Sentences with phrase «as emotional story»

As much as its emotional story and complementary new squad mechanics attempt to forge an emotional connection between the players and the game, its traditional run - and - gun gameplay ultimately prevents it from relaying the true emotional turmoil of war.

If games did that, couldn't they truly overtake cinema as the emotional story - telling medium of our age?

Not exact matches

As long as they're relevant and concise, these stories will create the emotional response you're seekinAs long as they're relevant and concise, these stories will create the emotional response you're seekinas they're relevant and concise, these stories will create the emotional response you're seeking.

[01:10] Introduction [02:45] James welcomes Tony to the podcast [03:35] Tony's leap year birthday [04:15] Unshakeable delivers the specific facts you need to know [04:45] What James learned from Unshakeable [05:25] Most people panic when the stock market drops [05:45] Getting rid of your fear of investing [06:15] Last January was the worst opening, but it was a correction [06:45] You are losing money when you sell on corrections [06:55] Bear markets come every 5 years on average [07:10] The greatest opportunity for a millennial [07:40] Waiting for corrections to invest [08:05] Warren Buffet's advice for investors [08:55] If you miss the top 10 trading days a year... [09:25] Three different investor scenarios over a 20 year period [10:40] The best trading days come after the worst [11:45] Investing in the current world [12:05] What Clinton and Bush think of the current situation [12:45] The office is far bigger than the occupant [13:35] Information helps reduce fear [14:25] James's story of the billionaire upset over another's wealth [14:45] What money really is [15:05] The story of Adolphe Merkle [16:05] The story of Chuck Feeney [16:55] The importance of the right mindset [17:15] What fuels Tony [19:15] Find something you care about more than yourself [20:25] Make your mission to surround yourself with the right people [21:25] Suffering made Tony hungry for more [23:25] By feeding his mind, Tony found strength [24:15] Great ideas don't interrupt you, you have to pursue them [25:05] Never - ending hunger is what matters [25:25] Richard Branson is the epitome of hunger and drive [25:40] Hunger is the common denominator [26:30] What you can do starting right now [26:55] Success leaves clues [28:10] What it means to take massive action [28:30] Taking action commits you to following through [29:40] If you do nothing you'll learn nothing [30:20] There must be an emotional purpose behind what you're doing [30:40] How does Tony ignite creativity in his own life [32:00] «How is not as important as «why» [32:40] What and why unleash the psyche [33:25] Breaking the habit of focusing on «how» [35:50] Deep Practice [35:10] Your desired outcome will determine your action [36:00] The difference between «what» and «why» [37:00] Learning how to chunk and group [37:40] Don't mistake movement for achievement [38:30] Tony doesn't negotiate with his mind [39:30] Change your thoughts and change your biochemistry [40:00] The bad habit of being stressed [40:40] Beautiful and suffering states [41:50] The most important decision is to live in a beautiful state no matter what [42:40] Consciously decide to take yourself out of suffering [43:40] Focus on appreciation, joy and love [44:30] Step out of suffering and find the solution [45:00] Dealing with mercury poisoning [45:40] Tony's process for stepping out of suffering [46:10] Stop identifying with thoughts — they aren't yours [47:40] Trade your expectations for appreciation [50:00] The key to life — gratitude [51:40] What is freedom for you?

SHELTER tells the raw and emotional stories of our brave young people as they seek help and hope at Covenant House.

VICE Documentary Films Presents SHELTER: SHELTER tells the raw and emotional stories of our brave young people as they seek help and hope at Covenant House.

Examples of articles that earned top scores on some of the dimensions we analyzed include a story called «Redefining Depression as Mere Sadness,» which was rated as highly emotional.

Their stories often suggest the appalling extent to which the church tends not simply to ignore sexual, physical, emotional and spiritual violence against women and children as a major crisis, but actually to provide theological justification for this violence in its teachings about male headship, women's subordination, and the sinful character of sexuality.

A New York Times story over the weekend chronicled how some individuals and organizations eager to see same - sex marriage legalized have stopped trying to win others to their point of view through reasoned argument and have turned, instead, to emotional epithets as their main rhetorical tool.

I've listened as a whole group of twenty - somethings exchanged stories of awkward interventions and emotional meltdowns and dramatic lines - in - the - sand, all over differences of opinion regarding theology or politics or ecclesiology.

The life and teachings of Jesus as revealed in the four canon gospels reveals a man who always communicates to heart (our emotional - passionate - experience - based brain) with story, parable and illustration.

It's a difficult and emotional story (LaBeouf revealed that as a child, he heard his mother being raped and now suffers from PTSD.)

I've been writing out my story, experiences with sexual, emotional, and spiritual abuse, as a form of healing.

God's power to heal bodies shatters our prejudice that healing prayer is only for the more emotional, less intelligent folks; that the Bible stories of healing are merely «symbolic» and «not really true» and that the way the world is (comfortable as it is for us) is God's will.

It's time to take a look back at some of the wonderful memories, powerful stories, emotional songs and perfect times that we have all shared together growing up at what we call our home as after all, «We are Tottenham, We are Tottenham, Super Tottenham, from the Lane!»

I didn't understand that he was shaping an emotional arc, exploring nuance, choosing and editing the stories that would define our identity as a family.

Ostensibly, it is the story of a team of nine - year old hockey players in a Boston suburb, their coach, a former high school baseball coach and local sports hero, the all - male board of directors of the town's hockey club, a hockey mom concerned about her kids emotional well - being, and, at center ice, a set of adorable, identical, competitive, but sensitive twin boys who became, as is all too often the case in the adult - centered world of youth sports, the unintended but innocent victims of a real life power play.

It's so important to find like - minded parents who can offer their «been there, done that» stories, emotional scaffolding, and specific suggestions for when you feel confused as to what to do about your child's behavior, or when you question whether this new thing you're trying, like positive discipline instead of spanking, for example, is going to work out in the long term, or how exactly to keep those family attachment bonds strong as your children grow, or how to move forward when your family encounters challenging life circumstances.

They share real stories based on personal experience on relationship trouble, infidelity, raising children as single mothers, the battles the had over child support and custody, emotional struggles, dating again and as step - mothers in blended families.

Moms need to share their birth story, or stories, sometimes many times, as a part of the emotional work of integrating her birth (s).

From tips about caring for your body, to her own stories about the missteps she's made as a mother, to advice about how to handle the tough emotional challenges moms face, Brooke paints an honest picture of motherhood that all women can relate to, insisting that it's not about being right or wrong, it's about being your authentic, naked self.

She sent me the link to GBO and I got very emotional as I looked over the website and read / watched some of the birth stories.

It will be a story based on facts — yes, facts still matter, as long as they are in service of a compelling emotional message.

It is as stupid a story as anyone has ever told, but it will be the core emotional message of the Brexit press campaign, enthusiastically promoted by Downing Street.

WASHINGTON — The Senate approved a sweeping immigration overhaul Thursday in a strong bipartisan vote after an afternoon of emotional speeches as senators told personal stories of family journeys to the United States while visitors filled the galleries...

«The claim that «EFCC operatives subjected our staff to crude intimidation, psychological and emotional trauma, even as some of the men accused our organisation of publishing pro-Biafra, Boko Haram, and Niger Delta Militant stories,» is strange and clearly the figment of the imagination of the Sun.

The 50 - year - old lawyer, visibility emotional, characterizes his campaign for State Senate as the story of David and Goliath, fueled by fear of mortality and a desire, while he's still around, to be «fighting for the little guy.»

Perry's story and Springer's emotional testimony highlight the uphill battle scientists have faced in recent years as right - to - try laws have been passed around the country.

As Kurt Vonnegut argued in a now - famous lecture, stories have emotional shapes.

As the 10th anniversary of September 11th approaches, I find myself getting emotional every time I hear one of the stories associated with that day...

It can be quite an emotional journey as the stories of the chups are often quite harrowing.

The film changes a few bits from the book, including making Jo - Jo the shirker into the Mayor's son, giving the film a deeper emotional center, serving as an additional relationship to go with the bond between Horton and the mayor, but most of the rest of the story is still in place, held together by Charles Osgood's narration, which has just the right effect.

As Manuela, the mother of a deceased teen son, Roth's restrained yet palpable grief infused Manuela's strange search for the birth father with emotional resonance, anchoring Almodóvar's story of redefined families and female resilience.

That's a tricky balance to strike, between fact and feeling, and I suppose the family bits were added to act as ballast for the film's practical policy talk, but I'd imagine that there is some root emotional oomph to be found in that policy that could bolster the story in its own right.

Writer / director Terrence Malick («Badlands» / «The Thin Red Line» / «The New World») superbly shoots it as an enthralling mood piece, that lets its romanticized story of the human condition be spelled out visually to overwhelm us with its deep emotional impact as a parable of love and the loss of innocence with biblical proportions.

superbly shoots it as an enthralling mood piece, that lets its romanticized story of the human condition be spelled out visually to overwhelm us with its deep emotional impact as a parable of love and the loss of innocence with biblical proportions.

The movie's tendency was seeming to want to tell the story of this almost «forgotton» work camp in WWII as well as the emotional struggles each character took with them, they do a great job at following the emotional struggles, but not so much what actually happend or why they have them.

Under Shawn Levy's direction, the story never misses a beat, with fully - committed performances by Jackman, Evangeline Lilly (as the woman who's always believed in him), and fresh - faced young Goyo, who bears a strong resemblance to Ricky Schroder and has the same ability to win you over at emotional moments, even if you're trying to resist.

There's more to Nostalgia, of course - as even Hamm's dealer is dealing with a few emotional losses of his own - but Pellington and Perry (whose script lacks the talkative confrontation of his previous work) inject every short story with a forced yearning for poeticism that's never really earned.

The film's nightmarish, appropriately trippy visuals (particularly in Renton's «cold turkey» montage), a memorable rock and dance - tinged soundtrack and Boyle's undeniable ability to maintaining the story's momentum and manic energy seals Trainspotting's position as a striking, emotional and affecting viewing experience.

If you're a sucker for underdog stories and love rooting for a ragtag bunch that takes the nation by surprise, you'll find that «The Mighty Macs» delivers the same emotional payoff as «Hoosiers.»

Part fairy tale / creature feature / domestic melodrama, this adds up to far more than a «one boy and his monster» story — and is a tougher emotional journey as a result.

Beauvois, whose previous films include the Baye - starring «Le Petit Lieutenant» and the superlative Cesar - winning «Of Gods and Men,» is a quiet visionary who thinks stories of subdued emotional conflict are as good as it gets.

Brown seamlessly blends the emotional, intimate stories of people with bigger pictures, using the explosion as the starting point for a ripple effect that just keeps growing.

Impressive visuals and great production design are unfortunately overshadowed by a convoluted plot that struggles to depict its story - a narrative that starts strong but deteriorates as it attempts to balance too many emotional stakes for its own good while including one (or two) too many scenes that unintentionally call attention to itself.

Based on actual events, this claustrophobic epic is as emotional as they come: a Holocaust story shot through with a layer of darkness both literal and figurative.

A potentially promising story of an emotional and physical impasse is flattened so much as to be offensive.

Angelina Jolie's second feature as a director, following her under - the - radar 2011 Bosnian drama In the Land of Blood and Honey, is a beautifully shot, well - acted, and worthy - to - a-fault Second World War survivor story that only intermittently achieves the kind of emotional impact for which it aims.

As such, «The Dark Horse» is as good a title as any for a film that takes an overplayed genre — the inspirational mentor story — and still manages to surprise, sneaking up to deliver a powerful emotional experience within a formula we all know by heart: After suffering a nervous breakdown, a Maori chess champ volunteers to coach a group of disadvantaged kidAs such, «The Dark Horse» is as good a title as any for a film that takes an overplayed genre — the inspirational mentor story — and still manages to surprise, sneaking up to deliver a powerful emotional experience within a formula we all know by heart: After suffering a nervous breakdown, a Maori chess champ volunteers to coach a group of disadvantaged kidas good a title as any for a film that takes an overplayed genre — the inspirational mentor story — and still manages to surprise, sneaking up to deliver a powerful emotional experience within a formula we all know by heart: After suffering a nervous breakdown, a Maori chess champ volunteers to coach a group of disadvantaged kidas any for a film that takes an overplayed genre — the inspirational mentor story — and still manages to surprise, sneaking up to deliver a powerful emotional experience within a formula we all know by heart: After suffering a nervous breakdown, a Maori chess champ volunteers to coach a group of disadvantaged kids.

Kindly taking in a crackhead prostitute named Kat (Kat Dennings), Arthur finds some emotional clarity with his new friend, as the two bond over the stories of personal pain.