Sentences with phrase «as different curators»

Not exact matches

Working as a museum curator is a demanding job with many different responsibilities — and, like most jobs, some of those duties are better than others.

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Those members came from various different artworld backgrounds (critic, curator, historian, artist, etc), and the programme, as stated on its still - live website, «eschewed solo exhibitions in favor of thematically, conceptually and politically driven group exhibitions and projects», such as its inaugural outing, modestly named Part One, which featured Andrea Fraser's May I Help You?

Three contemporary artists with their own distinctive attitudes to history and art history — William Kentridge, Phyllida Barlow and Edmund de Waal — will be interviewed by different museum curators as part of the fair's talks programme, organised by Jasper Sharp of the Kunsthistorisches Museum, Vienna.

But, basically, the liberties that Lizzi and Rita took as artists were very different than what I would take as a curator.

Janet McKenzie: How different do you think an exhibition will be that has been curated by artists as opposed to curators?

This access, which has broadly democratized the field, has created not only a larger and more engaged audience for this kind of art, but has also created more opportunities for this work to be contextualized within the larger narratives of contemporary art, as can be seen in the various approaches of curators such as Lynne Cooke, Massimiliano Gioni and Daniel Baumann, for example, all of whom have, in different ways, framed the work of self - taught artists within their curatorial projects.

As much as her career parallels Schutz's, and as loved among artists and shunned by curators as she is, however, Bernhardt's market story is very differenAs much as her career parallels Schutz's, and as loved among artists and shunned by curators as she is, however, Bernhardt's market story is very differenas her career parallels Schutz's, and as loved among artists and shunned by curators as she is, however, Bernhardt's market story is very differenas loved among artists and shunned by curators as she is, however, Bernhardt's market story is very differenas she is, however, Bernhardt's market story is very different.

Recently, Karline has become a freelance curator for galleries as well as finding alternative exhibition spaces to showcase art in different formats.

Dr Omar Kholeif, Manilow Senior Curator at the Museum of Contemporary Art Chicago, enthused: «Frieze 2016 presented me as a curator with a wonderful opportunity to not only get a snapshot of what was happening in art globally but also to see different kinds of experimentation happening at the edges of film and performance, which were so evocatively provoked through the Frieze Live and Film progCurator at the Museum of Contemporary Art Chicago, enthused: «Frieze 2016 presented me as a curator with a wonderful opportunity to not only get a snapshot of what was happening in art globally but also to see different kinds of experimentation happening at the edges of film and performance, which were so evocatively provoked through the Frieze Live and Film progcurator with a wonderful opportunity to not only get a snapshot of what was happening in art globally but also to see different kinds of experimentation happening at the edges of film and performance, which were so evocatively provoked through the Frieze Live and Film programmes.

Thinking of painting as a form of technology is a very interesting vantage point, because if you consider the whole sweep of different mediums that artists are employing today — from video and virtual reality to immersive installation and performance — then painting becomes the least optimized medium for avant - garde curators to engage the kinds of crowds that come to biennials and exhibitions.

Still, «inasmuch as there's no such thing as African art, many of the African artists may see things a different way and tell their own story,» says Lagos's Omenka Gallery curator Oliver Enwonwu (who graciously allowed me to interrupt his lunch).

There are of course as many different models of the curator / artist relationship as there are curators and artists, but the most fulfilling times I've had in this job have been when the conversation has developed beyond a discussion of the show at hand.

Invited for their expertise of different areas of the art world — geographic as well as disciplinary — each curator colleague will accompany Schaffner on a journey to a region unfamiliar to them both.

Including 121 artists from 40 different countries as selected by 79 curators, critics and established artists, Vitamin Ph includes the following artists: Armando Andrade Tudela, Alexander Apostól, Miriam Bäckström, Yto Barrada, Erica Baum, Valérie Belin, Walead Beshty, Rut Blees Luxemburg, Luchezar Boyadjiev, Frank Breuer, Olaf Breuning, Gerard Byrne, Elinor Carucci, David Claerbout, Anne Collier, Phil Collins, Kelli Connell, Eduardo Consuegra, Sharon Core, Rochelle Costi, Gregory Crewdson, Nancy Davenport, Tim Davis, Tacita Dean, Olafur Eliasson, Hans Eijkelboom, JH Engström, Lalla Essaydi, Roe Ethridge, Peter Fraser, Yang Fudong, Anna Gaskell, Simryn Gill, Anthony Goicolea, Geert Goiris, David Goldblatt, Katy Grannan, AES+F group, The Atlas Group / Walid Raad, Mauricio Guillen, Jitka Hanzlová, Anne Hardy, Rachel Harrison, Jonathan Hernández, Sarah Hobbs, Emily Jacir, Valérie Jouve, Yeondoo Jung, Rinko Kawauchi, Annette Kelm, Idris Khan, Joachim Koester, Panos Kokkinias, Luisa Lambri, An - My Lê, Tim Lee, Nikki S Lee, Zoe Leonard, Armin Linke, Sharon Lockhart, Vera Lutter, Florian Maier - Aichen, Malerie Marder, Daniel Joseph Martinez, Gareth McConnell, Scott McFarland, Ryan McGinley, Trish Morrissey, Zwelethu Mthethwa, Zanele Muholi, Oliver Musovik, Kelly Nipper, Nils Norman, Catherine Opie, Esteban Pastorino Díaz, Paul Pfeiffer, Sarah Pickering, Peter Piller, Rosângela Rennó, Mauro Restiffe, Robin Rhode, Sophy Rickett, Noguchi Rika, Andrea Robbins / Max Becher, Ricarda Roggan, Anri Sala, Dean Sameshima, Alessandra Sanguinetti, Markus Schinwald, Gregor Schneider, Collier Schorr, Josef Schulz, Paul Shambroom, Ahlam Shibli, Yinka Shonibare, Efrat Shvily, Santiago Sierra, Paul Sietsema, Alex Slade, Sean Snyder, Alec Soth, Heidi Specker, Hannah Starkey, Simon Starling, John Stezaker, Clare Strand, Darren Sylvester, Guy Tillim, Nazif Topçuoglu, Danny Treacy, Fatimah Tuggar, Céline van Balen, Annika von Hausswolff, Bettina von Zwehl, Deborah Willis, Sharon Ya'ari, Catherine Yass, Shizuka Yokomizo, Amir Zaki, Liu Zheng, Tobias Zielony With and introduction by TJ Demos and individual texts about the artists by Rodrigo Alonso, Thomas Boutoux, Isolde Brielmaier, Stuart Comer, Dina Deitsch, TJ Demos, Frits Giertsberg, Mark Godfrey, Catherine Grant, Alison Green, Katerina Gregos, Rachel Haidu, Jens Hoffmann, Michael Ned Holte, Ana Finel Honigman, Vincent Honoré, Vasif Kortun, Sarah Lewis, Roxana Marcoci, Dominic Molon, Shamim M Momin, Jessica Morgan, Jonathan Napack, Sally O'Reilly, Tetsuya Ozaki, Bethany Pappalardo, Alona Pardo, John Reed, Catsou Roberts, Jose Roca, Barry Schwabsky, Brian Sholis, Luke Skrebowski, Kerstin Stremmel, Margaret Sundell, Gloria Sutton, Nato Thompson, Sarah Thornton, Grant Watson, Axel Wieder

Over a 40 - year career as a curator, I've interviewed hundreds of artists, each of them different and challenging in their own ways.

One of the first members of the art activist network at Autograph Gallery, she also works as an independent curator; bringing together different points of view on a single issue.

As it happens, the gallery and curator look in quite different directions.

By invitation of both Rodeo and Yama and in dialogue with curator Krist Gruijthuijsen, Gabriel Lester has conceived an exhibition on two separate platforms, one as a commission for Yama's video screen located on top of the Marmara Pera hotel, which will also include screenings in two different rooms located inside the hotel, and a solo show at Rodeo.

Milder has been recognized by critics and museum curators as a visionary whose exuberant colors and cosmic symbols continue to resonate across different generations and cultures.

For this summer's Martos Gallery exhibition, the breakdown of artist / curators and their different exhibitions in different spaces is as follows:

«As Yayoi Kusama's work is realized in different spaces, each venue will offer a unique sensory journey through Kusama's world,» said Hirshhorn Associate Curator Mika Yoshitake, who organized the exhibition.

-- Nikolay Oleynikov, Tsaplya Olga Egorova, Dmitry Vilensky, and others Claire Fontaine (fictional conceptual artist)-- A Paris - based collective including Fulvia Carnevale and James Thornhill CPLY — William N. Copley Diane Pruis (pseudonymous Los Angeles gallerist)-- Untitled gallery's Joel Mesler Donelle Woolford (black female artist)-- Actors hired to impersonate said fictional artist by white artist Joe Scanlan Dr. Lakra (Mexican artist inspired by tattoo culture)-- Jeronimo Lopez Ramirez Dr. Videovich (a «specialist in curing television addiction»)-- The Argentine - American conceptual artist Jaime Davidovich Dzine — Carlos Rolon George Hartigan — The male pseudonym that the Abstract Expressionist painter Grace Hartigan adopted early in her career Frog King Kwok (Hong Kong performance artist who uses Chinese food as a frequent medium)-- Conceptualist Kwok Mang Ho The Guerrilla Girls — A still - anonymous group of feminist artists who made critical agit - prop work exposing the gender biases in the art world Hennessy Youngman (hip - hop - styled YouTube advice dispenser), Franklin Vivray (increasingly unhinged Bob Ross - like TV painting instructor)-- Jayson Musson Henry Codax (mysterious monochrome artist)-- Jacob Kassay and Olivier Mosset JR — Not the shot villain of «Dallas» but the still - incognito street artist of global post-TED fame John Dogg (artist), Fulton Ryder (Upper East Side gallerist)-- Richard Prince KAWS — Brian Donnelly The King of Kowloon (calligraphic Hong Kong graffiti artist)-- Tsang Tsou - choi Klaus von Nichtssagend (fictitious Lower East Side dealer)-- Ingrid Bromberg Kennedy, Rob Hult, and Sam Wilson Leo Gabin — Ghent - based collective composed of Gaëtan Begerem, Robin De Vooght, and Lieven Deconinck Lucie Fontaine (art and curatorial collective)-- The writer / curator Nicola Trezzi and artist Alice Tomaselli MadeIn Corporation — Xu Zhen Man Ray — Emmanuel Radnitzky Marvin Gaye Chetwynd (Turner Prize - nominated artist formerly known as Spartacus Chetwynd)-- Alalia Chetwynd Maurizio Cattelan — Massimiliano Gioni, at least in many interviews the New Museum curator did in the famed Italian artist's stead in the»90s Mr. Brainwash (Banksy - idolizing street artist)-- Thierry Guetta MURK FLUID, Mike Lood — The artist Mark Flood R. Mutt, Rrose Sélavy — Marcel Duchamp Rammellzee — Legendary New York street artist and multimedia visionary, whose real name «is not to be told... that is forbidden,» according to his widow Reena Spaulings (Lower East Side gallery)-- Artist Emily Sundblad and writer John Kelsey Regina Rex (fictional Brooklyn gallerist)-- The artists Eli Ping (who now has opened Eli Ping Gallery on the Lower East Side), Theresa Ganz, Yevgenia Baras, Aylssa Gorelick, Angelina Gualdoni, Max Warsh, and Lauren Portada Retna — Marquis Lewis Rod Bianco (fictional Oslo galleris)-- Bjarne Melgaard RodForce (performance artist who explored the eroticized associations of black culture)-- Sherman Flemming Rudy Bust — Canadian artist Jon Pylypchuk Sacer, Sace (different spellings of a 1990s New York graffiti tag)-- Dash Snow SAMO (1980s New York Graffiti Tag)-- Jean - Michel Basquiat Shoji Yamaguchi (Japanese ceramicist who fled Hiroshima and settled in the American South with a black civil - rights activist, then died in a car crash in 1991)-- Theaster Gates Vern Blosum — A fictional Pop painter of odd image - and - word combinations who was invented by a still - unnamed Abstract Expressionist artist in an attempt to satirize the Pop movement (and whose work is now sought - after in its own right) Weegee — Arthur Fellig What, How and for Whom (curators of 2009 Istanbul Biennial)-- Ana Dević, Nataša Ilić, Sabina Sabolović, Dejan Kršić, and Ivet Curlin The Yes Men — A group of «culture - jamming» media interventionists led by Jacques Servin and Igor Vamos

Having worked as an artist, musician, television producer, lecturer and independent curator, Trevor is well versed in bringing different art forms together.

10 am Conversation: Artistic Practice The Artist as Curator This panel provides an ongoing overview of the different artistic practices..

I was struck then, as I've always been struck, by the diversity of his practice, by the different directions that he takes, and it's something a lot of writers and curators have grappled with, trying to place his different approaches into a framework.

As a curator, one of my main goals is to encourage a dialogue between different artistic positions from varied backgrounds and younger emerging names and bring them into a dialogue with art works by established artists.

13 as curator - at - large, she again proceeded ambitiously, seeking partnerships with multiple art organizations and venues in different cities in order to make the biennial visible and accessible throughout Lone Star territory.

With a complete selection of over 90 works in different media such as painting, industrial design, animation and fashion, the exhibition, curated by MOCA Chief Curator Paul Schimmel, reveals this artist's personal universe: from his early works in the 1990s, in which he explored his own identity, to his large - scale sculptures created after 2000, veritable icons of this artist, and ending with his gallery of manufactured objects, his animation projects, his connection to the world of fashion, and his compelling works of recent years.

To help with the design of the galleries, an astonishing, tiny replica of SFMOMA has been constructed: over the past four years, a model - maker has made maquettes — detailed, accurate and some as small as half an inch long — of at least 2,000 artworks, which have been moved around by the curators to see how effective different hangings are, and what connections between pieces are suggested from different viewpoints.

In order to meet a large scope of different approaches towards exhibition making, Schneeeule is dedicated to collaboration, and thus invites different artists as well as curators.

Curator Alys Williams (Director VITRINE Gallery, London / Basel) has woven a thread between the artistic languages and the works, dealing in different ways with topics such as memory, time and journey.

Said Christina Mossaides Strassfield, Museum Director and Chief Curator, Guild Hall Museum, «We wanted to present Peter Beard's body of work through a different lens, by exploring the artist's visions of Kenya and Montauk as encampments / refuges where his art and life converge.»

Because I knew so many artists from my generation, who exhibit mainly at publicly sponsored exhibitions and felt suffocated by the traditional art world, we started various projects such as: group exhibitions, curators exhibitions, architecture exhibition and educational projects with universities; We made a foundation for different fields of artists to interact.

Stories of Espai 10 and Espai 13 at the Fundació Joan Miró Featuring Ana Laura Aláez March 13 - May 25, 2014 Fundació Joan Miró Parc de Montjuic, Barcelona, Spain The exhibition, with Manuel Segade as its curator, is organised around seven thematic chapters that show and explain the links between different artistic generations and languages over the past four decades.

Josef Strau has worked in the past in different practices, mostly as an artist, but also as gallerist, curator and writer.

Clearly then, when Russell Ferguson, senior curator at the Hammer Museum in Los Angeles, chose «The Undiscovered Country» as the title for a recent survey of representational painting at the institution, he had a very different view.

We thus use Black Mountain Research as an experimental forum, in which students, scholars, researchers, artists and curators from different institutions and participating projects are working, writing, archiving and exchanging ideas collaboratively.

As an artist and curator, René Treviño is drawn to art that is different from his own controlled, tight compositions and ritualized process.

Of course quality was the first selection criterion to bring these 36 artists from different countries together, but for curator Janice Whittle there was another important reason to select the artists she liked to present: she wanted to give the floor to artists who have not had many chances over the years to show their work because of the limited infrastructure of the island: Barbados — as most of the Caribbean countries — does not have a museum for modern or contemporary art; a National Gallery has been a subject for discussion for countless years, but it never got of the ground; the Queen's Park Gallery — a governmentally managed institution — was closed for years and commercial galleries came and went.

The curator describes the exhibition as «not a retrospective, but a thematic survey that sheds a different light on the development and intention behind Kiefer's career.

We thus use the blog Black Mountain Research as an experimental forum, in which students, scholars, artists and curators from different institutions and participating projects are working, writing, archiving and exchanging ideas collaboratively.

This can be intimidating, but it also gives artists opportunities to play different roles, such as curator.

It is shaped by the different concepts of curators appointed to enter into a dialogue with the city of Berlin, its general public, the people interested in art as well as the artists of this world.

For several years he carries out different activities as a critic and curator of contemporary art and applied arts exhibitions, in collaboration with private galleries, institutional spaces in Italy and abroad.

Through my work as an independent curator, at the Liverpool Biennial in the United Kingdom and subsequently as the director and later co-curator of the Werkleitz Biennale, I was able to explore different approaches to artistic and cultural production and also to analyze curatorial and institutional models under a variety of cultural, social and economic conditions.

When asked what periods in his career have been most significant, Chabet has responded that he prefers «commas to periods,» perhaps to emphasize the fluidity between his different roles as artist, curator and teacher.

Thanks to her wide and inclusive view, she is able to fulfill the role of artistic director in different realities such as an institutional pavilion like Expo Gate, for Milano Expo in 2015, and IL CREPACCIO project, a showcase in Milan for young artists and not just them, (recently on Instagram with IL CREPACCIO INSTAGRAM SHOW @ilcrepaccio), she is a curator of exhibitions — such as the latest solo exhibition of Thomas Braida at Palazzo Nani Bernardo for the Venice Biennale 2017 — and of public projects for companies and international institutions like Moderna Museet in Stockholm and Performa in New York.

Associate curator for the 10th Gwangju Biennale in South Korea, her authorial and curatorial practice encompasses different media, such as photography, video, installation, sculpture, performance and painting, always with an international outlook.

«All the artists have many different types of approaches, use different technology, reference different kinds of things in their work - but all of them use light in its very special capacity as a medium that can fill, dwell and inhabit space and profoundly reconfigure our experience of that space,» says curator Cliff Lauson.