Sentences with phrase «as early exhibitions»

The museum is especially noted for organizing important exhibitions of contemporary art that are locally relevant and internationally significant, including the first surveys of Vija Celmins (1980), Chris Burden (1988), and Tony Cragg (1990), as well as early exhibitions of seminal work by Lari Pittman (1983), Gunther Forg (1989), Charles Ray (1990), Guillermo Kuitca (1992), Bill Viola (1997), Iñigo Manglano - Ovalle (2003), and Catherine Opie (2006).

Not exact matches

At any rate, as is true among all early peoples, from the beginning till far down the course of Hebrew thought, thunder and lightning were regarded as special exhibitions of superhuman power.

This is not advertised as a fashion exhibition, but certainly is a great tribute to the designer Paul Poiret (early 20th century).

As film production and exhibition rapidly embraces digital technologies, more and more contemporary films are paying homage to earlier modes of production when films were shot and screened on film.

My dissertation, based on archival research in museums and libraries across the United States, offers a historical assessment of exhibitions staged from the early twentieth century to the present that featured dinosaurs and other long extinct animals as the main attractions.

Alley cat exhibitions meant to improve the image of homeless cats were held as early as 1928, apparently beginning in Masillon, Ohio.

They had all earlier acted as guides for the travelling Anne Frank exhibition, or led other educational activities of the Anne Frank House.

ATM 2017 will build on the success of this year's edition with the announcement of an additional hall as Reed Travel Exhibitions looks to add to its record - breaking achievements earlier this year.

Through his early friendship with Allan Kaprow, Claes Oldenburg, George Segal, Robert Whitman, and Lucas Samaras, among others, Dine became involved with the events and exhibitions being held at such anti-establishment galleries as the Judson and Reuben, in lower Manhattan.

I've been selling my art since my mid teens and had successful exhibitions since the early eighties, and all of this was done while working full time in at least two jobs / careers at a time as well as raising a family.

As I dug deeper I was struck by the sense of outrage and loss this painting aroused in so many people: The family of Lea Bondi, determined to reclaim the stolen portrait she had failed to recover in her lifetime; the Manhattan District Attorney who sent shock waves through the international art world and enraged many of New York's most prominent cultural organizations when he issued a subpoena and launched a criminal investigation following the surprise resurfacing of Portrait of Wally; the New York art dealer who tipped off a reporter about the painting during the opening of the Schiele exhibition at MoMA; the Senior Special Agent at the Department of Homeland Security who vowed not to retire until the fight was over; the art theft investigator who unearthed the post-war subterfuge and confusion that ultimately landed the painting in the hands of a young, obsessed Schiele collector; the museum official who testified before Congress that the seizure of Portrait of Wally could have a crippling effect on the ability of American museums to borrow works of art; the Assistant United States Attorney who took the case to the eve of trial; and the legendary Schiele collector who bartered for Portrait of Wally in the early 1950s and fought to the end of his life to bring it home to Vienna.

As early as 2013, the Rubell Family Collection in Miami introduced a host of Chinese abstract painters to American audiences in an exhibition called «28 Chinese.&raquAs early as 2013, the Rubell Family Collection in Miami introduced a host of Chinese abstract painters to American audiences in an exhibition called «28 Chinese.&raquas 2013, the Rubell Family Collection in Miami introduced a host of Chinese abstract painters to American audiences in an exhibition called «28 Chinese.»

Penjweny, who also worked as a news photographer for Reuters, had a solo exhibition that included the «Saddam» series at the Ikon Gallery in Birmingham, England, earlier this year.

The exhibition will present six of these rooms as well as sculptures, paintings, works on paper, film excerpts, archival ephemera, and additional large - scale installations that span the early 1950s to the present day.

Among the exhibition's many highlights are bold, groundbreaking paintings by Matisse from his most adventurous years, as well as highlights from nearly every phase of Diebenkorn's oeuvre from the early 1950s to 1980 — including several monumental canvases from his Ocean Park series, a renowned exploration of color, light, and space.

The gallery program has mounted exhibitions of contemporary art featuring the work of Richard Prince, Jean Michel Basquiat and Christopher Wool as well as exhibitions dedicated to the history of The New York School, Abstract Expressionism and Pop Art showing the earlier work of Hans Hofmann, Roy Lichtenstein and Willem de Kooning.

Williams's work was first presented in Hanover as part of group exhibitions at the Sprengel Museum in the early 1990s.

The whereabouts of the painting after the Armory Show is unclear, but in 2005 the work was exhibited in a major Bluemner exhibition that Barbara Haskell organized at the Whitney Museum of American Art in New York, and while the accompanying catalogue indicates that the painting is one of the 1911 — 1912 canvases that Bluemner reworked in 1916 — 1917, it does not identify the earlier painting as the one that was in the Armory Show.

His early career as a painter began after he was inspired by an 1883 exhibition in Boston of works by European impressionists.

This exhibition focuses on her early abstract metal sculptures and paintings as a starting point for future examination of a long and continuously inventive career.

The exhibition brings together a selection of nine paintings on monochrome stone (slate and white marble) by Italian painters such as Sebastiano del Piombo, Titian, Daniele da Volterra and Leandro Bassano, which reflect the consolidation of a new approach to artistic techniques that emerged in the early decades of the 16th century.

A day after the opening of the current Luc Tuymans exhibition in London, DAMN ° had the chance to sit down with the Belgian artist and discuss his work, as well as how it is being a painter in the early 21st century.

In addition to the founding stories of the RA and PAFA, this exhibition recognizes the other artist - founders of PAFA, West's role as the teacher of eighteenth - and early - nineteenth - century American artists, and the development of monumental history paintings such as Christ Rejected and Death on the Pale Horse.

Lennon, Weinberg, Inc., New York, NY: In the spring of 1965, Joan Mitchell had her seventh and final exhibition at the historic Stable Gallery in New York where her career as a painter had been launched more than a decade earlier.

The Alexandre Gallery has the current exhibition online as well as many earlier works for view that you can view from this link.

As with the subsequent ROCI exhibitions, the presentation in Mexico City included Rauschenberg artworks from earlier in his career, as well as works that were particularly inspired by the host countrAs with the subsequent ROCI exhibitions, the presentation in Mexico City included Rauschenberg artworks from earlier in his career, as well as works that were particularly inspired by the host countras well as works that were particularly inspired by the host countras works that were particularly inspired by the host country.

The exhibition begins with works by early Minimalist artists such as Sol LeWitt and Carl Andre; drawings by conceptual artists Lawrence Weiner, William Wegman, and Mark di Suvero, among others; and continues with recently celebrated artists Fiona Banner, Teresita Fernandez, Jutta Koether, and Tracey Emin.

This exhibition will trace Agnes Martin's career from her early experiments through to her late work, as well as...

Divided into seven chronological chapters, from early twentieth century avant - garde movements such as the Harlem Renaissance to current debates around «Post-Black» art, this exhibition opens up an alternative transatlantic reading of Modernism and its impact on contemporary culture for a new generation.

Gaining early international recognition with her participation in Damien Hirst's Freeze exhibition, Surrey Docks, London (1988), she has had numerous solo exhibitions, including: Thomas Dane Gallery, London (2017), Museum of Contemporary Art San Diego, CA (2015), Lehmann Maupin, New York, NY (2015), Blum & Poe, Los Angeles, CA (2014), Headlands Center for the Arts, Sausalito, CA (2014), Artpace, San Antonio, TX (2013), Annet Gelink Gallery, Amsterdam (2011), Camden Arts Centre, London (2008), SculptureCenter, New York, NY (2006), and Tate Britain, London (2002); and group shows at venues such as Bohusläns Museum, Uddevalla, Sweden (2016), Museum of Contemporary Photography, Chicago, IL (2014), the FLAG Art Foundation, New York, NY (2013), Contemporary Arts Center, Cincinnati, OH (2012), Whitechapel Gallery, London (2011), and Kunstmuseum Bonn, Germany (2009).

Alongside significant early works such as Me, Jesus and the Children (2001 — 2003)-- a photorealist painting of the artist's chest, overlaid with cartoon cherubs and floating speech bubbles — the exhibition features paintings from Colen's long - running «Gum» and «Trash» series.

The bi-coastal gallery provided comprehensive client services and organized acclaimed exhibitions of modern and postwar art, such as Tanguy Calder: Between Surrealism and Abstraction (2010), John Chamberlain: Early Years (2009), and Tom Wesselmann: The Sixties (2006).

The exhibition survey is spanning from early works by Josef Albers and Arakawa / Gins to contemporary positions such as Andrea Zittel, Heimo Zobernig or Leonor Antunes.

The Arts Council memorial exhibition that opened a year later — largely due to the efforts of the artist's widow, Lilian Holt, Joanna Drew of the Arts Council and the critic Andrew Forge — commenced the reappraisal of Bomberg's work, although the show was an uneven account of his career, entirely omitting the monumental early works such as In the Hold and The Mud Bath.

Vanessa Carlos is the founder and director of London gallery Carlos / Ishikawa, which, from early May through mid-June, hosts an exhibition by Lloyd Corporation, the collaborative duo offering a witty mash - up of DIY advertisements with street ephemera as commentary on current - day consumption.

This November, VMFA presents a groundbreaking exhibition that examines how Johns mined Munch's work in the late 1970s and early 1980s as he moved away from abstract painting towards a more open expression of love, sex, loss, and death.

The book, edited by Trevor Schoonmaker, Curator of Contemporary Art at the Nasher, brilliantly presents a masterful look at the figurative painting, a selection of which can be seen in the next iteration of Soul of a Nation, which opened earlier this month at the Crystal Bridges Museum of American Art in Bentonville, Arkansas, as well as in the exhibition catalogue, available from the Tate, which features Hendricks» painting «What's Going On» (1974) on the cover.

The Studio Museum in Harlem and the Frances Young Tang Teaching Museum and Art Gallery at Skidmore present an exhibition featuring works from every period in painter Alma Thomas's career, including rarely exhibited watercolors and early abstractions, as well as her signature canvases drawn from a variety of private and public collections.

Charlie Was a Sailor also references and underscores earlier works in the exhibition such as Places (2005), which deals with the notions of absence / presence, loss and memory in combination with the exploration of the meaning of «place» and the possibility of rendering this philosophical concept into a work of art, and Places [Lost](2010), which explores places of memory that concentrate meanings, events and fragments of experience.

Also featured in the exhibition will be a series of paintings based on memorabilia from the American punk scene of the 1970 - 80s and other works that use early Modernism as a starting point to address topics such as fascism, sex and boredom, which the artist likens to «Suprematism on poppers.»

This exhibition will bring together a large body of Ulay's early Polaroid works from the 1970s, the iconic video works made in collaboration with Marina Abramović in the late 1970s and 1980s, as well as his more recent projects.

Adventures of the Black Square, Abstract Art and Society 1915 — 2015 at Whitechapel Gallery until 6 April clearly and alternatively positions the work's reductive form (in this exhibition it is Malevich's diminutive undated Black Quadrilateral that is featured) as the beginning of a new art starting in Russia and Northern Europe in the early twentieth century.

In 1982, the Museum organized an exhibition of 48 Lichtenstein paintings from 1951 to the early 1980s, the first to include rarely seen early works such as the iconic Look Mickey (1961).

Senior curator Jennifer Powell explains the exhibition will include «early sculptures and works on paper from the late 1930s onwards as well as large scale paintings from 1940 - 51, the period in which Pousette - Dart was part of the burgeoning New York art scene and developing Abstract Expressionism.

In this, the eighth of our interviews, we talk with Nigerian - born Okwui Enwezor who, after a distinguished early career as curator in the United States, organized exhibitions in Europe, where now he is director of the Haus der Kunst, Munich.

Wide - open gaps in the gallery walls of this important exhibition, which offer glimpses of future works from earlier bays and vice versa, allow us to conceive of Stella's career as a single, unceasing effort to grapple with painting's potential.

That display featured works from her long career and wide - ranging practice, from her early period as an active member of the Parisian avant - garde in the 1920s and 1930s, through to her later years back in Britain, leading up to her Tate retrospective exhibition in 1983, the year before she died.

She manifests these interests in a variety of ways, from her early performance works to more extensive pedagogic projects such as the Marina Abramović Institute, which was featured in the 2015 exhibition Terra Comunal in Sao Paulo, Brazil.

The Sidney Janis Gallery held an early Pop Art exhibit called the New Realist Exhibition in November 1962, which included works by the American artists Tom Wesselmann, Jim Dine, Robert Indiana, Roy Lichtenstein, Claes Oldenburg, James Rosenquist, George Segal, and Andy Warhol; and Europeans such as Arman, Baj, Christo, Yves Klein, Festa, Rotella, Jean Tinguely, and Schifano.

As demonstrated in the exhibition's 1972 portrait of Warhol, he began by appropriating commercially printed imagery, and it was not until the early 1970s that he took his first photographs with a Polaroid camera.