitions such as «Embroidered Action,» «(after),» «Temporally,» «History of Violence,» «Living Room,» «showtime,» and others.

I was in a great group show in Dublin at Lab Gallery, called Tonight, you can call me Trish, curated by Kate Strain and Rachael Gilbourne, who are also known as RGKSKSRG.

on view at MUSEION studio house, Bolzano, Italy, through Nov 22, http://www.museion.it/current-exhibitions/?lang=en Goldschmied & Chiari in group exhibition «The Body as Language,» curated by Paola Ugolini at Richard Saltoun, London, Oct. 9 - Nov. 27, http://www.richardsaltoun.com/exhibitions/ Kristen Lorello to exhibit at UNTITLED., Miami Beach, Dec. 2 - 6 Nadia Haji Omar / Bayne Peterson exhibition previewed in ArtCritical by William J. Simmons 9/7/15, http://www.artcritical.com/2015/09/07/labor-day-shout-outs/ Rachel Higgins interviewed in «From the Salvage Yard to the Shopping Mall: Rachel Higgins» Logistical Aesthetics,» by Natalie Hegert, in ArtSlant, June 30, http://www.artslant.com/ew/artists/rackroom/244140-rachel-higgins Rachel Higgins: Logistics featured in «Standing Out in the Crowd: 10 Summer Solo Shows Around the World in 2015» by Natalie Hegert in MutualArt http://www.mutualart.com/OpenArticle/Standing-Out-in-the-Crowd — 10-Summer-Sol/648DC5F4E3B290BD Josh Slater in CKTV Karaoke Night at Redbull Studios, Friday, June 12th, http://nyprojectspace.redbullstudios.com/news/karaoke-night/ Goldschmied & Chiari in «Organic Matters — Women to Watch 2015,» at the National Museum of Women in the Arts, Washington, D.C., through September 13, http://nmwa.org/exhibitions/organic-matters Rachel Higgins in Martha Schwendener's New York Times article, «10 Galleries to Visit in Brooklyn and Queens,» April 16, http://www.nytimes.com/2015/04/17/arts/design/10-galleries-to-visit-in-brooklyn-and-queens.html

Recent shows include the solo exhibition The Power of Reinforcement, curated by Zhang Peili, Zendai Moma, Shanghai 2009; and groups exhibitions such as Jungle, Platform China, Beijing, 2010; Go, OCT Contemporary Art Terminal, Shenzhen, 2010; Bourgeoisified Proletariat, Shanghai, 2009; Quantity Bears Identity, Kultflux, Vilnius, Lithuania, 2009; Itchy, BizArt, Shanghai, 2009; Spade, T - Space, Beijing, 2008; eArts Festival, Shanghai, 2008; and New Directions from China, Plug.In, Basel, Switzerland, 2007.

Between 2016 — 2017, her work has been featured in numerous international exhibitions from London to Japan, as well as The Untitled Space group shows «UPRISE / ANGRY WOMEN» and «SECRET GARDEN» curated by Indira Cesarine and «LIFEFORCE» curated by Kelsey and Remy Bennett.

«Recent British Painting», a group show, currently showing at Grimm gallery in Amsterdam, can be considered as Tom Morton's sequel to his 2010 show «Recent British Sculpture», which he curated at the same gallery.

Museum and group shows include: «We Could Be Heroes: The Mythology of Monsters and Heroes in Contemporary Art» at Brigham Young University, Provo, UT, «Size Does Matters,» curated by Shaquille O'Neal, the Flag Foundation, New York, «As Others See Us: The Contemporary Portrait,» Brattleboro Museum, VT, and at the Corcoran Museum, Washington, DC.

Her work was featured in our group shows «LIFEFORCE» curated by Kelsey and Rémy Bennett as well as SECRET GARDEN and UPRISE / ANGRY WOMEN curated by Indira Cesarine.

This presents a way of re-thinking the «curated» exhibition - which usually relies on formal similarities - as a text or newspaper wherein each «article» or artwork is a separate entity to be read singularly, only held together by the group show format and gallery space itself.

Past group shows and screenings include: Rêve du Pierre, curated by Alexandra Fau, Centre Pompidou, Paris (screening)(2016); Night Walk, with Erin Shirreff, deCordova Sculpture Park and Museum, Lincoln, MA (2015); A Night of Philosophy, Ukrainian Institute of America, New York, NY (Screening)(2015); The Daily Show, Bureau, New York NY (2015); The Built Environment: Lower Side in Istanbul, Mixer, Istanbul, Turkey (2014); It Narratives: The Movement of Objects as Information, Franklin Street Works, Stamford, CT, USA (2014); A Tale of Two Islands: Beatrice Gibson with Alex Waterman, and Frank Heath, High Line Art, NY, NY (2014); Two Hours Two Minutes, The Power Plant, Toronto, Canada (2014); Kool - Aid Wino, Franklin Street Works, Stamford, CT, USA (2013); Matter Out of Place, Kitchen, NY, NY (2012); Somebody has stolen our tent, Simon Preston Gallery, NY, NY (2012); The Way Things Go (Part 3), Frutta, Rome, Italy (2012); Single Channel, Soho House, Miami, FL, USA (2011); Forcemeat, Wallspace, NY, NY (2011), and Suddenly: Where We Live Now, Cooley Gallery — Reed College, Portland, OR and Pomona College Museum of Art (2008, 2009).

Over the past 12 years he has curated and organised over 50 exhibitions and projects, including solo shows by Simon Starling, Alex Katz, Lily van der Stokker, Henri Gaudier Brzeska, Linder, Albert Oehlen, Carol Bove, Dexter Dalwood, Mark Titchner, Heimo Zobernig, Hans - Peter Feldmann, Barbara Hepworth, Adam Chodzko, Deimantas Narkevicius, Eileen Quinlan, Peter Lanyon and Lucy McKenzie, as well as a number of group exhibitions including: «The Hollows of Glamour»,» This storm is what we call progress», «Pale Carnage», «The Indiscipline of Painting», «The Dark Monarch: Magic and Modernity in British Art» and most recently «Aquatopia: The Imaginary of the Ocean Deep».

Curated by Jupiter Woods co-founder Carolina Ongaro, the group show takes a Brion Gysin quote as its inspiration, building on his conceptions of abstracted realities and shuffled semantic orders: «The process of shattering and decoding words and images has the potential to exceed existing myths and the official systems upon which we base our knowledge,» the press release writes.

He also curated contemporary group shows at Tate Modern such as Learn to Read (2007) and Stutter (2009).

A former Director (2000 - 06) of CCA Wattis Institute, at California College of the Arts in San Francisco, he has curated numerous group shows at the Hayward Gallery over the past 11 years, including The Painting of Modern Life (2007), Psycho Buildings (2008), an exhibition that included interactive and immersive installations by artists such as Mike Nelson, Gelitin and Do - ho Suh; and The Infinite Mix (2016); he also has curated important retrospectives and solo exhibitions by Ed Ruschka, Jeremy Deller, Carsten Holler, Tracey Emin and George Condo.

A former Director (2000 - 06) of San Francisco's CCA Wattis Institute, he has curated numerous group shows at the Hayward Gallery over the past 11 years, including The Painting of Modern Life (2007), and Psycho Buildings (2008), an exhibition that included installations by artists such as Mike Nelson, Gelitin and Do - ho Suh.

A conversation between Lubaina Himid and Christine Eyene will take place on 5 December, 2 pm at Hollybush Gardens Gallery as part of Carte de Visite a group show curated by Lubaina Himid, featuring new work by Helen Hammock, Claudette Johnson and Ingrid Pollard.

She's curated exhibitions internationally, including the performance and print programme for Chart Art Fair in 2015, The Dark Cube at the Palais de Tokyo, E-vapor-8 at Site Sheffield and 319 Scholes in New York, along with numerous other shows in European project spaces, showing a keen and experienced eye, which was demonstrated in Manifesta 11 by including a diverse group of artists such as Martine Syms, Coco Fusco, Aleksandra Domanović, Trisha Baga and Frances Stark.

Her exhibitions include co-curating the 2004 and 2006 Whitney Biennials, and curating major survey exhibitions of Dan Graham, Louise Bourgeois, Sol LeWitt, Donald Judd, and Yoko Ono, as well as exhibitions of Paul McCarthy, James Lee Byars, Jack Goldstein, and several group exhibitions including «Signs of the Times: Film, Video and Slide Installation and Britain in the 1980s», «Scream and Scream Again: Film in Art», and «Into the Light: The Projected Image in American Art 1964 - 1977», voted best group show in New York in 2001 by the International Association of Art Critics.

She has participated in group shows including The Fashion District Arts Festival, New York, NY and Garbage Picker, The Contemporary Artist as Chiffonier (e) curated by Amy Brandt.

Now, he is set to open a solo show, Tryin» To Stay on the Bull as well as group show he curated, Friends, Do Not Fear.

In the main section, many curated shows explore urgent contemporary questions, such as Chi - Wen Gallery's (Taipei) group show addressing natural disaster, from global warming to nuclear contamination.

From there we set off for the Chi K11 art space, featuring three exhibitions spanning thirty thousand basement - level square feet: media installations by Guan Xiao, sculptures by Neïl Beloufa, and the touring «Hack Space,» a group show curated by Hans Ulrich Obrist and Amira Gad that brings together artists such as Cao Fei, Firenze Lai, and Simon Denny.

We were there as part of a group show on UNsustainability (Climate for Change) including Stefan Szczelkun, N55, Eyebeam, Melanie Gilligan and AIDS - 3D, curated by Heather Corcoran.

He has been the subject of numerous exhibitions, including solo shows at the Whitney Museum (2005), the Whitechapel Gallery in London (2001), and the Drawing Center (1999), as well as notable group shows such as the Whitney Biennial in 1993 and 2004 and the 2007 Venice Biennale exhibition Think with the Senses — Feel with the Mind: Art in the Present Tense, curated by Robert Storr.

Between 2016 and 2017, her work has been featured in numerous international exhibitions including «Moving Kate,» curated by Nick Knight for SHOWStudio in London and The Mass in Tokyo; «The Vulgar» at The Barbican in London, curated by Judith Clark and Adam Phillips; «Red Hot Wicked» at Studio C Gallery in Los Angeles; as well as The Untitled Space group shows «UPRISE / ANGRY WOMEN» and «SECRET GARDEN» curated by Indira Cesarine and «LIFEFORCE» curated by Kelsey and Remy Bennett.

Cecily Brown «s The park is dark painting as part of a group show Black Cake (curated by Alex Gartenfeld), on view through February 16th at the Team Gallery, 83 Grand street, New York.

Her work is featured in our group shows (HOTEL) XX, ONE YEAR OF RESISTANCE, SECRET GARDEN, SELF REFLECTION curated by Indira Cesarine, as well as In The Raw.

Having witnessed the rise of graffiti and urban art from its very beginnings, Danysz became an expert in the movement, writing books about the history of Street Art and curating major institutional group shows, as well as over fifty solo shows with artists including Shepard Fairey (aka Obey), Space Invader, JR and Vhils among many others.

For the group show EARS FOR THE EYES curated by Paul Carey - Kent at Transition Gallery (10 February — 4 March 2017), you are presenting a painting entitled «Falling on Deaf Ears» as well as a poem entitled «Hearing aids».

While the performance is not being restaged for the Guggenheim show (a blockbuster survey of Chinese art since 1989 that was curated by Alexandra Munroe with Hou Hanru and Philip Tinari), the video has become a talking point for such animal welfare groups as the American Kennel Club, which has made the following statement:

Last Friday SIGNAL held an opening reception for their group show, This Is the Prism the Spider Dreams of as It Weaves Its Web, featuring works by Eric Mack, Ryan Chin, Kristina Lee, Katie Loselle, Andrew Ross, Jennifer Packer, and Marley Freeman, and curated by the artist Benjamin Horns

From 4 — 18 July, a selection of Tim Etchells ««Fight Posters» will be on display as part of the group show of text - based art, «Softly Overrripe», at HaHa Gallery in Southampton, curated by Lulu Nunn of HOAX.

Italian artist, artivist and ephemeralist Biancoshock put recently to life a series of installations in the streets of London as part of his «Seven Modern Deadly Sins», a project curated by and presented at Unit 5 Gallery London for the In Depth group show that, according to the press release, «shines the spotlight on the often clandestine yet ever expanding world of street art sculpture.»

Outside of the Reina Sofía she has curated a large number of exhibitions, including solo shows by Valie Export and Lotty Rosenfeld, and group exhibitions in institutions such as the former Whitney Museum (Connecticut), CIFO (Miami), ArtPace (San Antonio), Museo Vostell (Carceres), Argos (Brussels), Centro Atlántico de Arte Moderno (Canary Islands), Centro Andaluz de Arte Contemporaneo (Seville), Itau Cultural (São Paulo), and New York University 80WES, among many others.

As in previous years the show will consist of a variety of artists exhibiting work across all mediums, its not a curated group show it's not an anointment ceremony into the art market or a codification of style.