Sentences with phrase «as evil characters»

First visit is Barong Dance performance is Balinese dance story about fighting good an evil with character Barong as a good character and Rangda as a Evil character.

As an evil character wielding a massive warhammer, most of my finishing moves resulted in mashing my opponents into a bloody pulp in gratuitous slow motion.

As an evil character, I had access to the best strategems (poison gas was my favorite), but all the other characters in the game hated working for me.

Not exact matches

Mike Myers appeared on «The Tonight Show starring Jimmy Fallon» Wednesday night, as his Dr. Evil character from the «Austin Powers» movies, to take some jabs at Trump.

Rather than looking at corporate work as the evil scourge of the earth (though you certainly want to make sure your personal values align with an organization's corporate values), riding the elevator to the 11th floor every day may be exactly where God needs you to develop your spiritual character, your gifts and to reach those who are broken, empty and living without knowing their Savior.

Im sure a being of immoral and untrustworthy character as theologically rendered and put into the dual perspective of good / evil would be interpreted that he would be indifferent.

That was a very interesting read many comments caught my attention I've recently been diagnosed with Bipolar I have hallucinations and hear voices in my ear's when I hallucinate it's likes they are trying to get me thousands of them I can only describe them as dark shadows and they are trying to get me just as they are about to get me a brilliant white light surrounds me and there's three entities humanly shaped but like this brilliant white light they are also glowing this brilliant whiteness I can't understand what they are saying the only way I can explain it is emotions comfort joy love is what I feel emanating from these entities the voices I hear aren't evil telling me to do bad things to people when I get put into a mode of fear I live in a rough area of Scotland and everytime I've got into a fight something possesses me I know this for a fact as I can't control myself I'm an observer watching my family / Friends say I change they say my eyes change and I look evil I personally do think possibly through my own personal experience I» am possessed as I act out of character I've lost interest in many things I've recently I decided it's time for change I've lost my faith I've been trying to connect with God and feel his love which I used to feel the presence of the holy spirit everytime I try connect I get a feeling of abandonment I just think if I am possessed could these entities stop me connecting with «God» I can say from my heart of hearts «JESUS CHRIST HAS COME IN THE FLESH» I think it's more to do with the persons own personal fears which I have noticed my fears have changed if I had to be truthfully with myself I fear God which I know I'm not supposed to just I can't explain it I guess if you ever need a test subject I'm up for the challenge like I said I'm on journey to find myself and my travels have brought me hear I'm going to hang around for a wee while there's lots of good information to be plundered loll

His argument, part of which appeared in these pages («Leading Children Beyond Good and Evil,» May 2000), is that moral education as presently conceived almost inevitably ends up by thinning out moral content, removing the sharp edges of judgment, avoiding normative traditions of moral experience, and thus stifling the factors most crucial to the formation of character.

A crucial judgment that the church must make is whether to reject their offerings because of their ambiguous character and radical demands or to seize upon them as an occasion for repentance for that in our history which now appears evil to so many sensitive critics.

Much more entertaining, and the villains are nowhere near as evil as the chief character in the Babble.

Hereâ $ ™ s some of the things that grabbed me: important theological / spiritual themes are developed through the story such as good and evil, leadership, courage, love, forgiveness, and unity; good character development; convincing geographical descriptions; it does feel like the same kind of worlds Tolkien, Charles Williams and C. S. Lewis wrote about.

Morality plays, based on scriptural themes and dramatized for the illiterate masses of the Middle Ages the struggle of good with evil, embodied in the various characters virtues such as innocence, beauty, kindness, and patriotism in their triumph over vices such as sloth, ugliness, gluttony, lying, and cheating.

The transformation of a past evil into a good does not change the character of the past evil as past.

The kingdom of God would come, to be sure, as a consequence of a decisive act of God, for only God could defeat the supernatural powers of evil which opposed his rule and only God could release the tides of spiritual power which would give the new age its character; but the kingdom of God was to be a kingdom within men's hearts and within men's world.

This reprobate character is known not only through an individual's own experience with himself as he struggles with impulses too strong for his own strength to overcome, but also through his observation of the world about him, a world in which evil and its works are so terribly apparent, and in whose operations he is so inextricably involved.

Thus, for example, «facts» that have often enough been taken as evidence against theism (such as «the facts of evil») may prove to have falsificatory character in relation to theism not, however, directly, in their character as contingent facts, but rather indirectly, as illustrations of the implicitly self contradictory character of such an interpretation, contradicted by any and every fact, and now made explicit by being shown contradictory with specific (and always interpreted) facts.

Does the Body of Christ (the American Church) have an obligation to ignore Tony's «Debacle» (an attention - getting debate being staged) and try to draw Tony and the Christian community back into the deeper issues of lack of character, inability to honor God's authorities, abuse of financial power, church blindness, and using church events as a smoke - screen for evil actions?»

Two other definitions of God in the New Testament, «God is light» and «our God is a consuming fire,» indicate not so much who God is as the integrity of his character (light) and his complete opposition to evil (a consuming fire).

For them the world at base is indeed really ideal, one body, as it were; evil is the superimposition by selfish desires of feelings and actions that pervert the ideal harmony.15 The bulk of the moral program then is the elimination of selfish desires so that the original clear character will shine through, or so that love of the people will be fulfilled, with all that means for the ordering of the family, economy, and state.

The reality of death as a fact: the inescapable element of decision and the consequences in searching appraisal: the social or communal nature of human existence, coupled with the honest recognition that no man is in and of himself a perfect agent of the purpose of God and the love of God: the joy of fulfillment with one's brethren in the imperishable reality of God: and the terrible character of evil — these were values which the older scheme somehow affirmed and expressed.

If any human being was as narcissistic, cruel, and domineering as this «god» character, he would be considered the most evil tyrant in history.

Because death calls everything into radical doubt, Updike's characters regard it as the great evil.

These words are symbolic of the Yehudi's life and are the most fitting for its close; for of all of the characters in this novel, deeply religious though they are, it is only he who has declared God's oneness, only he who has refused to work for redemption with external means and who has refused to accept a division of the world between God and the devil or a redemption that is anything less than the redemption of all evil and the recognition of God as the only power in the universe.

As William Rowe points out, when a fawn burns to death in a forest fire and no human being ever knows about it, this apparently unnecessary evil does nothing to build the character of human beings.

Just in case his readers construe this as being a human function, Upadhyaya qualifies the extra-mundane character of this teaching: «Jesus Christ claims to have given to mankind the completest possible revelation of the nature and character of God, of the most comprehensive ideal of humanity, of the infinite malice of sin, and of the only universal way to release from the bondage of evil» (Ibid.)

If such be the case, then Hegel is right when in his chapter on «The Good and the Conscience,» he characterizes man merely as the particular and regards this character as «a moral form of the evil» which is to be annulled in the teleology of the moral, so that the individual who remains in this stage is either sinning or subjected to temptation (Anfechtung).

The enduring interest in the Stanford Prison Experiment over many decades comes, I think, from the experiment's startling revelation of «transformation of character» — of good people suddenly becoming perpetrators of evil as guards or pathologically passive as prisoners in response to situational forces acting on them.

In Story Mode, you play as the side of Light as both good and evil characters have been pulled into a whole different world populated by copies of their own Final Fantasy universes.

Based on a story by George Lucas, Willow follows Warwick Davis» title character as he reluctantly agrees to help protect a baby from an evil ruler (Jean Marsh's Queen Bavmorda)- with Willow eventually receiving assistance in the form of a charming scoundrel named Madmartigan (Val Kilmer).

You'll find more modes to play and more characters to choose from such as Evil Ryu, Guile and more, so how's that for replay value?

Based on the hit animated television show produced by Hasbro Studios and currently airing on The Hub television network in the U.S., the game lets fans play as their favorite AUTOBOT characters and embark on an action - packed adventure to save the earth from the evil MEGATRON and his new secret weapon.

Snow is a central character but he's presented as a cardboard cutout evil overlord.

While it's hard to say if Ash vs. Evil Dead is the best it's ever been this year, the series does feel as invested in these characters as ever before.

David Lynch and Mark Frost are captivated by dualities, whether they're giving their characters literal doppelgängers or they're exploring the extremes of good and evil within humanity as a whole.»

Its blaring earnestness and thin characters (all of whom practically wear badges identifying them as good or evil) fail to add nuance to a story that keeps making the same point in virtually every predictable scene.

The characters are the usual action movie stereotypes, but Treat Williams is fun as a kind of watered down Ash from Evil Dead 2 and I actually laughed out loud a couple of times.

Both the truths and the dares are tailored to the players, designed to ruin their relationships or to kill them trying, and delivered by familiar faces that contort into evil smiles, looking, as one character puts it, «like a messed up Snapchat filter» (much less scary than it sounds).

The alternate universe for Tromaville and the alternate characters was something interesting such as we see the Evil Kabukiman and Noxie, even Sarah and Lard Ass's alternate characters.

I get that it's supposed to be a black comedy; I get that it's Eisner's characters and situations as filtered Miller's sensibilities; I even get that The Octopus [Samuel L. Jackson] is supposed to an evil, human version of Wile E. Coyote / Yosemite Sam, while The Spirit is The Roadrunner / Bugs Bunny.

DiCaprio clearly relishes the opportunity of playing such a hideous, evil character - when he sneers with stained, grotty teeth it's as unsettling as anything else in Django Unchained.

From his first film (Those High Gray Walls [1939]-RRB- onward, the versatile Van Zandt was typed as «everyday» characters whenever he chose not to wear his mustache; with the «stache, however, his face took on a sinister shade, and he found himself playing such cinematic reprobates as evil caliphs, shady attorneys, and heartless Nazis.

In «Fargo,» Thornton's character was pure evil, but in Goliath he's just flawed — despicable at times, but with a good heart that shows often as he pursues justice against his old law firm and partner.

We do get a few newer characters such as Thranduil (Lee Pace), the elf king and father of Legolas, but he is really just a big cliche in terms of the «villain that you know you can't trust and has way too much power and seems evil just for the sake of being evil,» But again, he doesn't get a whole lot of focus, and to be honest, how he is portrayed is not very interesting, the character has this interesting backstory that is somewhat brushed over, and again, he doesn't get a whole lot of screen time.

Overall, the game has a Resident Evil 5 feel and when they call this game role playing it is in the sense of the classic definition of feeling as if you were one of the characters, not so much that it is based on stat adjustments.

There isn't even an opportunity to crack some skulls, as the Red Skull himself plays a brief scripted cameo, giving way to other lacklustre character steroetypes to flesh out the basic «evil guys take over the world» style storyline.

We can't recall Moore playing such an evil character before but we'd love to see her unleash her inner psycho in the role as Laurie did in De Palma's film.

Meanwhile, Mark Strong has been chatting about his role as the film's villain, Doctor Thaddeus Sivana: «I'm playing an evil bastard called Doctor Sivana, they are always the best characters to play, the most fun.

I think Skarsgard would do well to avoid being typecast as evil clown characters, after «It».

And it has a gorgeous Charlize Theron, demonstrating in full fetish - wear that she has no idea she's in a Twilight ripper by turning in a pretty good character performance as an evil step - witch who's spent way too much time reading The Beauty Myth.

Constanzo also employs other horror tactics, most obviously the hovering camera — using a fish eye lens high above the characters to simultaneously make Mina look even more waif - like and also act as an evil eye of sorts looking down at the increasingly complicated scenario playing out.