Sentences with phrase «as decorative wall»

Originally used as decorative wall coverings in churches, palaces and castles, tapestries usually depicted scenes from the Bible, mythological images and hunting, and were often hung behind a throne as a symbol of authority.

The quilt has an ample hanging sleeve and is ready to be displayed on a quilting rod as a decorative wall hanging.

An ample hanging sleeve is sewn to the back of the quilt, so it is ready to be displayed on a quilting rod as a decorative wall hanging.

Why you shouldn't miss it: Gemma Arterton, having just served time in Walt Disney's Prince of Persia: The Sands of Time as decorative wall candy, gets to shine as a kidnapped rich girl who turns the tables on her kidnappers.

Use it as decorative wall plate or to hold your favorite canapés on your Easter table.

Not exact matches

That required a keen eye for detail, such as installing garden walls that serve a decorative purpose during the day but can used as seating for a nighttime performance.

But more than just decorative, sugar pumpkins are prized for their classic pumpkin flavor, as well as for their thick and flesh - packed walls.

With this eBook, kids can master different painting techniques as they create DIY wall art and other fun decorative crafts.

Parks Commissioner Veronica White said the eight malls received new game tables, new trees and redesigned decorative elements such as walls, fences and pavement.

Even as recently as Victorian times, the book notes, the dead were laid out in the family parlor, their hair cut off and twisted to make decorative mementos to hang on the wall.

Decorative wall art such as letters, whether they are wooden hanging letters or letter decals, are an accent that can personalize any room.

Light up your bedroom with these wall sconces that are just as functional as they are decorative.

This Free Printable Easter Wall Art will add a beautiful decorative touch as well!

But the trip beyond the garden walls leads to some amusing visual variations on decorative creatures coming to life, like an army of Lucky Cats presenting their ruler, or a doll shop that doubles as a mildly seedy nightclub when the owners aren't looking.

It can be used as a nightstand or coffee table, or just a decorative piece up against a wall.

If your snake keeps attempting to escape, provide it with secure hiding places and lots of different climbing structures, and perhaps try providing a visual barrier such as a coat of paint or a decorative façade on the outer surface of the walls or top of the enclosure.

The pool terrace feels like your own private oasis as lush green gardens scale the walls, majestic palms tower upwards and decorative curtains billow in the breeze.

The hotel's lobby is outfitted with crystal chandeliers, as well as textured stone walls and decorative glass lights in the shape of hunting horns.

The hotel's decorative features include the wall arches, the huge series of cogs in the front desk area and futuristic elements, such as the different - coloured robots.

Apart from the pool area there's a trendy and busy café / restaurant to the side with cool sounds, bamboo trimmings, buffed concrete floors, heavy wooden furniture and wall - mounted mini surfboards as a decorative theme.

Since opening on November 12, 2016, the exhibition has earned extensive media coverage and rave reviews, in publications such as The Wall Street Journal; London - based Burlington Magazine, billed as the world's leading monthly publication devoted to the fine and decorative arts; and Hyperallergic, an online forum with perspectives on art and culture around the globe.

Celacanto Provoca Maremoto is a mural covering four walls, made up of 184 painted canvas panels — white - and - blue squares that recreate original tiles the artist photographed, depicting parts of angels, wings, and other decorative motifs, as well as the texture of cracked tiles.

In 2005, the artist opened lesser new york in her Williamsburg loft, which was a response to Greater New York (2005) but it was lesser; it was a greater response to the lesser limits of the art world that she saw reflected in PS1's concurrent survey; this lesser exhibit / installation was organized under the auspices of a «fia backström production,» a lesser production of curated ephemera such as press releases, invites, posters, and so on culled from found materials and the work of a greater local network of friends and peers; the lesser aesthetics of dejecta, pasted directly onto the walls, reflects a greater decorative pattern, not unlike Rorschach images of a lesser art industry itself within a critique of a greater institutional relationship to art production; as such, the lesser display of curated ephemera (from nonartists and artists alike) not only comments on the greater vortex of art and capital, but also serves as a lesser gesture toward something like a memorial wall, not unlike a collection of posters on the greater Berlin Wall, or a lesser improvisational 9 - 11 wall, or, more recently, a greater Facebook wall, or the lesser construction wall surrounding the Second Avenue gas explosion in the East Village, all pointing to a lesser memorial for the greater commodified institution of art consumption; whereas in Backström's lesser new york each move repels consumption by both the lesser value of the pasted paper and its repetition, which dispels the greater value of precious originals; so the act of reinstalling lesser new yorkten years later at Greater New York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm of Capitalism that can morph into an owner of its own critique; so that lesser new york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greawall, not unlike a collection of posters on the greater Berlin Wall, or a lesser improvisational 9 - 11 wall, or, more recently, a greater Facebook wall, or the lesser construction wall surrounding the Second Avenue gas explosion in the East Village, all pointing to a lesser memorial for the greater commodified institution of art consumption; whereas in Backström's lesser new york each move repels consumption by both the lesser value of the pasted paper and its repetition, which dispels the greater value of precious originals; so the act of reinstalling lesser new yorkten years later at Greater New York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm of Capitalism that can morph into an owner of its own critique; so that lesser new york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greaWall, or a lesser improvisational 9 - 11 wall, or, more recently, a greater Facebook wall, or the lesser construction wall surrounding the Second Avenue gas explosion in the East Village, all pointing to a lesser memorial for the greater commodified institution of art consumption; whereas in Backström's lesser new york each move repels consumption by both the lesser value of the pasted paper and its repetition, which dispels the greater value of precious originals; so the act of reinstalling lesser new yorkten years later at Greater New York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm of Capitalism that can morph into an owner of its own critique; so that lesser new york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greawall, or, more recently, a greater Facebook wall, or the lesser construction wall surrounding the Second Avenue gas explosion in the East Village, all pointing to a lesser memorial for the greater commodified institution of art consumption; whereas in Backström's lesser new york each move repels consumption by both the lesser value of the pasted paper and its repetition, which dispels the greater value of precious originals; so the act of reinstalling lesser new yorkten years later at Greater New York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm of Capitalism that can morph into an owner of its own critique; so that lesser new york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greawall, or the lesser construction wall surrounding the Second Avenue gas explosion in the East Village, all pointing to a lesser memorial for the greater commodified institution of art consumption; whereas in Backström's lesser new york each move repels consumption by both the lesser value of the pasted paper and its repetition, which dispels the greater value of precious originals; so the act of reinstalling lesser new yorkten years later at Greater New York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm of Capitalism that can morph into an owner of its own critique; so that lesser new york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greawall surrounding the Second Avenue gas explosion in the East Village, all pointing to a lesser memorial for the greater commodified institution of art consumption; whereas in Backström's lesser new york each move repels consumption by both the lesser value of the pasted paper and its repetition, which dispels the greater value of precious originals; so the act of reinstalling lesser new yorkten years later at Greater New York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm of Capitalism that can morph into an owner of its own critique; so that lesser new york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greater.

You can see the Sakura (cherry blossom) tree painting on far wall, with pale fuchsia mass as full bloom cherry blanches, and the blue - backed decorative trees ones surrounding Sakura like a mysterious labyrinth.

This tendency is most clearly encapsulated in the artist's abstract stencils of Baroque - style decorative motifs, which recall the wallpaper - inspired paintings of his contemporary Christopher Wool, as well as in the highly patterned carpets that recently graced the walls and floors of Stingel's 2013 solo exhibition at the Palazzo Grassi, Venice.

«Since my pictures are large, colorful and unframed, and since museum walls are usually immense and formidable, there is the danger that the pictures relate themselves as decorative areas to the walls.

Her works frequently refer to decorative objects usually associated with domestic settings such as curtains, screens, throws and wall hangings.

In another one, fetish - y aprons smelling of fresh leather hang from the wall, all combined with a set of clunky shoes, decorative ironwork and funny props, such as sausages or eggs.

Evans is a masterful storyteller, as she gently urges you to look beyond the decorative beauty of this scene so that you may realize the wall is based on the history of the slave port in Elmina and Cape Coast castles in Ghana.

October 25 - 16 Trunk Show: Virginia Raku Clay 11 a.m. — 4 p.m. Inspired by many contemporary artists such as Chagall, Matisse, Picasso, and Klimt as well as African, Asian, and Islamic art forms, Tanya Tyree incises her raku - fired clay sculptures, vessels, decorative objects, wall art, and jewelry with abstract drawings that reveal their own mystery, sweet spirit, and mood.

Wall - mounted sculptures dramatize and exaggerate waste streams created by simple domestic systems such as decorative window box flowers and their contained water run - off trays.

An abstract sculpture, whether wall - mounted or in the round, can serve as an eye - catching, decorative focal point within an interior or exterior space as well as a stimulating conversation piece encouraging individual interpretation.

Cheap aluminum kettles and tiffin boxes, decorative wall tapestry and textiles, mostly collected from markets in Cirebon, are either hung on the walls or are placed on wooden plinths as if in a museum, transforming every day objects into precious items.

A reconstruction of one of those mural projects is on view, as are abundantly decorative wall panels made for a private collector in New York.

The Bad Decorative, wall - mounted panels aren't nearly as practical as smart bulbs are, and they won't fit in with every aesthetic.

Decorative, wall - mounted panels aren't nearly as practical as smart bulbs are, and they won't fit in with every aesthetic.

Consistently exceeded sales quotas as a road rep, sales manager, national sales manager, and director of sales for some of the most creative brand names in the decorative accessory, accent furniture, wall decor and lighting industry.

«Some plug - in air fresheners pose a risk with synthetic ingredients, as can old barn wood repurposed for decorative interior wall coverings, even though it seemed green initially.

Clear items such as jewelry boxes, trophies and decorative items from dressers, nightstands and desks — and dust all surfaces, walls and corners.

Interior: Gut rehabbed kitchen with new 42» kitchen cabinets, new granite countertops, new sink, new faucet, GFI's, and ceramic tile back splash; Install new black appliance package (stove / refrigerator) in kitchen; washer, dryer, dishwasher, and garbage disposal are excluded due to maintenance expenses to you as owner and not requested by prospective tenants; Gut rehabbed bathroom with new vanity, sink, faucet, mirror, light fixture, toilet, tub, curved shower rod, decorative tile surrounds, GFI's, and shower hardware; Install and / or repair hardwood flooring; Install new ceramic tile in kitchens, bathrooms, and hallways; New interior and exterior doors; New light fixtures; Install and / or repair walls, ceilings, and trim; New outlets, switches, and plate covers

This piece is as much an organizing tool as it is a decorative piece of wall art.

Add decorative accessories such as pillows, wall art, area rugs, and knickknacks that match and contrast with the cornice board color and voilà your friends may think you paid a professional.

The space behind the sofa was used for decoration in this room, as a mix of cream colored floating shelves, canvases and other decorative elements bring the neutral wall to life.

It is amplified by the statement wall art, lamps and other decorative accessories such as wooden tray, layered with a book and a box for storing sunglasses keys as well as other items.

Mosaic tiles can be used in many different variations of applications: for Kitchen Backsplash and walls, Bathroom Backsplashes and walls, as decorative borders on ceramic tiled walls, pools, spas, and indoor waterfalls.

She said she and her family love their green shaggy rug, so as you can see from my photo drawing, I suggested bringing in a little more green in the form of decorative, moss - covered balls, accessories on a narrow, dark wood, wall ledge - and stripes in some of the throw pillows.

If you're wanting to add a decorative effect to the room I think it's fine to use wallpaper, as long as it's not on the wall behind the shower.

I've always hung pieces of my copper collection in my kitchens as a decorative element on the wall or on a pot rack.

On a large wall, group themed items, such as maps or theatre posters, for decorative impact.

You can install tiles that perfectly reflect your sense of style — around your tub, halfway up the walls, or even as a decorative border or to break up a two - toned wall.