Sentences with phrase «as curator of photography»

Prior to that appointment, Cox served as Curator of Photography at the High Museum of Art in Atlanta, Georgia, during which time he significantly expanded its permanent collection of photographs and enhanced its reputation in the field.

Barbara Tannenbaum joined the museum as curator of photography in 2011 after a distinguished career at the Akron Art Museum.

In his absence, his wife Nancy took over his responsibilities as curator of photography until he was able to resume his position in 1945.

The Harvard Art Museums announced today that it has appointed Makeda Best as curator of photography.

During his initial 12 - year tenure as Curator of Photography at the LACMA (1992 - 2004), Mr. Wride curated over twenty - five permanent collection focus exhibitions as well as numerous larger exhibitions including: «Retail Fictions: the Commercial Photography of Ralph Bartholomew» (1997); «Shifting Tides: Cuban Photography after the Revolution» (2001); «Donald Blumberg» (2002); and «Trajectories: The Photographic Work of Robbert Flick» (2004).

In her role as Curator of the photography competition at Viridian Artists, Blessing spent many long hours viewing over 800 images sent to Viridian from around the world.

Just this month, Harvard Art Museums announced the appointment of Makeda Best as curator of photography.

Not exact matches

Skepticism is the typical reaction: A curator at one prominent museum argued that art is far more likely to be influenced by cultural developments, such as the invention of photography or the rise of Impressionism, than by evolution.

The past few months have been hectic as I transitioned from freelance photography in Illinois to a new job: Curator of Entomology at the University of Texas in Austin.

Published on the occasion of her first exhibition at David Zwirner in fall of 2010, this beautifully designed and produced catalogue — with a text by noted curator and art historian Joachim Pissarro — features Suzan Frecon's most recent large - scale oil paintings, along with newly commissioned color photography of exhibition and studio installation views, as well as the artist's notebooks and sketches.

As an independent curator, he has presented exhibitions in Brazil and abroad, such as Mythologies - Brazilian Contemporary Photography (Shiseido Gallery, Tokyo, 2012); Éloge du Vertige (Maison Européenne de la Photographie, Paris, 2012); Generation 00 - The New Brazilian Photography (Sesc Belenzinho, São Paulo, 2011), Look and Simulate - Photographies from Collection Auer (MAM - SP, 2009), The Invention of the World - Collection of the Maison Européenne de la Photographie, Paris (Itaú Cultural, 2009, with Jean Luc Monterosso), Provisional Power (MAM - SP, 2014As an independent curator, he has presented exhibitions in Brazil and abroad, such as Mythologies - Brazilian Contemporary Photography (Shiseido Gallery, Tokyo, 2012); Éloge du Vertige (Maison Européenne de la Photographie, Paris, 2012); Generation 00 - The New Brazilian Photography (Sesc Belenzinho, São Paulo, 2011), Look and Simulate - Photographies from Collection Auer (MAM - SP, 2009), The Invention of the World - Collection of the Maison Européenne de la Photographie, Paris (Itaú Cultural, 2009, with Jean Luc Monterosso), Provisional Power (MAM - SP, 2014as Mythologies - Brazilian Contemporary Photography (Shiseido Gallery, Tokyo, 2012); Éloge du Vertige (Maison Européenne de la Photographie, Paris, 2012); Generation 00 - The New Brazilian Photography (Sesc Belenzinho, São Paulo, 2011), Look and Simulate - Photographies from Collection Auer (MAM - SP, 2009), The Invention of the World - Collection of the Maison Européenne de la Photographie, Paris (Itaú Cultural, 2009, with Jean Luc Monterosso), Provisional Power (MAM - SP, 2014).

As curator of the El Paso Museum of Art in El Paso, Texas he has curated one - person exhibitions, authored artist essays for the Encyclopedia of Twentieth Century Photography, as well as numerous other publications for the El Paso Museum of ArAs curator of the El Paso Museum of Art in El Paso, Texas he has curated one - person exhibitions, authored artist essays for the Encyclopedia of Twentieth Century Photography, as well as numerous other publications for the El Paso Museum of Aras well as numerous other publications for the El Paso Museum of Aras numerous other publications for the El Paso Museum of Art.

Previously, he served as Senior Curator of Photography and Media Arts at the Corcoran Gallery of Art in Washington D.C., and as Executive Director of The Richard Avedon Foundation in New York.

Artists kept playing catch - up as color increasingly swamped popular culture and amateur photography; many came to take their cues from both, and in 1976 Museum of Modern Art photography curator John Szarkowski gave William Eggleston a major solo exhibition for his now - iconic photos combining a snapshot aesthetic with a mastery of the dye imbibition process that «allowed Eggleston to draw attention to color without making it the subject of the photograph,» Rohrbach writes.

-- NYTimes The Larry Gagosian Effect — Wall Street Journal World's Biggest Museum Opens in China — Studio 360 Top Exhibitions of 2010 — The Art Newspaper Recent Art News - Texas Week of 03/27/11 Ed Ruscha at the Modern Museum of Fort Worth — CBS New: Sunday Morning (Video) Simpsons Takes Shots at Dallas Football, Arts District — FrontRow A work in progress: The Dallas Arts District gathers trophy buildings, but still searches for urban vitality — Chicago Tribune James Turrell mound at Rice University - Glasstire Richard Serra, Pushing the Boundaries of Drawing — ARTnews Recent Art News - National - International Week of 03/27/11 Ed Ruscha Street Photography — LATimes Stephen Colbert Exposes Himself to Art (the Appropriate Way)-- NYTimes (Video) Jerry Saltz on Andy Warhol's Portraits of Liz Taylor — NYMag Eduardo Souto de Moura, Architect from Portugal, Wins Pritzker — NYTimes Recent Art News - Texas Week of 03/20/11 Neiman Marcus to feature artwork in Windows — FrontRow MAC director resigns — Glasstire Recent Art News - National - International Week of 03/20/11 Jerry Saltz: How a Joyride in Gavin Brown's Volvo Became Art — NYMag Walker Art Center to Acquire Merce Cunningham's collection — Art in America Cultural Complex in Santiago di Campostela is expensive mistake - The Art Newspaper Toshiko Takaezu, Ceramic Artist, Dies at 88 — NYTimes Recent Art News - Texas Week of 03/13/11 Artpace San Antonio — YouTube Crow Collection To Expand, Add Asian Sculpture Garden — FrontRow Donor's Son Sues Dallas Museum Over Art Collection, 25 Years Later — NYTimes Recent Art News - National - International Week of 03/13/11 Abramovic wins two - year copyright battle — The Art Newspaper Scents and Sensibility, Artists use scent to create new experience in museums — ARTnews Spark: How Creativity Works, by Julie Burstein, Kurt Andersen — Amazon.com (Book) Michelangelo's David «could collapse due to high - speed train building» — Telegraph Recent Art News - National - International Week of 03/06/11 Norman Foster to Design Huge Hong Kong Cultural District — NYTimes Recent Art News - Texas Week of 02/27/11 AMOA leaving downtown, focusing on Laguna Gloria — Austin 360 Recent Art News - Texas Week of 02/13/11 Amon Carter's Director of Education Named National Educator of the Year — Amon Carter Museum Blanton curator heads to National Gallery of Art — Austin 360 Director Dana Friis - Hansen departs from the Austin Museum of Art — The Austin Chronicle Dallas Architecture Forum wins AIA National Collaborative Achievment Award — Dallas Archicture Forum Recent Art News - National - International Week of 02/13/11 Egyptian Archeological Sites Were Looted, Says Antiquities Minister — NYTimes Tracey Emin, the visionary, emerges as Margate's answer to William Blake — Guardian What's The Matter With Kansas... This Time?

As a Long Island - based photojournalist, documentary photographer, curator, and educator, Susan Dooley's artistic education includes a BS in Journalism and Mass Communications from the University of Illinois and an MFA in Photography from Long Island University, C.W. Post.

Kat has won many awards for her art including Gold for Best of the Best East End Artist in 2016 and 2017 and The Award of Excellence by Juror Karen Marks, Director of Manhattan's Howard Greenberg Gallery, one of the world's leading photography galleries as well as Juror Dr. Naomi Rosenblum, eminent photographic historian and Juror Jennifer McGregor, Director of Arts and Senior Curator at Wave Hill Cultural Center.

Mthethwa's work challenges the conventions of both Western documentary work and African commercial studio photography, marking a transition away from the visually exotic and diseased — or «Afro - pessimism,» as curator Okwui Enwezor has described it — and employing a fresh approach marked by color and collaboration.

As Charlotte Cotton, critic and former curator of photographs at the Victoria and Albert Museum (London) as well as the Wallis Annenberg Department of Photographs at the Los Angeles County Museum of Art, writes in The Photograph as Contemporary Art (World of Art): «Harris makes a map of visual and ideological connections... blending high criticality and personal narrative to suggest that all photography inherently carries representational meaning beyond the intent or making of the photographer.&raquAs Charlotte Cotton, critic and former curator of photographs at the Victoria and Albert Museum (London) as well as the Wallis Annenberg Department of Photographs at the Los Angeles County Museum of Art, writes in The Photograph as Contemporary Art (World of Art): «Harris makes a map of visual and ideological connections... blending high criticality and personal narrative to suggest that all photography inherently carries representational meaning beyond the intent or making of the photographer.&raquas well as the Wallis Annenberg Department of Photographs at the Los Angeles County Museum of Art, writes in The Photograph as Contemporary Art (World of Art): «Harris makes a map of visual and ideological connections... blending high criticality and personal narrative to suggest that all photography inherently carries representational meaning beyond the intent or making of the photographer.&raquas the Wallis Annenberg Department of Photographs at the Los Angeles County Museum of Art, writes in The Photograph as Contemporary Art (World of Art): «Harris makes a map of visual and ideological connections... blending high criticality and personal narrative to suggest that all photography inherently carries representational meaning beyond the intent or making of the photographer.&raquas Contemporary Art (World of Art): «Harris makes a map of visual and ideological connections... blending high criticality and personal narrative to suggest that all photography inherently carries representational meaning beyond the intent or making of the photographer.»

As you may have seen on Instagram, the Denver Art Museum held a Curator's Choice: #DispatchPortrait contest in conjunction with the opening of the photography exhibition Alec Soth: Colorado Dispatch (on view through November 29).

Additionally, Epstein and Tate Museum curator Simon Baker will discuss Epstein's photography as a part of the Prix Pictet Conversations on Photography, at Whitechapel Gallery in London on Saturday, May 12 photography as a part of the Prix Pictet Conversations on Photography, at Whitechapel Gallery in London on Saturday, May 12 Photography, at Whitechapel Gallery in London on Saturday, May 12 at 4:30 pm.

Charting photography's response to the attendant rise of the street as «natural» landscape, Hirshhorn chief curator (and former MoMA Oxford director) Kerry Brougher and UCLA Hammer Museum chief curator Russell Ferguson contrast the covert snap of the»50s and»60s with the elaborate productions of the late twentieth century.

Thomas served as Visual Arts Curator for the Contemporary Arts Center in New Orleans from 1988 - 1995, and as Executive Director of the Houston Center for Photography, Houston, Texas, from 1985 - 87.

Britt Salvesen joined the Los Angeles County Museum of Art (LACMA) in 2009 as curator and head of the Wallis Annenberg Photography Department and the Prints and Drawings Department.

In just five years — from the point in 1949 that the exhibit's curator, Walter Hopps, identifies as Rauschenberg's first artistic maturity until 1954, just before the first «combine» paintings that were to make him famous — the artist worked in paint, sculpture made of found objects, collage, and photography.

This elegantly - designed accompanying catalogue includes complete photography of the commission as well an essay on the work by curator Lydia Yee and new critical writing by Habda Rashid and Douglas Fogle.

Prior to that, Fogle was a curator at the Walker Art Center in Minneapolis from 1994 to 2005, where he initiated a series of exhibitions with emerging artists as well as a number of group exhibitions, including: Andy Warhol / Supernova: Stars, Deaths, and Disasters, 1962 — 1964 (2005); The Last Picture Show: Artists Using Photography 1960 — 1982 (2003) which traveled to the Hammer; Painting at the Edge of the World (2001); and solo exhibitions with Catherine Opie and Julie Mehretu.

Michelle came to Skinner from the Fogg Museum / Harvard Art Museums, where she first joined the Department of Photographs in 2004 and, beginning in 2008, served as the John R. and Barbara Robinson Family Assistant Curator of Photography.

As a curator, her work has cited the domains of photography and lens - based work from archival and contemporary sources.

She was selected as the winning photographer by a panel consisting of the Norton's Photography Committee, Executive Director Hope Alswang, and Tim B. Wride, the Norton's William and Sarah Ross Soter Curator of Photography.

From 2016 - 2018 she has served as a visiting curator and lecturer to VCUarts's Departments of Painting and Printmaking, Sculpture and Extended Media, Photography and Film and VCUart's Summer Studio Program (SSP).

«We knew from the start that this would be an integrated exhibition, as that's always been the Whitney's mission,» said Elisabeth Sussman, the Sondra Gilman Curator of Photography.

About the Juror: Curator at The Heckscher Museum of Art in Huntington, New York, Lisa Chalif has organized dozens of exhibitions that focus on various aspects of the Museum's permanent collection, as well as loan exhibits on a diverse range of subjects, including experimental photography, environmental art, appropriation, art and the automobile, and occasional solo exhibitions of Long Island artists, including photographer Joseph Szabo.

Most people know Richard McCabe as the photography curator at the Ogden Museum of Southern Art, but not many know he is also an artist in

Russell Lord, curator of photographs at the New Orleans Museum of Art, introduces some favourites from the collection that explore how photography has developed as both art form and technology

He worked tirelessly through his efforts as a photographer, collector, curator, writer, and publisher to secure photography's role as a legitimate medium of fine art.

Britt Salvesen joined LACMA in October 2009 as curator and head of the Wallis Annenberg Photography Department and the Prints and Drawings Department.

«Conceived as a complete retrospective of Evans» work, this exhibition highlights the photographer's fascination with American popular culture, or vernacular,» explains Clément Chéroux, senior curator of photography at SFMOMA.

Sandra S. Phillips is senior curator of photography at SFMOMA where she has organized such exhibitions as History of Photography from California Collections (1989), and a 1989 retrospective of Jophotography at SFMOMA where she has organized such exhibitions as History of Photography from California Collections (1989), and a 1989 retrospective of JoPhotography from California Collections (1989), and a 1989 retrospective of John Gutmann.

Organized by the museum's Assistant Curator, Amber Harper, the exhibition highlights Raissnia's mixed media work on paper as a central element of her multivalent practice, which encompasses film, photography, and performance.

Artist, curator and writer, Matthew Deleget has described Hill as being «on the leading edge of a group of contemporary artists who are working with new abstraction, issues of painting, and pushing those in really compelling and interesting new directions, particularly through the filter and through the lens of photography and digital media.»

Ms. Cotton, 45, has held positions as curator of photographs at the Victoria and Albert Museum in London and curator and head of the Wallis Annenberg Department of Photography at the Los Angeles County Museum of Art.

As photography curator of the Museum of Modern Art MoMA in New York, he organized the famous exhibition «The Family of Man ``.

On Friday we'll get a good round up of voices, with Mia Fineman (curator of the Met's 2012 exhibition Faking It: Manipulated Photography Before Photoshop), Julia Kaganskiy (Director of New Museum's new Incubator for Art, Technology, and Design), and Cory Arcangel (who you probably know as digital artist who had a solo show at the Whitney Museum in 2011), and artist - Twitter mavericks Carla Gannis and Clement Valla.

The monograph includes a foreword by Hilary Roberts, the Head Curator of Photography at the Imperial War Museums in Britain as well as an essay by Natalie Zelt, the co-author and co-curator of, War / Photography: Images of Armed Conflict and Its Aftermath.

2006 Primitivism Revisited, Sean Kelly Gallery, New York, USA RADAR: Selections from the Collection of Vicki and Kent Logan, Denver Art Museum, Denver, Colorado, USA Alien Nation, Institute of Contemporary Arts, London, England William Hogarth, Musee du Louvre, Paris, France; travelled to Tate Britain, London, England; Caixa Forum, Madrid, Spain Transvideo, Madison Museum of Contemporary Art, Madison, Wisconsin, USA MASCARADA / MASQUERADE, DA2 - Domus Artium 2002, Centro de Arte de Salamanca, Spain DRESSCODE, Historisches und Volkerkundemuseum, St Gallen, Switzerland Space is the Place, Independent Curators International, New York, USA Los Usos de la Pintura II, Espacio 1414, San Juan, Puerto Rico (curated by Julieta González) Pattern Language: Clothing as Communicator, University Art Museum, UC Santa Barbara, California, USA Africa Remix, Moderna Museet, Stockholm, Sweden Acting the Part: Photography as Theatre, National Gallery of Canada Contemporary Commonwealth, The Ian Potter Centre, National Gallery of Victoria, Melbourne, Australia A Historic Occasion, Artists Making History, MASS MoCA, Massachusetts, USA East Wing Collection No. 7 Culture Bound, Courtauld Institute, Somerset House, London, England Around The World In Eighty Days, Institute of Contemporary Arts and South London Gallery, London, England Photography: Recent Acquisitions, Fisher Landau Center for Art, Long Island City, New York, USA Artificial Afrika, Gigantic ArtSpace, New York, USA (curated by Vernon Reid and C. Daniel Dawson)

Previously he served as the Richard Benson Associate Curator of Photography and Digital Media at the Yale University Art Gallery, where he organized the exhibitions «Robert Adams: The Place We Live,» «First Doubt: Optical Confusion in Modern Photography,» and «Art for Yale: Collecting for a New Century.»

Alexander started her career as a curator in the Department of Photography at The Museum of Modern Art.

Julian Cox, the High Museum of Art's photography curator for the past five years, will join the Fine Arts Museums of San Francisco as founding curator of photography and chief curator of the de Young Museum this fall.

Photography, Sequence, and Time is curated by Russell Lord, Freeman Family Curator of Photographs and includes over 50 works, most from NOMA's permanent collection, by photographers such as Eadweard Muybridge, Edward Steichen, Walker Evans, Margaret Bourke - White, Clarence John Laughlin, Milton Rogovin, Malick Sidibé, Hiroshi Sugimoto, and Paul Graham.