Use lines, light and dark shapes, tones, and colors
as the elements of the composition, rather than the concept «a rose».
These initial data can be described
as elements of composition, symbolic in nature, which in historical events appear as fragments of the hierarchical configurations previously discussed.
The theme, «Lineal Investigations» was open to all media and focused on innovative interpretations in the use of line
as an element of composition.
Not exact matches
Assuming that Ford's analysis
of Religion in the Making is accurate, Whitehead would have moved, during the
composition of that book, from conceiving God
as a formative
element to God
as the conceptual valuation
of eternal objects.
Ford's proposal implies that Whitehead had abandoned such views between the publication
of Religion in the Making and the
composition of Process and Reality, and that he then had reverted to the concept
of God
as formative
element that he had developed in the first three parts
of Religion in the Making.
However, more evidence would be needed in order to show that at an even earlier stage in the
composition of his magnum opus, Whitehead did conceive God
as nothing more than a formative
element,
as Lewis S. Ford claims.
The skaters are judged on five program component scores: Skating skills, their ability to skate with ease; transitions, what the skater is doing between technical
elements (basically, don't skate without a purpose); performance, which is the art
of it;
composition, which is how the skater tells the story
of their performance on the surface; and interpretation, another abstract concept that can be best explained
as the skater skating with their soul.
His early experiments on the
composition of hydrogen chloride and hydrochloric acid were published
as a successful textbook,
Elements of Experimental Chemistry, which ran to its 11th edition by 1829.
Since each
element radiates X-rays at a characteristic set
of energies, or wavelengths, ACIS can reveal the
composition as well
as the appearance
of objects.
They plan to explore what other traces
of elements are present in the inclusions,
as well
as make measurements
of the isotopic
composition of some
elements, which could reveal exactly how the metal forms and how it interacts with rocks in the mantle.
A Cologne working group involving Prof. Carsten Münker and Dr. Elis Hoffmann and their student Sebastian Viehmann (working with Prof. Michael Bau from the Jacobs University Bremen) have managed for the first time to determine the isotope
composition of the rare trace
elements Hafnium and Neodymium in 2.7 - billion - year - old seawater by using high purity chemical sediments from Temagami Banded Iron Formation (Canada)
as an archive.
«The unique species
composition, high diversity and relatively intact forest structure underscore the importance
of strengthening ongoing and future conservation measures at Ton Pariwat Wildlife Sanctuary,
as a key
element of wider conservation efforts in southern Thailand,» adds Dr. Strijk.
The Temagami Banded Iron Formation, which was formed 2.7 billion years ago during the Neoarchean period, can be used
as an archive because the isotopic
composition of many chemical
elements such
as Hafnium and Neodymium directly mirrors the
composition of Neoarchean seawater.
Then an AI algorithm analysed 100,000 photos that users
of photo sites had voted
as being high quality to work out the
elements that made a good photo, such
as exposure and
composition.
These new catalysts are produced through the simultaneous control
of the: 1)
composition, 2) size and 3) crystallinity
of metal oxides
of earth - abundant
elements such
as iron, cobalt and nickel.
This detailed knowledge, in turn, provides deeper insight into the mechanisms by which planets in general cool down, by which their magnetic fields are generated, and by which the separation
of lighter
elements from heavier ones
as planets develop their internal structure releases additional energy for geologic processes and alters crustal
compositions.
As likely as both of these scenarios seem, the spectrograph only measures elements rather than mineral composition, the team will need further research to be certai
As likely
as both of these scenarios seem, the spectrograph only measures elements rather than mineral composition, the team will need further research to be certai
as both
of these scenarios seem, the spectrograph only measures
elements rather than mineral
composition, the team will need further research to be certain.
The data allowed them to confirm the mass
of the planet
as well
as determine the approximate metallicity (a number
of elements heavier than hydrogen and helium within a celestial body), and the primary
composition of the planet's atmosphere.
Tungsten contains one isotope
of mass 182 that is created when an isotope
of the
element hafnium undergoes radioactive decay, meaning its elemental
composition changes
as it gives off radiation.
«The use
of antibiotics should be considered
as an important
element affecting microbiota
composition.
The stark juxtaposition
of the photograph's two main
elements — the people and the sign —
as well
as the symbolism
of the
composition -LSB-...]
It has all the good and bad
elements of Anderson's style, including some
of his best straight - ahead
compositions (the ones with the camera facing perpendicular to a rectangular object like a wall or train while the characters either look straight ahead or move sideways
as the camera tracks with them, often in slow - motion) and a vibrant use
of color (including the blues and yellows he also used well in The Life Aquatic).
What attracted critical minds like Jacques Rivette, Eric Rohmer, and others to Nicholas Ray and his oeuvre — bored stiff
as they were by the risk - averse, respectable, and ultimately neutered «cinema
of quality» — was the stamp
of the personal and the
element of danger they discerned in his films, whether that meant the improvisatory handling
of actors with a touch deft enough to coax remarkable performances out
of even non-professionals; the «superior clumsiness,» cited by Rivette in «Notes on a Revolution,» resulting in «a discontinuous, abrupt technique that refuses the conventions
of classical editing and continuity»; or the purely visual flourishes Ray relished — ranging from the sweeping, vertiginous helicopter - mounted shots in They Live By Night to disorienting, subjective POV
compositions like the «rolling camera» during a car crash halfway through On Dangerous Ground, its very title indicating the source
of Ray's critical appeal.
For example, knowing the basic
elements of design, such
as emphasis, balance, contrast, and repetition, enabled Casciato to teach her students how to create more informative photo
compositions to illustrate each step in solving a linear equation (PDF).
These serve
as the foundation for understanding more complex topics, such
as the
elements of argument and the chain
of legal reasoning used in court cases and historical documents.Advanced
Composition and Rhetoric Honors also includes honors enrichment activities.
As well as being based on an elaborate composition of beguiling forms, fine materials and attractive colours, the high - quality interior of the E-Class is characterised by a further key design element: ligh
As well
as being based on an elaborate composition of beguiling forms, fine materials and attractive colours, the high - quality interior of the E-Class is characterised by a further key design element: ligh
as being based on an elaborate
composition of beguiling forms, fine materials and attractive colours, the high - quality interior
of the E-Class is characterised by a further key design
element: light.
Touching on formal
elements such
as color theory and Op Art, we will explore the visual effects created within works
of art including, but not limited to: pattern, repetition, design,
composition, Gestalt psychology and all forms
of optical razzle dazzle that will make the cones and rods in our eyes forget which way is up.
The
compositions are all evocations
of interieurs (interiors), playing with shapes and textures
of furniture
elements, but also with architecture and perspective,
as well
as with characters» silhouettes.
He is renowned for his invention
of wire sculpture — coined by critics
as «drawings in space» — and the mobile, a kinetic sculpture
of suspended abstract
elements whose actual movement creates ever - changing
compositions.
Throughout Resonating, viewers will note Green's various uses
of a fan shape: in early works such
as For All & None (1978), the fan acts
as an essential symbol, suggestive
of deeper spiritual meaning; in Taxes (1993), one
of her later black and white paintings, the fan shape becomes a central formal
element that unifies the
composition; in She Dreams (1996), the fan shapes create a complex formal variation which co-exists with other images.
Instead, he unifies picture and text through his curious treatment
of text
as a formal
element of the
composition.
Polyptyque (4 panneaux)(1966),
Composition abstraite (1962) and Composition abstraite (1966) each feature a host of swirling, asymmetrical shapes compiled in a seemingly free composition, but as with the previous painting, no element of this is
Composition abstraite (1962) and
Composition abstraite (1966) each feature a host of swirling, asymmetrical shapes compiled in a seemingly free composition, but as with the previous painting, no element of this is
Composition abstraite (1966) each feature a host
of swirling, asymmetrical shapes compiled in a seemingly free
composition, but as with the previous painting, no element of this is
composition, but
as with the previous painting, no
element of this is arbitrary.
Perhaps most significantly, Schapiro's
compositions are not allover abstractions, and that not alloverness — the fact that each presents a figure on a ground — is the one
element that could be interpreted
as a subtle critique
of the Greenbergian imperative to deemphasize figure and privilege the totality and immediacy
of ground.
Lerma uses layers
of figurative
as well
as abstract
elements, charcoal and colours, text, the blank canvas and smudges
of paint to create vibrant, erratic
compositions in which you recognize cartoonish figures, mysterious calligraphic signs, and vegetal varieties.
The works utilize black and white in a variety
of media to focus on
elements such
as process,
composition, and spatial relationships.
In these large - scale and visually surprising
compositions, the artist fuses a wealth
of anachronistic
elements into a unified whole,
as in the World War I biplane and Spanish galleon that co-exist in Medieval Divided Self, or he evokes pivotal battles from vastly different epochs
of British and American history, such
as Agincourt and the Battle
of the Alamo.
This year we were thrilled to be able to show the work
of Matt Hansel, whose subjects and
compositions draw our attention to art history
as a whole, and how we bring our own knowledge to the canvas,
as he combine traditional Flemish imagery with digital manipulations and pop
elements.»
In doing so, I always aim to capture a sense
of depth and form using abstract
elements such
as colour, colour relationships, texture, mark - making and
composition.
By reducing all
elements in his
composition to their essential geometries and treating light
as a palpable presence, Edward Hopper imbued his images
of everyday life with what the American philosopher Ralph Waldo Emerson called an «alienated majesty.»
As with all Craig - Martin's prints, this work exhibits an incredibly vivid use
of colour, which enhances the flat appearance and sharply defined outlines
of each
element of the
composition.
Loss
of functionality is thus added to the proximity or combination
of disparate
elements, resulting in
compositions that suggest an incomplete, non-linear narrative
of sorts that allows for countless points
of entry and exit,
as if each object corresponded to a simultaneously familiar and undecipherable language.»
Yet the best
of his wacky
compositions on view, such
as «Cement Truck» and «At the Door,» maintain a delicate and impressive balance between abstract and figurative
elements.
I felt
elements of familiarity and sincerity in the work; they struck me
as compelling and unique
compositions, yet tied to the canon
of Classical painting.
This exploration is one
of the key
elements in the work
of many very established painters, such
as Robert Ryman, where for him not just the paint application comes into play but his choice
of methods for attaching the painting to the wall or the actual date and signature on the work become a pivotal piece
of the
composition.
Though he does not disclose the details
of the context or narrative
of his work, Krisanamis has described his method
as spontaneous, which he parallels to musical improvisation — weaving together color, line, and collaged
elements in a rhythmic manner to form his
compositions.
It cares too much for the wall to be quite sculpture or installation either, and its use
of materials
as her
elements of color and
composition look back to shaped canvas
as well.
SCAD Art Sales, the university's full - service art consultancy, introduces new works by SCAD alumni artists Christopher Paul Dean (M.F.A., sculpture, 2016), Cory Imig (B.F.A., fibers, 2008) and Britt Spencer (professor
of illustration; M.F.A., painting, 2011; B.F.A., illustration, 2005)-- three artists who, like Cruz - Diez, use vibrant color, pattern and crisp lines
as primary
elements in their
compositions.
In a way,
as critic Charles Darwent has written, Ofili «seems to be reliving 20th - century modernism backwards,» cycling through clear formal periods wherein his
compositions have become more stripped - down, foregoing the dense layering and collaged
elements of earlier works, and often focusing on a limited color palette — including the red, green, and black
of Marcus Garvey's pan-African flag in the series
of paintings he began in 2000 and showed in concert in an immersive environment at the 2003 Venice Biennale's British Pavilion.
Thus while he painted individuals from photographs, Richter's replica images were often blurred and bore nothing distinctively identifiable about the subject, an effect that forced the viewer to consider the fundamental components
of the painting itself, such
as composition, color scheme, and so forth, rather than leaving the viewer to identify with, or be distracted by, a picture's implied content or its emotional
element of «humanity.»
The paintings White presents in this exhibition reimagine the still life
as a chance freeze - frame instead
of a carefully arranged
composition of selected
elements.