Sentences with phrase «as early feminist»

Florence was a torch bearer as an early feminist who helped open doors for her equally assured, intelligent and capable granddaughter Emily.

Not exact matches

When details of her self - titled 2013 album were originally leaked earlier that year under the moniker Mrs. Carter, it was panned by some critics for its foreshadowed embrace of the artist's still - new identity as hip - hop mogul Sean «Jay - Z» Carter's wife rather than the trailblazing feminist icon who coined powerful female anthems like Irreplaceable, Single Ladies and Independent Women from her Destiny's Child days.

But unlike earlier waves of feminist theology, in which appeals to women's experience were a wakeup call about women's marginalization, today feminist theologians turn to women's narratives as a source of embodied knowledge.

Or as a movement designed to work within the feminist movement as a reformation movement (similar to the early church in Jerusalem to Judaism, or the Tea Party within the Republican Party)?

This may come as a surprise, and indeed, very little is known about these earlier feminists beyond the work of a few scholars.

Jewish feminists challenged the accuracy of the representation of Judaism, and as a result, considerably more nuanced pictures of gender relations in both early Christianity and Judaism have been developed.

It allowed me to reconceptualize the study of «women in the Bible,» by moving from what men have said about women to a feminist historical reconstruction of early Christian origins as well as by articulating a feminist critical process for reading and evaluating androcentric biblical texts.

As the bills for the sexual revolution pile up, it looks as if the late nineteenth and early twentieth century feminists were closer to the marAs the bills for the sexual revolution pile up, it looks as if the late nineteenth and early twentieth century feminists were closer to the maras if the late nineteenth and early twentieth century feminists were closer to the mark.

One of the early peace groups to draw a connection between feminism and peace was the Garrisonian wing, of the New England Non-Resistance Society in the 1830s, including among its members such prominent early abolitionist - feminists as Maria Weston Chapman, Lucretia Mott and William Lloyd Garrison himself.

This time they come disguised as feminists, leftists, and fundamentalist Christians, but their intent to misuse the arts and humanities is the same as those of the manipulators of earlier times.

2, he describes himself as «an early feminist,» who believed that «a woman's rightful place was as a world leader, not servant or helpmate.»

The strongest early voices of feminist theology, such as Mary Daly and Rosemary Ruether, were mainly Catholic, but Protestant women were fully engaged.

Taught by the media and radical feminists to be ashamed about their maternal, nurturing and intuitive side, mothers are too often afraid to follow and act on their intuition even though it tells them that a youth sports system which too often emphasizes winning and competition over fun and skill development, treats children as young as six as adults and cruelly and unfairly saddles so many as failures before they have even reached puberty because they weren't lucky enough to be «early bloomers» or have a January birthday, is not the kind of nurturing, caring and, above all, inclusive environment mothers believe their children need to grow into confident, competent, empathetic, emotionally and psychologically healthy adults.

Honeyball argues persuasively that these early Labour women saw themselves as socialists first and feminists second, and skilfully describes the enormous prejudice they overcame, on both counts.

As an example, she pointed to the success online feminist activists had in raising awareness of the misogynist aspect of a mass shooting in Santa Barbara earlier this year and awareness about the racial violence and tensions in Ferguson, Missouri.»

It's also very similar to the definition offered by Hillary Clinton earlier this year, when she defined «feminist» as being in favor of equal rights for women.

In the early 1970s, Macy was cast in several small roles in the TV properties of producer Norman Lear; this led to a lengthy (72 - 78) engagement as Walter Findlay, husband of fiery feminist Maude Findlay (Bea Arthur) on the popular sitcom Maude.

We've got a first glimpse from the film SUFFRAGETTE, with Carey Mulligan starring as Maude, a foot soldier of the early feminist movement who...

Her realness is deeply nuanced as the struggling artist, feminist and early advocate of punk music in Mike Mills» 2016 sleeper hit 20th Century Women.

The details: The early British feminist movement is dramatized in Suffragette, starring Meryl Streep as real - life suffrage activist Emmeline Pankhurst, Helena Bonham Carter as real - life militant feminist Edith New, and Carey Mulligan as Maud Lancaster, a (fictional) factory worker who joins up with their cause.

As the title suggests, the film focuses on the early feminist movement, with Streep taking on the role of Emmeline Pankhurst.

The novel follows Greer from her early twenties to mid-thirties as she struggles to maintain her years - long relationships with her boyfriend, Cory and best friend, Zee all while balancing her ambition with her feminist morals.

It is regarded as an important early work of American feminist literature, illustrating attitudes in the 19th century toward women's health, both physical and mental.Presented in the first person, the story is a collection of journal entries written by a woman whose physician husband (John) has rented an old mansion for the summer.

McNeely's deep humanism and personal connection to the corporeal circumstances particular to women were qualities which may have been perceived as insufficiently theory - driven in the politicized crucible of early feminist art.

The author notes: «As early media artists and feminists have done, Rottenberg and Moulton construct imaginative narratives that probe the unsettling relationship between the body, screens, technology, and contemporary life.»

Earlier feminists tackled grim and unfunny issues such as sexual violence, inspiring the Guerrilla Girls to keep their spirits intact by approaching their work with wit and laughter, thus preventing a backlash.

In the late 1960s and early 1970s artists became more political, even sometimes identifying as feminists or activists.

This is distinctly different from the earlier generation of women artists such as Frankenthaler, Grace Hartigan, and Joan Mitchell, who bristled at the idea of being called a feminist.

She is not interested, however, in feminist art that «places social critique or politics in the foreground,» acknowledging the feminine, emotional side to artists such as Mike Kelley or Matthew Barney, of whom she was an early collector.

AMCDIn the late 1960s and early 1970s artists became more political, even sometimes identifying as feminists or activists.

Ana Mendieta's identification as a Latina and Third World feminist is not only linked to her experience of migrating from Cuba to the United States in Operation Peter Pan, but also her studies at the University of Iowa, a place not associated with diversity in the early 1970s.

These early collages in which Kruger used the techniques she had perfected as a graphic designer, were the artist's initiation into the world of ongoing political, social, and feminist provocations and commentaries on religion, sex, racial stereotypes, consumerism, corporate greed, and power.

Alert arts community members may remember Thais Mather as one - third of the Victory Grrrls, who performed at form & concept earlier this year as part of the gallery's programming around an event featuring feminist pioneer artist Judy Chicago.

Due largely to these feminist exhibitions and accompanying catalogues, Heward is now recognized as an important modern artist of the early 20th century.

[33] Maria Troy, «I Say I Am: Women's Performance Video from the 1970s,» also the title to a collection of «early feminist tapes» curated by Troy as Associate Curator of Media at the Wexner Center in Columbus, Ohio.

-- Nikolay Oleynikov, Tsaplya Olga Egorova, Dmitry Vilensky, and others Claire Fontaine (fictional conceptual artist)-- A Paris - based collective including Fulvia Carnevale and James Thornhill CPLY — William N. Copley Diane Pruis (pseudonymous Los Angeles gallerist)-- Untitled gallery's Joel Mesler Donelle Woolford (black female artist)-- Actors hired to impersonate said fictional artist by white artist Joe Scanlan Dr. Lakra (Mexican artist inspired by tattoo culture)-- Jeronimo Lopez Ramirez Dr. Videovich (a «specialist in curing television addiction»)-- The Argentine - American conceptual artist Jaime Davidovich Dzine — Carlos Rolon George Hartigan — The male pseudonym that the Abstract Expressionist painter Grace Hartigan adopted early in her career Frog King Kwok (Hong Kong performance artist who uses Chinese food as a frequent medium)-- Conceptualist Kwok Mang Ho The Guerrilla Girls — A still - anonymous group of feminist artists who made critical agit - prop work exposing the gender biases in the art world Hennessy Youngman (hip - hop - styled YouTube advice dispenser), Franklin Vivray (increasingly unhinged Bob Ross - like TV painting instructor)-- Jayson Musson Henry Codax (mysterious monochrome artist)-- Jacob Kassay and Olivier Mosset JR — Not the shot villain of «Dallas» but the still - incognito street artist of global post-TED fame John Dogg (artist), Fulton Ryder (Upper East Side gallerist)-- Richard Prince KAWS — Brian Donnelly The King of Kowloon (calligraphic Hong Kong graffiti artist)-- Tsang Tsou - choi Klaus von Nichtssagend (fictitious Lower East Side dealer)-- Ingrid Bromberg Kennedy, Rob Hult, and Sam Wilson Leo Gabin — Ghent - based collective composed of Gaëtan Begerem, Robin De Vooght, and Lieven Deconinck Lucie Fontaine (art and curatorial collective)-- The writer / curator Nicola Trezzi and artist Alice Tomaselli MadeIn Corporation — Xu Zhen Man Ray — Emmanuel Radnitzky Marvin Gaye Chetwynd (Turner Prize - nominated artist formerly known as Spartacus Chetwynd)-- Alalia Chetwynd Maurizio Cattelan — Massimiliano Gioni, at least in many interviews the New Museum curator did in the famed Italian artist's stead in the»90s Mr. Brainwash (Banksy - idolizing street artist)-- Thierry Guetta MURK FLUID, Mike Lood — The artist Mark Flood R. Mutt, Rrose Sélavy — Marcel Duchamp Rammellzee — Legendary New York street artist and multimedia visionary, whose real name «is not to be told... that is forbidden,» according to his widow Reena Spaulings (Lower East Side gallery)-- Artist Emily Sundblad and writer John Kelsey Regina Rex (fictional Brooklyn gallerist)-- The artists Eli Ping (who now has opened Eli Ping Gallery on the Lower East Side), Theresa Ganz, Yevgenia Baras, Aylssa Gorelick, Angelina Gualdoni, Max Warsh, and Lauren Portada Retna — Marquis Lewis Rod Bianco (fictional Oslo galleris)-- Bjarne Melgaard RodForce (performance artist who explored the eroticized associations of black culture)-- Sherman Flemming Rudy Bust — Canadian artist Jon Pylypchuk Sacer, Sace (different spellings of a 1990s New York graffiti tag)-- Dash Snow SAMO (1980s New York Graffiti Tag)-- Jean - Michel Basquiat Shoji Yamaguchi (Japanese ceramicist who fled Hiroshima and settled in the American South with a black civil - rights activist, then died in a car crash in 1991)-- Theaster Gates Vern Blosum — A fictional Pop painter of odd image - and - word combinations who was invented by a still - unnamed Abstract Expressionist artist in an attempt to satirize the Pop movement (and whose work is now sought - after in its own right) Weegee — Arthur Fellig What, How and for Whom (curators of 2009 Istanbul Biennial)-- Ana Dević, Nataša Ilić, Sabina Sabolović, Dejan Kršić, and Ivet Curlin The Yes Men — A group of «culture - jamming» media interventionists led by Jacques Servin and Igor Vamos

He emerged as an artist in the early 1970s with groundbreaking performative installations that infused everyday life with art and politics and stood at the intersection of the gay liberation and feminist movements.

as the founder of Smack Mellon, I have the honor of bringing it to your attention that Smack Mellon was allowed to thrive in the early years due to two well established feminist painters, Harmony Hammond and Joan Snyder respectively.

Each iteration unique in sharing parallel commitments and emanating from Los Angeles — a city positioned as an important locus for early feminist discourse and supportive of new platforms blending art with initiative (Sexy Beast).

Taking it's title from the seminal early - feminist Virginia Woolf essay, «A Room of One's Own,» at Yancey Richardson Gallery through Aug. 21, 2015, plays off of that historical show, looking further inward not just at the process of experimenting in the studio, but at the space itself, as a muse and subject in the art of 12 contemporary photographers, including Anne Collier, Mickalene Thomas, and Laura Letinsky.

September 19 to January 27, 2008 The Feminine Mystique Jersey City Museum Jersey City, N.J. Work by contemporary women artists who take up the sort of issues raised by Betty Friedan's 1963 book The Feminine Mystique, as well as a host of new feminist issues for the early 21st century.

Both socially and politically aware, Picard demonstrated her feminist concerns in Lady Woolworth, 1963, a work that functions as an early critique of mass media's manipulation of women.

Hershman Leeson, who is perhaps best known for her unconventional and almost spy - like tactics of uncovering early feminist identity politics issues, here titles two photos of a woman who may or not be Leeson herself, as Tubal Invasion and Shutter.

She studied traditional Japanese - style «Nihonga» painting early on but came of age as a boundary - pushing, feminist artist in New York's avant - garde scene in the»60s.

Perchuk also praised the early work of feminist legend Judy Chicago, who went to school to learn auto - body paint techniques to make her own contribution to the hot rod - inspired branch of California minimalism known as «finish fetish.»

The work draws out the complex relationships between communication and isolation, as well as marking some of the critical debates that circulated in the early formation of lesbian, feminist, lesbian - feminist and gay liberation political positions.

In Chicago in the early 1970s, we had our own third and best - known generation of alternative spaces (each city can claim its own artist - run history, probably with a fair share of boosterism thrown in), such as ARC, Artemisia (both were feminist galleries formed from West - East Bag, a nationwide network of women artists), and N.A.M.E., with the much - heralded Randolph Street Gallery opening in 1979.7 This is not to mention still - running artist - driven efforts such as the Hyde Park Art Center, founded in 1948, and the South Side Community Art Center, the only surviving Federal Arts Center from the WPA era and the oldest African American art center in the country, famously dedicated by Eleanor Roosevelt on opening day in 1940.

Viewers can check out retrospectives to see earlier work of established artists, or check out new, innovative artists working today in shows highlighting visual dialogues, immersive environments, postwar art, feminist prints and sound as a medium.

For example, Shani draws from The Book of the City of Ladies, written by Italian - French medical author Christine de Pizan in 1405 as an early proto - feminist example describing a city without men, that Shani imagined links to present and possible future scenarios.

A feminist, activist and video and performance pioneer, Ivekovic came of age in the early 1970s during the period known as the Croatian Spring, when artists broke free from mainstream institutional settings.