Sentences with phrase «as documentary photographs»

This rich resource includes the artist's personal writings, sketches, correspondence, and audiovisual material, as well as documentary photographs and records from his collaborators.

Also features a selection of paintings by Klein's father, the Abstract Figurative painter Fred Klein, as well as documentary photographs from the 1920s through the 70s.

Words float out of the gracious veil of pallid, delicate colour she has transferred to a gallery surface: outside brought inside, street art memorialised, an abstract painting as a documentary photograph.

Not exact matches

The short documentary above (made by a Microsoft team from the Netherlands) is a conversation with photographer Charles O'Rear, who in 1996 took the photograph «Bliss,» which became the default desktop wallpaper of Windows XP, and as a result is one of the most - viewed photographs in history.

The primary interview for this documentary is Steve's wife Barbra Minty McQueen who, as a New York model and amateur photographer, took hundreds of never - before - seen candid photographs.

Corsicato compiles footage taken from around Schnabel's home, recent interviews conducted with family and friends, and an assortment of photographs and film clips spanning the artist / director's life in an effort to, if one trusts this documentary's title, provide an intimate portrait of Schnabel's psychology as it was generated from the unusual circumstances of his youth.

Photographed by Academy Award nominee Ce» sar Charlone («City of God»), the documentary travels from war - torn Eastern Europe to the color and light of South America and is told through the voice of Willer's father, Alfred (as narrated by Tim Piggot - Smith), who witnessed bureaucratic nightmares, transportations and suicides but survived to build a post-war life as an architect in Brazil.

Directed, produced, and photographed by Zachary Heinzerling, this stands out as one of the more intimate, upbeat, and human of the five Documentary nominees.

It started as a travel diary and evolved to a website presenting photographs, documentaries, articles about various cultures and places, as well as some practical information for travellers.

This photograph add to the ICA / Boston's strong collection of works by Dijkstra, and joins other documentary - style photographs and portraits in the collection by such artists as Roe Ethridge, Nan Goldin, Catherine Opie, and Collier Schorr.

This intriguing documentary shuttles from New York to France to Chicago as it traces the life story of the late Vivian Maier, a career nanny whose previously unknown cache of 100,000 photographs has earned her a posthumous reputation as one of America's most accomplished and insightful street photographers.

As a painter, Liu challenges the documentary authority of historical Chinese photographs by subjecting them to the more reflective process of painting.

Though she began as a documentary photographer, Simpson is best known for her conceptual pairings of text fragments and studio photographs of anonymous African - American women draped in white shifts dresses.

Fowler is a filmmaker who uses photographs, archival images and music, building experimental cinematic collages that ultimately deconstruct conventional thoughts about biography and the documentary; the viewer is drawn in and confronted with their own relationship to history and to film as an art form.

Also on view are documentary photographs by Hans Namuth and Tony Vaccaro, as well as the video produced by Gordon Hyatt, «What I Did On My Vacation,» which documents a series of Happenings staged by Allan Kaprow across the Hamptons in 1966.

«It is clear that even McGinley's earliest images are not as «documentary» in their nature as initially perceived -LRB-...) In place of reality, he explains that his «photographs are in truth closer to a record of (his) imaginary life.»

The documentary material that constitutes the Archive and Library is structured into holdings and collections, which include the archives of individuals and entities, artist's books, posters, photographs, invitations and pamphlets, etc., as well as reference books and audiovisual documents.

Luke Fowler is a filmmaker who uses photographs, archival images and music, building experimental cinematic collages that ultimately deconstruct conventional thoughts about biography and the documentary; the viewer is drawn in and confronted with their own relationship to history and to film as an art form.

As the dismantling of the one - of - a-kind site - specific installation The Floating Piers take place, we revisit its success and open days with the documentary photographs of Mara Palena.

Featuring new scholarship by art historian Robin Clark, it includes reproductions of fascinating archival and documentary material that was discovered during the curatorial process, from the artist's sketches to gallery invitation cards, early catalogue covers, historic photographs, as well as installation views of the exhibition.

This series of detailed reproductions serves as a visual extension of Mrs. Still's documentary process, a practice that she continued when cataloging artworks that had not been photographed for Still's studio records prior to leaving his collection.

The documentary, which will be on view alongside Anima, will examine Dumas's artistic process as she works to photograph the burial horses at Arlington National Cemetery.

In contrary, his photographs are much more documentary as he wishes to challenge the notions of authenticity and the language of representations in photography and its history.

With a particular focus on an examination of subculture communities, Opie's photographs unite current day politics and societal structures with a classical art aesthetic, culminating in a body of work that expands upon the tradition of documentary photography as well as the greater art historical canon.

I was inspired to make this photogram by two things: finding in the New York Times a documentary photograph of a house blown apart by a hurricane, and thinking about the notion of shape as form in high Modernist painting.

Although the majority of the photographs in the collection function as visual records of Still's body of work, these documentary images reveal the depth of his extensive efforts to detail his own legacy as a revolutionary artist.

Lorna Simpson began her artistic career working as a documentary street photographer, though she soon transitioned to a text - based practice that featured photographs of anonymous women (and occasionally men) paired with extracted phrases that urge the viewer to question that preconceived associations surrounding race and gender.

Declaring that he «wanted to show things that had to be corrected,» he was one of the earliest photographers to use the photograph as a documentary tool.

«I've tried for a long time to label myself as either a documentary or fine art photographer, but have realised that my main priority is to tell a story through my work — whether it's a staged image or a candid street photograph.

Whether recreating miraculous glass objects pictured in Renaissance paintings or modernized versions of non-extant glassware from documentary photographs, McElheny's work takes as its subject the object, idea, and social nexus of glass.

While engaged as Supervisor of classes at the Philadelphia Museum of Art, he photographed and became assistant director of the first art documentary produced by the museum.

Bracketed chronologically by Rosler's well - known photo - text work The Bowery in two inadequate descriptive systems (1974/75) and her highly influential essay In, around and afterthoughts (on documentary photography)(1981), this series takes its place alongside Rosler's photographs of airports, roads, shop windows, and public transportation as part of a career - long photographic practice.

Other works record specific places, such as Rudy Burckhardt's documentary - style photograph of a gas - station in Astoria, New York taken in 1940 and Andrew Lenaghan's detailed landscape Off Route 52, Irvine, Kentucky (1998) painted on site during the artist's travels across the South.

Familiar with work by artists such as Nan Goldin and Larry Clark in the United States, or Richard Billingham and Wolfgang Tillmans in Europe, the photographs presented in «Give Me Yesterday» turn the immediacy and spontaneity of documentary style into an extreme control over the gaze of those who observe and are observed.

A 2008 gift from the Andy Warhol Foundation, the exhibition's 105 color and 52 black - and - white photographs hint at what the curators describe as Warhol's «compulsive use of the medium,» both as prefatory sketch and documentary vehicle.

The works on display will span Kolářová's career to include documentary photographs from the late fifties, camera-less experiments, «arranged photographs» of objects and hair and assemblages from the sixties, as well as make - up drawings and assemblages from the seventies and eighties.

This might help explain several otherwise confusing juxtapositions, such as the repeating documentary photographs of Gordon Matta - Clark's cuts into the PS1 building during its inaugural 1976 show, one of which is installed next to Collier Schorr's leaning boards emblazoned with model Jordan Barrett.

It includes documentary and family photographs from the artist's youth, as well as reproductions of artworks that are traced to specific times and places during her life.

The exhibition includes over 200 serigraph prints, as well as rarely exhibited photographs Corita used for teaching and documentary purposes.

Her series Untitled (2008) used photographs belonging to a Vietnam War veteran as part of the installation I Become Death, as well as the documentary film Snake Society in collaboration with the anthropologist Julian Gastelo, both shown at Kunsthalle Basel in 2009.

Finding Vivian Maier is a documentary on the late Vivian Maier, a nanny whose previously unknown cache of 100,000 photographs earned her a posthumous reputation as one of the most accomplished street photographers.

As Kevin Moore, the artistic director of the Cincinnati biennial FotoFocus (which ran for the month of October), who curated the exhibition, Roe Ethridge: Nearest Neighbor, points out, «These photographs do not perform like an Alec Soth documentary project.

Soulages in America contains a 2012 interview with the artist and his wife; a wealth of documentary material, including letters from Alfred Barr, Leo Castelli and Sam Kootz; correspondence from artists such as Robert Motherwell and Helen Frankenthaler; plus installation photographs and other archival documents.

This large work involving more than 6,650 tons of material is now totally submerged in the lake and exists mainly in its documentary (non-site) form as photographs, a 35 - minute 16 mm film, and an essay.

Featuring an interview with the artist by Anne Reeve and new scholarship by art historian Robin Clark, it also includes reproductions of archival and documentary material discovered during the curatorial process, from sketches by the artist to gallery invitation cards, early catalogue covers, and historic photographs, as well as installation views of the show.

The exhibition highlights familiar favorites from the collection, including classic documentary photographs by Walker Evans, Lewis Hine and Weegee, as well as major series commissioned by the museum from Lee Friedlander and Robert Glenn Ketchum.

«As well as presenting an exhibition of photographs, documentary art and other unique records held at Library and Archives Canada, this Web project introduces tens of thousands of pages from Macdonald's political papers and correspondence that will be made available online for the first time in 2008, enabling all Canadians to learn about Macdonald's life, career and legacy.&raquAs well as presenting an exhibition of photographs, documentary art and other unique records held at Library and Archives Canada, this Web project introduces tens of thousands of pages from Macdonald's political papers and correspondence that will be made available online for the first time in 2008, enabling all Canadians to learn about Macdonald's life, career and legacy.&raquas presenting an exhibition of photographs, documentary art and other unique records held at Library and Archives Canada, this Web project introduces tens of thousands of pages from Macdonald's political papers and correspondence that will be made available online for the first time in 2008, enabling all Canadians to learn about Macdonald's life, career and legacy.»