The photographs in my current series are printed
as cyanotypes: a photographic process invented in 1842 by the English scientist and astronomer Sir John Hershel.
For an older body of work on view at the fair, Houck downloaded architectural renderings of Gothic cathedrals from a site called 3D Warehouse and inverted them to negatives, eventually printing
them as cyanotypes.
Their love of the history of photography and their use of historical photographic techniques, such
as the cyanotype, has produced an original and contemporary body of work.
Ceramics was the original anchor that soon became a jumping off point into other media such
as cyanotype and paper.
Not exact matches
Aimed at KS4 and 5, this presentation is designed to accompany a photogram workshop giving artist links and information, simple instructions, weblinks for further research and potential techniques to develop and explore such
as scanography,
cyanotypes, silhouettes... Artist links include Anna Atkins, Man Ray, Laszlo Moholy - Nagy, Jenny Saville, Paul Morrison, Susan Derges.
Brent Dedas»
cyanotype X No. 29 captures the ghostly and fragile silhouettes of bees
as they feed on honey and salt.
The photographs found in the archive documented how the couple collaborated in creating these
cyanotypes, which would be come to be known
as «blueprints.»
Although the
Cyanotype is their primary technique, Betancourt and Weil have worked with other experimental techniques such
as photograms and Van Dyke Brown prints.
Robin Cameron (b. 1981, British Columbia, Canada) is an artist based in New York City who works in a wide range of media such
as ceramics, brass sculptures, films, drawings,
cyanotypes and printmaking.
, a seven by twenty - five foot
cyanotype installation by Jason Houck that is a visual paean to bookstores
as muffled refuges from city life, casinos...
The oil on polyester painting, Professor (2016), depicts UNF professor Paul Karabinis, who wrote and recorded audio guides for Retro - spective,
as well
as leading a
cyanotype workshop and gallery tour.
The first exhibition to focus exclusively on photographs made in the eastern half of the United States during the 19th century, East of the Mississippi: Nineteenth - Century American Landscape Photography showcases some 175 works — from daguerreotypes and stereographs to albumen prints and
cyanotypes —
as well
as several photographers whose efforts have often gone unheralded.
Whether
as an architectural blueprint or a photogram, the
cyanotype is infinitely alluring.
I want to explore how the color blue,
as well
as the historical connotations of the
cyanotype process, play a role in transforming how the images» content is perceived.
Look out for Christian Marclay «s «Cassette Grid» No. 16 & 17
cyanotypes,
as well
as Justin Matherly «s Untitled inkjet monoprint at the Paula Cooper Gallery — booth F09.
Other never - before - seen works, include The Sun Makes Him Sing Again (Brown), a series of
cyanotypes from the lyric sheets of various deceased musicians such
as The Mamas and the Papas, John Coltrane, Johnny Cash, and Jimi Hendrix, and Will The Sun Remember At All, a suite of nine digital prints of stage lights taken from live album covers by various deceased musicians such
as James Brown, Etta James and Muddy Waters.
Artist Ryan McGinness began using the
cyanotype process in 2010
as part of a commission for the Virginia Museum of Fine Arts.
«Harmonic Distortion» has worldwide environmental scope: marble clouds intricately patterned by wave formations;
cyanotypes making apparent abstraction out of fifteen years of data showing that our cloud cover is reducing; a performance in which one woman is bound by another, Kinbakushi style, in state of the art fibre optic cable even
as she tries to draw circles using the oldest of means — ochre pigment... So whether you wanted academic analysis, obsessive drawing burrowing into the psyche or the wide sweep of science and its consequent politics, you had them.
Frazier printed many of the images in the show
as «
cyanotypes, a 19th century photographic process that renders images in shades of blue, referencing an architect's blueprint and the idea of «blue collar» work.»
Canadian American artist Jeannie Hutchins is primarily a photographer, yet her most recent work stretches the medium
as she experiments with silk,
cyanotype, and gum bichromate prints.
While these formally arresting images suggest an underlying strategy regarding his selection of albums and the
cyanotypes themselves, I failed to discover a cogent idea to give purpose to what seemingly presents itself
as conceptually driven work.
While that older series was printed on C - print semi-gloss paper, the STPI reboot involves
cyanotypes, sculpture and screenprints in weavings of matt paper, into which warp and weft are injected with glints of silvery foil — a nod to traditional silver joss paper burned
as offerings to ancestors.
Over the years her vocabulary and interests, including her ongoing experimentation with constructions, sets, and installations at the human scale, have provided a through - line and given a unity to her artwork, even
as she has experimented with multiple processes, from
cyanotypes and Polaroids to Cibachromes and video installations.